719:, etc. may also be called a tracking shot. Tracking shots often "follow" a subject while it is in motion: for instance, a person walking on a sidewalk seen from the perspective of somebody walking on a parallel path several feet away. Shots taken from moving vehicles that run parallel to another moving object are also referred to as tracking or traveling shots. A tracking shot may also be curved, moving around its subject in a semi-circular rotation, known specifically as an
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professional motion picture and television production, the segregations between recordings of dialogue, music, and sound effects can be quite distinct, and it is important to understand that in such contexts, dialogue, and music recordings are never referred to as sound effects, though the processes applied to them, such as
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An editorial transition popular during the silent period utilizing a diaphragm placed in front of the lens and which, when opened (iris in) or closed (iris out), functions like a fade in or fade out. A partially opened iris can also be used to focus attention on a detail of the scene in the manner of
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In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point, without the use of dialogue or music. The term often refers to a process, applied to a recording, without necessarily referring to the recording itself. In
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To achieve the results mentioned above, a
Lighting Director may use a number or combination of Video Lights. These may include the Redhead or Open-face unit, The Fresnel Light, which gives you a little more control over the spill, or The Dedolight, which provides a more efficient light output and a
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A type of continuity editorial match involving two or more, sequential shots in which the preceding shot contains an agent (a person, animal, etc.) gazing in the direction of some unseen, off-screen vision, and following shot(s) contains an image presumed by the spectator to be the object of the
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A shot where the camera is placed above the back of the shoulder and head of a subject. This shot is most commonly used to present conversational back and forth between two subjects. With the camera placed behind one character, the shot then frames the sequence from the perspective of that
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which permits hand-held filming with an image steadiness comparable to tracking or dolly shots. The device involves 1.) a vest redistributing the weight of the camera to the hips of the cameraman and, 2.) a spring-loaded arm working to minimize the effects of camera movement. A video tap
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A shot in which the camera is made to pivot horizontally left or right (about its vertical axis) while filming. Pans are always described in terms of "panning left" or "panning right". It is incorrect to discuss pans in terms of vertical, "up"/"down" movement, which is properly called
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A shot in which the camera moves alongside or parallel to its subject. Traditionally tracking shots are filmed while the camera is mounted on a track dolly and rolled on dedicated tracks comparable to railroad tracks, In recent years, however, parallel camera moves performed with a
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A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling calendar pages, railroad wheels, newspaper headlines and seasonal changes. Bridge shots are also used to avoid jump cuts when inserting a
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The main light on a subject, usually placed at a 45 degree angle to the camera-subject axis. In high-key lighting, the key light provides all or most of the light in the scene. In low-key lighting, the key light provides much less of the total
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An editorial transition overlapping a fade in and a fade out in such a way that one image gradually disappears while another simultaneously emerges. This transition generally suggest a longer period of narrative elapses than is suggested by
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is represented as coming from a source outside the story space, i.e. its source is neither visible on the screen, nor has been implied to be present in the action. Also called "non-literal sound" or "commentary sound". Examples include:
577:, which shows all the important action in a scene. In editing, the master can be used to a greater or lesser extent as the 'skeleton' of the edit, which is fleshed out by replacing parts of the master with tighter coverage such as
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Cutting between different events occurring simultaneously in different locations. Especially in narrative filmmaking, cross-cutting is traditionally used to build suspense or to suggest a thematic relationship between two sets of
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Movement can be used extensively by film makers to make meaning. It is how a scene is put together to produce an image. A famous example of this, which uses "dance" extensively to communicate meaning and emotion, is the film,
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that magnifies or de-magnifies the center of the image. This creates an illusion that the camera is moving toward or away from its subject by making the subject more or less prominent in the frame. Not to be confused with
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A piece of filmed, printed text edited into the midst of (i.e. inter-) the photographed action at various points. Most commonly used in silent movies to convey elements of dialogue and other commentary.
