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who formed the first generation of filmmakers in
Cameroon made remarkable strides in the national and international milieu to revive the seventh art while shooting on the very expensive and scarce film technology at that time. This was closely followed by a second generation of filmmakers such as Jean Marie Tenu, Daniel Kamwa's pouss pouss and Dikongue Pipa's Muna Moto feature films in 1972/1975 respectively stepped up the level of the local industry at the time with national and international recognition. Jean pĂšre Bikolo, Baseck Bakobio and a few others are the last generation of filmmakers who shot on the analog film technology and are still engaging in film productions but this time with the modern digital video equipment which brought a major transformation in the early 1990s in Africa. This generation which overlaps into the digital film age is still impacting the film industry through their individual efforts to be recognized in the industry at home and abroad.
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presidency gives a clue about the importance of the occasion. The launching of the national artistic and cultural season relaunch dubbed RECAN 2019 was an occasion of the reorganization of the
Cameroon Film Industry (CFI) to better meet up with the needs of local filmmakers through a federated structure meant to facilitate cohesion to ease dissemination of information, resources, capacity building and structuring of the dying sector. This meeting was chaired by Basseck Bakobio assisted by Chop Samuel the current president of SCAAP, the director of Cinema at MINAC and the board chair of the Cameroon Film industry CFI. On the other hand, apart from the board chair Mbeaoh Alex who diagnosed the CFI chapter; Agbor Gilbert Ebot, Takum Fred, Musing Derick and Billy Bob were the voices present to articulate the CFI motion in their respective capacities within the industry.
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bi-cultural attributes in terms of organisation, culture, language and methodology in their respective approaches of making films; insisting that a melange of both systems may not appeal to the parties. The meeting ended with a deadlock immediately a motion of equal representation was raised about those to be absorbed into a committee to continue with further deliberations to that effect by the
English filmmakers. The meeting chairperson was totally against the motion of equal representation and rather opined that those to constitute the committee can come from any part of the country not necessarily on the basis of equality. The meeting saw its last minute in a fiasco with the meeting chairman affirming an impromptu call for those that will be selected into the committee to fine-tune the meeting's agenda which could not be exhausted in one sitting.
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Zigoto Tchaya, Angu
Elisabeth, Neba Lawrence, Waa Nkeng Musi, Chinepo Corsson, Tanwie Elvis De Dadies, Alenne Menget, Ashu Egbe, Njamsi Roland, Itambi Delphine, Amandy Alfred, Akim Macaulay, Awah Oliver, Claude Henry Ndegue, Yibain Emile Chah, Anurine Nwanembom, Ngouffo Serge N., Musing Derick, Elung Brenda Shay, Chatoh Collins, Billy Bob Ndive, Nkwah Kingsly, Princess Manka, Tanko Francoise, Chi Anthony, Enah John Scott, Nkanya Nkwai, Achile Brice, Asaba Ferdinand, Musing Derick, Keka Sylvester, Nsuh George, Elvis Smart, PD Cash, Esua Julius, Nkwah Kingsly, Nwanna Goffi, Ngongan Matheu/Joe Walkie/Glory M. of blessed memory, Aisha Innoua, Kucha, Akuro Titus, Ala Leo, Agbor steeve (Big steeve), Syndy Emade, Asah Elvis, Akuro Rapheal, Godwin Nganah, Sylvanus Awae, Takong Delvis, Enow Tanjong, Agbor Obed Agbor, Awemu Pius, Ivanne Namme, Alfred Melo.
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entertainment industry. It was within this period that stakeholders who have not had the opportunity to converge together and talk about the envious film industry which was at its peak at the time in neighboring
Nigeria decided to come up with a structure which was non-existent that could locally or beyond, address the poor working conditions, low wages, lack of technical know-how. The already existing verdant hills of Yibain Emile Aime Chah was laid to rest for an inclusive structure to be put in place for the interest of all in the Buea meeting of 2008. Through respective conventions and assemblies from Kumba, Bamenda, Yaounde where the name
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arts in the west of the mungo through major co-productions initiated by local film producers with
Nollywood with main intention to stimulate the local productions and give the local film industry steam. Within this period local film producer/director like Thomas Beltin of blessed memory produced and directed Heavens forbid (2000), switching heart (2002), Mission to Damunza (2003) which also starred local daring actors at the time like Moma Pascal (Bob), Fanny Fungong, Mbuta Sylvie, Chatoh Collins, and Lyno Lovet.
