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549:. Given open access to an abandoned steel mill and provided with a group of assistants, he produced an amazing 27 pieces in 30 days. Not yet finished with the themes he developed, he had tons of steel shipped from Italy to Bolton Landing, and over the next 18 months he made another 25 sculptures known as the
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in the late 1950s, the "sprays". He usually signed his drawings with the ancient Greek letters delta and sigma, meant to stand for his initials. In the winter of 1963–64, he began a series known as the "Last Nudes". The paintings in this series are essentially drawings of nudes on canvas. He drew with
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Even though he's primarily known as a sculptor, Smith painted and drew throughout his life. By 1953, he was producing between 300 and 400 drawings a year. His subjects encompassed the figure and landscape, as well as gestural, almost calligraphic marks made with egg yolk, Chinese ink and brushes and,
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Traditionally, metal sculpture meant bronze casts, which artisans produced using a mold made by the artist. Smith, however, made his sculptures from scratch, welding together pieces of steel and other metals with his torch, in much the same way that a painter applied paint to a canvas; his sculptures
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that he and Dehner had bought a few years earlier. Smith started by making three-dimensional objects from wood, wire, coral, soldered metal and other found materials but soon graduated to using an oxyacetylene torch to weld metal heads, which are probably the first welded metal sculptures ever made
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Fellowship in 1950, which was renewed the following year. Freed from financial constraints, he made more and larger pieces, and for the first time was able to afford to make whole sculptures in stainless steel. He also began his practice of making sculptures in series, the first of which were the
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By the late 1950s, his sculptures started to assume monumental proportions. Using overlapping geometric plates of highly polished steel, his works developed a reductive and geometric aesthetic. These massive pieces of the 1960s are considered precursors to the minimal "primary structures" that
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During the 1940s and 1950s, his work shifted to more personal, landscape-inspired sculptures. These works possessed a delicate linear quality, akin to drawing in metal, and echoed the aesthetics of contemporary painting. Notably, Smith cultivated strong friendships with renowned
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413:. At Bolton Landing, he ran his studio like a factory, stocked with large amounts of raw material. The artist would put his sculptures in what is referred to as an upper and lower field, and sometimes he would put them in rows, "as if they were farm crops".
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from 1963 is almost 13' tall. Finally, in the late 1950s Smith began using spray paint - then still a new medium - to create stenciled shapes out of negative space, in works closely tied to his late-career turn toward geometric planes and solids.
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After the war, with the additional skills that he had acquired, Smith released his pent-up energy and ideas in a burst of creation between 1945 and 1946. His output soared and he went about perfecting his own, very personal symbolism.
259:, which he left after two weeks because there were no art courses. In between, Smith took a summer job working on the assembly line of the Studebaker automobile factory in South Bend, Indiana. He then briefly studied art and poetry at
667:(both 1950) blurred the distinctions between sculpture and painting. These works make use of delicate tracery rather than solid form, with a two-dimensional appearance that contradicts the traditional idea of sculpture in the round.
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The rape of the mind by machines of death – the Hand of God points to atrocities. Atop the curly bull the red cross nurse blows the clarinet. The horse is dead in this bullfight arena – the bull is docile, can be
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in 1921, where he attended high school. His mother was a school teacher and a devout
Methodist; his father was a telephone engineer and part-time inventor, who fostered a reverence for machinery in Smith.
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of 1951–59. He steadily gained recognition, lecturing at universities and participating in symposia. He separated from Dehner in 1950, with divorce in 1952. During his time as a visiting artist at
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His family was also getting bigger; he remarried and had two daughters, Rebecca (born 1954) and
Candida (born 1955). He named quite a few of his later works in honor of his children (e.g.,
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Beginning in the mid-1950s, Smith explored the technique of burnishing his stainless steel sculptures with a sander, a technique that would find its fullest expression in his
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Smith, who often said, "I belong with the painters", made sculptures of subjects that had never before been shown in three dimensions. He made sculptural landscapes (e.g.
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In the early phase of his career, he crafted welded metal constructions that incorporated industrial objects, foreshadowing later developments in sculpture.
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in Los
Angeles. The following year he rejected a third-place award at the Carnegie International, saying “the awards system in our day is archaic.”
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in New York from 1926 to 1930. However, his artistic journey took a transformative turn in the early 1930s when he shifted his focus to sculpture.
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works consist of arrangements of geometric shapes, which highlight his interest in balance and the contrast between positive and negative space.
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in 1931–32, Smith made his first sculpture from pieces of coral. In 1932, he installed a forge and anvil in his studio at the farm in
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https://www.nga.gov/collection/artist-info.2274.html#:~:text=His%20mother%20was%20a%20school,son%20a%20reverence%20for%20machinery
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at
Sotheby's for $ 23.8 million, breaking a record for the most expensive piece of contemporary art ever sold at auction.
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in the United States. A single work may consist of several materials, differentiated by varied patinas and polychromy.
