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Smith first became known as an artist when anthropologist Arthur C. Parker hired him to be a part of the WPA Indian Arts
Project around 1935, which was sponsored by the Rochester Municipal Museum. He joined Jesse Cornplanter and Samford Plummer as the most prolific Haudenosaunee artists who were a
37:. Smith painted mostly traditional Seneca myths and stories of daily life in the Seneca village he grew up in. In the 1930s Smith produced a large series of paintings documenting Seneca life, as part of the
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61:. In his childhood, Smith began to teach himself how to draw and paint, but he left school before he could graduate to help support his family.
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Iroquois Corn in a
Culture-Based Curriculum: A Framework for Respectfully Teaching about Cultures
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Sundown) and Peter S. Smith. He was the youngest of seven children and a member of the Heron
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part of this anthropological project. As part of the project, Smith created a mural at the
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33:(October 28, 1907 – February 25, 1975) was a Native American artist from the
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Fenton, William N. (William Nelson); Smith, Ernest; Collamer, Jeanette.
130:"Interviews concerning the paintings of the Seneca artist Ernest Smith"
111:"The Last O-Nyiah-Gway-Hay | National Museum of the American Indian"
229:"Review of "Iroquois Art, Power, and History" by Neal B. Keating"
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175:"Rochester and Native Art in the 1930s – InVisible Culture"
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194:"Collecting Haudenosaunee Art from the Modern Era"
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49:Ernest Smith was born and raised on the
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261:The Encyclopedia of New York State
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258:Eisenstadt, Peter (19 May 2005).
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389:20th-century American artists
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