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Copenhagen (play)

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1053:, who repeated the claims that Heisenberg had sabotaged the German nuclear program in a 1993 book, further asserting that the Copenhagen meeting was actually a counterintelligence operation to let Bohr in on what the Nazis were up to. Frayn's play, which portrays Powers' theory sympathetically as a possible interpretation of the meeting, brought more attention to what previously had been a primarily scholarly discussion. After the play inspired numerous scholarly and media debates over the 1941 meeting, in 2002 the Niels Bohr Archive in Copenhagen released to the public all sealed documents related to the meeting. Among the documents were the unsent letters Bohr drafted to Heisenberg about Jungk's book and other topics. Many historians have strongly criticised the play on the basis of the released letters, contending: 1095:, the nuclear historian asserts that the truth of the Copenhagen meeting is that "we’ll never know, and it probably isn’t that important in the scheme of things". Nevertheless, he argues that Frayn's play creates a false balance in ascribing undue credibility to the theory (rejected by almost all historians) that Heisenberg sabotaged the German nuclear program, a theory Heisenberg did not directly advocate (being misquoted by Jungk) but also did not publicly dispute. The play was accurate in not portraying the Nazis as narrowly failing to obtain the bomb, but there were many other far more plausible reasons for their failure. On the other hand, Wellerstein praised the play for the moral questions it raised and for creating public interest in history. 1038:(1956). In the letter, Heisenberg said he had come to Copenhagen to discuss with Bohr his moral objections toward scientists working on nuclear weapons but how he had failed to say that clearly before the conversation came to a halt. Jungk published an extract from the letter in the Danish edition of the book in 1956 that made it appear as if Heisenberg was claiming to have sabotaged the German bomb project on moral grounds. Jungk omitted a critical sentence from Heisenberg: "I would not want this remark to be misunderstood as saying that I myself engaged in resistance to Hitler. On the contrary, I have always been ashamed in the face of the men of 532:– Christian was one of Bohr's sons, who tragically drowned while he and Bohr were out sailing. The phrase "Christian reaches for the life-buoy" appears several times during the play, and every time, the characters seem to hold their breath in the hope that this time, Christian will survive. Bohr had concluded that they would have both drowned had he jumped in to save his son, which presents an idea of futile heroics, particularly with reference to Heisenberg and what should happen if he were to resist Hitler's rule. 25: 433:. She was closely involved in her husband's work; he would commonly bounce ideas off her, trying to explain them in "plain language". She died in 1984, survived by several of her children. Her son Hans wrote, "My mother was the natural and indispensable centre. Father knew how much mother meant to him and never missed an opportunity to show his gratitude and love.... Her opinions were his guidelines in daily affairs." 413:
lives at Bohr's Institute." Before the war, his research was instrumental in nuclear research, some of which led to the building of the atomic bomb. During the war, however, Bohr was living in occupied Denmark and somewhat restricted in his research; he escaped to Sweden in 1943, just before an SS sweep which would have targeted him through his Jewish heritage. In the US, he worked in
939:'s Elaine Cicora noted: "While Copenhagen's weirdness has historically drawn some grumblings from critics and audiences alike, the three-actor cast assembled here — comprising established veterans of the Cleveland theater scene — does a commendable job of illuminating the humanity inside this piece of historical fiction." 342:
physicists, Frayn felt confident in claiming that "The actual words spoken by characters are entirely their own." With that in mind, the character descriptions apply to both the representative characters as well as the physicists themselves. There is a great amount known about all of the primary characters presented in
321:– "No one understands my trip to Copenhagen. Time and time again I've explained it. To Bohr himself, and Margrethe. To interrogators and intelligence officers, to journalists and historians. The more I've explained, the deeper the uncertainty has become. Well, I shall be happy to make one more attempt." 609:, who were responsible for performing at least one of the matinee shows each week. The second cast consisted of David Baron as Niels Bohr, Corinna Marlowe as Margarethe Bohr, and William Brand as Werner Heisenberg, and after six months, they replaced the original cast for the rest of the West End run. 808:
as Margrethe Bohr. The movie substantially cuts down the script of the play, eliminating several recurring themes, and most of the material that established the community of scientists in Copenhagen. It also abandons the abstract staging of the theatrical version in favour of being set in the city of
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was the main figure of the meeting. Allegedly, "Heisenberg and Weizsäcker came to Bohr wearing German army uniforms. Weizsäcker tried to persuade Bohr to mediate for peace between Great Britain and Germany and Heisenberg practically completely relied on his political judgement". Supek received these
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Though the dialogue does not contradict logic, it cannot be called realistic in the strictest sense. One character's line might fade into the next as though the second person knew exactly what he was going to say; sometimes a character will slip into a memory and partially relive a former or younger
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The construction of the plot is non-linear, seeing as it does not exist in time and space. Sometimes one character will not notice that there are other people in the space, and speak as if to no one. The world that Frayn presents is outside of our conceptions as audience members, simply by virtue of
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was born in 1885, making him 38 when Heisenberg first came to work with him. He married Margrethe Norlund in 1912 in Copenhagen and together they had six sons, two of whom died while young. Biographer Harry Lustig notes that "Most of the world's great theoretical physicists... spent periods of their