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magazine was devoted to Smith's work; later that year he had his first West Coast exhibition, a solo show at the
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in New York in 1938. In 1941, Smith sculptures were included in two traveling exhibitions organized by the
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in New York. Through the
Russian émigré artist John Graham, Smith met avant-garde artists such as
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emerged later in the decade, further exemplifying Smith's forward-thinking approach to sculpture.
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In 1940, the Smiths distanced themselves from the New York art scene and moved permanently to
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in 1954 and 1958. Six of his sculptures were included in an exhibition organized by the
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Born in
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in 1950, which provided him with financial support to focus on his artistic pursuits.
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Art review: 'David Smith: Cubes and
Anarchy' at Los Angeles County Museum of Art
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Works by David Smith are included in major collections worldwide, including the
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Smith's first solo show of drawings and welded-steel sculpture was held at the
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was reinforced during the
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Creative Arts Award in 1964, acknowledging his exceptional work as a sculptor.
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185:(March 9, 1906 – May 23, 1965) was an influential and innovative American
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squeezed from syringes or bottles onto a canvas spread onto the floor.
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1470:) by David Smith, c. 1964, enamel on canvas, accession TCM.2007.1.5
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series (1961–65). The scale of his works continued to increase -
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Art review: 'David Smith: Drawing Space' at Margo Leavin
Gallery
1357:"David Smith: The Forgings, October 29, 2013 - January 11, 2014"
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Governor Nelson A. Rockefeller Empire State Plaza Art
Collection
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Smith often worked in series. He is perhaps best known for the
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In 2005, Cubi XXVIII was sold to Los Angeles philanthropist
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As with many artists from the Modernist period, including
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New York, London: Thames & Hudson, 1968, rpt. 1989.
1482:(New York: Independent Curators Incorporated, 1996), 48.
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For David Smith, Australian sculptor of the 1970s, see
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sculptor and painter, widely known for creating large
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David Smith: A Centennial, February 3 - May 14, 2006
478:, Bloomington, in 1955 and 1956, Smith produced the
1299:"David Smith Biography, Art, and Analysis of Works"
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David Smith by David Smith: Sculpture and Writings.
428:assembling locomotives and M7 tanks. He taught at
1551:Terminal Iron Works: The Sculpture of David Smith
235:Roland David Smith was born on March 9, 1906, in
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1390:(New York: Holt, Rinehart and Winston, 1968), 40
1005:Smith represented the United States in the 1951
1604:at Eskenazi Museum of Art at Indiana University
1076:has 13 Smith sculptures in its collection. The
331:Smith's early friendship with painters such as
278:. Among his teachers were the American painter
1566:. New York, London: Thames & Hudson, 1999.
1080:includes 5 Smith sculptures in is collection.
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1511:Whitney and Storm King to Share a David Smith
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1419:Muchnic, Suzanne (November 12, 2005).
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1124:on May 23, 1965. He was 59 years old.
1103:In February 1965, he was appointed by
801:sculpture of iron and bronze, painted
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44:Portrait of David Smith, by Dan Budnik
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1444:Christopher Knight (April 14, 2011),
1339:The Silent Totems of a Restless Quest
1276:William Zimmer (September 19, 1999),
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1211:Hirshhorn Museum and Sculpture Garden
396:Hirshhorn Museum and Sculpture Garden
1546:. New York: Guggenheim Museum, 2006.
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1462:Honolulu Museum of Art, wall label,
1527:"Empire State Plaza Art Collection"
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1047:October 6, 2011 – January 8, 2012:
1021:Recent solo exhibitions (selection)
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1861:20th-century American male artists
1573:. New York: Abbeville Press, 1984.
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1002:'s Annual exhibition in New York.
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1480:David Smith: Medals for Dishonor,
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1421:"Eli Broad buys a prized 'Cubi'"
1042:Los Angeles County Museum of Art
445:are almost always unique works.
282:and the Czech modernist painter
1866:Sculptors from New York (state)
1856:20th-century American sculptors
1851:Road incident deaths in Vermont
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251:From 1924 to 1925, he attended
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1553:. Cambridge: MIT Press, 1971.
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341:Works Progress Administration
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255:in Athens (one year) and the
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16:American sculptor and painter
1836:People from Decatur, Indiana
1375:Solomon R. Guggenheim Museum
1262:Solomon R. Guggenheim Museum
1120:He died in a car crash near
1109:National Council on the Arts
261:George Washington University
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621:) by David Smith, c. 1964,
526:The February 1960 issue of
422:American Locomotive Company
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1846:People from Paulding, Ohio
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1026:February 12–May 15, 2011:
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1796:American modern sculptors
1791:American abstract artists
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1564:The Fields of David Smith
1544:David Smith; A Centennial
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359:. He also discovered the
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1609:David Smith on Widewalls
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394:of 1945, bronze, in the
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1816:American male sculptors
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1032:The Phillips Collection
304:Russian Constructivists
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1754:Abstract expressionism
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1007:São Paulo Art Biennial
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587:Abstract Expressionist
543:Festival dei Due Mondi
450:Hudson River Landscape
430:Sarah Lawrence College
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213:Abstract Expressionist
187:abstract expressionist
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156:Abstract expressionism
119:Hudson River Landscape
113:Helmholtzian Landscape
1821:Painters from Indiana
1542:Gimenez, Carmen, ed.