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A continuity editorial technique in which sequential shots of two or more actors within a scene are all shot with the camera on one side of the two actors so that a coherent spatial relationship and
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The camera focus and angle stay completely still, usually with a locked off tripod, and the scene continues motion. Not to be confused with a still frame where the scene is also static or frozen.
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A shot employing shallow focus in which the focal distance changes so that the background is gradually brought into focus while the foreground is gradually taken out of focus or visa versa.
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A shot, often a long shot, usually placed at the beginning of a scene to establish the general location of the specific action to follow. This shot is also known as an
Extreme Long Shot.
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A shot in which the camera moves horizontally either toward or away from its subject, or right or left in relation to the subject. Traditionally dolly shots are filmed from a
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The selection and organization of shots into a series, usually in the interest of creating larger cinematic units. Adding music is also a great way to make it more cinematic
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A shot taken from an aerial device, generally while moving. This technique has gained popularity in recent years due to the popularity and growing availability of drones.
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A type of pan shot in which the camera pans so quickly that the resulting image is badly blurred. It is sometimes used as an editorial transition and is also known as a
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The optical clarity or precision of an image relative to normal human vision. Focus in photographic images is usually expressed in terms of depth.
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In traditional linear movies, the author can carefully construct the plot, roles, and characters to achieve a specific effect on the audience.
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A series of drawings and captions (sometimes resembling a comic strip) that shows the planned shot divisions and camera movements of the film.
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In a dialogue scene, a shot of the second participant understood as the opposing or "reverse" view of the shot showing the first participant.
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is required to create the illusion of freedom for the viewer, while providing familiar, as well as, new cinematic techniques to the author.
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An auxiliary light placed to the side of the subject that softens shadows and illuminates areas not lit by the key light (see "key light").
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An editorial transition in which the image either gradually appears out of ("fade in") or gradually fades into ("fade out") a black screen.
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A dolly shot where the camera moves in an arc along a circular or elliptical radius in relation to the subject ("arc left" or "arc right")
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An optical editorial transition in which an image appears to be pushed or "wiped" to one aside of the screen to make way for the next.
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simultaneously frees the camera operator from the eyepiece, who is then free to travel through any walkable terrain while filming.
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A unit of narration generally composed of a series of shots that takes place in a single location and concerns a central action.
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agent's gaze. This technique is an important consideration in dialogues where actors are talking to each other. (Contrast with
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An editorial style that preserves the illusion of undisrupted time and space across editorial transitions (especially cuts).
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A shot in which the camera is made to pivot vertically up or down (about its horizontal transverse axis) while filming.
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A technique in which objects in the extreme foreground and objects in the extreme background are kept equally in focus.
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A panoramic view photographed from a considerable distance and made up essentially of landscape or distant background.
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635:(Often abbreviated as 'POV'). A shot which shows an image from the specific point of view of a character in the film.
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A lightweight, highly-mobile camera transportation and stabilization device developed by inventor / cinematographer
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1.) The image produced by a motion picture camera from the time it begins shooting until the time it stops shooting.
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A powerful and dramatic effect produced by simultaneously trucking in or out while synchronously zooming out or in.
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One of various editorial devices used to preserve a sense of spatio-temporal integrity or continuity between cuts.
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A scene or sequence inserted into a scene set in the narrative present that images some event set in the future.
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The point of view or viewing position adopted by the camera with respect to its subject. Most common types are
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is heard by both the characters and audience. Also called "literal sound" or "actual sound". Examples include
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An editorial transition between two shots in which the illusion of temporal continuity is radically disrupted.
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A scene or sequence inserted into a scene set in the narrative present that images some event set in the past.
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A term referring to "chunks" of time left out of a narrative, signaled in filmmaking by editorial transitions
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A wheeled cart or similar device upon which a movie camera is mounted to give it smooth, horizontal mobility.
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2.) (in an edited film) the uninterrupted record of time and space depicted between editorial transitions.
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in which the camera itself actually physically moves closer to or further away from its subject.
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A shot in which the human figure would be relatively insignificant compared to its surroundings.
