548:
1635:"The most common way is that there's some magic artificial intelligence in the sky or in the cloud or something that knows how to translate, and what a wonderful thing that this is available for free. But there's another way to look at it, which is the technically true way: You gather a ton of information from real live translators who have translated phrases… It's huge but very much like Facebook, it's selling people back to themselves… you're producing this result that looks magical but in the meantime, the original translators aren't paid for their work… You're actually shrinking the economy."
131:
1602:, a digital pioneer, has become a technological dystopian: "I think it's a way of interpreting technology in which people forgot taking responsibility." "'Oh, it's the computer that did it, not me.' 'There's no more middle class? Oh, it's not me. The computer did it'" This quote explains that people begin to not only blame the technology for the changes in lifestyle but also believe that technology is an omnipotence. It also points to a technological determinist perspective in terms of reification.
511:
719:
32:
653:. The environment is changing. The weather is different. These are things that are very visceral and very obvious, and they make you question the future, and how we will survive. It's so much a part of everyday life that young people inevitably – consciously or not – are questioning their futures and how the Earth will be. I certainly do. I wonder what kind of world my children's kids will live in."
1713:
1206:, a class system is prenatally determined with Alphas, Betas, Gammas, Deltas and Epsilons, with the lower classes having reduced brain function and special conditioning to make them satisfied with their position in life. Outside of this society there also exist several human settlements that exist in the conventional way but which the World Government describes as "savages".
1258:– the workers consigned to living and working in underground tunnels while the wealthy live on a surface made into an enormous beautiful garden. But over a long time period, the roles were eventually reversed – the rich degenerated and became a decadent "livestock" regularly caught and eaten by the underground cannibal Morlocks.
401:"not"). It was used to denounce the government's Irish land policy: "It is, perhaps, too complimentary to call them Utopians, they ought rather to be called dys-topians, or caco-topians. What is commonly called Utopian is something too good to be practicable; but what they appear to favour is too bad to be practicable".
2088:
1241:, the majority of Earth's population on the surface lives in poverty with little access to health care and are subject to worker exploitation and police brutality, while the wealthy live above the Earth in luxury with access to technologies that cure all diseases, reverse aging, and regenerate body parts.
1647:
mentions the remote control being the classic example of technology that does not solve the problem "it is meant to solve". Gleick quotes Edward Tenner, a historian of technology, that the ability and ease of switching channels by the remote control serves to increase distraction for the viewer. Then
1656:
The remote control example explains this claim as well, for the increase in laziness and dissatisfaction levels was clearly not a problem in times without the remote control. He also takes social psychologist Robert Levine's example of
Indonesians "'whose main entertainment consists of watching the
1072:
depicts a dystopia in which the centrally controlled economic system has indeed made material abundance plentiful but deprived the mass of humanity of meaningful labor; virtually all work is menial, unsatisfying and only a small number of the small group that achieves education is admitted to the
2240:
1952 Negley & Patrick Quest for Utopia xvii. 298 The Mundus Alter et Idem is...the opposite of eutopia, the ideal society: it is a dystopia, if it is permissible to coin a word. 1962 C. WALSH From Utopia to
Nightmare 11 The 'dystopia' or 'inverted utopia'. Ibid. 12 Stories...that
466:
character is stressed, and the addition of other themes—the dangers of science and technology, of social inequality, of corporate dictatorship, of nuclear war—are also traced. A psychological approach is also favored here, with the principle of fear being identified with despotic forms of rule,
1657:
same few plays and dances, month after month, year after year,' and with
Nepalese Sherpas who eat the same meals of potatoes and tea through their entire lives. The Indonesians and Sherpas are perfectly satisfied". Because of the invention of the remote control, it merely created more problems.
233:
tactics, heavy censoring of information or denial of free thought, worshiping an unattainable goal, the complete loss of individuality, and heavy enforcement of conformity. Despite certain overlaps, dystopian fiction is distinct from post-apocalyptic fiction, and an undesirable society is not
591:
suggests that the failure of religious prophecies led to a shift in how society apprehends this ancient mode. Christopher
Schmidt notes that, while the world goes to waste for future generations, people distract themselves from disaster by passively watching it as entertainment.
1508:" depicts a highly changed global environment which forces people to live underground due to an atmospheric contamination. As Angel Galdon-Rodriguez points out, this sort of isolation caused by external toxic hazard is later used by Hugh Howey in his series of dystopias of the
1500:" shows a society where technology and the desire to create a utopia has led humanity to enforce climate control on the environment, as well as to eliminate many undomesticated species and to provide psychological and pharmaceutical repellent against human instincts.
2224:"An imaginary place or condition in which everything is as bad as possible; opp. UTOPIA (cf. CACOTOPIA). So dystopian n., one who advocates or describes a dystopia; dystopian a., of or pertaining to a dystopia; dystopianism, dystopian quality or characteristics."
611:—the perceived "widespread sense that not only is capitalism the only viable political and economic system, but also that it is now impossible even to imagine a coherent alternative to it"—and used the above quote as the title to the opening chapter of his book,
467:
carried forward from the history of political thought, and group psychology introduced as a means of understanding the relationship between utopia and dystopia. Andrew Norton-Schwartzbard noted that "written many centuries before the concept "dystopia" existed,
1622:, a technological utopian, states in his article that the professional designers "re-mystified" the computer so it wasn't so readable anymore; users had to depend on the special programs built into the software that was incomprehensible for normal users.
996:
with its depiction of
Stahlstadt (Steel City), a vast industrial and mining complex, which is totally devoted to the production of ever more powerful and destructive weapons, and which is ruled by the dictatorial and totally ruthless Prof. Schultze – a
569:
realities and extrapolate worst-case scenarios as warnings for necessary social change or caution. Dystopian fictions invariably reflect the concerns and fears of their creators' contemporaneous culture. Due to this, they can be considered a subject of
1344:
the leaders of the fictional
National Institute of Coordinated Experiments, a joint venture of academia and government to promote an anti-traditionalist social agenda, are contemptuous of religion and require initiates to desecrate Christian symbols.
477:
in fact includes most of the typical characteristics associated with this genre – even if placed in a religious framework rather than in the future of the mundane world, as modern dystopias tend to be". In the same vein, Vicente
Angeloti remarked that
1217:, the dystopian society described within has a tiered class structure with the ruling elite "Inner Party" at the top, the "Outer Party" below them functioning as a type of middle-class with minor privileges, and the working-class "Proles" (short for
1102:, where privately owned and unaccountable large corporations have replaced the government in setting policy and making decisions. They manipulate, infiltrate, control, bribe, are contracted by and function as government. This is seen in the novels
210:, published in 1516, which created a blueprint for an ideal society with minimal crime, violence, and poverty. The relationship between utopia and dystopia is in actuality, not one of simple opposition, as many dystopias claim to be utopias and
851:
in principle and result in positive consequences for the inhabitants; the political principles on which fictional dystopias are based, while often based on utopian ideals, result in negative consequences for inhabitants because of at least one
416:, "As a match for utopia (or the imagined seat of the best government) suppose a cacotopia (or the imagined seat of the worst government) discovered and described". Though dystopia became the more popular term, cacotopia finds occasional use;
1083:, there is no want of any kind – only unabashed consumption and hedonism, leading the protagonist to begin looking for a deeper meaning to existence. Even in dystopias where the economic system is not the source of the society's flaws, as in
1014:
The economic structures of dystopian societies in literature and other media have many variations, as the economy often relates directly to the elements that the writer is depicting as the source of the oppression. There are several
1610:
A decrease in communication within family members and friend groups due to increased time in technology use. Virtual space misleadingly heightens the impact of real presence; people resort to technological medium for communication
649:), explains that "young people in particular have such a fascination with this kind of story It's becoming part of the consciousness. You grow up in a world where it's part of the conversation all the time – the statistics of
2458:
Dr. Andrew C. Norton-Schwartzbard, "Foretastes of
Modernity in Renaissance Literature and Art" in Catherine Summers (ed.) "Papers Presented to The Fourth Inter-University Symposium on Late Medieval Culture", p.59, p.71
1589:
claims, which view technology as a beneficial addition to all aspects of humanity, technological dystopia concerns itself with and focuses largely (but not always) on the negative effects caused by new technology.
1005:
who dreams of world conquest and as the first step plots the complete destruction of the nearby Ville-France, a utopian model city constructed and maintained with public health as its government's primary concern.