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of quantum mechanics. During the Second World War, Heisenberg worked for Germany, researching atomic technology and heading their nuclear reactor program. After the war, his involvement with the Nazis earned him certain notoriety in the world of physicists, mainly due to the fact that he could have
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both operate in the play. There are several instances when the two physicists start speaking too scientifically for many people to understand, and one of them will remark that they must revert to plain language, to explain it in a way that Margrethe will understand. Even for that effort, criticism
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The play was originally written in English, but the real people in the exchange may have had the conversation in Danish or German, but even with translation in mind, Frayn defends that the words in the script are those that the characters would actually say. In his post-script, he writes, "If this
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In most dramas in which the characters are based on real people, there is a point at which the character deviates from the real person. However, playwright Michael Frayn worked to keep that distinction as small as possible. Having studied memoirs and letters and other historical records of the two
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It can also be thought to exist "inside the heads" of the characters present. It is a subjective world, taking and manipulating history, picking apart some events and mashing others together to better compare them. The characters are all plagued by some form of guilt or another, particularly in
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Pratyay Amateur Theatre Art Centre (प्रत्यय हौशी नाट्य कला केंद्र, कोल्हापूर) of Kolhapur (Maharashtra State, India), in Marathi translation by Dr Sharad Navare (शरद नावरे), directed by Dr Sharad Bhuthadiya (शरद भुथाडिया), with Sagar Talashikar (सागर तळाशीकर) as Werner Heisenberg, Dr Sharad
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needs any justification, I can only appeal to Heisenberg himself." Understandably, Frayn needs to present the characters in an interesting and dramatic light, as well as depicting a setting that no living person has visited, so the accuracy of such dialogue is subject to dwindle by degrees.
492:– These two activities are referred to as a pastime of Bohr and Heisenberg's, and both demonstrate the competition between the two (representative of national competition.) They are also used to suggest Heisenberg's speed and recklessness which contrasts with Bohr's caution and tediousness. 324:
Along the way, Heisenberg and Bohr "draft" several versions of their 1941 exchange, arguing about the ramifications of each potential version of their meeting and the motives behind it. They discuss the idea of nuclear power and its control, the rationale behind building or not building an
525:– The term "bomb" appears as a literal looming image in many cases, but it is used figuratively in a couple of instances, as if it should be a joke, but with such grave implications that it cannot be found funny. (For example, Heisenberg refers to a "bomb having gone off" in Bohr's head.) 650:(Michael Blakemore). But even for its success, Frayn admitted in an article that "A number of commentators expressed misgivings about the whole enterprise." Several critics noted that it was heavy with scientific dialogue, a little too heavy for the common audience. Though a writer from 1045:
Bohr was outraged after reading the extract in his copy of the book, feeling that it was false and that the 1941 meeting had proven to him that Heisenberg was quite happy to produce nuclear weapons for Germany. Bohr drafted a number of letters about this issue, but did not send them.
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At the Teatro Municipal General San Martín (Buenos Aires), with Juan Carlos Gené, Alberto Segado and Alicia Verdaxagar. It was directed by Carlos Gandolfo. It ran for four consecutive years and is considered one of the biggest hits in the history of that
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details in a confidential conversation with Margrethe, who thought he would never make them public. Supek however felt it was "his duty to announce these facts so that future generations can know the truth about the Bohr – Heisenberg meeting".
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It opened 15 February in Avilés. After touring the country, it will open in Madrid 23 May at the Teatro de la Abadia. Produced by PTC and directed by Claudio Tolcachir, the cast includes Emilio Gutiérrez Caba, Carlos Hipólito and Malena
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reference to the atomic bomb, and they are trapped in this world, doomed to forever speculate on that evening in Copenhagen in 1941 to determine how the world might have been changed. These are all traits of the artistic style known as
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The Danish production at Betty Nansen Teatret was directed by Peter Langdal and featured Søren Pilmark as Heisenberg, Henning Moritzen as Niels Bohr, and Lilly Weiding as his wife. The minimalist scenography was created by Steffen
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notes that in these worlds, "everything is possible and probable. Time and space do not exist. Working with... real events as a background, the imagination spins out its threads of thoughts and weaves them into new patterns."
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Three spirits come together to try to apprehend and explain one simple question: "Why did Heisenberg go to Copenhagen?" The rest of the play details information around this subject through argument and interjections.
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Over the course of the play, a number of renowned physicists are mentioned. Many of them are referenced in the context of their work with either Bohr or Heisenberg. This is the order they appear in the script:
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in October 2016 with Rupert Stonehill as Heisenberg, George Varley as Bohr and Miranda Collins as Margrethe. It was produced by Emma Irving, directed by Archie Thomson, and assistant directed by Jack Cammack.
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A collection of historical essays provoked by the play was published in English in 2005, with the vast majority of historians disagreeing with Frayn's depiction of the events. In a March 2006 interview
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At the Teatro Argentina (Roma). Translated by Filippo Ottoni and Maria Teresa Petruzzi, directed by Mauro Avogadro, with Umberto Orsini, Giuliana Lojodice and Massimo Popolizio. National touring in 2018.