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meeting which is foreseen as the turning point of the film industry in
Cameroon. While being hopeful that pioneers and front liners of the industry mobilize and reconcile their differences to pave the way to the preceding generations who expect nothing but an exemplary footprint, the powers that be should equally assist these pacesetters to achieve their goals in this very lucrative industry which has been relegated to the back in this country for too long.
244:, which they produced and was directed by Amayo Phillips, starring Nollywood/Cameroonian actors like Patience Ozukwo, Fabien Adibe Nonso Diobi, Tangie suh Nfor, Menye Patra, Cy Wanki and the list goes on. Inspired by this movie other passionate film enthusiast like Agbor Gilbert Ebot and Felix Alote initiated another Cameroon/Nigerian co production same year this time with another Nigerian born producer/director Oscar Benson in the movie titled
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348:, Rhumble Series (156 episodes) produced and directed by Billy Bob Lifongo are TV series aired on national TV which revolutionized the film industry, pushed the bars higher and created awareness about the industry's upgrade. After this major breakthrough other movies such as Samba, Life Point, A Man for the Weekend, Night in the Grass Field, A Good Time to Divorce, Two Ways,
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structure created in 2004 to protect the stakeholders which were mostly actors to come up with a single unanimous guild. There was solid resistance at the
Bamenda convention in 2007 from the founding president Vugar Samsom who was alarmed that NAGCAM was a syndicate and not an association and can not be dissolved rather other existing bodies should be incorporated into it.
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convention. This later became a point of contention within the industry which split the actors into the NAGCAM/ CAMAG divide with NAGCAM proving itself as a syndicate with legalized documents which can't be subdued by another organ thus in August 2014 in a dual extraordinary general assembly/election in the town of friendship (
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which could handle basic issues about actors rights and wellbeing realised a year later in 2004 today known as the
National Actors Guild of Cameroon with its founding president Vugar Samson. Within this period, other local productions were also springing up in the southwest region before the big blast of
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This meeting came at a period when most of the pioneers or stakeholders of the industry are either at log ahead or daggers drawn with each other, probably because of other diverse reasons but important to appreciate the united voice and support they put up with each other while in this very important
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Two years on precisely in 2006, Joe Walkie of the Joe Walkie
Foundation in Kumba also produced the âSacrament â starring local actors at the time such as Alene Menget (recently decorated with the medal of the knight of the order of valour by the head of state alongside Quinta Eyong Ashu) and directed
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Not leaving out some important contributors prior to the industry's evolution, there have been some dedicated and daring filmmakers whose direct or indirect contributions has propagated the industry to where it is today in the likes of Godlove Neba Nyambi Jr, Ngatou Noutossi Glaradip, Molimi Cletus,
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A caretaker committee was set up in Kumba in November of that same year and Waa Nkeng Musi was commissioned to organise and set up the six identified guilds which included the Actors Guild, Producers Guild, Directors Guild, Technician Guild, Writers Guild and Marketing and Distribution Guild. He was
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The interim body of the Musi-led government whose mandate was to terminate in three years in November 2011 extended to March 23, 2013, at the central library in Yaounde when stakeholders clamoured for a change motivated by some individuals insisting about the inability of the interim bureau to meet
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Eleven years later, after many passionate filmmakers of English expression like Nfuh ebenezer, Njiforti Victor, and Thomas Belton continue to push ahead this film making passion. The influence of the Nigerian film industry in the mid-1990s also contributed greatly in the building process of the 7th
