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Jacobus Clemens non Papa

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220:. He was primarily a composer of sacred music. In fact, his musical output was roughly 80 percent sacred music, either liturgical or for private use. Of his approximately 233 motets, only three contain secular texts, in the form of hymns of praise of music. However, he did compose just above 100 secular works that encompass the whole gamut of poetic genres that were used by composers in his generation. Considering that his career as a composer lasted for barely two decades, Clemens was an extremely prolific composer: 177:—"Jacob Clemens—but not the Pope." Another states that it is to distinguish him from Jacobus Papa, a poet also from Ypres. However, considering that Pope Clement VII died in 1534, before any of Clemens's music was published, and that the confusion with the poet is unlikely in that the surnames were quite distinct, it is likely that the nickname was merely created in jest rather than for practical reasons. Nonetheless, the suffix has remained throughout the ages. 1784: 1794: 309:. Clemens's part-settings are generally simple, and designed to be sung by people at home. They use the well-known secular tunes that were printed in the Cock edition, including drinking songs, love songs, ballads, and other popular songs of the time, as a 204:
Unlike many of his contemporaries, Clemens seems never to have traveled to Italy, with the result that Italian influence is absent in his music. He represents the northern European dialect of the Franco-Flemish style.
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After Clemens's death, his works were distributed to Germany, France, Spain, and even among various circles in England. The influence of Clemens was especially prominent in Germany. Franco-Flemish composer
256:(only 77 of which are considered authentic and are included in the complete edition of his works), 8 Dutch songs, 8 textless pieces, 2 intabulated chansons, and 1 instrumental canon (doubtful) 1362: 305:
setting of all 150 psalms in Dutch. Presumably, the original verse translation of the Psalter into the Dutch language was completed by Willem van Nievelt from
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on Clemens's death, suggests that he met a violent end, though if true, the circumstances are not given. According to a 1644 source, Clemens was buried at
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In 2012, Clemens's supposed 500th anniversary is celebrated in several of the towns where he is thought to have worked as a singer and composer.
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and homorhythmic, while others use imitation. It is notable that these pieces of music survived the ban in 1569 when the government under the
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Nothing is known of Clemens's early life, and even the details of the years of his artistic maturity are sketchy. He may have been born in
1042: 147: 1612: 1828: 717: 289:("Music Books"), IV-VII and comprised the only Protestant part-music in Dutch during the Renaissance. Based on a preceding volume of 1843: 169:
There are several theories regarding the origin of the epithet "non Papa". One holds that it was jokingly added by his publisher,
1607: 674: 639: 623: 607: 591: 547: 713: 748: 703: 690: 658: 1627: 1587: 1317: 213: 17: 1035: 1848: 1632: 1156: 741: 1068: 1287: 1244: 1060: 728: 135: 1597: 707: 315:. Most of them were set for 3 parts, and there are 26 different combinations of these voices. Some of the 1642: 119: 1833: 1787: 1690: 1505: 1028: 233: 229: 1472: 1342: 1736: 1592: 130:, which was to last for the rest of his life. From 1545 until 1549 he was probably choirmaster to 1767: 1525: 1500: 1199: 1797: 1774: 1751: 1746: 1382: 1357: 1267: 1146: 933: 180:
Details about his death are not known, but he probably died in 1555 or 1556. The 1558 text in
131: 62:. He was a prolific composer in many of the current styles, and was especially famous for his 1823: 1818: 1617: 1602: 1515: 1307: 948: 764: 1262: 667:
The Oxford History of Western Music, Vol. 1: The Earliest Notations to the Sixteenth Century
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Beyond Contemporary Fame. Reassessing the Art of Clemens non Papa and Thomas Crecquillon
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Leidse Koorboeken Project on the Leiden Choirbooks, by Egidius Quartet and Erik Jas
355: 332: 209: 174: 96:, though the evidence is contradictory; certainly he was from somewhere in modern 1695: 1680: 1622: 1462: 1412: 1347: 1337: 1292: 1282: 1277: 1272: 1234: 1164: 1086: 1081: 1009: 999: 979: 958: 943: 790: 785: 217: 139: 76: 1700: 1675: 1407: 1377: 1322: 1312: 1184: 1169: 1111: 1101: 907: 882: 867: 846: 821: 170: 123: 71: 1812: 1655: 1541: 1447: 1437: 1332: 1224: 1209: 994: 892: 646: 311: 269: 51: 1731: 1670: 1561: 1520: 1387: 1257: 1131: 1004: 181: 358:
together with La Caccia, Joris Verdin and Jan Van Outryve, 2005 (KTC 1287)
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in particular knew his music well and incorporated elements of his style.
