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arts', with a significant government subsidy for a number of years. The ideas was that the education would enable local artisans and artists (in that order) to compete with their compatriots from other part of the
Netherlands. In 1831 a renovation and expansion of the school building which cost 6,000 guilders was finished. The 1831-32 course opened with 300 students.
168:
was won by G.M. van der Ven. On account of the exhibition Du Bois made a large painting of 184 by 266 cm. It depicts the board of the school with himself and Pieter
Barbiers in the background. During Du Bois' administration the school had students like Jan Hendrik van Grootvelt, Thomas van Leent
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about nationalist art. A review of the exposition noted that the esthetic value of the exhibited works was minimal, but that these could also be seen as a form of politically engaged art. The review also noted that for these pictures, historical correctness of known details was much more important
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Du Bois was later credited for the expansion and quality of the school. In 1828 teachers were appointed to broaden the curriculum to subjects like mathematics, architecture and chemistry. The efforts were successful in the sense that in 1828 the school became a 'Royal School for
Applied and Visual
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In
January 1826 Dominicus Franciscus Dubois and Pieter Barbiers from Kampen were appointed as drawing teachers at the 's-Hertogenbosch city academy for drawing and painting. They had to compete for the principal position in a drawing competition. After du Bois had won this competition, he was
223:. There is no reason at all to suppose that Du Bois had any significant influence in the development of art. However, the remark seems less outlandish when one compares Dubois' later paintings to his earlier picture which depicts the board of the school.
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Du Bois also promoted the organization of exhibitions in 's-Hertogenbosch. The 1828 exhibition was probably the first that was somewhat more than provincial. Abraham
Johannes Couwenberg won the landscape category. The category
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204:), which drew a lot of attention. In order to prepare for the painting, Du Bois visited a gunboat of the type that Van Speyk commanded at nearby
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Du Bois also contributed to culture in 's-Hertogenbosch by being on the board of the
Provincial Society for Arts and Sciences in North-Brabant (
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Another reviewer of the 1978 exhibition noted that 'The
Sacrifice of Van Speyk' was `very remarkable' because it seemed to be a precursor of
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Du Bois became famous as an artist by painting some works that very much appealed to the nationalist feelings during the
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than esthetics. This is probably the reason why Du Bois was famous at the time, but now receives hardly any attention.
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Gedenkboek der
Koninklijke School voor nuttige en beeldende kunsten opgeright te 's-Hertognebosch in 1812
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De levens en werken der
Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters
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Handelingen van het
Provinciaal Genootschap van Kunsten en Wetenschappen in Noord-Brabant, 1841
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194:, two works of him had a prominent place: A work about Jacob Hobein and a work about
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Presentation of regimental colors to the 's-Hertogenbosch militia on 24 July 1831
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Du Bois was born and raised in Bruges, part of France till 1814, and of the
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till 1830. In his hometown Du Bois received his artistic schooling from
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In 1978 Du Bois' Van Speyk took center stage at an exposition in the
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Provinciaal Genootschap van Kunsten en Wetenschappen in Noord-Brabant
269:"1831 66 D.F. Dubois 1800-1840 De zelfopoffering van Van Speyk"
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198:. The painting of Van Speyk was 'The Sacrifice of Van Speyk' (
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The board of the Royal School for Applied and Visual arts
239:, vol. 2–1, J.J. van Brederode, Haarlem, p. 788
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259:[Nationalism recovered from the museum depot],
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115:artist and draughtsman. From 1826, he directed the
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257:"Het Vaderlands Gevoel uit Museumkelders gehaald"
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282:"Handelingen der vijfde Algemeene Vergadering"
147:Principal of the 's-Hertogenbosch Art School
139:in Antwerp. He completed his education with
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236:Biographisch woordenboek der Nederlanden
152:appointed as principal on 20 June 1826.
117:Royal School for Applied and Visual arts
571:Litho of Du Bois' painting of Van Speyk
547:Return of Jacob Hobein on 19 March 1831
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430:"Het bestuur der Koninklijke School"
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301:[The Fatherland Feeling],
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596:19th-century Belgian male artists
135:. He continued his training with
129:United Kingdom of the Netherlands
103:8 November 1800 –
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250:, vol. I, J.C. van Kesteren
244:Immerzeel, Johannes Jr. (1842),
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400:"'s Hertogenbosch, den 9 Junij"
315:, A.H. Kanten, 's-Hertogenbosch
201:De Zelfopoffering van Van Speyk
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16:Flemish artist and draughtsman
1:
586:19th-century Belgian painters
309:Van Zuylen, R.A. Jr. (1859),
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122:
275:, Nieuwsblad van het Noorden
93:Dominicus Franciscus du Bois
35:Dominicus Franciscus du Bois
7:
488:Nederlandsche staatscourant
434:Opregte Haarlemsche Courant
86:painting, drawing, teaching
10:
627:
521:
484:"Binnenlandsche Berichten"
303:Nieuwsblad van het Noorden
297:Van Straten, Hans (1978),
47:Dominique François du Bois
404:Dagblad van 's Gravenhage
362:'s Gravenhaagsche courant
233:Van der Aa, A.J. (1854),
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299:"Het Vaderlandse Gevoel"
190:. In the antechamber of
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169:and Joseph Hartogensis.
273:Het vaderlandsch gevoel
111:27 October 1840) was a
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591:Belgian male painters
280:Pape, J.D.J. (1841),
119:in 's-Hertogenbosch.
37:by Pieter Barbiers IV
436:. 13 September 1828.
267:Levie, S.H. (1978),
178:), founded in 1837.
133:Joseph-François Ducq
78:Belgian (geographic)
358:"'s Hertogenbosch"
255:Kruis, G. (1978),
188:Belgian Revolution
601:Dutch draughtsmen
192:Noordeinde Palace
164:with flowers and
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23:Dominicus du Bois
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406:. 11 June 1828.
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364:. 30 June 1826.
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292:, Palier: 65–78
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206:Fort Crèvecoeur
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64:27 October 1840
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83:Known for
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611:1840 deaths
606:1800 births
213:Rijksmuseum
166:watercolors
75:Nationality
580:Categories
501:Kruis 1978
471:Levie 1978
227:References
162:still life
143:in Paris.
141:Baron Gros
123:Early life
107:1840-10-27
99:1800-11-08
459:Pape 1841
522:Gallery
113:Flemish
54:Bruges
321:Notes
261:Trouw
182:Works
61:Died
43:Born
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432:.
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360:.
290:II
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