1397:
social norms that discourage or suppress accomplishment or even competence as forms of inequality. Complete conformity and suppression of individuality (to the point of acting in unison) is also depicted in
1665:
The need for business replaced community and the "story online" replaced people as the "soul of the Net". Because information was now able to be bought and sold, there was not as much communication taking
1373:, first published in 1921, people are permitted to live out of public view twice a week for one hour and are only referred to by numbers instead of names. The latter feature also appears in the film
344:
states or societies in an advanced state of collapse. Dystopias, through an exaggerated worst-case scenario, often make a criticism about a current trend, societal norm, or political system.
225:, or other characteristics associated with a cataclysmic decline in society. Themes typical of a dystopian society include: complete control over the people in a society through the usage of
1472:
Fictional dystopias are commonly urban and frequently isolate their characters from all contact with the natural world. Sometimes they require their characters to avoid nature, as when
1615:
Technologies reinforce hierarchies – concentrate knowledge and skills; increase surveillance and erode privacy; widen inequalities of power and wealth; giving up control to machines.
2539:
2070:
1087:, the state often controls the economy; a character, reacting with horror to the suggestion of not being part of the social body, cites as a reason that works for everyone else.
2241:
seemed in their dystopian way to be saying something important. Ibid. ii. 27 A strand of utopianism or dystopianism. 1967 Listener 5 Jan. 22 The modern classics Aldous Huxley's
1727:
3044:
668:
can be considered as dystopias. So can other works of
Alternative History, in which a historical turning point led to a manifestly repressive world. For example, the 2004
340:, politics, economics, religion, psychology, ethics, science, or technology. Some authors use the term to refer to existing societies, many of which are, or have been,
1496:, the lower class is conditioned to be afraid of nature but also to visit the countryside and consume transport and games to promote economic activity. Lois Lowry's "
692:
continues to the present, with "electronic slave auctions" carried out via the
Internet and slaves controlled by electronic devices implanted in their spines, or
1198:
Dystopian fiction frequently draws stark contrasts between the privileges of the ruling class and the dreary existence of the working class. In the 1931 novel
454:, which criticise attempts to implement various concepts of utopia. In the most comprehensive treatment of the literary and real expressions of the concept,
2433:
2253:
11 July 96/3 It is a pleasant change to read some hope for our future is trevor ingram ... I fear that our real future is more likely to be dystopian.
2506:
1946:
863:
views of the ruling class or a government that is brutal or uncaring, ruling with an "iron fist". Dystopian governments are sometimes ruled by a
2478:
599:
and blockbuster films. Some have commented on this trend, saying that "it is easier to imagine the end of the world than it is to imagine the
542:
4083:
2556:
574:. In dystopias, citizens may live in a dehumanized state, be under constant surveillance, or have a fear of the outside world. In the film
1330:
the establishment of the state included lopping off the tops of all crosses (as symbols of Christianity) to make them "T"s (as symbols of
2532:
2059:
673:
665:
4412:
1770:
1733:
3397:
Penser l'anachronisme comme moteur esthétique de la dystopie théâtrale: quelques considérations sur Bond, Barker, Gabily, et Delbo
2015:
1492:, science coordinated by government is directed toward the control of nature and the elimination of natural human instincts. In
3310:
4095:
2468:
Vicente Angeloti, "Leggere Dante con gli occhi del tardo Novecento", Trimestrale Letterario di Firenze, Estate 1987, pp. 38-56.
1556:
2783:
2651:
2304:
1910:
1180:
1062:
with goods that are dangerous and difficult to obtain or the characters may be at the mercy of the state-controlled economy.
1639:
More efficiency and choices can harm our quality of life (by causing stress, destroying jobs, making us more materialistic).
1416:
Violence is prevalent in many dystopias, often in the form of war, but also in urban crimes led by (predominately teenage)
844:, where the dystopian rulers are brutal and dedicated to the point of fanaticism, which Orwell considered more plausible.
3424:
3383:
2906:
2320:
1994:
783:
96:
2634:
Baker, Stephen; McLaughlin, Greg (1 January 2015). "From Belfast to Bamako: Cinema in the Era of Capitalist Realism".
4498:
4078:
3127:
3090:
3069:
3027:
3002:
2977:
2943:
2853:
2828:
2746:
2712:
2678:
2443:
2416:
2144:
1879:
1535:
802:
755:
458:, Claeys offers a historical approach to these definitions. Here the tradition is traced from early reactions to the
115:
68:
580:
the protagonists (identical septuplet sisters) risk their lives by taking turns onto the outside world because of a
2265:
336:(1953). Dystopian societies appear in many sub-genres of fiction and are often used to draw attention to society,
4724:
2934:: An Ambiguous Technological Dystopia," 163 in Eric S. Rabkin, Martin H. Greenberg, and Joseph D. Olander, eds.,
958:
2609:
762:
75:
2902:
2800:
740:
463:
53:
3367:
2968:
William Matter, "On Brave New World" 98, in Eric S. Rabkin, Martin H. Greenberg, and Joseph D. Olander, eds.,
4407:
3819:
867:
regime or dictator. These dystopian government establishments often have protagonists or groups that lead a "
486:, would aptly describe the situation of the denizens in Dante's Hell. Conversely, Dante's famous inscription
235:
171:
1300:
In dystopias, religious groups may play the role of oppressed or oppressor. One of the earliest examples is
450:
as societies imagined as substantially worse than the society in which the author writes. Some of these are
4729:
4676:
3961:
2249:
are dystopias. They describe not a world we should like to live in, but one we must be sure to avoid. 1968
1810:
892:
689:
264:
769:
446:, make certain distinctions between typical synonyms of dystopias. For example, Claeys and Sargent define
82:
1438:
982:
3144:
1954:
1422:
422:
547:
4525:
3789:
3341:
Heitman, B. (13 April 2011). "The Information: A History, A Theory, A Flood". (Books) (Book review).
2584:
2199:
1221:) at the bottom of the hierarchy with few rights, yet making up the vast majority of the population.
751:
736:
64:
49:
20:
4698:
3893:
2232:(1989 ed.) refers to the 1868 speech by John Stuart Mill quoted above. Other examples given in the
1835:
1800:
1586:
1282:, where children are reproduced artificially, the concepts of "mother" and "father" are considered
970:
277:
3396:
2105:
404:
Decades before the first documented use of the word "dystopia" was "cacotopia"/"kakotopia" (using
4520:
4488:
4348:
4105:
3983:
3417:
3281:
2204:
1815:
1805:
1723:
1648:
it is only expected that people will become more dissatisfied with the channel they are watching.
1552:
1464:'s essay "Ground Zero", where she explains her experience of the aftermath of 11 September 2001.
1278:, have eradicated the family and kept it from re-establishing itself as a social institution. In
992:
729:
576:
42:
4594:
4493:
4483:
4219:
4033:
3315:
1840:
1684:
1351:
1156:
1047:
940:
916:
822:
596:
522:
405:
394:
386:
378:
222:
154:
147:
2736:
2294:
1896:
4503:
4328:
4323:
4303:
4204:
3657:
3118:
Eric S. Rabkin; Martin H. Greenberg; Joseph D. Olander, eds. (1983). "Avatism and Utopia 4".
2702:
2668:
2212:
2040:
1477:
1432:
1340:
1079:
3352:
See also Gregory Claeys. "When Does Utopianism Produce Dystopia?" in: Zsolt Czigányik, ed.
1322:
have taken over the world and the only remaining source of dissent is a tiny and persecuted
192:, is a community or society that is extremely bad or frightening. It is often treated as an
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4028:
3741:
3625:
3553:
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1850:
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1068:
952:
904:
684:
337:
322:
244:
193:
8:
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4318:
4090:
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4061:
4021:
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3881:
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3766:
3637:
1820:
1104:
868:
661:
624:
443:
135:
3356:
Utopian Horizons. Utopia and Ideology – The Interaction of Political and Utopian Thought
2773:
352:"Dustopia", the original spelling of "dystopia", first appeared in Lewis Henry Younge's
4734:
4719:
4644:
4639:
4629:
4569:
4515:
4283:
4273:
4047:
4016:
4003:
3814:
3799:
3756:
3716:
3642:
3593:
3410:
2387:
1301:
1292:, the state is hostile to motherhood, as a pregnant woman from One State is in revolt.
1122:
946:
612:
608:
287:
282:
259:
239:
207:
3211:
3194:
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3161:
776:
89:
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4535:
4453:
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4313:
4278:
4248:
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3809:
3774:
3484:
3216:
3123:
3086:
3065:
3023:
2998:
2973:
2939:
2898:
2849:
2824:
2779:
2742:
2708:
2674:
2647:
2439:
2412:
2391:
2379:
2360:"Cacotopianism, the Paris Commune, and England's Anti-Communist Imaginary, 1870-1900"
2300:
2140:
1929:
1906:
1875:
1845:
1760:
1688:
1570:
1505:
1450:
1404:
1385:
1306:
1229:
642:
459:
292:
273:
254:
3267:
Rushkoff, D. (2002). "Renaissance Now! Media Ecology and the New Global Narrative."
