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320:". The march demonstrates the state of the art in playing technology and the construction of brass instruments, which allowed fast and even chromatic gears in all instruments and positions. Fučík was so impressed by the description of a gladiator appearance in a Roman amphitheater in
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Band's pre-recorded clay roller advertised by
Columbia Records titled Entry of the Gladiators. In the same year, a piano score with the title "Entry of the Gladiators / Thunder and Blazes" (
566:(1973), Judas hums it when he begins his betrayal and crucifixion of Jesus. (In that adaptation, Jesus and all the disciples are dressed and made up as clowns.)
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published his farewell to the gladiators at the latest in 1904. In 1928, both pieces were recorded by the "Great Odeon
Orchestra" on a plate (No. 85204).
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that he soon changed the title of his work. The phrase "entry of the gladiators" is known in two descriptions of
Pompeii in 1877 and is probably older.
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383:) was released. The phrase "Entrance of the Gladiators", which has existed since at least the 18th century, is also common in English.
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La musique dans les camps nazis. Catalogue de l'exposition au Mémorial de la Shoah de Paris, du 20 avril 2023 au 25 février 2024
314:, where he had been stationed as military bandmaster of the Austro-Hungarian Army since 1897. Originally, he called the piece "
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Very popular in the 1930s, it was included as a military march in the repertoire of pieces imposed by the
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354:. In July 1900, the "Concert March for large orchestra", published by the sheet music printing house
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730:"Fucik - Entrance of the Gladiators (Thunder & Blazes March) for Trombo – Cherry Classics Music"
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448:
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425:. Today it is mainly known by this association. Laurendeau's version was also transcribed for
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Generally, the march is divided into three parts. The first part contains the melody that the
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keeps and the several supporting parts. The second part is the section where the low
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throughout the piece, but changed the title based on his personal interest in the
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The march receives the occasional concert hall performance, such as at the 2007
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on prisoners' orchestras to accompany the departures and returns of the work
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413:". It was during this period that the piece gained lasting popularity as a
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801:. Washington, DC: Rowman & Littlefield Publishers. p. xxxiii.
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260:, or a softer melodic section, where there is a strong balance between
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and low brass. The trio has a part similar to the second part with a
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The first portion of the piece has been quoted in such songs as "
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Latten, James E.; Chevallard, Carl (September 2004). "Review:
635:"Julius Fučík 'Entrance of the Gladiators': Roll Up Roll Up!"
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350:) created an arrangement for string orchestra for himself in
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by
Hofmeister. Further edits followed. In 1903 one of the
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published a version of this march, arranged for
American
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and is originally written to be played at standard march
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For the similarly titled march by John Philip Sousa, see
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In 1915 the New York
Military Band recorded the march (
859:"Notes from BBC Proms webpage for the 2007 Last Night"
344:(1849–1924, known for composing the regimental march
831:"Last Night of the Proms, Royal Albert Hall, London"
67:. Unsourced material may be challenged and removed.
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283:Today it is best known for its association with
167:"Entrance of the Gladiators", performed by the
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757:. Paris: Mémorial de la Shoah. p. 52.
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877:International Music Score Library Project
684:Teaching Music Through Performing Marches
127:Learn how and when to remove this message
310:wrote the march on October 17, 1897, in
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221:composed in 1897 by the Czech composer
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360:in Prague, is listed under the title
268:-like sound. The piece is written in
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65:adding citations to reliable sources
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530:; "Don't Get It Twisted" (2006) by
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780:Nino Rota: Music, Film and Feeling
280:it is usually played much faster.
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178:Problems playing this file? See
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829:Edward Seckerson (2007-09-11).
560:(1960). In the film version of
52:needs additional citations for
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225:. He originally titled it "
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633:Burns, Alex (2021-10-15).
421:, often used to introduce
387:Hermann Ludwig Blankenburg
381:"Donner und Feuersbrünste"
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200:Entrance of the Gladiators
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613:"Entry of the Gladiators"
528:Liquid Tension Experiment
478:; "Tight Rope" (1972) by
449:Nazis concentration camps
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317:Grande Marche Chromatique
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571:Last Night of the Proms
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405:by Canadian composer
347:"Khevenhüller-Marsch"
335:On January 10, 1900,
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191:The score in an 1897
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659:"Thunder and Blazes"
456:Goodbye, Cruel World
393:Adaptations and uses
61:improve this article
917:Concert band pieces
484:The Show Must Go On
409:, under the title "
32:The Gladiator March
734:cherryclassics.com
411:Thunder and Blazes
322:Henryk Sienkiewicz
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357:"Hoffmanns Witwe"
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538:" (2022) by
532:Gwen Stefani
526:" (1998) by
514:" (1982) by
506:" (1974) by
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480:Leon Russell
474:" (1963) by
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460:James Darren
458:" (1961) by
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59:Please help
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502:(1974); "
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306:composer
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577:See also
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554:'s film
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496:Mr. Soft
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312:Sarajevo
285:circuses
278:screamer
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291:History
246:trumpet
214:) is a
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704:JSTOR
520:Phish
498:" by
304:Czech
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250:brass
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