379:#11 (May 1956) as an example of his work well into the series, the influence of cinema on his work is evident. Though he may have had this influence all along, now it is readily apparent, with panels staged like film scenes. The characters have a realistic, illustrative look to them. . . . Most significantly, his artwork finally had the consistent luster of professionalism. Wildey varied his inking from the fine stroke of an etching to the bold use of solid blacks to attain dramatic chiaroscuro effects.
542:
I once tried an automobile comic strip. Because this whole country runs on the automobile economy, right? . . . In my case, my guy was sort of an automobile designer. He raced cars. He had this glamorous
European background, and raced on American tracks. I called him Stretch Bannon. . . . Then, later
626:
was up the street from there, so I simply crossed the street, went up to Hanna-Barbera, and said, 'Look, I'm an artist' and so forth. A couple of people there had read some of my comic strips and comic books, so they said, 'Come in and see
Barbera.' The following day, or maybe even the same day,
713:
gave the cartoon a distinctive look, with its heavy blacks and its Caniff-inspired characters. . . . The show was an action/adventure story involving the feature's namesake, a young brave and brilliant 11-year-old boy. The cast of characters included Jonny's kid sidekick, named Hadji, Jonny's
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After an Atlas Comics retrenchment in 1957—during which the company mixed a trove of inventory stories by Wildey and many others with new material for about two to three years—Wildey freelanced on a small number of standalone anthology stories for two other publishers:
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on, I tried another strip about a writer-artist team that traveled the world getting into adventures. The name was Race
Dunhill. So I put the Race and the Bannon together and that's where
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as the deadlines of producing a daily and Sunday strip proved daunting. The strip ended in 1962. Adding credence to the latter date is Wildey spending part of 1960, possibly only a month,
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in 1947. Because comic book writer and artist credits were not routinely given during this era, the earliest confirmed Wildey works are the two signed pieces in this publisher's
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692:. Hanna-Barbera refused to give him a "created by" credit, Wildey said in 1986, and he and studio "finally arrived on 'Based on an idea created by', and that was my credit."
714:
globetrotting and brilliant scientist dad, Dr. Benton Quest and the groups' handsome bodyguard, secret agent Race Bannon, who looks as if he stepped out of the pages of
1005:, on October 4, 1994. He was around 72 years old at the time of his death. He was surrounded by numerous family members and working colleagues by his side.
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Animation historian Ken
Quattro favorably describes Wildey's most "noteworthy" Western classic style as the 19-issue Atlas Comics series
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Wildey's last original comics work was the painted art for the short 8-page
Western tale "The End of the Time of Leinard" by writers
833:, began producing new work beginning with issue #179 (September 1968). The duo's work appeared through issue #187 (September 1969).
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was unlike any other cartoon television show of the time, with its colorful backgrounds, and its focus on the characters with their
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653:"to project what would be happening 10 years hence", and devising or fancifully updating such devices as a "snowskimmer" and
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959:#1-3 (May 1987 — July 1987), and provided several covers. Comico also reprinted several of his Rio stories in a June 1987
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Much of this work was reprinted by Marvel from 1970 through 1974, exposing Wildey's work to a younger generation.
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218:#9 (June 1949): a one-page house ad and the 10-page adventure story "Queen in Jeopardy", by an unknown writer.
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Two such proposed strips would help provide a character name and some narrative background to Wildey's later
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that he reached his widest audience, bringing a comic book sense of design and style to television cartoons.
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As both writer and comic book artist, Wildey also created his own
Western feature, "Rio", that ran in
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941:#1-10 (Aug. 1983 - July 1984), and he returned to his most prominent creation that decade with a
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for the base newspaper. He recalled his professional start as freelancing for the magazine and
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In 1952, Wildey moved, with his whole family—wife Ellen and oldest daughter, Debbie and —to
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artist best known for originally conceptualizing and co-creating the classic 1964 American
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was a monthly opportunity for Wildey to hone and develop his burgeoning art skills. Using
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and possibly others, puckishly observing that he'd worked for every publisher except
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815:(December 1965). Most significantly during this time, he collaborated with writer
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on
September 18, 1964. And as American comics historian Daniel Herman then wrote:
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pet dog, Bandit, which was otherwise designed by animator Dick
Bickenbach.
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stories through 1957, primarily four- to five-page tales in such titles as
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comic strip and trying unsuccessfully to launch his own syndicated strip.