1652:
New technologies can solve problems of old technologies or just create new problems.
1515:
Excessive pollution that destroys nature is common in many dystopian films, such as
847:
The political principles at the root of fictional utopias (or "perfect worlds") are
130:
4589:
4431:
4333:
4308:
4298:
4293:
4268:
4172:
3988:
3978:
3936:
3726:
3691:
3610:
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3494:
3469:
3441:
3389:
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3173:
2639:
2371:
1790:
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1680:
1619:
1444:
1370:
1250:
1033:
928:
922:
898:
637:
581:
491:
367:
297:
3680:
3195:"Espacios urbanos y naturales como escenarios opuestos en la literatura distópica"
3117:
1739:
1606:
Technologies harm our interpersonal communication, relationships, and communities.
1473:
4634:
4584:
4574:
4441:
4397:
4380:
4288:
3631:
3558:
3543:
3489:
2406:
2110:
1355:
takes place in a future United States under a Christian-based theocratic regime.
1346:
1323:
1268:
1165:
1020:
910:
864:
619:
600:
555:
473:
417:
312:
249:
3162:"Urban and Natural Spaces in Dystopian Literature Depicted as Opposed Scenarios"
4622:
4601:
4387:
4375:
4243:
4214:
3966:
3804:
3721:
3706:
3464:
3236:
2557:"Flora's Friday Film: What Happened to Monday, 2/9 | Rose Scholars Spring 2018"
2479:"Dystopian stories used to reflect our anxieties. Now they reflect our reality"
1902:
1765:
1692:
1676:
1565:
1485:
1274:
1236:
1175:
1110:
1042:
976:
934:
877:
697:
679:
650:
571:
566:
439:
413:
332:
2897:, ABC-Clio Literary Companion Ser. (Santa Barbara: ABC-Clio Inc., 1995) xii.
2193:
4713:
4683:
4548:
4436:
4392:
4338:
4258:
4228:
4167:
4125:
3908:
3886:
3833:
3673:
3652:
3647:
3499:
3479:
3459:
3379:
3241:
3220:
2643:
2383:
1626:
New technologies are sometimes regressive (worse than previous technologies).
1560:
1541:
1509:
1501:
1461:
1380:
1210:
1203:
1091:
1063:
1038:
964:
840:
835:
693:
646:
588:
479:
317:
307:
2844:" 147, in Eric S. Rabkin, Martin H. Greenberg, and Joseph D. Olander, eds.,
2819:" 153, in Eric S. Rabkin, Martin H. Greenberg, and Joseph D. Olander, eds.,
2359:
1041:'s short story "The Iron Standard". Another example of this is reflected in
631:) to illustrate what he describes as the "slow cancellation of the future".
4688:
4553:
3926:
3662:
3603:
3548:
3521:
3060:" 94, in Eric S. Rabkin, Martin H. Greenberg, and Joseph D. Olander, eds.,
3018:" 70, in Eric S. Rabkin, Martin H. Greenberg, and Joseph D. Olander, eds.,
2993:" 95, in Eric S. Rabkin, Martin H. Greenberg, and Joseph D. Olander, eds.,
2866:
2483:
1830:
1644:
1599:
1331:
1186:
1116:
1059:
669:
490:
would have been equally appropriate if placed at the entrance to Orwell's "
341:
327:
230:
2610:"Why Do We Love Dystopian Stories So Much? The Cast of Divergent Explains"
2375:
2136:
Public and parliamentary speeches – Part I – November 1850 – November 1868
4693:
4659:
4654:
4263:
4253:
4199:
4177:
4011:
3898:
3711:
3696:
3667:
3620:
3563:
3538:
3526:
1547:
1427:
1394:
1335:
1245:
1218:
1095:
1024:
987:
827:
702:
628:
604:
269:
203:
2134:
1968:
558:, which imagines a dystopian future in which people have to leave dying
510:
4543:
4448:
4140:
4056:
4051:
3731:
3701:
3449:
1825:
1795:
1661:
Technologies destroy nature (harming human health and the environment).
1517:
1390:
1365:
1319:
1315:
1287:
1170:
1134:
1099:
1074:
1016:
998:
886:
872:
853:
831:
701:
in which 20th Century Britain is ruled by a Catholic theocracy and the
632:
559:
302:
226:
2802:
Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures
2016:"The Fine Line between Utopia and Dystopia | The Prolongation of Work"
1675:
Dystopian themes are in many television shows and video games such as
385:"bad") to "topia", reinterpreting the initial "u" as the prefix "eu" (
4470:
4233:
4155:
3956:
3856:
3779:
3736:
3686:
3598:
3533:
3474:
3454:
3433:
3199:Ángulo Recto. Revista de estudios sobre la ciudad como espacio plural
3166:Ángulo Recto. Revista de estudios sobre la ciudad como espacio plural
2921:, ed. Raffaella Baccolini and Tom Moylan (New York: Routledge, 2003).
2321:"Henry George Liddell, Robert Scott, A Greek-English Lexicon, κα^κός"
2168:"Passagen – Online sedan 1995 – Jämför försäkringar, lån och elavtal"
1969:"Dystopia – Examples and Definition of Dystopia as a Literary Device"
1785:
1742:
by removing items or incorporating them into the text of the article.
1696:
1595:
Technologies reflect and encourage the worst aspects of human nature.
1497:
1456:
1161:
1140:
860:
657:
286:(1992), or in the future. Famous examples set in the future included
177:
160:
3615:
718:
31:
4671:
4478:
4162:
4130:
4042:
4037:
3916:
3861:
3751:
3516:
3505:
3370:, predictions about the future and their realisations in real life.
1574:
1375:
1028:
848:
495:
4606:
4370:
4238:
4194:
4189:
4119:
3941:
3931:
3746:
3568:
2270:
1775:
1523:
1311:
1283:
1232:, people are divided into numerous alphabetically ranked groups.
1128:
372:
2293:
Rusen, Jorn; Rüsen, Jörn; Fehr, Michael; Rieger, Thomas (2005).
1895:
Rusen, Jorn; Rüsen, Jörn; Fehr, Michael; Rieger, Thomas (2005).
1019:
that such societies tend to follow. A theme is the dichotomy of
138:
has often inspired the dystopian identity in modern media works.
4610:
4360:
4145:
3921:
3828:
3587:
2917:
Jane Donawerth, "Genre Blending and the Critical Dystopia", in
1529:
1150:
1002:
362:
218:
198:
884:
Dystopian political situations are depicted in novels such as
4617:
4184:
4135:
4113:
3866:
3851:
2738:
Capitalist Superheroes: Caped Crusaders in the Neoliberal Age
1643:
In his article "Prest-o! Change-o!", technological dystopian
468:
3402:
3373:
3120:
No Place Else: Explorations in Utopian and Dystopian Fiction
3062:
No Place Else: Explorations in Utopian and Dystopian Fiction
3020:
No Place Else: Explorations in Utopian and Dystopian Fiction
2995:
No Place Else: Explorations in Utopian and Dystopian Fiction
2970:
No Place Else: Explorations in Utopian and Dystopian Fiction
2936:
No Place Else: Explorations in Utopian and Dystopian Fiction
2919:
Dark Horizons: Science Fiction and the Dystopian Imagination
2846:
No Place Else: Explorations in Utopian and Dystopian Fiction
2821:
No Place Else: Explorations in Utopian and Dystopian Fiction
2778:. Library Genesis. Winchester, UK; Washington : Zero Books.
4355:
4150:
3511:
1417:
838:
contrasted Wells's world to that depicted in Jack London's
1244:
Written a century earlier, the future society depicted in
543:
Apocalyptic and post-apocalyptic fiction § In society
234:
necessarily dystopian. Dystopian societies appear in many
1551:. A few "green" fictional dystopias do exist, such as in
2346:
Plan of Parliamentary Reform, in the form of a catechism
1569:. The latter is set in the aftermath of nuclear war, "a
617:. In the book, he also refers to dystopian film such as
2167:
1573:
Kent, where technology has reduced to the level of the
217:
Dystopias are often characterized by fear or distress,
16:
Community or society that is undesirable or frightening
3392:, discusses current popularity of the dystopian genre.