518:– These fall into the Toy vs. Weapon theme and once again presents anecdotes of Bohr and Heisenberg's lives. Their fascination in playing with the new toy blinds them to the danger that it poses. 2044: 363:
dealt to Germany at a rather young age. He married Elisabeth Schumacher, also the child of a professor, and they had seven children. He received his doctorate in 1923 from the physicist
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At the Théâtre Montparnasse (Paris). Adapted by Jean-Marie Besset, directed by Michaël Blakemore and with Pierre Vaneck, Niels Arestrup and Maïa Simon, the play won four Molière Prizes.
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Because the concepts in physics and politics are at times very complicated or very abstract, Frayn uses several controlling images to better relate certain ideas to his audience.
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and ran for more than 300 performances, starring David Burke as Niels Bohr, Sara Kestelman as Margrethe Bohr, and Matthew Marsh as Werner Heisenberg. It was directed by
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with Artoun Festekjian as Niels Bohr, Maya Grodman as Margrethe Bohr, and Alex Kaufman as Werner Heisenberg. It was directed by Michael Roubey, February 2013.
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self in a monologue; and over the course of the show, there is a definite ambiguity as to whether they are speaking to one another or to the audience.
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By Fila Siete y Armonía Production in Madrid in April 2003 withFernando Delgado, Juan Gea and Sonsoles Benedicto. It was directed by Román Calleja.
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in Berkeley, CA, with Aaron Wilton as Heisenberg, Nancy Carlin as Margrethe Bohr, and Robert Ernst as Niels Bohr, directed by Bruce Coughran.
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in Staffordshire with John O'Mahony as Niels Bohr, Jamie Hinde as Heisenberg and Deborah Maclaren as Margrethe Bohr. It was directed by
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in New York City with Lou Vuolo as Bohr, Mary Ann Hay as Margrethe, and Keith Herron as Heisenberg. It was directed by Anne Pasquale.
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Lustig, Harry. "Biographies of Persons in Copenhagen." City University of New York Graduate Center: American Social History Project.
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Michael Frayn's "Copenhagen" in Debate: Historical Essays and Documents on the 1941 Meeting Between Niels Bohr and Werner Heisenberg
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The meeting took place in September 1941 when Bohr and Heisenberg were 55 and 39, respectively. Heisenberg had worked with Bohr in
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Michael Frayn's Copenhagen in Debate: Historical Essays and Documents on the 1941 Meeting between Niels Bohr and Werner Heisenberg
935:, Cleveland, Ohio, presented the play, with Dana Hart, Mary Alice Beck and Brian Bowers, in a September/October 2019 production. 3525: 647: 2887: 89: 3555: 2999: 2238: 2099: 1815: 643: 539:– Whenever the characters conclude that an interpretation of their 1941 meeting is incorrect, they call for "another draft". 1724: 61: 1034: 1831: 3381: 2959: 2694: 2503: 1042:(some of whom were friends of mine), who at that time accomplished truly serious resistance at the cost of their lives." 1692: 1670: 832:
as Niels Bohr, Sally Edwards as Margrethe Bohr, and Owen Oakeshott as Werner Heisenberg. It was directed by Tony Cownie.
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There is no evidence Heisenberg wanted Germany to lose the war, let alone secretly undermined the German war effort.
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A 75-minute single-act adaptation premiered on December 8, 2022 at the "K! Kültüral Performing Arts" theatre in
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commented on the Broadway premiere, saying that "the play's relentless cerebral forays can... be frustrating."
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given Germany the means to produce and use nuclear arms. He continued his research until his death in 1976 in
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Heisenberg wanted to help Bohr. A new document about the meeting of the two physicists in Copenhagen in 1941.
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offered Heisenberg the opportunity to become Germany's youngest full professor. He is best known for his "
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on the atomic bomb until the end of the war. He died in 1962 and was survived by his wife, Margrethe.
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arose about the complexity of the play and the difficulty for viewers to comprehend. A writer for
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There is no evidence Heisenberg proposed some agreement between physicists to not build the bomb.
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Much of the initial controversy stemmed from a 1956 letter Heisenberg sent to the journalist
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Heisenberg did not know how to build a bomb, and so could not have withheld the information.
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Documents relating to the 1941 meeting released in 2002 by the Niels Bohr Archive
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is a bad play" and that "Frayn mixed up some things". Supek also claimed that
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the fact that no one attending the play has ever died. So the world in which
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that he thought he had, but he really did not. That principle is applied to
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Jungk's book was influential on Frayn's play via the work of journalist
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with Niels Bohr in 1924, when he was 22, and replaced Bohr's assistant,
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Bhuthadiya as Niels Bohr and Meghana Khare (मेघना खरे) as Margrethe.
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Symposium at the Graduate Center of the City University of New York
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based on a translation by Petri Friari, opened on October 18, 2001.
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Continuing under the direction of Michael Blakemore, it opened on
499:– An anecdote in which Bohr managed to bluff himself in a game of 2025:
American Repertory Theatre's production, directed by Scott Zigler
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have been consistently dishonest about the Copenhagen meeting.