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The main source of light is behind the subject, silhouetting it, and directed toward the camera.
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The placement of subjects and other visual content with respect to the boundaries of the image.
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A shot in which the human figure would be extremely insignificant compared to its surroundings.
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A shot in which the frame encompasses two people, typically but not exclusively a medium shot.
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Everything that has been placed in front of or is revealed by the camera while shooting.
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An editorial transition signified by the immediate replacement of one shot with another.
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A shot depicting the human figure from approximately the waist up.
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A shot depicting the human figure from approximately the chest up.
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A shot where the camera is hand-carried, either with or without a
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Sounds made by objects in the story, e.g. heart beats of a person
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Provided in this alphabetised list of film techniques used in
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A frame depicting the human head or an object of similar size.
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1421:, represented as coming from instruments in the story space.
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A shot taken from a stationary position using a special
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that are divided into categories and briefly described.
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101:. Unsourced material may be challenged and removed.
3804:Cinematographer / director of photography
733:Truck-right, truck-left, truck-in, truck-out (see
765:An unusually quick but continuous zoom in or out.
391:but the same motion may also be performed with a
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1494:New techniques currently being developed in
64:Learn how and when to remove these messages
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1629:Audiovisual Compendium of Film Terminology
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222:Learn how and when to remove this message
161:Learn how and when to remove this message
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1442:Sound effects added for dramatic effect;
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1322:
825:. There are a variety of expressions:
311:(the camera is higher than its subject)
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317:(the camera is lower than its subject)
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1617:Basic Techniques of Alfred Hitchcock
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99:adding citations to reliable sources
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1604:Traditional Film Camera Techniques
27:List of methods used in filmmaking
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1177:beam which is easier to control.
1108:Lighting technique and aesthetics
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199:and remove advice or instruction.
45:This article has multiple issues.
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1535:Glossary of motion picture terms
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1484:Techniques in interactive movies
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1181:Editing and transitional devices
244:This article contains a list of
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34:
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86:needs additional citations for
53:or discuss these issues on the
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1565:"Video Lighting – The Pro Way"
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403:in and out, or right and left.
282:Backlighting (lighting design)
13:
1:
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7:
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10:
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4178:Computer-generated imagery
3983:Special effects supervisor
3831:Digital imaging technician
2414:Computer-generated imagery
1956:Unchained camera technique
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1361:Computer-generated imagery
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252:Basic definitions of terms
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3988:Visual effects supervisor
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3908:Utility sound technician
1609:Cinematic Technique Blog
1402:and non-diegetic sound:
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1378:for 3D technical details
720:
4208:Unit still photographer
3893:Director of audiography
3622:Unit production manager
806:Movement and expression
3898:Production sound mixer
3627:Production coordinator
2893:Video editing software
2867:Post-classical editing
2207:Dead-character costume
1439:Narrator's commentary;
1011:Over the shoulder shot
1006:One shot (music video)