1027:
economies, a conflict which is found in such works as
871:" to enact change within their society, as is seen in
2840:
William Steinhoff, "Utopia Reconsidered: Comments on
2815:
William Steinhoff, "Utopia Reconsidered: Comments on
595:
In the 2010s, there was a surge of popular dystopian
2292:
1894:
607:
identified the phrase as encompassing the theory of
743:. Unsourced material may be challenged and removed.
56:. Unsourced material may be challenged and removed.
2775:Capitalist realism : is there no alternative?
2192:
2191:
1631:The unforeseen impacts of technology are negative.
2106:"Postcard from Belgium: the birthplace of utopia"
4711:
3192:
3159:
2057:
412:, "bad, wicked") originally proposed in 1818 by
2633:
1953:. Oxford University Press. 2012. Archived from
3358:(Budapest: CEU Press, 2016), pp. 41–61.
2767:
2765:
2734:
2405:Claeys, Gregory; Sargent, Lyman Tower (1999).
1190:, influenced by and based upon Dick's novel).
705:is actively torturing and burning "heretics".
426:(1962), said it was a better fit for Orwell's
238:and artistic representations, particularly in
3418:
3376:, dystopian fiction and its place in reality.
2404:
3304:
3302:
3193:Galdon Rodriguez, Angel (19 December 2014).
2867:"Definition of Utopia | Dictionary.com"
2834:
2809:
2585:"Why are Dystopian Films on the Rise Again?"
2530:
2471:
1869:
1484:, as well as within Bradbury's short story "
614:Capitalist Realism: Is There No Alternative?
584:place in this futuristic dystopian society.
3311:"What Turned Jaron Lanier Against the Web?"
3263:
3261:
3259:
3257:
3255:
3253:
3251:
2762:
2533:"Dystopias: Definition and Characteristics"
2060:"Dystopias: Definition and Characteristics"
370:in one of his 1868 Parliamentary Speeches (
3425:
3411:
3337:
3335:
3333:
2160:
3299:
3210:
3177:
3008:
2911:
2884:
2579:
2577:
2286:
1924:
1922:
1580:
803:Learn how and when to remove this message
674:C.S.A.: The Confederate States of America
565:Dystopias typically reflect contemporary
484:a boot stamping on a human face – forever
430:because "it sounds worse than dystopia".
116:Learn how and when to remove this message
3282:"Technological Determinism: Reification"
3248:
2604:
2602:
2357:
2351:
2296:Thinking Utopia: Steps into Other Worlds
2228:The example of first usage given in the
2139:. Toronto: University of Toronto Press.
1941:
1939:
1898:Thinking Utopia: Steps into Other Worlds
1771:Apocalyptic and post-apocalyptic fiction
1160:. Corporate republics are common in the
546:
129:
3330:
2666:
2545:from the original on 23 September 2010.
2507:"Dystopia facts, information, pictures"
2338:
2103:
2076:from the original on 23 September 2010.
4712:
4096:Types of fiction with multiple endings
3122:. Southern Illinois University Press.
2859:
2798:
2771:
2704:Marx and the Alternative to Capitalism
2574:
2431:
2086:
1919:
1888:
3406:
3308:
2700:
2599:
2045:Miami Dade College Learning Resources
1936:
666:Nazi Germany won the Second World War
3233:
2213:participating institution membership
2132:
2041:"Dystopias & Utopias: Dystopias"
1706:
1181:Do Androids Dream of Electric Sheep?
741:adding citations to reliable sources
712:
505:
54:adding citations to reliable sources
25:
3384:The Encyclopedia of Science Fiction
2185:
1379:. In some dystopian works, such as
488:Abandon all hope, ye who enter here
13:
3142:
2895:Encyclopedia of Utopian Literature
2638:. Palgrave Macmillan UK: 107–116.
2104:Tisdall, Nigel (4 November 2016).
1870:Girard, Greg; Lambot, Ian (2014).
1266:Some fictional dystopias, such as
14:
4746:
4499:Third-person omniscient narrative
3361:
3212:10.5209/rev_ANRE.2014.v6.n2.47585
3179:10.5209/rev_ANRE.2014.v6.n2.47585
3102:
1670:
1536:April and the Extraordinary World
1310:, about a futuristic world where
664:works depicting a world in which
3244:. London: Bloomsbury. p. v.
3234:Self, W. (2002) . Introduction.
3160:Galdon Rodriguez, Angel (2014).
3085:, McClelland and Stewart, 1985.
2090:Utopia: Or, Apollo's Golden Days
1711:
1545:, as well as in videogames like
1389:, society forces individuals to
1254:had started in a similar way to
1054:Some dystopias, such as that of
859:Dystopias are often filled with
830:depicted the governing class as
717:
708:
603:". Cultural theorist and critic
509:
30:
3274:
3227:
3186:
3153:
3136:
3111:
3103:Berne, Suzanne. "Ground Zero".
3096:
3075:
3050:
3033:
2983:
2962:
2949:
2924:
2792:
2728:
2694:
2660:
2627:
2587:. JSTOR Daily. 19 November 2014
2549:
2524:
2499:
2462:
2452:
2425:
2398:
2313:
2271:Parliamentary Debates (Hansard)
2258:
2126:
2097:
2080:
986:(1987).. An earlier example is
959:FAQ: Frequently Asked Questions
728:needs additional citations for
354:Utopia: or Apollo's Golden Days
41:needs additional citations for
3887:Conflict between good and evil
3014:Gorman Beauchamp, "Zamiatin's
2701:Allen, Kieran (24 July 2014).
2051:
2033:
2008:
1987:
1961:
1863:
1090:Other works feature extensive
377:) by adding the prefix "dys" (
184: 'place'), also called a
1:
3432:
3343:The Christian Science Monitor
3269:Explorations in Media Ecology
2930:Howard P. Segal, "Vonnegut's
2805:. Winchester, UK: Zero Books.
1856:
3105:Patterns for College Writing
2735:Hassler-Forest, Dan (2012).
2087:Younge, Lewis Henry (1747).
1811:List of dystopian literature
1476:are regarded as dangerously
1009:
690:slavery in the United States
347:
206:and figures as the title of
202:, a term that was coined by
7:
3039:Robert Hugh Benson (2011),
2438:. Oxford University Press.
2435:Dystopia: A Natural History
1702:
1460:). It is also explained in
1426:), or rampant crime met by
1411:
1358:
1295:
1286:. In some novels, such as
815:
456:Dystopia: A Natural History
360:was used as an antonym for
10:
4751:
2358:Beaumont, Matthew (2006).
2133:Mill, John Stuart (1988).
1947:"Definition of "dystopia""
1930:"Definition of "dystopia""
1872:City of Darkness Revisited
540:
501:
409:
398:
390:
382:
170:
153:
18:
4562:
4534:
4526:Stream of unconsciousness
4469:
4213:
4104:
4057:Falling action/Catastasis
4002:
3907:
3842:
3765:
3577:
3440:
2344:Bentham, Jeremy. (1818).
2219:Oxford English Dictionary
2200:Oxford English Dictionary
2058:Read Write Think (2006).
1467:
1261:
552:People Leaving the Cities
433:
393:"good") instead of "ou" (
21:Dystopia (disambiguation)
3894:Self-fulfilling prophecy
2741:. John Hunt Publishing.
2673:. John Hunt Publishing.
2667:Shaviro, Steven (2010).
2644:10.1057/9781137496362_10
2432:Claeys, Gregory (2016).
2002:Okanogan School District
1932:. Merriam-Webster. 2012.
1836:Self-fulfilling prophecy
1801:List of dystopian comics
1557:The Punishment of Luxury
1193:
971:The Purge: Election Year
167: 'bad' and
4521:Stream of consciousness
3984:Suspension of disbelief
3390:Climate Change Dystopia
3045:Saint Augustine's Press
2205:Oxford University Press
1874:. Somerset: Watermark.
1816:List of dystopian works
1806:List of dystopian films
1587:technologically utopian
1098:; both consequences of
1073:elite and its work. In
656:The entire substantial
577:What Happened to Monday
438:Some scholars, such as
356:in 1747. Additionally,
4725:Science fiction themes
4062:Denouement/Catastrophe
4043:Rising action/Epitasis
2255:
2226:
1841:Social science fiction
1685:Cyberpunk: Edgerunners
1581:Science and technology
1571:post-nuclear holocaust
823:When the Sleeper Wakes
597:young adult literature
562:
482:'s emblematic phrase,
223:environmental disaster
139:
4408:Utopian and dystopian
2799:Fisher, Mark (2013).
2772:Fisher, Mark (2009).