1695:. Werner-heisenberg.unh.edu. 17 November 1956. Archived from 656:
hailed it as "brilliant theatre ", a Charles Spencer, of the
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meaning "indeterminacy".) In 1927, he and Bohr presented the
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The play has had many productions and revivals, including:
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on 11 April 2000 and ran for 326 performances. Directed by
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Heisenberg's War: The Secret History of the German Bomb
1628:"Copenhagen by Michael Frayn | Lantern Theater Company" 1914:
Uncertainty: the Life and Science of Werner Heisenberg
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http://www.cherwell.org/2016/10/30/review-copenhagen/
285:, and Best Direction of a Play (Michael Blakemore). 2024: 1748:. Niels Bohr Archive. February 2002. Archived from 1725:"Historical thoughts on Michael Frayn's Copenhagen" 626:on 11 April and ran for 326 performances. Starring 49:. Unsourced material may be challenged and removed. 1883:"Moj život s nobelovcima 20. stoljeća – mJutarnji" 1032:after reading the German edition of Jungk's book, 886:as Margrethe. It was directed by Prakash Belawadi. 782:based on the same translation as the 2001 edition. 447:is based is somewhere between heaven and an atom. 3398:The Curious Incident of the Dog in the Night-Time 2520:The Curious Incident of the Dog in the Night-Time 1671:"In 'Copenhagen,' Physics and Philosophy Collide" 3482: 2627: 1917:. W. H. Freeman and Company, New York, NY. 1992. 1856: 1722: 868:as Margrethe. It was directed by David Grindley. 281:for Best Play, Best Featured Actress in a Play, 1693:"Letter from Werner Heisenberg to Robert Jungk" 1614:Review: Copenhagen, Retrieved 3 November 2016, 2049:(in German) In: Berliner Zeitung, 5 April 2002 1718: 1716: 1714: 476: 2809: 2613: 2084: 2015:Review from the American Institute of Physics 1342:Company, Lantern Theater (23 February 2018). 882:as Werner Heisenberg and Sharanya Ramprakash/ 3536:New York Drama Critics' Circle Award winners 3123:The Life and Adventures of Nicholas Nickleby 2823: 1885:. Jutarnji.hr. 18 March 2006. Archived from 516:Cap-Pistols, Land Mines and Nuclear Reactors 196:Physics, Politics, WWII, Memory, Perspective 1982:, in The Complete Review. Accessed 2-25-09. 1966:, in The Complete Review. Accessed 2-25-09. 1950:, in The Complete Review. Accessed 2-25-09. 1711: 2816: 2802: 2620: 2606: 2091: 2077: 429:or "Queen" Margrethe, was born in 1890 in 131: 2057: 949:Adapted and directed by Emma Harding for 109:Learn how and when to remove this message 3211:Angels in America: Millennium Approaches 2327:Angels in America: Millennium Approaches 1769: 1767: 1740: 1738: 1173:– credited with the discovery of fission 1098: 1776:"The Bohr Letters: No More Uncertainty" 1729:Restricted Data: A Nuclear History Blog 1669:Cicora, Elaine T. (24 September 2019). 1341: 3483: 1668: 473:is an embodiment of these principles. 3531:Fiction about nuclear war and weapons 3000:Rosencrantz and Guildenstern Are Dead 2797: 2601: 2100:Drama Desk Award for Outstanding Play 2072: 2056: 1773: 1764: 1735: 976: 572: 391:Relation, which was later changed to 223:, based on an event that occurred in 1649:"Indra's Net Theater | Berkeley, CA" 1476:"Roman Calleja - Director de Escena" 1389:Biographies of Persons in Copenhagen 1337: 1335: 1025:for several years starting in 1924. 1016: 1006:for Best Foreign Play (winner, 2000) 638:as Margrethe, it went on to win the 530:Christian Reaching for the Life-Buoy 47:adding citations to reliable sources 18: 3496:Biographical plays about scientists 3382:Vanya and Sonia and Masha and Spike 2504:Vanya and Sonia and Masha and Spike 1000:for Outstanding Play (winner, 2000) 13: 367:, and went to Copenhagen to study 14: 3587: 3516:Cultural depictions of physicists 3422:Harry Potter and the Cursed Child 1986: 1780:Bulletin of the Atomic Scientists 1332: 809:Copenhagen, in Bohr's old house. 