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Of his early life, almost nothing is known: the few sources we have range from attributing his birthplace to the
Istrian peninsula to
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texture predominates, with brief imitative passages at phrase beginnings; the melodies are memorable and easily singable.
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in the first decade of the 16th century, but the exact years are not known; he wrote music for a wedding of the niece of
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Most of his music is in the light secular form of the frottola, an ancestor of the
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30:) (c. 1475 – after 1520) was an Italian composer of the
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One of his frottola was evidently the favorite song of
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of
Cividale Cathedral, and shortly afterwards moved to
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121:, according to a manuscript source of the time.
34:. He was one of the most prolific composers of
177:"LURANO, Filippo di in "Dizionario Biografico""
132:The New Grove Dictionary of Music and Musicians
74:in 1508. From 1512 to 1515 he was employed as
106:. Stylistically they are typical of the time:
151:. New York, W.W. Norton & Co., 1954.
130:William F. Prizer, "Filippo de Lurano," in
66:, as a cleric. De Lurano spent time in
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208:Italian male classical composers
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125:References and further reading
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213:Italian Renaissance composers
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82:, where he may have died.
149:Music in the Renaissance
98:survive, along with two
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44:Bartolomeo Tromboncino
223:16th-century deaths
76:maestro de cappella
62:'s Cathedral, near
60:Cividale del Friuli
119:Pope Alexander VI
20:Filippo de Lurano
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16:Italian composer
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32:Renaissance
202:Categories
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163:References
108:homophonic
50:Biography
96:frottole
92:madrigal
80:Aquileia
36:frottola
24:Luprano
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102:and a
100:motets
56:Lurano
38:after
28:Lorano
22:(also
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86:Works
64:Udine
26:, or
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136:ISBN
68:Rome
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