2670:Post Cinematic Affect
2376:10.1353/elh.2006.0012
2238:
2222:
1995:"Utopia vs. Dystopia"
1490:That Hideous Strength
1363:In the Russian novel
1341:That Hideous Strength
1184:(as well as the film
828:H. G. Wells
651:our planet warming up
550:
494:" and its notorious "
272:, stories set in the
265:A Man for All Seasons
133:
3962:Narrative techniques
3742:Story within a story
3554:Supporting character
3056:William Matter, "On
2989:William Matter, "On
2959:. Bantam Books:1999.
2891:Mary Ellen Snodgrass
2247:Nineteen Eighty Four
2245:and George Orwell's
1851:Soft science fiction
1332:Henry Ford's Model T
1215:Nineteen Eighty-Four
1056:Nineteen Eighty-Four
993:The Begum's Millions
905:Nineteen Eighty-Four
893:Parable of the Sower
865:fascist or communist
737:improve this article
685:Underground Airlines
428:Nineteen Eighty-Four
323:Nineteen Eighty-Four
245:A Tale of Two Cities
50:improve this article
19:For other uses, see
4730:Speculative fiction
4667:Political narrative
4509:Unreliable narrator
4366:Speculative fiction
4074:Nonlinear narrative
4022:Three-act structure
3882:Deal with the Devil
3286:visual-memory.co.uk
3083:The Handmaid's Tale
2707:. Lulu Press, Inc.
2221:, a "dystopia" is:
2203:(Online ed.).
1951:Oxford Dictionaries
1821:Lovecraftian horror
1352:The Handmaid's Tale
1105:Jennifer Government
917:The Handmaid's Tale
662:alternative history
444:Lyman Tower Sargent
208:his best known work
136:Kowloon Walled City
4645:Narrative paradigm
4640:Narrative identity
4570:Dominant narrative
4516:Multiple narrators
3800:Fictional location
3643:Dramatic structure
3395:Alexandru Bumbas,
2957:Don't Bite the Sun
2636:Ireland and Cinema
2531:Read Write Think.
2299:. Berghahn Books.
2266:"Adjourned Debate"
2093:. George Faulkner.
2020:sites.williams.edu
1740:clean up the lists
1480:in Ray Bradbury's
1423:A Clockwork Orange
1302:Robert Hugh Benson
1080:Don't Bite the Sun
938:and such films as
609:capitalist realism
563:
521:. You can help by
448:literary dystopias
423:A Clockwork Orange
288:Robert Hugh Benson
260:Henryk Sienkiewicz
240:historical fiction
140:
4707:
4706:
4650:Narrative therapy
4084:television series
4029:Freytag's Pyramid
3872:Moral development
3775:Alternate history
3485:False protagonist
3081:Margaret Atwood,
3041:Lord of the World
2785:978-1-84694-317-1
2653:978-1-349-56410-1
2561:blogs.cornell.edu
2487:. 26 October 2015
2408:The Utopia Reader
2325:perseus.tufts.edu
2306:978-1-57181-440-1
2217:According to the
2211:(Subscription or
1912:978-1-57181-440-1
1846:Societal collapse
1761:Alternate history
1757:
1756:
1689:Blade Runner 2049
1506:The Machine Stops
1405:A Wrinkle in Time
1400:Madeleine L'Engle
1386:Harrison Bergeron
1307:Lord of the World
1230:Herbert W. Franke
1021:planned economies
813:
812:
805:
787:
601:end of capitalism
587:In a 1967 study,
539:
538:
464:anti-collectivist
460:French Revolution
293:Lord of the World
274:alternate history
126:
125:
118:
100:
4742:
4630:Literary science
4173:Narrative poetry
4069:Linear narrative
3979:Stylistic device
3974:Show, don't tell
3937:Figure of speech
3727:Shaggy dog story
3470:Characterization
3427:
3420:
3413:
3404:
3403:
3368:Dystopia Tracker
3346:
3339:
3328:
3327:
3325:
3323:
3309:Rosenbaum, Ron.
3306:
3297:
3296:
3294:
3292:
3278:
3272:
3265:
3246:
3245:
3231:
3225:
3224:
3214:
3190:
3184:
3183:
3181:
3157:
3151:
3150:
3143:Huxley, Aldous.
3140:
3134:
3133:
3115:
3109:
3108:
3100:
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3079:
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3054:
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2567:
2553:
2547:
2546:
2544:
2537:
2528:
2522:
2521:
2519:
2517:
2511:encyclopedia.com
2503:
2497:
2496:
2494:
2492:
2475:
2469:
2466:
2460:
2456:
2450:
2449:
2429:
2423:
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2402:
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2158:
2157:
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2130:
2124:
2123:
2121:
2119:
2101:
2095:
2094:
2084:
2078:
2077:
2075:
2067:Read Write Think
2064:
2055:
2049:
2048:
2037:
2031:
2030:
2028:
2026:
2012:
2006:
2005:
1999:
1991:
1985:
1984:
1982:
1980:
1973:Literary Devices
1965:
1959:
1958:
1943:
1934:
1933:
1926:
1917:
1916:
1892:
1886:
1885:
1867:
1791:Inner emigration
1781:Digital dystopia
1752:
1749:
1743:
1715:
1714:
1707:
1681:The Hunger Games
1620:Douglas Rushkoff
1585:Contrary to the
1555:'s short story "
1445:The Hunger Games
1371:Yevgeny Zamyatin
1251:The Time Machine
923:The Hunger Games
899:Darkness at Noon
808:
801:
797:
794:
788:
786:
745:
721:
713:
582:one-child policy
534:
531:
513:
506:
492:Ministry of Love
411:
400:
392:
384:
368:John Stuart Mill
298:Yevgeny Zamyatin
276:timelines, like
181:
174:
164:
157:
121:
114:
110:
107:
101:
99:
58:
34:
26:
4750:
4749:
4745:
4744:
4743:
4741:
4740:
4739:
4710:
4709:
4708:
4703:
4635:Literary theory
4575:Fiction writing
4558:
4530:
4465:
4217:
4209:
4100:
3998:
3903:
3838:
3761:
3632:Deus ex machina
3573:
3559:Title character
3544:Stock character
3490:Focal character
3436:
3431:
3364:
3350:
3349:
3340:
3331:
3321:
3319:
3307:
3300:
3290:
3288:
3280:
3279:
3275:
3266:
3249:
3232:
3228:
3191:
3187:
3158:
3154:
3146:Brave New World
3141:
3137:
3130:
3116:
3112:
3101:
3097:
3080:
3076:
3058:Brave New World
3055:
3051:
3038:
3034:
3013:
3009:
2991:Brave New World
2988:
2984:
2967:
2963:
2954:
2950:
2929:
2925:
2916:
2912:
2889:
2885:
2875:
2873:
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2839:
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2513:
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2504:
2500:
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2403:
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2339:
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2319:
2318:
2314:
2307:
2291:
2287:
2277:
2275:
2274:. 12 March 1868
2264:
2263:
2259:
2243:Brave New World
2210:
2190:
2186:
2176:
2174:
2166:
2165:
2161:
2151:
2149:
2147:
2131:
2127:
2117:
2115:
2111:Financial Times
2102:
2098:
2085:
2081:
2073:
2062:
2056:
2052:
2039:
2038:
2034:
2024:
2022:
2014:
2013:
2009:
1997:
1993:
1992:
1988:
1978:
1976:
1967:
1966:
1962:
1957:on 14 May 2013.