16:Play about 1941 atom bomb meeting 3501:British plays adapted into films 1932:A Student Guide to Play Analysis 994:for Best New Play (winner, 1999) 898:The Michael Pilch Studio Theatre 597:"Copenhagen" transferred to the 23: 2960:Who's Afraid of Virginia Woolf? 2888:The Teahouse of the August Moon 2695:Who's Afraid of Virginia Woolf? 1905: 1875: 1850: 1824: 1798: 1662: 1641: 1620: 1608: 1583: 1558: 1536: 1522: 644:Best Featured Actress in a Play 383:", (translated from the German 227:in 1941, a meeting between the 34:needs additional citations for 3526:Drama Desk Award-winning plays 3219:Angels in America: Perestroika 2569:Prayer for the French Republic 2335:Angels in America: Perestroika 2239:"Master Harold"...and the Boys 1496: 1482: 1468: 1464:es:Copenhague (obra de teatro) 1457: 1431: 1405: 1394: 1387:Much of the above is based on 1381: 1004:New York Drama Critics' Circle 137:1998 Premiere season programme 1: 2912:Long Day's Journey into Night 2726:Ganesh Versus the Third Reich 1320: 1301:(Allied wartime bomb project) 1035:Brighter than a Thousand Suns 425:, known later in her life as 336: 277:(Margrethe Bohr). It won the 257:It opened on Broadway at the 3556:Plays based on actual events 2629:Helpmann Award for Best Play 1530:"Copenhague - Teatro Abadía" 1012:for Best Play (winner, 2000) 988:for Best Play (winner, 1998) 642:, along with two others for 304:(PBS) in the United States. 7: 3294:The Goat, or Who Is Sylvia? 2410:The Goat, or Who Is Sylvia? 2367:The Beauty Queen of Leenane 1443:Helsingin Kaupunginteatteri 1419:(in Danish). 30 August 2000 1315:(Nazi wartime bomb project) 1308:- 2015 PBS film documentary 1263: 854:Lyceum theatre in Sheffield 542: 477:Recurring images and motifs 302:Public Broadcasting Service 10: 3592: 3243:The Last Night of Ballyhoo 2010:Internet Broadway Database 1999:Internet Broadway Database 1391:, compiled by Harry Lustig 1283:History of nuclear weapons 909:Philadelphia, Pennsylvania 792:The play was adapted as a 588:National Theatre in London 307: 3277: 3227:Love! Valour! Compassion! 3066: 2831: 2635: 2393: 2343:Love! Valour! Compassion! 2176: 2106: 2066: 1857:Matthias Dörries (2005). 1832:"Document 9. Translation" 1723:Alex Wellerstein (2016). 1591:"Security Check Required" 864:as Werner Heisenberg and 664:International Productions 397:Copenhagen interpretation 273:(Werner Heisenberg), and 200: 192: 184: 176: 168: 152: 142: 130: 125: 3571:Tony Award-winning plays 3551:Plays about World War II 3107:Children of a Lesser God 3040:That Championship Season 2825:Tony Award for Best Play 2223:Children of a Lesser God 2005:​Copenhagen​ 1994:​Copenhagen​ 1834:. Nbi.dk. Archived from 1325: 1091:In a 2016 assessment by 648:Best Direction of a Play 640:Tony Award for Best Play 437: 3566:Plays set in Copenhagen 2904:The Diary of Anne Frank 1774:Sweet, William (2002). 1401:fr:Théâtre Montparnasse 920:Balch Arena Theater at 3561:Plays by Michael Frayn 2359:How I Learned to Drive 2134:The Merchant of Venice 965:as Margrethe Bohr and 288:In 2002, the play was 58:"Copenhagen" play 3511:Copenhagen in fiction 2976:The Subject Was Roses 2952:A Man for All Seasons 2920:Sunrise at Campobello 2781:Counting and Cracking 1413:"Den gådefulde kerne" 1099:Physicists referenced 691:Helsinki City Theatre 381:Uncertainty Principle 377:University of Leipzig 355:was born in 1901, in 300:and presented on the 254:(Werner Heisenberg). 3342:August: Osage County 3179:The Heidi Chronicles 3008:The Great White Hope 2464:August: Osage County 2295:The Heidi Chronicles 2160:Same Time, Next Year 2155:No Award (1957–1974) 2116:The Way of the World 1746:"Niels Bohr Archive" 1570:www.ryhmateatteri.fi 955:Benedict Cumberbatch 862:Geoffrey Streatfeild 822:Royal Lyceum Theatre 333:that is Copenhagen. 