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The history of Cameroon filmmaking dates back to 1962, two years after independence when motion picture production was film-based and very expensive, during which independent French filmmakers like Jean Paul Ngassa, Dikonge Pipa, Sita Bella, Alphonse Benny and others with actors like GĂ©rard Essomba
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It is exactly eleven years, three months eleven days from the date of CFI's creation which coincides with this historic day of 14 September 2019 in which the life cycle of the film industry in Cameroon was about to be changed. The very significant and important venue which is the former Cameroon's
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It is worth acknowledging that these early efforts outstandingly stimulated the local industry as was intended by these pioneers and in 2008 after the visit of Africa's lone movie channel at the time African Magic on the invitation of Agbor Gilbert Ebot to identify and expose local talents in the
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which featured Vugar Samson, Nsuh George, Ngeh Gerald, Agbor Gilbert, with Nguffo Serge N. as associate producer. Ghis movie ended in a fiasco with numerous setbacks encountered in the process ; their awful experiences pushed them to brainstorm on their way back of the creation of an âorganâ
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Before 1973, approximately 15 short and long films were produced, with financial support from the French Ministry of Cooperation, and technical support from the French Cultural Centers (CCF â centres culturels français). In 1972, there were about 32 movie theaters across Cameroon by Film Industry
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Following the continuous strides for evolution and the quest of local filmmakers to propagate the film making art with the coming of Cameroon television (CTV) in 1985, inspired new filmmakers including English filmmakers who, through Victor Pungong of blessed memory in 1987, produced ââTrials of
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was adopted and finally in Buea on 3 June 2008 when the Cameroon Film Industry Collywood was initiated. It is imperative to mention that the challenge of the creation of "Collywood" was the problem of the dissolution of NAGCAM (National Actors Guild of Cameroon) which was the only recognized
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Finally, it is very important to emphasise the drastic evolution of the CFI since the board was created in March 2013; the number of high-quality productions has increased tremendously. It is within the framework of the CFI that envisaged and daring productions started being realized such as
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The bi-cultural nature of the sector attests to Cameroon's multicultural potential antagonized the meeting with the Anglo-Saxon filmmakers debating contrary to the ten regional approaches of federating the sector by convincing the French filmmakers about the need for the sector to retain its
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and Yaounde to identify and group registered members within these guilds within a three years lapse. It is important to also note that Moma Pascal Gamih founded CAMAG and incorporated actors into the actors Guild of CFI as part of the objective given to the Musi-led government in the Kumba
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by Jean-Pierre DikonguĂš, and which was awarded the Golden Stallion (The Ătalon dâor de Yennenga is the supreme prize) at the Panafrican Film and Television Festival of Ouagadougou (FESPACO â festival panafricain de cinĂ©ma et de tĂ©lĂ©vision de Ouagadougou) in 1976.
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who is the first elected board-chair of the Cameroon film industry; whose mandate equally terminated prematurely at the end of his three years reign in March 2016 to give way to Mbeaoh Alex who is few months into his second term since March 2019.
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have gained recognition. This emerging trend has really been consistent thus giving a special position for the CFI which hopefully may lead the African Cinema in terms of production quality.
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passionââ the first-ever English film aired on national television with its second version (series) in 2004 starring veterans like Claude Henry Ndenge, Chinepoh Corson,
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Director since the industry did not have a local director whose work could convince local producers at the time to entrust such a huge responsibility.