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Clemens was one of the chief representatives of the generation between
104:. The first unambiguous reference to him is from the late 1530s, when 1566: 320: 294: 193: 163: 114: 63: 1020: 1551: 59: 253: 127: 97: 93: 1571: 264: 237: 159: 122:, and shortly thereafter he began a business relationship with 162:. It is speculated on slender evidence that he also worked in 247: 155: 109: 67: 281:
were perhaps the most widely known and influential. The
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mass (most of which were published from 1555 to 1570 by
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2nd ed. Upper Saddle River, NJ: Prentice Hall, 1999.
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Renaissance Music: Music in Western Europe, 1400–1600
154:. There is also evidence that he lived and worked in 629: 602:. Berkeley: University of California Press, 1992. 554: 553: 411: 362: 112:. Between March 1544 and June 1545 he worked as 1810: 327:censured all books that were deemed heretical. 481: 479: 412:Grove Music Online, "Jacobus Clemens non Papa" 1036: 749: 542:. New York: W.W. Norton & Company, 1998. 285:were published in 1556–1557 by Susato in his 724:Clemens500 Website of the memorial year 2012 252:Just over 100 secular pieces, including: 89 653:. New York: W.W. Norton & Co., 1954. 600:Companion to Medieval and Renaissance Music 476: 297:settings of the psalms in Dutch, Clemens's 148:Illustrious Brotherhood of Our Blessed Lady 1043: 1029: 756: 742: 240:); two mass sections (a Kyrie and a Credo) 108:published a collection of his chansons in 763: 718:International Music Score Library Project 669:. Oxford: Oxford University Press, 2005. 664: 634:. Oxford: Oxford University Press, 1990. 618:. New York: W.W. Norton & Co., 1999. 597: 434: 380: 319:are based on dance-songs and are frankly 630:Raeburn, Michael and Alan Kendall, eds. 613: 509: 497: 470: 353:Clemens non Papa, Priest And Bon-vivant, 138:'s greatest generals, where he preceded 714:Free scores by Jacobus Clemens non Papa 704:Free scores by Jacobus Clemens non Papa 598:Knighton, Tess and David Fallows, eds. 407: 405: 403: 401: 399: 397: 395: 393: 391: 389: 14: 1811: 645: 582:Brown, Howard M. and Louise K. Stein. 581: 537: 521: 498:Raeburn, Michael and Alan Kendall, eds 485: 458: 446: 422: 381:Knighton, Tess and David Fallows, eds. 199: 1839:16th-century Franco-Flemish composers 1050: 1024: 737: 293:printed by Symon Cock that contained 680: 459:Brown, Howard M. and Louise K. Stein 386: 616:Music in the Age of the Renaissance 196:near Ypres in present-day Belgium. 24: 555:Elders, Willem; Forney, Kristine; 25: 1860: 697: 267:, using popular song melodies as 1829:Belgian male classical composers 1792: 1783: 1782: 1318:Giovanni Pierluigi da Palestrina 338: 1844:People from Middelburg, Zeeland 531: 515: 503: 146:("singer and composer") by the 491: 464: 452: 440: 428: 416: 374: 363:References and further reading 263:, i.e., Dutch settings of the 58:based for most of his life in 13: 1: 1061:List of Renaissance composers 142:. In 1550 he was employed as 44: 27:16th-century Flemish composer 708:Choral Public Domain Library 346: 7: 685:. Turnhout: Brepols, 2005. 