43:improve this article 3546:Plays about science 3521:Fiction set in 1941 3334:The Coast of Utopia 3203:Dancing at Lughnasa 3187:The Grapes of Wrath 2896:The Desperate Hours 2848:Death of a Salesman 2749:The Glass Menagerie 2456:The Coast of Utopia 1947:The Daily Telegraph 1838:on 10 December 2006 1492:. 16 November 2017. 1120:Carl von Weizsäcker 1068:Carl von Weizsäcker 967:Simon Russell Beale 931:theatre company at 915:Indra’s Net Theater 884:Rukmini Vijayakumar 804:as Niels Bohr, and 646:(Blair Brown), and 560:scientific language 3446:The Lehman Trilogy 3131:Torch Song Trilogy 2936:The Miracle Worker 2856:The Cocktail Party 2247:Torch Song Trilogy 1937:Spencer, Charles. 1911:Cassidy, David C. 1752:on 4 February 2013 1699:on 19 October 2016 1510:on 2 February 2019 1504:"PTC - Copenhague" 1373:has generic name ( 1192:Robert Oppenheimer 977:Awards and honours 927:Cesear's Forum, a 874:in Bangalore with 847:The Living Theatre 634:as Heisenberg and 573:Production history 497:Invisible Straight 458:In his preface to 296:, produced by the 3576:Werner Heisenberg 3478: 3477: 3472: 3471: 3155:I'm Not Rappaport 2791: 2790: 2765:The Drover's Wife 2757:The Bleeding Tree 2741:Angels in America 2641:Life After George 2595: 2594: 2271:A Lie of the Mind 2199:Otherwise Engaged 2149:The Iceman Cometh 2122:Thieves' Carnival 1969:Zoglin, Richard, 1817:978-0-394-51411-6 1792:10.2968/058003007 1673:. Cleveland Scene 1299:Manhattan Project 1294:Operation Epsilon 1197:Erwin Schrödinger 1158:Arnold Sommerfeld 1124:Rozental Petersen 1017:Historical debate 959:Werner Heisenberg 894:Oxford University 713:2002 - Argentina 603:London's West End 592:Michael Blakemore 466:August Strindberg 369:quantum mechanics 365:Arnold Sommerfeld 352:Werner Heisenberg 290:adapted as a film 263:Michael Blakemore 236:Werner Heisenberg 208: 207: 185:Original language 163:Werner Heisenberg 119: 118: 111: 93: 3583: 3326:The History Boys 3318:Doubt: A Parable 3310:I Am My Own Wife 3099:The Elephant Man 3032:Sticks and Bones 2818: 2811: 2804: 2795: 2794: 2733:The Secret River 2703:War of the Roses 2622: 2615: 2608: 2599: 2598: 2448:The History Boys 2440:Doubt: A Parable 2432:I Am My Own Wife 2303:The Piano Lesson 2215:The Elephant Man 2143: 2093: 2086: 2079: 2070: 2069: 2054: 2053: 1920:Frayn, Michael. 1899: 1898: 1896: 1894: 1879: 1873: 1872: 1854: 1848: 1847: 1845: 1843: 1828: 1822: 1821: 1802: 1796: 1795: 1771: 1762: 1761: 1759: 1757: 1742: 1733: 1732: 1720: 1709: 1708: 1706: 1704: 1689: 1683: 1682: 1680: 1678: 1666: 1660: 1659: 1657: 1655: 1645: 1639: 1638: 1636: 1634: 1624: 1618: 1612: 1606: 1605: 1603: 1601: 1595:www.facebook.com 1587: 1581: 1580: 1578: 1576: 1562: 1556: 1555: 1553: 1551: 1540: 1534: 1533: 1526: 1520: 1519: 1517: 1515: 1506:. 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In 1926, The 339: 310: 271:Michael Cumpsty 180:London, England 177:Place premiered 161: 159: 138: 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 3589: 3579: 3578: 3573: 3568: 3563: 3558: 3553: 3548: 3543: 3538: 3533: 3528: 3523: 3518: 3513: 3508: 3506:Broadway plays 3503: 3498: 3493: 3476: 3475: 3470: 3469: 3467: 3466: 3458: 3450: 3442: 3434: 3426: 3418: 3410: 3402: 3394: 3386: 3378: 3374:Clybourne Park 3370: 3362: 3354: 3350:God of Carnage 3346: 3338: 3330: 3322: 3314: 3306: 3298: 3290: 3281: 3279: 3275: 3274: 3272: 3271: 3263: 3255: 3247: 3239: 3231: 3223: 3215: 3207: 3199: 3191: 3183: 3175: 3167: 3159: 3151: 3143: 3139:The Real Thing 3135: 3127: 3119: 3111: 3103: 3095: 3087: 3083:The Shadow Box 3079: 3070: 3068: 3064: 3063: 3061: 3060: 3052: 3044: 3036: 3028: 3020: 3012: 3004: 2996: 2992:The Homecoming 2988: 2980: 2972: 2964: 2956: 2948: 2940: 2932: 2924: 2916: 2908: 2900: 2892: 2884: 2876: 2872:The Fourposter 2868: 2860: 2852: 2844: 2840:Mister Roberts 2835: 2833: 2829: 2828: 2821: 2820: 2813: 2806: 2798: 2789: 