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as a more recent notable film. It won several awards including Best Feature at the African Movie Academy Awards in 2013. Vitalis also referenced
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who had studied Film technique at the Conservatoire libre du cinéma français (
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commissioned alongside zonal coordinators in various identified zones like
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which he produced and was directed by Fred Amata starring âGiantâ
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up with its mandate. It was in the presence of Akim Macaulay the
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The Cameroon International Film Festival was first held in 2016.
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in 2005 with his maiden Cameroon/Nigerian co-production titled
628:"Collywood is the official name of the Cameroon Film Industry"
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Haut-Commissariat de la République française au Cameroun
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includes French and English-language filmmaking. The
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produced by Godwin Nganah, directed by Tanwie Elvis
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689:"Making blockbusters in a nation without cinemas"
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811:"Viyuoh, Victor | African Film Festival, Inc"
717:"Cameroon Film Industry In Dire Need â Actor"
340:Cameroon's longest TV Series (312 episodes)
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44:film industry is sometimes known as
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255:Before the Sunrise
251:Agbor Gilbert Ebot
143:a short comedy by
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541:
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522:Chu Eugene Chi
520:
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512:
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478:Billybob Ndive
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468:Chinepo Cosson
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242:Peace Offering
231:Yijika Solange
220:
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23:
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2606:Latin America
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2175:Faroe Islands
2173:
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1700:Chhattisgarhi
1698:
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1060:
1057:
1055:
1052:
1050:
1047:
1045:
1042:
1040:
1037:
1035:
1034:Guinea-Bissau
1032:
1030:
1027:
1025:
1022:
1020:
1017:
1015:
1012:
1010:
1007:
1005:
1002:
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985:
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766:
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741:
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697:. 19 May 2015
696:
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633:
629:
623:
619:
609:
606:
604:
601:
599:
596:
595:
587:
584:
581:
580:Screen Awards
578:
575:
574:
566:
563:
561:Prince Wilson
560:
557:
555:
554:Adambi Mbango
552:
550:
547:
545:
542:
540:
537:
535:
532:
529:
527:
526:Epule Jeffrey
524:
521:
519:Asobo Desmond
518:
516:Achiri Victor
515:
514:
505:
503:Prince Wilson
502:
499:
496:
494:
493:Ngang Romanus
491:
489:
488:Victor Viyuoh
486:
484:
481:
479:
476:
474:
473:Neba Lawrence
471:
469:
466:
464:
461:
459:
456:
454:
453:Takong Delvis
451:
449:
446:
444:
443:Achiri Victor
441:
439:
436:
435:
426:
424:Prince Wilson
423:
421:
418:
416:
415:Stephanie Tum
413:
411:
408:
406:
403:
401:
398:
396:
393:
391:
390:Enah Johnscot
388:
386:
385:chefor Leslie
383:
381:Desiree Sanga
380:
378:
375:
373:
372:Asobo Desmond
370:
368:
365:
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268:
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234:
232:
226:
216:
213:
205:
202:November 2022
195:
191:
187:
181:
180:
176:
171:This section
169:
165:
160:
159:
151:
148:
146:
142:
138:
137:
132:
128:
127:Victor Viyouh
124:
123:
122:Ninah's Dowry
118:
113:
110:
107:
106:
100:
96:
94:
93:
88:
84:
80:
79:Alphonse BĂ©ni
76:
72:
68:
65:
63:
59:
49:
47:
43:
39:
29:
24:
19:
16:
2637:
2623:
2611:Soviet Union
2363:German Turks
2137:Soviet Union
2061:Soviet Union
2015:Saudi Arabia
1915:Turkmenistan
1829:Southeastern
1584:South Africa
1532:
1477:Burkina Faso
1324:World cinema
1269:Saint Helena
1240:
1144:South Africa
1134:Sierra Leone
948:
939:Burkina Faso
860:. Retrieved
856:
847:
835:. Retrieved
