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Elfriede
Reichelt c. 1925: "Doorn. Kaiser Wilhelm II with Princess Henriette Schoenaich-Carolath in his arms". MĂĽnchner Stadtmuseum, Sammlung Fotografie, Signatur/Inventar-Nr.: FM-2005/384.358.o Treated in Verena Faber (2011): Elfriede Reichelt (1883-1953). Studio photography between tradition and
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Portrait photograph by
Reichelt in the Deutsche Fotothek, c. 1925, title: "Princess Henriette von Schoenaich-Carolath with shepherd dog "Arno"", Münchner Stadtmuseum, Sammlung Fotografie, signature/inventory no. : FM-2005/384.99. Treated in Verena Faber 2011, catalogue raisonné, no.
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in
Wroclaw. Until the beginning of the 1930s, the professional photographer took portraits of both the national celebrities of the time as well as well-known personalities from Wroclaw, who often came from the circles of the academy and local collectors and aristocrats.
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Das fotografische Werk von
Elfriede Reichelt (1883–1953) – Schätze aus der Sammlung Fotografie des Münchner Stadtmuseums |url=http://www.gasteig.de/veranstaltungen-und-tickets/veranstaltungen/das-fotografische-werk-von-elfriede-reichelt-1883-1953-schaetze.html,v11304
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in his arms". Another portrait photograph by
Reichelt shows Henriette von Schönaich-Carolath with the family dog: "Princess Henriette von Schoenaich-Carolath with shepherd dog "Arno"". This was shown, among others, in Reichelt's exhibition at the
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She lived there in a spacious house with a housekeeper and gardener. During the war years, when her estate also suffered bomb damage, she took in her great-niece Dörte
Schreiber there from 1941 to 1943. In her last years, Reichelt was ill with
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Elfriede Klara Emma
Reichelt was born in Breslau, the second of three daughters of the merchant Oswald Reichelt and Emma Reichelt, née Streit. Her father ran a porcelain shop in the main shopping street of Breslau.
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163:. Among them, for example, one showing the ex-monarch with his little stepdaughter Henriette (1918-1972). It is entitled "Doorn. Kaiser Wilhelm II with Princess Henriette
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Elfriede
Reichelt – Breslauer Porträtfotografie zwischen 1910 und 1930 |url=http://www.breslau-wroclaw.de/wb/pages/sammlungen/historische-fotos/elfriede-reichelt.php
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She participated in important photo exhibitions of the era and published her pictures in renowned journals. The photographer was a member of the German
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industrialist Hans
Wieland and retired from active professional photography in the mid-1930s. After a few years in Ulm, Reichelt lived in
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328:"lfriede Reichelt (1883-1953). Atelierfotografie zwischen Tradition und Moderne: Mit einem Verzeichnis der Werke. [Dissertation]"
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330:[lfriede Reichelt (1883-1953). Studio photography between tradition and modernity: With a catalogue of works. ].
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and his family in exile in the
Netherlands in the 1920s. A large number of her portrait photos are inventoried in the
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Elfriede Reichelt (1883-1953). Atelierfotografie zwischen Tradition und Moderne: Mit einem Verzeichnis der Werke.
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Elfriede Reichelt (1883-1953). Atelierfotografie zwischen Tradition und Moderne: Mit einem Verzeichnis der Werke.
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Elfriede Reichelt (1883-1953). Atelierfotografie zwischen Tradition und Moderne: Mit einem Verzeichnis der Werke.
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After her training, the photographer returned to her Silesian homeland to open a studio for artistic
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Verena Bader: Elfriede Reichelt. Eine Breslauer Fotografin zwischen Berufs- und Kunstfotografie
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Dissertation, LMU München: Fakultät für Geschichts- und Kunstwissenschaften, 2011 (Online at
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Dissertation, LMU Munich: Fakultät für Geschichts- und Kunstwissenschaften, 2011, p. 33
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Dissertation, LMU Munich: Fakultät für Geschichts- und Kunstwissenschaften, 2011, p. 11
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in 1925 and published at the time in the Illustrated Weekly Supplement of the Silesian
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Landscape, still-life and nude photographs were also part of her range of motifs.
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modernity. Dissertation, LMU Munich. Vol. 2, catalogue raisonné, No. 472.
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Reichelt was one of the first women to study from 1906 to 1908 at the
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and was a student of the well-known German-American pictorialist
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336:(Electronic Thesis Record with link to Thesis) (in German).
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near Munich after separating from her husband in 1936.
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361:. Search Notice from Verena Bader, 16 February 2009
190:and the Gesellschaft Deutscher Lichtbildner (GDL).
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117:(30 January 1883 – 22 August 1953) was a German
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