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791:, but with inkjet printing the artist does not have to pay for the expensive printing-plate setup or the marketing and storage needed for large four-color offset print runs. Inkjet reproductions can be printed and sold individually in accordance with demand. Inkjet printing has the added advantage of allowing artists to take total control of the production of their images, including the final color correction and the substrates being used, with some artists owning and operating their own printers.
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43:
571:, and even a modification of the image (variable data) used for each impression. The savings in labor and the ever-increasing capability of digital presses means that digital printing is reaching the point where it can match or supersede offset printing technology's ability to produce larger print runs of several thousand sheets at a low price.
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Full-wrap cylindrical printing also benefits from seamless borders with no visual overlap. For ease of print file preparation, original design artwork should be able to be imaged on cylinders and tapered items without the need for manipulation or distortion; i.e., flat images will print to scale on a
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Helical
Printing: Helical printing is a hybrid method between the single-pass and multi-pass approaches. Image data is mapped to allow continuous imaging in a helical pattern with a limited number of print heads. Users can optimize the print resolution, speed, and curing controls to optimize image
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Single Pass: Single pass involves using an array of print heads to print the full image length with a single revolution of the printed object. Different colors are usually printed at different stations, leading to higher cost, increased complexity, and sensitivity to print nozzle drop-outs.
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Digital cylinder printing is when a machine directly lays ink onto a curved surface that usually is the wall of an object that has a circular cross section, and a constant, tapered, or variable diameter. Digital cylinder printing is a method of reproducing black-and-white or full-color images and
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of all types as finished pieces or as an element in a further art piece. Experimental artists often add texture or other media to the surface of a final print, or use it as part of a mixed-media work. Many terms for the process have been used over the years, including "digigraph" and "giclée".
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in the image detail. The archival quality of the print is as high as the manufacturer's rating for any given photo paper used. In large format prints, the greatest advantage is that, since no lens is used, there is no vignetting or detail distortion in the corners of the image.
925:(cyan, magenta, yellow, and black) inks are released in a specific pattern to form an image. Typically, one part is printed at a time and can require from 8 to 45 seconds to complete, depending on artwork complexity and quality. It is then finished with a
607:, whereas in analog printing the plates are repeatedly replaced. This results in quicker turnaround time and lower cost in digital printing, but typically a loss of detail in most commercial digital printing processes. The most popular methods include
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The digital cylindrical printing process involves inserting a cylinder-shaped item, or part, into a fixture, which securely holds it in place. The part then travels under a print head mechanism in which tiny droplets of
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Items that can be printed using digital cylindrical processes include cups, tumblers, thermos bottles, bottles, makeup containers, machine parts, carrier tubes, pens, tubes, jars and others.
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Architectural Design – new media that conforms to a variety of surfaces has enabled interior and exterior spaces to be transformed using digitally printed wall murals and floor graphics.
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The ability of digital cylinder printing machines to print full color in one pass, including primers, varnishes and specialty inks, enables multiple design techniques, which include:
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does not permeate the substrate, as does conventional ink, but forms a thin layer on the surface that may be additionally adhered to the substrate by a fuser fluid with thermal (
994:– digital printing is used for personalized printing for example, children's books customized with a child's name, photo books (such as wedding photo books), or any other books.
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was the standard for fine art digital printmaking for many years, and is still in use today, but has been superseded by large-format printers from other manufacturers such as
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Fine art digital inkjet printing is printing from a computer image file directly to an inkjet printer as a final output. It evolved from digital proofing technology from
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quality or choose higher speed if quality isn't critical. Tapers can be imaged at high speed and curved vessels can be managed through the range of controls offered.
1025:– The process of adding foil, holographic effects or even glossy and dull finishes by way of digital ink adhesion. This is done by digitally printing a
893:, because it requires fewer production steps and less set-up time for multiple colors and more complex jobs. This in turn enables reduced run lengths.
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curved surface, with software automatically making the adjustment. The more advanced systems available on the market can handle these requirements.
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For artists making reproductions of their original work, inkjet printing is more expensive on a per-print basis than the traditional four-color
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There are three different imaging techniques used by digital cylinder printing machines: multi-pass, single pass, and helical printing.
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Thousands of print shops and digital printmakers now offer services to painters, photographers, and digital artists around the world.
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machines to fine-art printing. There was experimentation with many of these types of printers, the most notable being the
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area where the user wants the sleeking to take place. The machine registers this and only adheres to this specific area.
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Multi-Pass: Multi-pass printing is when the print heads or printed object move axially in steps down the part, like a
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with lasers and processed in photographic developers and fixers. These prints are true photographs and have
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methods, but this price is usually offset by avoiding the cost of all the technical steps required to make
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Substrates in fine art inkjet printmaking include traditional fine-art papers such as Rives BFK, Arches
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printer allowed the use of a variety of papers that included traditional and non-traditional media. The
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text onto cylindrical objects, typically promotional products, through use of digital imaging systems.