615:Over the shoulder shot
446:Over the shoulder shot
423:Ellipsis (linguistics)
384:Dollying or Dolly shot
110:"Cinematic techniques"
4168:Visual effects editor
4163:VFX creative director
3632:Production accountant
3156:Principal photography
2862:Soviet montage theory
1878:multiple-camera setup
1412:Voices of characters;
1001:Multiple-camera setup
4237:Cinematic techniques
4087:Intimacy coordinator
3657:Production assistant
3394:Guerrilla filmmaking
3368:Digital distribution
3311:Digital intermediate
3151:Cinematic techniques
2882:Linear video editing
2299:Infrared photography
1665:Cinematic techniques
1336:3D computer graphics
1323:Special effects (FX)
1066:Top-down perspective
246:cinematic techniques
197:rewrite this article
95:improve this article
3851:Lighting technician
3707:Production designer
3116:Production schedule
2519:Attentional control
1507:Computer technology
1366:Digital compositing
1115:Background lighting
1046:Single-camera setup
4145:Technical director
3918:Re-recording mixer
3647:Script coordinator
3637:Assistant director
3576:Executive producer
3429:First-dollar gross
2887:Non-linear editing
2857:Continuity editing
2349:Tilted plane focus
2289:Forced perspective
2197:Costumed character
2182:Air bladder effect
1801:Wide / Long / Full
1622:2019-10-03 at the
1590:Interactive Movies
1496:interactive movies
1433:Non-diegetic sound
1276:Point of view shot
1160:Rembrandt lighting
1021:Point of view shot
936:Forced perspective
831:Aerial perspective
631:Point of view shot
348:Continuity editing
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4082:Acting instructor
4057:Movement director
3846:Best boy electric
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3685:Storyboard artist
3642:Script supervisor
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3121:Shooting schedule
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2908:Real-time editing
2872:In-camera editing
2809:Establishing shot
2720:Shot/reverse shot
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2565:Multiple exposure
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2334:Schüfftan process
2314:Multiple exposure
2227:Prosthetic makeup
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2092:Freeze-frame shot
2077:Establishing shot
1944:
1943:
1851:Over-the-shoulder
1490:Interactive movie
1343:for movie history
1311:Shot reverse shot
1219:Establishing shot
1135:High-key lighting
1041:Shot reverse shot
1036:Shot (filmmaking)
956:Hanging miniature
941:Freeze-frame shot
916:Establishing shot
461:Extreme long shot
431:Establishing shot
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190:a manual or guide
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16:(Redirected from
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3955:Music supervisor
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3719:Costume designer
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3662:Location manager
3652:Casting director
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3533:Supporting actor
3502:
3501:
3482:
3475:
3468:
3459:
3458:
3446:
3445:
3444:
3399:Development hell
3329:Film distributor
3232:Costume designer
3209:Daily production
3189:
3188:
3183:Dailies (rushes)
3178:Daily call sheet
3106:Production board
3067:Script breakdown
2950:
2943:
2936:
2927:
2926:
2586:
2585:
2570:Optical illusion
2488:
2481:
2474:
2465:
2464:
2434:Optical printing
2309:Lighting effects
2294:Front projection
2257:Theatrical blood
2217:Miniature effect
2192:Bullet hit squib
2150:
2143:
2136:
2127:
2126:
2070:Other techniques
1859:
1839:
1838:
1835:Camera placement
1791:
1790:
1658:
1651:
1644:
1635:
1634:
1613:
1577:
1576:
1574:
1572:
1561:
1529:
1524:
1523:
1522:
1281:Screen direction
1150:Low-key lighting
1086:Video production
1016:Panning (camera)
569:A shot, often a
455:Extreme close-up
240:Video production
227:
220:
209:
206:
200:
188:is written like
181:
180:
173:
166:
159:
155:
152:
146:
144:
103:
79:
71:
60:
38:
37:
30:
21:
4257:
4256:
4252:
4251:
4250:
4248:
4247:
4246:
4227:
4226:
4225:
4212:
4187:
4149:
4117:Post-production
4111:
4102:Stunt performer
4030:
3992:
3975:Special effects
3969:
3913:Dialogue editor
3879:
3809:Camera operator
3786:
3758:
3749:Property master
3699:
3689:
3671:
3604:
3587:
3559:
3543:Character actor
3509:
3496:
3486:
3456:
3451:
3448:Film portal
3442:
3440:
3433:
3377:
3373:Streaming media
3315:
3289:Special effects
3251:Post-production
3241:
3187:
3132:
3111:Day out of days
3079:Shooting script
3053:
3010:film adaptation
2959:
2954:
2924:
2919:
2898:Offline editing
2845:
2824:External rhythm
2819:Internal rhythm
2802:Kuleshov effect
2785:
2776:180-degree rule
2764:
2733:
2694:
2663:
2615:
2584:
2533:
2514:Synchronization
2497:
2492:
2462:
2453:
2380:
2339:Shutter effects
2324:Rear projection
2260:
2159:
2157:Special effects
2154:
2125:
2111:
2065:
2022:
1949:Camera movement
1940:
1931:Worm's-eye view
1882:
1857:
1830:
1780:
1740:
1667:
1662:
1624:Wayback Machine
1611:
1586:
1581:
1580:
1570:
1568:
1563:
1562:
1558:
1553:
1545:Outline of film
1525:
1520:
1518:
1515:
1492:
1486:
1465:
1459:
1396:
1391:
1371:Optical effects
1331:
1325:
1320:
1189:
1183:
1174:
1110:
1105:
1101:Worm's-eye view
966:High-angle shot
891:Camera tracking
886:Camera operator
876:Camera coverage
856:Bird's-eye view
851:Bird's eye shot
813:West Side Story
808:
803:
797:
757:or "flash pan."