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After a short hiatus from comic books, broken only by 3 1971 stories for
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when that long-running comic, which had been reprinting stories drawn by
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Wildey then went on to work on several other animated series including
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Barbera called me up and said, 'Can you design, in your style, a show
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In either 1959 or 1961 (sources vary) he took over the art for writer
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1136:(Fairview Printers, 1965), Doug Wildey capsule autobiography, p. 176
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that night — which was not that tough." For inspiration he drew on
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Wildey also wrote and drew a presentation, using such magazines as
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Afterwards, Wildey then returned to comic books to do stories for
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In 1971, Jim
Vadeboncoeur, Jr. published a Wildey portfolio,
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Although, Wildey did not design the more cartoonishly drawn
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comic strip in 1962, Wildey found, through an ad in the
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445:#89 (Aug. 1959). He also later drew the first issue of
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470:Portion of sample Sunday page of Wildey's proposed
371:, etc.). What set it apart was Wildey's art. . . .
1263:Silver Age: The Second Generation of Comic Artists
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439:#28 & 32 (November 1958 & June 1959), and
126:(May 2, 1922 – October 4, 1994) was an American
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795:In the mid-1960s, Wildey eventually returned to
918:#26 (February 1975) and co-created with writer
274:. Two years later, he began a regular stint at
1071:Who's Who of American Comic Strip Producers: W
1052:https://familysearch.org/pal:/MM9.1.1/JB2T-JY8
997:Wildey died of a congenital heart failure in
799:, drawing stories for the premiere issues of
1054:FamilySearch.org. Retrieved on March 6, 2013
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840:'s black-and-white horror-comics magazines
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1349:"A Walk on the Wildey Side" by Tom Conroy
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951:. Wildey wrote and drew the stories in
875:Chicago Tribune New York News Syndicate
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1095:from the original on January 20, 2013.
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1033:
922:the feature "Kid Cody, Gunfighter" in
427:#33 & 35 (Nov. 1958, March 1959),
351:In concept, it was typical of all the
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862:#153 (May 1972), Wildey created the
1179:Weeks, John, "Wildey Rides Again",
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343:, "his take on the classic Western
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1089:"The Forgotten Art of Doug Wildey"
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695:The prime-time TV animated series
14:
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1196:Comic Strip: Credit Breakdown: S
888:' horror-humor anthology series
766:Return to the Planet of the Apes
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1050:via GenealogyBank.com and via [
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947:comic book series published by
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811:(both October 1965 series) and
196:Naval Air Station Barbers Point
1183:(Dark Horse Comics, July 1992)
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784:Chuck Norris: Karate Kommandos
178:Wildey was born and raised in
1:
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221:He went on to draw primarily
1198:at The Comic Strip Project..
1133:National Cartoonists Society
1073:at The Comic Strip Project.
852:story "The Armored Ark" in
564:National Cartoonists Society
403:#3-5 (Jan.-Sept. 1958), and
150:
7:
1379:American storyboard artists
1048:Social Security Death Index
974:(July 1992 — August 1992).
538:. As he described in 1986,
301:Journey into Unknown Worlds
10:
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532:animated television series
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278:, the 1950s forerunner of
136:animated television series
552:Television Animation Work
145:Hanna-Barbera Productions
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1374:American comics artists
772:The Godzilla Power Hour
581:, working under artist
497:New York Herald Tribune
424:Tales of the Unexpected
241:later television series
1345:, Comicartille Library
813:Double-Dare Adventures
809:Unearthly Spectaculars
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701:originally debuted on
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417:#34 (Sept. 1958); and
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16:American comics artist
1343:The Doug Wildey Index
1240:Doug Wildey interview
1169:Grand Comics Database
1091:. Comicartville.com.
1087:Quattro, Ken (n.d.).
924:Atlas/Seaboard Comics
894:Mystery Comics Digest
873:to newspapers by the
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679:Terry and the Pirates
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556:Following the end of
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436:My Greatest Adventure
413:#73 (March 1958) and
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156:Early life and career
124:Douglas Samuel Wildey
30:Douglas Samuel Wildey
1384:Hanna-Barbera people
1046:052-18-2593, at the
957:Jonny Quest Classics
930:#1 (February 1975).