826:
814:. Retrieved
805:
793:. Retrieved
789:
780:
768:. Retrieved
764:
755:
743:. Retrieved
739:
729:
720:
711:
699:. Retrieved
692:
683:
671:. Retrieved
667:
640:. Retrieved
636:the original
632:Kamer360.com
631:
622:
582:â since 1995
571:Distributors
539:Onyama Laura
530:Kang Quintus
463:Nkanya Nkwai
410:Nkanya Nkwai
395:Kang Quintus
377:Daniel Kamwa
349:
345:
341:
338:
334:
330:
326:
322:
309:
305:Otia Vitalis
288:
282:
279:
271:
261:actors like
254:
245:
241:
239:
235:
227:
223:
208:
199:
184:Please help
172:
149:
140:
134:
120:
117:Otia Vitalis
114:
111:
103:
101:
97:
90:
87:Daniel Kamwa
69:
66:
57:
55:
45:
37:
35:
15:
2596:Middle East
2563:New Zealand
2456:Puerto Rico
2380:Switzerland
2375:Netherlands
1895:Afghanistan
1862:Philippines
1431:South Sudan
1196:recognition
1149:South Sudan
1039:Ivory Coast
534:Lucie Memba
420:Syndy Emade
145:Christa Eka
2662:Categories
2586:Arab World
2421:Costa Rica
2370:Luxembourg
2303:Yugoslavia
2283:Montenegro
1943:Azerbaijan
1920:Uzbekistan
1910:Tajikistan
1905:Kyrgyzstan
1900:Kazakhstan
1775:Rajasthani
1670:Bangladesh
1482:Cape Verde
1416:Madagascar
1251:(Portugal)
1209:Somaliland
1129:Seychelles
1094:Mozambique
1079:Mauritania
1064:Madagascar
1019:The Gambia
954:Cape Verde
857:Camiff.com
668:Cairn.info
614:References
483:Paul Samba
362:Adela Elad
267:Olu Jacobs
42:Anglophone
2553:Australia
2531:Venezuela
2476:Argentina
2320:Catalonia
2200:Lithuania
2005:Palestine
1867:Singapore
1847:Indonesia
1819:Sri Lanka
1812:Lollywood
1750:Malayalam
1620:Hong Kong
1421:Mauritius
1084:Mauritius
862:25 August
642:25 August
432:Directors
405:Ngan Jean
356:Producers
346:De Dadies
342:Bad Angel
294:, Kumba,
283:Collywood
259:Nollywood
173:does not
105:Muna Moto
46:Collywood
2521:Suriname
2506:Paraguay
2496:Colombia
2393:Americas
2310:Slovenia
2293:Portugal
2241:Southern
2225:Scotland
2158:Northern
2144:Slovakia
2097:Bulgaria
2044:Northern
1872:Thailand
1857:Malaysia
1842:Cambodia
1807:Pakistan
1780:Sanskrit
1735:Kashmiri
1720:Haryanvi
1715:Gujarati
1695:Bhojpuri
1685:Assamese
1662:Southern
1647:Mongolia
1574:Botswana
1567:Southern
1548:Congo DR
1533:Cameroon
1456:Zimbabwe
1441:Tanzania
1406:Ethiopia
1396:Djibouti
1353:Northern
1275: /
1271: /
1264:(France)
1258: /
1236: /
1232: /
1184:Zimbabwe
1159:Tanzania
1009:Ethiopia
1004:Eswatini
984:Djibouti
949:Cameroon
934:Botswana
592:See also
586:davlinks
497:Acha Fon
275:Nigerian
85:), and
2545:Oceania
2526:Uruguay
2515:Iquitos
2501:Ecuador
2481:Bolivia
2441:Jamaica
2358:Germany
2348:Belgium
2343:Austria
2336:Western
2325:Galicia
2258:Croatia
2248:Albania
2190:Ireland
2185:Iceland
2180:Finland
2170:Estonia
2165:Denmark
2149:Ukraine
2122:Romania
2112:Moldova
2107:Hungary
2092:Belarus
2085:Eastern
1995:Lebanon
1958:Georgia
1948:Bahrain
1938:Armenia
1930:Western
1887:Central
1877:Vietnam
1770:Punjabi
1760:Marathi
1745:Konkani
1730:Kannada
1705:Deccani
1690:Bengali
1607:Eastern
1579:Namibia
1521:Central
1507:Senegal
1502:Nigeria
1492:Liberia
1465:Western
1426:Somalia
1401:Eritrea
1389:Eastern
1380:Tunisia
1375:Morocco
1360:Algeria
1260:RĂ©union
1256:Mayotte
1247:Madeira
1242:(Spain)
1238:Melilla
1169:Tunisia
1139:Somalia
1124:Senegal
1109:Nigeria
1099:Namibia
1089:Morocco
1054:Liberia
1049:Lesotho
999:Eritrea
969:Comoros
944:Burundi
919:Algeria
701:29 July
694:cnn.com
673:29 July
292:Bamenda
194:removed
179:sources
131:Bamenda
52:History
2486:Brazil
2446:Mexico
2414:Quebec
2409:Canada
2353:France
2298:Serbia
2273:Kosovo
2263:Greece
2210:Sweden
2205:Norway
2195:Latvia
2127:Russia
2117:Poland
2077:Europe
2051:Russia
2025:Turkey
1990:Kuwait
1985:Jordan
1978:Jewish
1973:Israel
1953:Cyprus
1790:Telugu
1755:Meitei
1675:Bhutan
1652:Taiwan
1528:Angola
1451:Zambia
1446:Uganda
1345:Africa
1279:
1262:
1249:
1179:Zambia
1174:Uganda
1114:Rwanda
1069:Malawi
1029:Guinea
924:Angola
837:6 July
816:6 July
795:6 July
770:6 July
745:6 July
511:Actors
139:(2013)
2568:Samoa
2491:Chile
2468:South
2436:Haiti
2401:North
2315:Spain
2278:Malta
2268:Italy
2230:Wales
2035:Yemen
2020:Syria
2010:Qatar
1837:Burma
1802:Nepal
1785:Tamil
1765:Oriya
1740:Khasi
1725:Hindi
1710:Dogri
1680:India
1640:South
1635:North
1630:Korea
1625:Japan
1615:China
1553:Gabon
1497:Niger
1487:Ghana
1472:Benin
1436:Sudan
1411:Kenya
1370:Libya
1365:Egypt
1234:Ceuta
1154:Sudan
1104:Niger
1059:Libya
1044:Kenya
1024:Ghana
1014:Gabon
989:Egypt
929:Benin
301:Limbe
273:by a
136:Beleh
2558:Fiji
2511:Peru
2426:Cuba
2000:Oman
1968:Iraq
1963:Iran
1852:Laos
1795:Tulu
1598:Asia
1543:Chad
1512:Togo
1164:Togo
1074:Mali
964:Chad
864:2017
839:2024
818:2024
797:2024
772:2024
747:2024
703:2017
675:2017
644:2017
296:Buea
177:any
175:cite
83:CLCF
73:and
36:The
188:by
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