1945:
1944:
1937:
1928:
1927:
1920:
1913:
1893:
1889:
1882:
1868:
1864:
1859:
1753:
1747:
1744:
1737:
1716:
1712:
1705:
1673:
1583:
1494:Brave New World
1470:
1439:The Running Man
1414:
1361:
1347:Margaret Atwood
1328:Brave New World
1298:
1280:Brave New World
1269:Brave New World
1264:
1200:Brave New World
1196:
1166:Neal Stephenson
1114:and the movies
1085:Brave New World
1012:
983:The Running Man
911:Brave New World
818:
809:
798:
792:
789:
746:
744:
734:
722:
711:
620:Children of Men
556:Zbigniew Libera
554:, photo art by
545:
535:
529:
526:
519:needs expansion
504:
462:. Its commonly
436:
418:Anthony Burgess
350:
313:Brave New World
250:Charles Dickens
236:fictional works
204:Sir Thomas More
122:
111:
105:
102:
59:
57:
47:
35:
24:
17:
12:
11:
5:
4748:
4738:
4737:
4732:
4727:
4722:
4705:
4704:
4702:
4701:
4699:Verisimilitude
4696:
4691:
4686:
4681:
4680:
4679:
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4663:
4662:
4652:
4647:
4642:
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4615:
4614:
4613:
4604:
4602:Parallel novel
4599:
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4501:
4491:
4486:
4481:
4475:
4473:
4467:
4466:
4464:
4463:
4462:
4461:
4456:
4446:
4445:
4444:
4439:
4434:
4429:
4424:
4423:
4422:
4417:
4416:
4415:
4410:
4405:
4395:
4390:
4385:
4384:
4383:
4373:
4363:
4358:
4353:
4352:
4351:
4346:
4336:
4331:
4326:
4321:
4316:
4311:
4306:
4301:
4296:
4291:
4286:
4281:
4276:
4271:
4266:
4261:
4256:
4251:
4246:
4244:Action fiction
4236:
4231:
4225:
4223:
4211:
4210:
4208:
4207:
4202:
4197:
4192:
4187:
4182:
4181:
4180:
4170:
4165:
4160:
4159:
4158:
4153:
4148:
4143:
4138:
4128:
4123:
4116:
4110:
4108:
4102:
4101:
4099:
4098:
4093:
4088:
4087:
4086:
4081:
4071:
4066:
4065:
4064:
4059:
4054:
4045:
4040:
4026:
4025:
4024:
4019:
4008:
4006:
4000:
3999:
3997:
3996:
3991:
3986:
3981:
3976:
3971:
3970:
3969:
3959:
3954:
3949:
3944:
3939:
3934:
3929:
3924:
3919:
3913:
3911:
3905:
3904:
3902:
3901:
3896:
3891:
3890:
3889:
3884:
3874:
3869:
3864:
3859:
3854:
3848:
3846:
3840:
3839:
3837:
3836:
3831:
3826:
3825:
3824:
3823:
3822:
3812:
3807:
3797:
3792:
3787:
3782:
3777:
3771:
3769:
3763:
3762:
3760:
3759:
3754:
3749:
3744:
3739:
3734:
3729:
3724:
3722:Self-insertion
3719:
3714:
3709:
3707:Poetic justice
3704:
3699:
3694:
3689:
3684:
3677:
3670:
3665:
3660:
3655:
3650:
3645:
3640:
3635:
3628:
3623:
3618:
3613:
3608:
3607:
3606:
3596:
3591:
3583:
3581:
3575:
3574:
3572:
3571:
3566:
3561:
3556:
3551:
3546:
3541:
3536:
3531:
3530:
3529:
3524:
3519:
3509:
3502:
3497:
3492:
3487:
3482:
3477:
3472:
3467:
3465:Character flaw
3462:
3457:
3452:
3446:
3444:
3438:
3437:
3430:
3429:
3422:
3415:
3407:
3401:
3400:
3393:
3387:
3377:
3371:
3363:
3362:External links
3360:
3348:
3347:
3329:
3298:
3273:
3271:, 1(1), 21–32.
3247:
3242:Hoban, Russell
3237:Riddley Walker
3226:
3185:
3152:
3135:
3128:
3110:
3095:
3074:
3049:
3032:
3007:
2982:
2961:
2948:
2923:
2910:
2907:978-0874367577
2883:
2871:dictionary.com
2858:
2833:
2808:
2791:
2784:
2761:
2747:
2727:
2713:
2693:
2679:
2659:
2652:
2626:
2598:
2573:
2548:
2523:
2498:
2470:
2461:
2451:
2444:
2424:
2417:
2397:
2370:(2): 465–487.
2350:
2337:
2312:
2305:
2285:
2257:
2184:
2159:
2145:
2125:
2096:
2079:
2050:
2032:
2007:
1986:
1960:
1935:
1918:
1911:
1903:Berghahn Books
1887:
1880:
1861:
1860:
1858:
1855:
1854:
1853:
1848:
1843:
1838:
1833:
1828:
1823:
1818:
1813:
1808:
1803:
1798:
1793:
1788:
1783:
1778:
1773:
1768:
1766:Horror fiction
1763:
1755:
1754:
1734:embedded lists
1728:indiscriminate
1719:
1717:
1710:
1704:
1701:
1677:Cyberpunk 2077
1672:
1671:In pop culture
1669:
1668:
1667:
1663:
1658:
1654:
1649:
1641:
1636:
1633:
1628:
1623:
1617:
1612:
1608:
1603:
1597:
1582:
1579:
1566:Riddley Walker
1553:Michael Carson
1486:The Pedestrian
1482:Fahrenheit 451
1469:
1466:
1413:
1410:
1360:
1357:
1297:
1294:
1275:Fahrenheit 451
1263:
1260:
1195:
1192:
1176:Philip K. Dick
1111:Oryx and Crake
1043:Norman Jewison
1011:
1008:
935:Fahrenheit 451
878:V for Vendetta
817:
814:
811:
810:
725:
723:
716:
710:
707:
641:(originally a
635:, an actor in
623:(originally a
572:social studies
567:sociopolitical
537:
536:
516:
514:
503:
500:
440:Gregory Claeys
435:
432:
414:Jeremy Bentham
349:
346:
333:Fahrenheit 451
124:
123:
38:
36:
29:
15:
9:
6:
4:
3:
2:
4747:
4736:
4733:
4731:
4728:
4726:
4723:
4721:
4718:
4717:
4715:
4700:
4697:
4695:
4692:
4690:
4687:
4685:
4684:Screenwriting
4682:
4678:
4675:
4674:
4673:
4670:
4668:
4665:
4661:
4658:
4657:
4656:
4653:
4651:
4648:
4646:
4643:
4641:
4638:
4636:
4633:
4631:
4628:
4624:
4621:
4620:
4619:
4616:
4612:
4608:
4605:
4603:
4600:
4596:
4593:
4591:
4588:
4586:
4583:
4582:
4581:
4578:
4577:
4576:
4573:
4571:
4568:
4567:
4565:
4561:
4555:
4552:
4550:
4547:
4545:
4542:
4541:
4539:
4537:
4533:
4527:
4524:
4522:
4519:
4517:
4514:
4510:
4507:
4505:
4502:
4500:
4497:
4496:
4495:
4492:
4490:
4489:Second-person
4487:
4485:
4482:
4480:
4477:
4476:
4474:
4472:
4468:
4460:
4457:
4455:
4452:
4451:
4450:
4447:
4443:
4440:
4438:
4435:
4433:
4430:
4428:
4425:
4421:
4418:
4414:
4411:
4409:
4406:
4404:
4401:
4400:
4399:
4396:
4394:
4393:Magic realism
4391:
4389:
4386:
4382:
4379:
4378:
4377:
4374:
4372:
4369:
4368:
4367:
4364:
4362:
4359:
4357:
4354:
4350:
4347:
4345:
4342:
4341:
4340:
4337:
4335:
4332:
4330:
4327:
4325:
4324:Psychological
4322:
4320:
4317:
4315:
4312:
4310:
4307:
4305:
4304:Philosophical
4302:
4300:
4297:
4295:
4292:
4290:
4287:
4285:
4282:
4280:
4277:
4275:
4272:
4270:
4267:
4265:
4262:
4260:
4257:
4255:
4252:
4250:
4247:
4245:
4242:
4241:
4240:
4237:
4235:
4232:
4230:
4229:Autobiography
4227:
4226:
4224:
4221:
4216:
4212:
4206:
4203:
4201:
4198:
4196:
4193:
4191:
4188:
4186:
4183:
4179:
4176:
4175:
4174:
4171:
4169:
4168:Narrative art
4166:
4164:
4161:
4157:
4154:
4152:
4149:
4147:
4144:
4142:
4139:
4137:
4134:
4133:
4132:
4129:
4127:
4126:Flash fiction
4124:
4122:
4121:
4117:
4115:
4112:
4111:
4109:
4107:
4103:
4097:
4094:
4092:
4089:
4085:
4082:
4080:
4077:
4076:
4075:
4072:
4070:
4067:
4063:
4060:
4058:
4055:
4053:
4049:
4046:
4044:
4041:
4039:
4035:
4032:
4031:
4030:
4027:
4023:
4020:
4018:
4017:Act structure
4015:
4014:
4013:
4010:
4009:
4007:
4005:
4001:
3995:
3992:
3990:
3987:
3985:
3982:
3980:
3977:
3975:
3972:
3968:
3965:
3964:
3963:
3960:
3958:
3955:
3953:
3950:
3948:
3945:
3943:
3940:
3938:
3935:
3933:
3930:
3928:
3925:
3923:
3920:
3918:
3915:
3914:
3912:
3910:
3906:
3900:
3897:
3895:
3892:
3888:
3885:
3883:
3880:
3879:
3878:
3875:
3873:
3870:
3868:
3865:
3863:
3860:
3858:
3855:
3853:
3850:
3849:
3847:
3845:
3841:
3835:
3834:Worldbuilding
3832:
3830:
3827:
3821:
3818:
3817:
3816:
3813:
3811:
3808:
3806:
3803:
3802:
3801:
3798:
3796:
3793:
3791:
3788:
3786:
3783:
3781:
3778:
3776:
3773:
3772:
3770:
3768:
3764:
3758:
3755:
3753:
3750:
3748:
3745:
3743:
3740:
3738:
3735:
3733:
3730:
3728:
3725:
3723:
3720:
3718:
3715:
3713:
3710:
3708:
3705:
3703:
3700:
3698:
3695:
3693:
3690:
3688:
3685:
3683:
3682:
3681:Kishōtenketsu
3678:
3676:
3675:
3674:In medias res
3671:
3669:
3666:
3664:
3661:
3659:
3656:
3654:
3653:Foreshadowing
3651:
3649:
3648:Eucatastrophe
3646:
3644:
3641:
3639:
3636:
3634:
3633:
3629:
3627:
3624:
3622:
3619:
3617:
3614:
3612:
3611:Chekhov's gun
3609:
3605:
3602:
3601:
3600:
3597:
3595:
3592:
3590:
3589:
3585:
3584:
3582:
3580:
3576:
3570:
3567:
3565:
3562:
3560:
3557:
3555:
3552:
3550:
3547:
3545:
3542:
3540:
3537:
3535:
3532:
3528:
3525:
3523:
3520:
3518:
3515:
3514:
3513:
3510:
3508:
3507:
3503:
3501:
3500:Gothic double
3498:
3496:
3493:
3491:
3488:
3486:
3483:
3481:
3480:Deuteragonist
3478:
3476:
3473:
3471:
3468:
3466:
3463:
3461:
3460:Character arc
3458:
3456:
3453:
3451:
3448:
3447:
3445:
3443:
3439:
3435:
3428:
3423:
3421:
3416:
3414:
3409:
3408:
3405:
3398:
3394:
3391:
3388:
3385:
3381:
3378:
3375:
3372:
3369:
3366:
3365:
3359:
3357:
3353:
3344:
3338:
3336:
3334:
3318:
3317:
3312:
3305:
3303:
3287:
3283:
3277:
3270:
3264:
3262:
3260:
3258:
3256:
3254:
3252:
3243:
3239:
3238:
3230:
3222:
3218:
3213:
3208:
3205:(2): 85–100.