721:arc or arc shot
707:/traveling shot
594:Medium close-up
450:180 degree rule
309:High-angle shot
266:are maintained.
258:180-degree rule
254:
242:
228:
217:
216:
215:
210:
204:
201:
194:
182:
178:
167:
156:
150:
147:
104:
102:
92:
80:
39:
35:
28:
23:
22:
15:
12:
11:
5:
4255:
4245:
4244:
4239:
4222:
4221:
4218:
4217:
4214:
4213:
4211:
4210:
4205:
4199:
4197:
4193:
4192:
4189:
4188:
4186:
4185:
4180:
4175:
4170:
4165:
4159:
4157:
4155:Visual effects
4148:
4147:
4142:
4137:
4132:
4127:
4121:
4119:
4113:
4112:
4110:
4109:
4104:
4099:
4094:
4089:
4084:
4079:
4074:
4069:
4064:
4059:
4054:
4049:
4044:
4038:
4036:
4032:
4031:
4029:
4028:
4023:
4018:
4013:
4011:Visual effects
4008:
4002:
4000:
3994:
3993:
3991:
3990:
3985:
3979:
3977:
3971:
3970:
3968:
3967:
3962:
3957:
3952:
3947:
3942:
3937:
3932:
3931:
3930:
3920:
3915:
3910:
3905:
3900:
3895:
3889:
3887:
3881:
3880:
3878:
3877:
3876:
3875:
3870:
3865:
3855:
3854:
3853:
3848:
3838:
3833:
3828:
3827:
3826:
3821:
3819:Clapper loader
3816:
3806:
3800:
3798:
3792:
3791:
3788:
3787:
3785:
3784:
3779:
3774:
3768:
3766:
3757:
3756:
3754:Weapons master
3751:
3746:
3741:
3736:
3734:Make-up artist
3731:
3726:
3721:
3716:
3715:
3714:
3703:
3701:
3695:
3694:
3691:
3690:
3688:
3687:
3681:
3679:
3670:
3669:
3667:Location scout
3664:
3659:
3654:
3649:
3644:
3639:
3634:
3629:
3624:
3618:
3616:
3614:Pre-production
3606:
3605:
3602:Below the line
3593:
3592:
3589:
3588:
3586:
3585:
3584:
3583:
3578:
3568:
3563:
3557:
3556:
3555:
3550:
3545:
3540:
3535:
3530:
3525:
3514:
3511:
3510:
3507:Above the line
3498:
3497:
3485:
3484:
3477:
3470:
3462:
3453:
3452:
3438:
3435:
3434:
3432:
3431:
3426:
3421:
3416:
3411:
3406:
3401:
3396:
3391:
3385:
3383:
3379:
3378:
3376:
3375:
3370:
3365:
3360:
3359:
3358:
3353:
3348:
3338:
3337:
3336:
3325:
3323:
3317:
3316:
3314:
3313:
3308:
3303:
3302:
3301:
3296:
3286:
3281:
3276:
3271:
3266:
3261:
3255:
3253:
3247:
3246:
3243:
3242:
3240:
3239:
3237:Make-up artist
3234:
3229:
3224:
3221:
3216:
3211:
3206:
3201:
3199:Film inventory
3195:
3193:
3186:
3185:
3180:
3175:
3174:
3173:
3168:
3163:
3161:Cinematography
3153:
3148:
3142:
3140:
3134:
3133:
3131:
3130:
3129:
3128:
3118:
3113:
3108:
3103:
3102:
3101:
3096:
3086:
3081:
3076:
3075:
3074:
3063:
3061:
3059:Pre-production
