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for an original miniature portrait, the silver Isis medal for a copy of figures in water-colours, and the silver palette for a copy of an engraving. In 1828 an original composition of figures in watercolours again won her the silver Isis medal, and a miniature portrait, exhibited in 1830, the gold
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In 1839 Corbaux took out a patent, jointly with
Francis Gybbon Spilsbury and Alexander S. Byrne for what was described as an "improvement in the mode of applying distemper colors, having albumen or gelatin for the vehicle, so as to render the same more durable, and preserving the same when not
71:"I tried to use colours; but so little idea had I of painting, that when the well-known coloured print, 'Gaston de Foix,' was lent me to copy, I remember my extreme anxiety to copy the appearance of the engraving, by imitating its lines of shading, in the armour and draperies, with the colour.
192:, invented by Miss Fanny Corbaux, in conjunction with her partner, Mr. Spilsbury of Pall Mall; which is said to be as indestructible as it is pure, and works with great facility. Its effect is brilliant in the extreme; the colours reflect the light, and give a lively appearance to the room.
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67:, who spent much of his life abroad. When she was about fifteen her father was reduced to poverty, and, despite a minimal artistic education, she was obliged to use her talent for painting to earn money. She later remembered:
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Corbaux gained a reputation as a biblical critic for her contributions to periodicals and literary societies on subjects relating to scriptural history. They included her
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She exhibited 86 works at the Royal
Academy between 1829 and 1854, fifteen at the British Institution and 48 at the Society of British Artists.
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Corbaux was born in Paris, the daughter of
Francis Corbaux, an English-born statistician and mathematician, the author of the
431:., engraved by C. A. Perriam for Friendship’s Offering annual, 1837, with a poetical illustration (The Secret Discovered) by
580:
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330:
A Dictionary of
Artists who have Exhibited Works in the Principal London Exhibitions of Oil Paintings from 1760 to 1880
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said that
Corbaux had "depicted oriental beauty in all its varieties of voluptuous languor and fascinating vivacity".
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The Royal
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She quickly developed her talents, and in 1827 she was awarded the large silver medal of the
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43:(1812–1883) was a British painter and biblical commentator. She was also the inventor of
399:. in Pictorial Album; or, Cabinet of Paintings, 1837, with a poetical illustration by
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for
Findens’ Tableaux, 1837, with a poetical illustration (Arabia. The Arab Maid) by
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It may not be out of place to call attention of artists to a new vehicle, called
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Paintings for
Flowers of Loveliness, 1838, with poetical illustrations by
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The
Literary Gazette and Journal of the Belles Lettres, Arts, Sciences
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Men of the Time: Biographical sketches of
Eminent Living Characters
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145:. She also wrote a historical and chronological introduction to
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on website of the Royal Institute of Painters in Water Colours
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medal. During these years she studied by making copies at the
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This article incorporates text from a publication now in the
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Members of the Royal Institute of Painters in Water Colours
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The American Repertory of Arts, Sciences, and Manufactures
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The Dictionary of Portrait Painters in Britain up to 1920
240:
362:"Improvement in the mode of applying distemper colors"
114:(1841). The designs for the "Pearls of the East" were
314:. Vol. 2. London: Henry Graves. pp. 160–1.
88:. In 1830 she was elected an honorary member of the
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British painter and biblical commentator (1812–1883)
509:"Corbaux, Marie Françoise Catherine Doetter"
274:"Corbaux, Marie Françoise Catherine Doetter"
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131:Letters on the Physical Geography of the Exodus
522:. Vol. 12. London: Smith, Elder & Co.
287:. Vol. 12. London: Smith, Elder & Co.
332:. London: George Bell and Sons. p. 53.
207:Brian Stewart & Mervyn Cutten (1997).
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94:New Society of Painters in Water-Colours
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160:pension of ÂŁ50 from 1871, and died at
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186:. F. C. Westley. 1841. p. 813.
102:She drew a set of illustrations for
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551:19th-century British women artists
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47:(calcimine), whitewash with added
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33:Marie Françoise Catherine Doetger
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65:Doctrine of Compound Interest
211:. Antique Collectors' Club.
143:Journal of Sacred Literature
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581:19th-century women painters
126:wanted for immediate use."
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576:19th-century English women
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478:., engraved by T. A. Dean.
386:Picture in oil colours by
90:Society of British Artists
506:Cooper, Thompson (1887).
467:., engraved by G. Adcock.
328:Graves, Algernon (1884).
310:Graves, Algernon (1905).
271:Cooper, Thompson (1887).
439:Letitia Elizabeth Landon
433:Letitia Elizabeth Landon
419:Letitia Elizabeth Landon
401:Letitia Elizabeth Landon
110:(1837), and another for
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112:Cousin Natalia's Tales
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415:Edward Francis Finden
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164:on 1 February 1883.
133:, published in the
86:British Institution
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344:"New Publications"
298:Archive of members
108:Pearls of the East
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372:: 75. 1841.
530:Categories
487:The Laurel
429:The Secret
168:References
158:civil list
151:D.I. Heath
63:, and the
49:zinc oxide
476:The Poppy
450:The Heath
190:kalsomine
96:in 1839.
45:kalsomine
162:Brighton
153:(1855).
141:for the
135:Athenæum
84:and the
516:(ed.).
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496:Sources
281:(ed.).
139:Rephaim
41:Corbaux
411:Arabia
215:
28:(1845)
512:. In
277:. In
149:, by
37:Fanny
26:Leila
213:ISBN
55:Life
390:of
106:'s
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