134:, Duke of Aerschot, one of 10: 1865: 1691:Petrus Phalesius the Elder 1506:English Virginalist School 301:became the first complete 234:Petrus Phalesius the Elder 173:, to distinguish him from 1762: 1714: 1641: 1580: 1534: 1481: 1473:Jan Pieterszoon Sweelinck 1356: 1243: 1155: 1067: 1058: 967: 921: 860: 804: 771: 584:Music in the Renaissance, 651:Music in the Renaissance 632:Heritage of Music, Vol 1 562:Jacobus Clemens non Papa 367: 277:Of all these works, the 224:15 masses, including 14 33:Jacobus Clemens non Papa 1501:English Madrigal School 576:(subscription required) 83: 1343:TomĂĄs Luis de Victoria 1147:Oswald von Wolkenstein 934:Jacob Clemens non Papa 50:– 1555 or 1556) was a 41:Jacob Clemens non Papa 1849:Renaissance composers 1363:Transition to Baroque 1308:Pierre de Manchicourt 949:Pierre de Manchicourt 765:Franco-Flemish School 144:sanger ende componist 1393:Girolamo Frescobaldi 1200:CristĂłbal de Morales 565:. Grove Music Online 557:Planchart, Alejandro 1511:Florentine Camerata 1483:Composition schools 1142:Gaspar van Weerbeke 665:Taruskin, Richard. 614:Perkins, Leeman L. 200:Works and influence 126:, the publisher in 120:cathedral of Bruges 48: 1510 to 1515 1706:Thomas Vautrollier 1686:Ottaviano Petrucci 1661:Pierre Attaingnant 1651:Hieronymus Andreae 1458:Michael Praetorius 1443:Claudio Monteverdi 1433:Giovanni de Macque 1428:Luzzasco Luzzaschi 1398:Alfonso Fontanelli 1288:Francisco Guerrero 1263:Antonio de CabezĂłn 1175:Thomas Crecquillon 1157:Middle (1470–1530) 1137:Johannes Tinctoris 1077:Alexander Agricola 985:Giovanni de Macque 939:Thomas Crecquillon 898:Matthaeus Pipelare 852:Johannes Tinctoris 837:Marbrianus de Orto 812:Alexander Agricola 510:Perkins, Leeman L. 471:Perkins, Leeman L. 106:Pierre Attaingnant 1834:Flemish composers 1806: 1805: 1403:Giovanni Gabrieli 1230:Philippe Verdelot 1127:Johannes Ockeghem 1069:Early (1400–1470) 1052:Renaissance music 1018: 1017: 990:Philippe de Monte 832:Johannes Ockeghem 827:Guillaume Faugues 675:978-0-19-516979-9 640:978-0-19-520493-3 624:978-0-393-04608-3 608:978-0-520-21081-3 592:978-0-13-400045-9 559:. 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Macy (ed.). 548:978-0-393-97169-9 435:Taruskin, Richard 186:Continuo lacrimas 16:(Redirected from 1856: 1796: 1786: 1785: 1666:Vittorio Baldini 1643:Music publishing 1418:Hans Leo Hassler 1373:Gregorio Allegri 1328:Cipriano de Rore 1303:Vicente Lusitano 1298:Orlando di Lasso 1253:Jacques Arcadelt 1220:Pierre de la Rue 1215:Josquin des Prez 1195:ClĂ©ment Janequin 1190:Antoine de FĂ©vin 1180:Antonius Divitis 1122:Johannes Martini 1097:Guillaume Du Fay 1045: 1038: 1031: 1022: 1021: 975:Orlando di Lasso 954:Cipriano de Rore 929:Jacques Arcadelt 913:Pierre de la Rue 903:Josquin des Prez 878:Antoine de FĂ©vin 873:Antonius Divitis 842:Johannes Prioris 796:Johannes Pullois 781:Guillaume Du Fay 758: 751: 744: 735: 734: 693: 677: 661: 642: 626: 610: 594: 578: 577: 574: 572: 570: 550: 538:Atlas, Allan W. 525: 519: 513: 507: 501: 495: 489: 483: 474: 468: 462: 456: 450: 444: 438: 432: 426: 420: 414: 409: 384: 378: 356:Capilla Flamenca 175:Pope Clement VII 152:'s-Hertogenbosch 132:Philippe de CroĂż 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Index

Clemens non Papa
Netherlandish
Renaissance
Flanders
polyphonic
psalms
Dutch
Souterliedekens
Middelburg
Zeeland
Belgium
Netherlands
Pierre Attaingnant
Paris
succentor
cathedral of Bruges
Tielman Susato
Antwerp
Philippe de CroĂż
Charles V
Nicolas Gombert
Illustrious Brotherhood of Our Blessed Lady
's-Hertogenbosch
Ypres
Leiden
Dordrecht
Susato
Pope Clement VII
Jacobus Vaet
Diksmuide

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