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As much as it is about the candidates and their various political processes, the book is equally a critical look at the mainstream media coverage of the campaigns and politics. Criticizing the various pundits and political "experts", Thompson rails against the often incestuous relationships between
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for several years in the early 1970s. Dubbing it "the mojo wire", Thompson used the nascent technology to capitalize on the freewheeling nature of the campaign and extend the writing process precariously close to printing deadlines, often haphazardly sending in notes mere hours before the magazine
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politicians and those who write about them. He cites as a well-known fact among political journalists the matter of Thomas
Eagleton, the United States senator who was removed after just 18 days as McGovern's running mate, when news that he had previously undergone
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A self-described political junkie, Thompson fixes his sights early on McGovern as the candidate to whom he will attach himself. Dismissing 1968 Democratic nominee Hubert
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mentality of the reporters covering the campaign, who were greatly dependent on the access provided by the Nixon campaign staff. Crouse describes
Thompson as the one reporter who broke from the pack, however, and later printings of
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This position of portraying the campaigns as much as a media compilation of the stories they wished to cover instead of presenting all the stories that occurred was widely recognized as depicting a previously unspoken truth.
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Thompson's hatred of
Richard Nixon is on display throughout—in diatribes on policy, as well as personal invective directed at Nixon and his inner circle. Despite this, Thompson humanizes the
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Thompson began his coverage of the campaign in
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The book is notable for its introduction not only to the candidates of 1972 but also its early glimpses of future political leaders.
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through several episodes, including recounting a private interview with Nixon in
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United States
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was broken through the press as a scandal of the press's own making.
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One Bright Shining Moment: The Forgotten Summer of George McGovern
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Buy the Ticket, Take the Ride: Hunter S. Thompson on Film
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that largely focused on their mutual fascination with
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336:. Of particular focus is the manic maneuvering of
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584:"Fear & Loathing: On the Campaign Trail '72"
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