3204:
3200:
3196:
3189:
3180:
3175:
3171:
3167:
3163:
3156:
3148:
3147:
3139:
3131:
3129:0-8093-1113-5
3125:
3121:
3114:
3106:
3099:
3092:
3091:0-7710-0813-9
3088:
3084:
3078:
3071:
3070:0-8093-1113-5
3067:
3063:
3059:
3053:
3046:
3042:
3036:
3029:
3028:0-8093-1113-5
3025:
3021:
3017:
3011:
3004:
3003:0-8093-1113-5
3000:
2996:
2992:
2986:
2979:
2978:0-8093-1113-5
2975:
2971:
2965:
2958:
2955:Lee, Tanith.
2952:
2945:
2944:0-8093-1113-5
2941:
2937:
2933:
2927:
2920:
2914:
2908:
2904:
2900:
2896:
2892:
2887:
2872:
2868:
2862:
2855:
2854:0-8093-1113-5
2851:
2847:
2843:
2837:
2830:
2829:0-8093-1113-5
2826:
2822:
2818:
2812:
2804:
2803:
2795:
2787:
2781:
2777:
2776:
2768:
2766:
2750:
2748:9781780991795
2744:
2740:
2739:
2731:
2716:
2714:9781312382626
2710:
2706:
2705:
2697:
2682:
2680:9781846944314
2676:
2672:
2671:
2663:
2655:
2649:
2645:
2641:
2637:
2630:
2615:
2611:
2605:
2603:
2586:
2580:
2578:
2562:
2558:
2552:
2541:
2534:
2527:
2512:
2508:
2502:
2486:
2485:
2480:
2474:
2465:
2455:
2447:
2445:9780191088612
2441:
2437:
2436:
2428:
2420:
2418:9780814715710
2414:
2411:. NYU Press.
2410:
2409:
2401:
2393:
2389:
2385:
2381:
2377:
2373:
2369:
2365:
2361:
2354:
2347:
2341:
2326:
2322:
2316:
2308:
2302:
2298:
2297:
2289:
2273:
2272:
2267:
2261:
2254:
2252:
2251:New Scientist
2248:
2244:
2237:
2235:
2231:
2225:
2220:
2214:
2206:
2202:
2201:
2195:
2188:
2173:
2169:
2163:
2148:
2146:0-415-03791-3
2142:
2138:
2137:
2129:
2113:
2112:
2107:
2100:
2092:
2091:
2083:
2072:
2068:
2061:
2054:
2046:
2042:
2036:
2021:
2017:
2011:
2003:
1996:
1990:
1975:. 6 July 2021
1974:
1970:
1964:
1956:
1952:
1948:
1942:
1940:
1931:
1925:
1923:
1914:
1908:
1904:
1900:
1899:
1891:
1883:
1881:9781873200889
1877:
1873:
1866:
1862:
1852:
1849:
1847:
1844:
1842:
1839:
1837:
1834:
1832:
1829:
1827:
1824:
1822:
1819:
1817:
1814:
1812:
1809:
1807:
1804:
1802:
1799:
1797:
1794:
1792:
1789:
1787:
1784:
1782:
1779:
1777:
1774:
1772:
1769:
1767:
1764:
1762:
1759:
1758:
1751:
1741:
1735:
1731:
1729:
1725:
1720:This section
1718:
1709:
1708:
1700:
1698:
1694:
1690:
1686:
1682:
1678:
1664:
1662:
1659:
1655:
1653:
1650:
1646:
1642:
1640:
1637:
1634:
1632:
1629:
1627:
1624:
1621:
1618:
1616:
1613:
1609:
1607:
1604:
1601:
1598:
1596:
1593:
1592:
1591:
1588:
1578:
1576:
1572:
1568:
1567:
1562:
1561:Russell Hoban
1558:
1554:
1550:
1549:
1544:
1543:
1542:Soylent Green
1538:
1537:
1532:
1531:
1526:
1525:
1520:
1519:
1513:
1511:
1507:
1503:
1502:E. M. Forster
1499:
1495:
1491:
1487:
1483:
1479:
1475:
1465:
1463:
1462:Suzanne Berne
1459:
1458:
1453:
1452:
1447:
1446:
1441:
1440:
1435:
1434:
1433:Battle Royale
1429:
1425:
1424:
1419:
1409:
1407:
1406:
1401:
1396:
1392:
1388:
1387:
1382:
1381:Kurt Vonnegut
1378:
1377:
1372:
1368:
1367:
1356:
1354:
1353:
1348:
1343:
1342:
1337:
1333:
1329:
1326:minority. In
1325:
1321:
1317:
1313:
1309:
1308:
1303:
1293:
1291:
1290:
1285:
1281:
1277:
1276:
1271:
1270:
1259:
1257:
1253:
1252:
1247:
1242:
1240:
1239:
1233:
1231:
1227:
1226:Ypsilon Minus
1222:
1220:
1216:
1212:
1211:George Orwell
1207:
1205:
1204:Aldous Huxley
1201:
1191:
1189:
1188:
1183:
1182:
1177:
1173:
1172:
1167:
1164:genre, as in
1163:
1159:
1158:
1153:
1152:
1147:
1146:Soylent Green
1143:
1142:
1137:
1136:
1131:
1130:
1125:
1124:
1119:
1118:
1113:
1112:
1107:
1106:
1101:
1097:
1093:
1092:privatization
1088:
1086:
1082:
1081:
1076:
1071:
1070:
1065:
1064:Kurt Vonnegut
1061:
1060:black markets
1057:
1052:
1050:
1049:
1045:'s 1975 film
1044:
1040:
1039:Henry Kuttner
1036:
1035:
1030:
1026:
1022:
1018:
1007:
1004:
1000:
995:
994:
989:
985:
984:
979:
978:
973:
972:
967:
966:
965:Soylent Green
961:
960:
955:
954:
953:Battle Royale
949:
948:
943:
942:
937:
936:
931:
930:
925:
924:
919:
918:
913:
912:
907:
906:
901:
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841:The Iron Heel
837:
836:George Orwell
834:and shallow.