2788: 2786: 2785: 2777: 2769: 2761: 2753: 2745: 2737: 2729: 2723: 2715: 2707: 2699: 2691: 2685: 2677: 2669: 2661: 2653: 2645: 2636: 2633: 2632: 2625: 2624: 2617: 2610: 2602: 2593: 2592: 2590: 2589: 2581: 2573: 2565: 2562: 2554: 2546: 2540: 2532: 2524: 2516: 2508: 2500: 2492: 2484: 2476: 2468: 2460: 2452: 2444: 2436: 2428: 2420: 2406: 2397: 2395: 2391: 2390: 2388: 2387: 2379: 2371: 2363: 2355: 2347: 2339: 2331: 2323: 2315: 2307: 2299: 2291: 2283: 2275: 2267: 2259: 2255:The Real Thing 2251: 2243: 2235: 2227: 2219: 2211: 2203: 2189: 2180: 2178: 2174: 2173: 2171: 2170: 2156: 2153: 2145: 2110: 2108: 2104: 2103: 2096: 2095: 2088: 2081: 2073: 2067: 2064: 2063: 2051: 2050: 2042: 2034: 2027: 2022: 2017: 2012: 2001: 1988: 1987:External links 1985: 1984: 1983: 1967: 1951: 1935: 1928: 1925: 1918: 1907: 1904: 1901: 1900: 1874: 1868:978-0967261720 1867: 1849: 1823: 1816: 1797: 1763: 1734: 1710: 1684: 1661: 1640: 1619: 1607: 1582: 1557: 1535: 1521: 1495: 1481: 1467: 1456: 1439:"Kööpenhamina" 1430: 1404: 1393: 1380: 1330: 1329: 1327: 1324: 1322: 1319: 1317: 1316: 1310: 1302: 1296: 1291: 1285: 1280: 1273: 1267: 1265: 1262: 1260: 1259: 1254: 1249: 1244: 1239: 1234: 1229: 1224: 1219: 1217:James Chadwick 1214: 1209: 1204: 1199: 1194: 1189: 1184: 1179: 1174: 1168: 1155: 1150: 1145: 1143:Wolfgang Pauli 1140: 1135: 1130: 1125: 1122: 1117: 1115:Pascual Jordan 1112: 1106: 1100: 1097: 1072: 1071: 1064: 1061: 1058: 1018: 1015: 1014: 1013: 1007: 1001: 995: 989: 978: 975: 941: 940: 925: 918: 912: 901: 891: 887: 872:Ranga Shankara 869: 850: 844: 833: 796:in 2002, with 784: 783: 778:. 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Butterfly 3169: 3161: 3153: 3147:Biloxi Blues 3145: 3137: 3129: 3121: 3113: 3105: 3097: 3089: 3081: 3073: 3054: 3046: 3038: 3030: 3022: 3014: 3006: 2998: 2990: 2982: 2974: 2966: 2958: 2950: 2942: 2934: 2926: 2918: 2910: 2902: 2894: 2886: 2880:The Crucible 2878: 2870: 2862: 2854: 2846: 2838: 2779: 2773:The Children 2771: 2763: 2755: 2747: 2739: 2731: 2725: 2717: 2709: 2701: 2693: 2687: 2679: 2671: 2663: 2656: 2655: 2647: 2639: 2585:Stereophonic 2583: 2577:Leopoldstadt 2575: 2567: 2556: 2550:The Ferryman 2548: 2542: 2534: 2526: 2518: 2510: 2502: 2494: 2486: 2478: 2470: 2462: 2454: 2446: 2438: 2430: 2422: 2414: 2408: 2400: 2394:2001–present 2382: 2381: 2373: 2365: 2357: 2351:Master Class 2349: 2341: 2333: 2325: 2317: 2309: 2301: 2293: 2287:M. 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Kramers 1207:George Gamow 1187:John Wheeler 1182:Enrico Fermi 1162:Max von Laue 1153:Lise Meitner 1102: 1090: 1080: 1073: 1048: 1044: 1033: 1030:Robert Jungk 1027: 1020: 983: 948: 943: 942: 880:Nakul Bhalla 816: 812: 811: 798:Daniel Craig 791: 786: 785: 758: 746: 737: 729: 721: 712: 703:Leena Uotila 693:, featuring 684: 675: 667: 663: 662: 657: 651: 628:Philip Bosco 617: 612: 611: 596: 583: 582: 577: 576: 564: 559: 555: 554: 550: 546: 536: 534: 529: 527: 522: 520: 515: 513: 496: 494: 490:Table-Tennis 489: 485: 483: 480: 470: 461:A Dream Play 459: 457: 449: 444: 441: 426: 421: 420: 408: 407: 392: 388: 384: 351: 350: 343: 340: 323: 317: 316: 315: 311: 287: 267:Philip Bosco 256: 211: 210: 209: 120: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 3390:All the Way 3302:Take Me Out 3016:Borstal Boy 2711:Richard III 2665:Inheritance 2649:Cloudstreet 2512:All the Way 2424:Take Me Out 2058:Awards for 1893:10 February 1842:10 February 1703:10 February 1654:15 December 1633:16 February 1600:1 September 1417:Information 1371:|last= 1237:Leó Szilárd 1212:Oskar Klein 1148:Otto Frisch 951:BBC Radio 3 841:James Dacre 830:Tom Mannion 802:Stephen Rea 699:Mika Nuojua 695:Hannu Lauri 636:Blair Brown 361:World War I 327:atomic bomb 283:Blair Brown 275:Blair Brown 240:David Burke 3541:Niels Bohr 3491:1998 plays 3485:Categories 3406:The Humans 3267:Copenhagen 3075:Travesties 2984:Marat/Sade 2657:Copenhagen 2543:Admissions 2528:The Humans 2383:Copenhagen 2060:Copenhagen 2038:Copenhagen 1973:Copenhagen 1971:review of 1957:Copenhagen 1955:review of 1941:Copenhagen 1939:review of 1922:Copenhagen 1756:10 January 1677:26 January 1550:8 December 1544:"Kopenhag" 1514:2 February 1449:13 January 1321:References 1313:Uranverein 1242:Paul Dirac 1166:Karl Wirtz 1085:Weizsäcker 1081:Copenhagen 1077:Ivan Supek 1023:Copenhagen 1010:Tony Award 971:Niels Bohr 929:minimalist 743:Gutiérrez. 