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Digital printing has many advantages over traditional methods. Some applications of note include:
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Large format printing of black numbers on a brushed aluminum sheet by a Mimaki inkjet printer
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printing company in 1991. Initially, these printers were limited to glossy papers, but the
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Fine art – archival digital printing methods include real photo paper exposure prints and
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Photos – digital printing has revolutionized photo printing in terms of the ability to
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Tone on tone: solid matte-finished substrate enhanced with one ink or clear coat
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The greatest difference between digital printing and analog methods, such as
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and event signage, in trade shows, in the retail sector at point of sale or
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and other digital sources are printed using large-format and/or high-volume
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Martin Lister; Jon Dovey; Seth
Giddings; Kieran Kelly; Iain Grant (2009).
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Mirror prints: viewable on the inside and outside of glass or plastic
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Marianne Hörlesberger; Mohamed El-Nawawi; Tarek M. Khalil (2007).
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Digital printing has a higher cost per page than more traditional
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The digital process is by definition faster than conventional
971:– Business Stationery - Including business cards, letterheads
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1277:"Nash Editions: Fine Art Printing on the Digital Frontier"
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733:, initially adapted to fine-art printing by programmer
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Digital images are exposed onto true, light sensitive
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Digital inkjet printing also allows for the output of
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Society for
Imaging Science and Technology (IS&T)
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to add a glossy finish and protect it from abrasion.
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prints on watercolor paper using pigment based inks.
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67:. Unsourced material may be challenged and removed.
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906:Stained glass: color opaque enough to see through
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1208:Challenges in the Management of New Technologies
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567:. It also allows for on-demand printing, short
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1005:, and in personalized direct mail campaigns.
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977:– uses database-driven print files for the
853:. Unsourced material may be challenged and
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873:Learn how and when to remove this message
697:Learn how and when to remove this message
127:Learn how and when to remove this message
1173:The Columbia Guide to Digital Publishing
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761:that use fade-resistant, archival inks (
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997:Advertising – often used for outdoor
851:adding citations to reliable sources
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679:adding citations to reliable sources
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65:adding citations to reliable sources
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1143:University of New South Wales Press
737:, and adopted for fine-art work by
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1243:New Media: A Critical Introduction
25:
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1056:Digital ceramic printing on glass
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642:Digital printing methods of note
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666:needs additional citations for
52:needs additional citations for
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618:In many of the processes, the
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1016:a photograph before printing.
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1170:William E. Kasdorf (2003).
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583:Large format digital prints
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1178:Columbia University Press
815:Digital cylinder printing
765:-based, as well as newer
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468:Thermal-transfer printing
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1135:David Whitbread (2009).
1116:Weave (digital printing)
1066:Digital image processing
647:Fine art inkjet printing
343:Photostat and rectigraph
30:Not to be confused with
1081:Flatbed digital printer
142:Part of a series on the
975:Variable data printing
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783:Digital Printing Press
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193:Intaglio (printmaking)
1281:Digitaljournalist.org
979:mass personalization
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313:Hot metal typesetting
1248:Taylor & Francis
981:of printed materials
847:improve this section
675:improve this article
333:Daisy wheel printing
61:improve this article
1071:Digital photography
373:Dot matrix printing
148:History of printing
1311:Printing processes
963:Desktop publishing
804:photographic paper
789:offset lithography
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546:desktop publishing
458:Solid ink printing
173:Woodblock printing
76:"Digital printing"
27:Method of printing
1257:978-0-415-43160-6
1222:978-981-270-855-7
1187:978-0-231-12499-7
1152:978-981-270-855-7
1138:The Design Manual
1061:Digital embossing
1051:Computer to plate
1003:point of purchase
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727:prepress proofing
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363:Spirit duplicator
273:Chromolithography
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303:Offset printing
243:Relief printing
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18:Digital press
1284:. Retrieved
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1262:Google Books
1260:– via
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1227:Google Books
1225:– via
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1192:Google Books
1190:– via
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1157:Google Books
1155:– via
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1086:Frescography
957:
954:Applications
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845:Please help
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673:Please help
668:verification
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283:Rotary press
183:Movable type
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59:Please help
54:verification
51:
796:digital art
739:Graham Nash
735:David Coons
601:letterpress
593:flexography
589:lithography
478:3D printing
451: 1972
263:Lithography
226: 1515
211: 1440
32:3D printing
1300:Categories
1286:2011-10-20
1123:References
1111:Translight
1027:rich black
969:Commercial
927:UV coating
909:Contouring
556:printers.
383:Xerography
323:Mimeograph
293:Hectograph
165:Techniques
87:newspapers
834:does not
233:Mezzotint
1034:See also
1023:Sleeking
863:May 2024
687:May 2024
538:printing
253:Aquatint
117:May 2024
1106:Tonejet
1010:retouch
855:removed
840:sources
767:solvent
763:pigment
741:at his
597:gravure
575:Process
542:digital
540:from a
218:Etching
101:scholar
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986:giclée
912:Etched
632:curing
609:inkjet
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755:Epson
719:Kodak
628:toner
624:toner
550:laser
108:JSTOR
94:books
1252:ISBN
1217:ISBN
1182:ISBN
1147:ISBN
1096:PODi
1012:and
923:CMYK
838:any
836:cite
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611:and
492:1991
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387:1938
377:1925
367:1923
357:1911
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80:news
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63:by
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1176:.
1141:.
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