833:
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793:February 2024
785:
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748:Find sources:
742:
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732:
731:
726:This article
724:
720:
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709:Common themes
706:
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700:
699:
695:
694:Keith Roberts
691:
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524:
520:
517:This section
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489:
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481:
480:George Orwell
476:
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465:
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457:
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431:
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402:
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395:Ancient Greek
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387:Ancient Greek
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379:Ancient Greek
376:
374:
369:
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364:
359:
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345:
343:
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324:
319:
318:George Orwell
315:
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308:Aldous Huxley
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278:Robert Harris
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221:governments,
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106:February 2023
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67: –
66:
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61:Find sources:
55:
51:
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44:
39:This article
37:
33:
28:
27:
22:
4689:Storytelling
4504:Subjectivity
4494:Third-person
4484:First-person
4118:
3927:Comic relief
3794:
3679:
3672:
3663:Flashforward
3630:
3604:Origin story
3586:
3549:Straight man
3504:
3355:
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3314:
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1745:
1738:Please help
1722:may contain
1721:
1674:
1660:
1651:
1645:James Gleick
1638:
1630:
1625:
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1600:Jaron Lanier
1594:
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1234:
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1185:
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747:
735:Please help
730:verification
727:
696:
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672:
670:mockumentary
655:
636:
618:
613:
594:
586:
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564:
560:metropolises
551:
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523:adding to it
518:
487:
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455:
452:anti-utopias
451:
447:
437:
427:
421:
420:, author of
403:
371:
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357:
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342:totalitarian
331:
328:Ray Bradbury
326:(1949), and
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48:Please help
43:verification
40:
4694:Tellability
4660:Metafiction
4655:Narratology
4427:Theological
4319:Pop culture
4200:Short story
4178:Epic poetry
3899:Time travel
3712:Red herring
3697:Plot device
3668:Frame story
3621:Cliffhanger
3564:Tritagonist
3539:Protagonist
3399:(In French)
3322:29 December
3316:Smithsonian
3291:29 December
2876:29 December
2566:6 September
2330:29 December
2177:29 December
2152:16 February
1730:information
1548:Half-Life 2
1510:Silo Series
1478:anti-social
1395:egalitarian
1393:to radical
1336:C. S. Lewis
1318:led by the
1246:H. G. Wells
1219:proletariat
1096:corporatism
1025:free market
988:Jules Verne
977:Logan's Run
861:pessimistic
703:Inquisition
688:, in which
680:Ben Winters
629:P. D. James
605:Mark Fisher
338:environment
270:Robert Bolt
190:anti-utopia
4714:Categories
4580:Continuity
4449:Nonfiction
4413:Underwater
4309:Picaresque
4284:Historical
4269:Epistolary
4141:Fairy tale
4052:Peripeteia
4034:Exposition
3790:Dreamworld
3732:Stereotype
3702:Plot twist
3450:Antagonist
3345:, 146–150.
2903:0874367573
2215:required.)
2194:"Dystopia"
1857:References
1826:Plutocracy
1796:Kafkaesque
1724:unverified
1518:The Matrix
1320:Antichrist
1316:Freemasons
1171:Snow Crash
1157:Rollerball
1135:Visioneers
1100:capitalism
1075:Tanith Lee
1058:, feature
1048:Rollerball
1017:archetypes
999:militarist
941:Metropolis
873:Alan Moore
869:resistance
854:fatal flaw
849:idealistic
832:hedonistic
763:newspapers
752:"Dystopia"
633:Theo James
541:See also:
530:March 2017
283:Fatherland
268:(1960) by
255:Quo Vadis?
248:(1859) by
242:, such as
227:propaganda
219:tyrannical
212:vice versa
146:(from
76:newspapers
65:"Dystopia"
4735:Suffering
4720:Dystopias
4471:Narration
4420:Superhero
4344:Chivalric
4329:Religious
4314:Political
4249:Adventure
4234:Biography
4156:Tall tale
4004:Structure
3989:Symbolism
3957:Narration
3857:Leitmotif
3785:Crossover
3780:Backstory
3737:Story arc
3687:MacGuffin
3658:Flashback
3599:Backstory
3475:Confidant
3455:Archenemy
3442:Character
3434:Narrative
3380:Dystopias
3221:1989-4015
3047:, Page 3.
2392:162348064
2384:1080-6547
2236:include:
2118:28 August
2025:1 October
1979:1 October
1786:Dissident
1748:July 2023
1697:Titanfall
1611:nowadays.
1498:The Giver
1457:The Purge
1451:Divergent
1349:'s novel
1162:cyberpunk
1141:Idiocracy
1010:Economics
929:Divergent
658:sub-genre
638:Divergent
348:Etymology
186:cacotopia
4677:Glossary
4672:Rhetoric
4479:Diegesis
4459:Creative
4432:Thriller
4381:Southern
4299:Paranoid
4294:Nautical
4205:Vignette
4163:Gamebook
4131:Folklore
4038:Protasis
3917:Allegory
3862:Metaphor
3820:parallel
3815:universe
3795:Dystopia
3752:Suspense
3638:Dialogue
3626:Conflict
3534:Narrator
3506:Hamartia
3374:Dystopic
2540:Archived
2172:Passagen
2114:. London
2071:Archived
1703:See also
1575:Iron Age
1412:Violence
1376:THX 1138
1359:Identity
1324:Catholic
1312:Marxists
1296:Religion
1051:(1975).
1029:Ayn Rand
950:(1985),
816:Politics
496:Room 101
358:dystopia
316:(1932),
306:(1920),
296:(1907),
144:dystopia
134:Life in
4607:Prequel
4563:Related
4549:Present
4442:Western
4398:Science
4371:Fantasy
4339:Romance
4289:Mystery
4274:Ergodic
4239:Fiction
4195:Parable
4190:Novella
4120:Fabliau
4091:Premise
3942:Imagery
3932:Diction
3810:country
3767:Setting
3747:Subplot
3569:Villain
3522:Byronic
2754:3 March
2720:3 March
2686:3 March
2619:3 March
2591:3 March
2516:3 March
2491:3 March
2459:(note).
1776:Biopunk
1693:Elysium
1559:", and
1524:RoboCop
1488:". In
1391:conform
1284:obscene
1256:Elysium
1238:Elysium
1129:RoboCop
1023:versus
777:scholar
502:Society
474:Inferno
375:Commons
373:Hansard
194:antonym
90:scholar
4611:Sequel
4595:Retcon
4590:Reboot
4554:Future
4388:Horror
4376:Gothic
4361:Satire
4279:Erotic
4146:Legend
4048:Climax
3922:Bathos
3829:Utopia
3717:Reveal
3616:Cliché
3594:Action
3588:Ab ovo
3527:Tragic
3219:
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3068:
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2278:8 June
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1666:place.
1530:WALL-E
1468:Nature
1454:, and
1430:(e.g.
1420:(e.g.
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1262:Family
1151:WALL-E
1123:Avatar
1034:Anthem
1003:racist
980:, and
947:Brazil
779:
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758:
750:
698:Pavane
434:Theory
363:utopia
262:, and
199:utopia
92:
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4618:Genre
4585:Canon
4536:Tense
4454:Novel
4437:Urban
4349:Prose
4334:Rogue
4259:Crime
4254:Comic
4215:Genre
4185:Novel
4136:Fable
4114:Drama
4079:films
3909:Style
3877:Motif
3867:Moral
3852:Irony
3844:Theme
3757:Trope
3382:, in
3240:. By
3172:(2).
2543:(PDF)
2536:(PDF)
2388:S2CID
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2063:(PDF)
1998:(PDF)
1474:walks
1418:gangs
1194:Class
1117:Alien
784:JSTOR
770:books
643:novel
625:novel
469:Dante
410:κακόs
179:tópos
172:τόπος
150:
97:JSTOR
83:books
4623:List
4544:Past
4403:Hard
4356:Saga
4264:Docu
4220:List
4151:Myth
4106:Form
3994:Tone
3967:Hook
3952:Mood
3947:Mode
3805:city
3692:Pace
3579:Plot
3517:Anti
3512:Hero
3495:Foil
3324:2022
3293:2022
3217:ISSN
3124:ISBN
3087:ISBN
3066:ISBN
3024:ISBN
2999:ISBN
2974:ISBN
2940:ISBN
2899:ISBN
2878:2022
2850:ISBN
2842:1984
2825:ISBN
2817:1984
2780:ISBN
2756:2017
2743:ISBN
2722:2017
2709:ISBN
2688:2017
2675:ISBN
2648:ISBN
2621:2017
2614:Time
2593:2017
2568:2023
2518:2017
2493:2017
2440:ISBN
2413:ISBN
2380:ISSN
2332:2022
2301:ISBN
2280:2014
2179:2022
2154:2015
2141:ISBN
2120:2018
2027:2021
1981:2021
1907:ISBN
1876:ISBN
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