720:. . . . The look of
709:Wildey's designs on
194:military service at
1292:Herman, pp. 195-196
1267:Neshannock Township
1250:WebCitation archive
1075:WebCitation archive
955:#1 (July 1986) and
915:Weird Western Tales
612:production designer
587:Cambria Productions
463:#1337, June 1962).
823:' licensed series
760:Jana of the Jungle
488:
479:animated TV series
409:#62 (March 1958),
263:, "the good one".
257:Cross Publications
239:(unrelated to the
227:Youthful Magazines
212:Street & Smith
176:
164:Wildey panel from
1282:978-1-932563-64-1
1040:Douglas S. Wildey
965:Dark Horse Comics
644:Popular Mechanics
602:I had applied to
411:Hi-School Romance
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989:(January 1995).
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174:#11 (May 1956).
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54:(1994-10-04)
1369:1994 deaths
1364:1922 births
1334:Doug Wildey
1165:Doug Wildey
953:Jonny Quest
944:Jonny Quest
896:, and DC's
864:comic strip
859:G.I. Combat
848:, plus the
797:comic books
738:Jonny Quest
722:Jonny Quest
711:Jonny Quest
698:Jonny Quest
675:comic strip
659:Jonny Quest
595:Space Angel
575:Los Angeles
545:Race Bannon
536:Jonny Quest
502:comic strip
483:Jonny Quest
472:comic strip
456:Dr. Kildare
447:Dell Comics
140:Jonny Quest
95:Jonny Quest
39:May 2, 1922
22:Doug Wildey
1358:Categories
1181:Rio at Bay
1025:References
972:Rio at Bay
969:miniseries
912:" in DC's
871:Syndicated
754:Herculoids
730:hydrofoils
684:James Bond
655:hydrofoils
608:storyboard
604:Universal
579:California
568:television
547:came from.
511:Dick Ayers
377:Outlaw Kid
340:Outlaw Kid
216:Top Secret
208:comic book
204:cartoonist
132:comic book
128:cartoonist
101:Outlaw Kid
35:1922-05-02
999:Las Vegas
910:Jonah Hex
905:Sgt. Rock
890:Mad House
854:DC Comics
846:Nightmare
726:jet packs
583:Alex Toth
571:animation
559:The Saint
521:'s famed
517:his idol
515:penciling
506:The Saint
499:Syndicate
453:spin-off
451:TV series
419:DC Comics
391:, in the
190:. He did
151:Biography
108:Signature
78:Penciller
60:Las Vegas
1318:Quatto,
1306:Quatto,
1212:Quatto,
1114:Quatto,
1093:Archived
961:one-shot
787:(1986).
778:Mister T
775:(1978),
769:(1975),
669:movies,
459:(a.k.a.
415:Warfront
353:Stan Lee
345:antihero
237:Gunsmoke
210:company
184:New York
1167:at the
838:Skywald
620:Arizona
589:' 1962
573:job in
461:4 Color
399:titles
397:fantasy
365:Two-Gun
361:Rawhide
298:comics
296:fantasy
284:Western
272:Arizona
243:), and
223:Western
180:Yonkers
73:Area(s)
1280:
1129:, ed.
1003:Nevada
949:Comico
867:Ambler
842:Psycho
826:Tarzan
734:lasers
732:, and
689:Dr. No
686:movie
647:, and
319:Mystic
292:horror
268:Tucson
200:Hawaii
66:, U.S.
64:Nevada
44:, U.S.
993:Death
421:, in
369:Ringo
82:Inker
1338:IMDb
1320:p. 4
1308:p. 5
1278:ISBN
1214:p. 3
1116:p. 2
981:and
902:and
844:and
665:and
357:Colt
143:for
130:and
49:Died
27:Born
1336:at
1044:SSN
819:on
703:ABC
673:'s
614:.
585:on
198:in
1360::
1297:^
1269:,
1242:,
1220:^
1203:^
1188:^
1141:^
1101:^
1059:^
1042:,
1032:^
1001:,
937:'
926:'
881:.
856:'
807:,
803:'
763:,
757:,
728:,
641:,
631:?'
610:/
577:,
534:,
449:'
367:,
363:,
359:,
328:,
322:,
316:,
310:,
304:,
270:,
261:EC
255:,
251:,
235:,
182:,
168:'
147:.
80:,
62:,
1252:.
1077:.
486:.
395:/
294:-
37:)
33:(
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