584:Copenhagen 471:Copenhagen 445:Copenhagen 415:Los Alamos 409:Niels Bohr 344:Copenhagen 337:Characters 318:Heisenberg 279:Tony Award 232:Niels Bohr 229:physicists 225:Copenhagen 212:Copenhagen 157:Niels Bohr 153:Characters 143:Written by 126:Copenhagen 99:March 2023 69:newspapers 3441:(2020/21) 3366:War Horse 3067:1976–2000 2832:1948–1975 2488:War Horse 2185:Streamers 2177:1976–2000 2107:1955–1975 1171:Otto Hahn 953:starring 826:Edinburgh 630:as Bohr, 389:Unschärfe 3259:Side Man 1575:4 August 1423:16 April 1363:cite web 1306:The Bomb 1264:See also 1110:Max Born 787:TV Movie 753:Istanbul 718:theatre. 681:Aarfing. 620:Broadway 607:West End 543:Language 505:straight 427:Dronning 357:Würzburg 3115:Amadeus 2231:Amadeus 2008:at the 1997:at the 1040:20 July 828:, with 789:– 2002 689:At the 622:at the 580:– 1998 431:Denmark 308:Summary 250:), and 193:Subject 188:English 83:scholar 3465:(2024) 3457:(2023) 3449:(2022) 3433:(2019) 3425:(2018) 3417:(2017) 3409:(2016) 3401:(2015) 3393:(2014) 3385:(2013) 3377:(2012) 3369:(2011) 3361:(2010) 3353:(2009) 3345:(2008) 3337:(2007) 3329:(2006) 3321:(2005) 3313:(2004) 3305:(2003) 3297:(2002) 3289:(2001) 3270:(2000) 3262:(1999) 3254:(1998) 3246:(1997) 3238:(1996) 3230:(1995) 3222:(1994) 3214:(1993) 3206:(1992) 3198:(1991) 3190:(1990) 3182:(1989) 3174:(1988) 3166:(1987) 3163:Fences 3158:(1986) 3150:(1985) 3142:(1984) 3134:(1983) 3126:(1982) 3118:(1981) 3110:(1980) 3102:(1979) 3094:(1978) 3086:(1977) 3078:(1976) 3059:(1975) 3051:(1974) 3043:(1973) 3035:(1972) 3027:(1971) 3024:Sleuth 3019:(1970) 3011:(1969) 3003:(1968) 2995:(1967) 2987:(1966) 2979:(1965) 2971:(1964) 2968:Luther 2963:(1963) 2955:(1962) 2947:(1961) 2944:Becket 2939:(1960) 2931:(1959) 2923:(1958) 2915:(1957) 2907:(1956) 2899:(1955) 2891:(1954) 2883:(1953) 2875:(1952) 2867:(1951) 2859:(1950) 2851:(1949) 2843:(1948) 2784:(2019) 2776:(2018) 2768:(2017) 2760:(2016) 2752:(2015) 2744:(2014) 2736:(2013) 2728:(2012) 2722:(2011) 2714:(2010) 2706:(2009) 2698:(2008) 2690:(2007) 2684:(2006) 2676:(2005) 2668:(2004) 2660:(2003) 2652:(2002) 2644:(2001) 2588:(2024) 2580:(2023) 2572:(2022) 2561:(2020) 2553:(2019) 2545:(2018) 2539:(2017) 2531:(2016) 2523:(2015) 2515:(2014) 2507:(2013) 2499:(2012) 2496:Tribes 2491:(2011) 2483:(2010) 2475:(2009) 2472:Ruined 2467:(2008) 2459:(2007) 2451:(2006) 2443:(2005) 2435:(2004) 2427:(2003) 2419:(2002) 2405:(2001) 2386:(2000) 2378:(1999) 2370:(1998) 2362:(1997) 2354:(1996) 2346:(1995) 2338:(1994) 2330:(1993) 2322:(1992) 2314:(1991) 2306:(1990) 2298:(1989) 2290:(1988) 2282:(1987) 2279:Fences 2274:(1986) 2266:(1985) 2258:(1984) 2250:(1983) 2242:(1982) 2234:(1981) 2226:(1980) 2218:(1979) 2210:(1978) 2202:(1977) 2188:(1976) 2169:(1975) 2152:(1956) 2144:(1955) 1865:  1814:  1348:Medium 1164:, and 486:Skiing 402:Munich 85:  78:  71:  64:  56:  3286:Proof 3251:'Art' 3056:Equus 2402:Proof 2263:As Is 2166:Equus 1353:9 May 1326:Notes 986:Award 944:Radio 856:with 501:poker 438:Style 215:is a 201:Genre 90:JSTOR 76:books 3414:Oslo 2928:J.B. 2536:Oslo 1979:Time 1895:2012 1863:ISBN 1844:2012 1812:ISBN 1758:2015 1705:2012 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Michael Frayn
Niels Bohr
Werner Heisenberg
play
Michael Frayn
Copenhagen
physicists
Niels Bohr
Werner Heisenberg
David Burke
Sara Kestelman
Margrethe Bohr
Matthew Marsh
Royale Theatre
Michael Blakemore
Philip Bosco
Michael Cumpsty
Blair Brown

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