1201:In Depth: David Smith
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1074:Storm King Art Center
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1668:Pittsburgh Landscape
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1235:Museum of Modern Art
1089:Smith was awarded a
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996:Museum of Modern Art
499:of 1953 is 7' tall;
263:in Washington, D.C.
215:painters, including
1337:(January 2, 2014),
1122:Bennington, Vermont
1098:Brandeis University
1028:David Smith Invents
684:Medals for Dishonor
345:Federal Art Project
202:Art Students League
1781:Abstract sculptors
1584:David Smith estate
1562:Smith, Candida N.
1549:Krauss, Rosalind.
1514:The New York Times
1342:The New York Times
1282:The New York Times
1257:2014-01-07 at the
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1468:Green Linear Nude
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1425:Los Angeles Times
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1133:Gray, Cleve, ed.
1105:Lyndon B. Johnson
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619:Green Linear Nude
392:Ancient Household
361:welded sculptures
357:Willem de Kooning
221:Robert Motherwell
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353:Arshile Gorky
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1428:. Retrieved
1424:
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1386:Cleve Gray,
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1306:. Retrieved
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349:Stuart Davis
337:Milton Avery
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288:Hans Hofmann
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106:Notable work
81:(1965-05-23)
79:May 23, 1965
25:
1806:1965 deaths
1801:1906 births
1727:(1963–1964)
1645:David Smith
1571:David Smith
1409:, New York.
1377:, New York.
1362:, New York.
1264:, New York.
1252:David Smith
1237:, New York.
1232:David Smith
1084:Recognition
1060:Collections
1009:and at the
986:Exhibitions
883:Big Diamond
690:(1939–40):
676:Mark Rothko
663:(1950) and
649:Other works
569:Cubi series
564:Major works
407:Lake George
284:Jan Matulka
178:, Jerusalem
125:Tanktotem I
32:David Smith
1775:Categories
1660:Agricola I
1652:Sculptures
1602:Volton VVX
1595:Cubi XXVII
1164:Agricola I
1036:Washington
680:Surrealism
665:The Letter
521:Hi Candida
465:Guggenheim
458:The Letter
436:After 1945
327:Early work
302:, and the
280:John Sloan
266:Moving to
231:Early life
131:Agricola V
60:1906-03-09
1732:Cubi XXVI
1676:Voltri XV
1325:23 (1952)
1308:April 18,
949:Cubi XXVI
810:Voltri XV
600:Eli Broad
537:In 1962,
523:, 1965).
471:Agricolas
300:Kandinsky
195:geometric
193:abstract
160:Modernist
137:Voltri VI
99:Sculpture
1716:Cubi XII
1700:Cubi VII
1464:Untitled
1255:Archived
1204:Archived
1149:See also
1128:Writings
1068:and the
1053:New York
966:Cubi VII
898:Cuby XII
794:Saw Head
730:Saw Head
635:Untitled
615:Untitled
555:series.
519:, 1961,
515:, 1963,
505:5 Ciarcs
484:Forgings
480:Forgings
296:Mondrian
268:New York
174:(1963),
152:Movement
1747:Related
1724:Cubi XV
1708:Cubi XI
1430:June 9,
1107:to the
932:Cubi XI
915:Cubi XV
695:ridden.
547:Spoleto
416:During
374:In the
369:Picasso
322:History
292:Picasso
241:Indiana
237:Decatur
172:CUBI VI
143:Cubi VI
1761:(wife)
1735:(1965)
1719:(1963)
1711:(1963)
1703:(1963)
1692:series
1679:(1962)
1671:(1954)
1663:(1952)
1404:(1963)
1402:Cubi X
1159:series
1141:
709:Title
145:(1963)
139:(1962)
133:(1952)
127:(1952)
121:(1951)
115:(1946)
1177:Notes
1116:Death
971:1963
954:1965
937:1963
920:1964
903:1963
887:1956
865:1964
840:1963
815:1962
798:1963
776:1940
756:1945
734:1963
712:Year
656:Cubis
582:Cubis
559:Works
501:Zig I
405:near
191:steel
1689:Cubi
1432:2024
1310:2018
1156:Cubi
1139:ISBN
861:XIII
859:Cubi
834:Cubi
674:and
592:Cubi
575:Cubi
528:Arts
492:Cubi
367:and
355:and
335:and
314:and
219:and
89:, US
76:Died
70:, US
50:Born
836:XII
545:in
409:in
363:of
343:'s
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637:(
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58:(
23:.
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