3055:
3054:
3052:
3051:
3046:
3041:
3040:
3039:
3029:
3027:Film budgeting
3024:
3023:
3022:
3017:
3012:
3007:
3002:
2992:
2987:
2986:
2985:
2975:
2973:Film treatment
2969:
2967:
2961:
2960:
2953:
2952:
2945:
2938:
2930:
2921:
2920:
2918:
2917:
2916:
2915:
2910:
2905:
2903:Online editing
2900:
2895:
2890:
2884:
2874:
2869:
2864:
2859:
2853:
2851:
2847:
2846:
2844:
2843:
2842:
2841:
2836:
2826:
2821:
2816:
2811:
2806:
2805:
2804:
2793:
2791:
2787:
2786:
2784:
2783:
2781:30-degree rule
2778:
2772:
2770:
2766:
2765:
2763:
2762:
2757:
2752:
2747:
2741:
2739:
2735:
2734:
2732:
2731:
2722:
2717:
2712:
2706:
2704:
2700:
2699:
2696:
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2692:
2687:
2682:
2677:
2671:
2669:
2665:
2664:
2662:
2661:
2656:
2651:
2646:
2641:
2640:
2639:
2629:
2623:
2621:
2617:
2616:
2614:
2613:
2608:
2603:
2598:
2592:
2590:
2583:
2582:
2577:
2572:
2567:
2562:
2560:Points of view
2557:
2552:
2547:
2541:
2539:
2535:
2534:
2532:
2531:
2526:
2521:
2516:
2511:
2505:
2503:
2499:
2498:
2491:
2490:
2483:
2476:
2468:
2459:
2458:
2455:
2454:
2452:
2451:
2446:
2441:
2436:
2431:
2426:
2421:
2416:
2411:
2401:
2396:
2390:
2388:
2382:
2381:
2379:
2378:
2373:
2372:
2371:
2366:
2361:
2351:
2346:
2341:
2336:
2331:
2329:Reverse motion
2326:
2321:
2316:
2311:
2306:
2301:
2296:
2291:
2286:
2281:
2276:
2270:
2268:
2262:
2261:
2259:
2254:
2249:
2247:Matte painting
2244:
2239:
2234:
2229:
2224:
2214:
2209:
2204:
2199:
2194:
2189:
2184:
2179:
2172:Aerial rigging
2169:
2167:
2161:
2160:
2153:
2152:
2145:
2138:
2130:
2124:
2123:
2120:
2117:
2116:
2113:
2112:
2110:
2109:
2104:
2099:
2094:
2089:
2084:
2079:
2073:
2071:
2067:
2066:
2064:
2063:
2058:
2057:
2056:
2051:
2046:
2044:Depth of field
2041:
2030:
2028:
2024:
2023:
2021:
2020:
2015:
2010:
2005:
2000:
1995:
1990:
1985:
1980:
1975:
1974:
1973:
1963:
1958:
1952:
1950:
1946:
1945:
1942:
1941:
1939:
1938:
1933:
1928:
1923:
1918:
1913:
1908:
1903:
1898:
1892:
1890:
1884:
1883:
1881:
1880:
1871:
1866:
1861:
1856:Point-of-view
1853:
1848:
1842:
1836:
1832:
1831:
1829:
1828:
1823:
1818:
1813:
1808:
1803:
1797:
1795:
1788:
1782:
1781:
1779:
1778:
1777:
1776:
1771:
1766:
1756:
1750:
1748:
1742:
1741:
1739:
1738:
1733:
1728:
1723:
1718:
1713:
1708:
1703:
1698:
1693:
1688:
1683:
1677:
1675:
1669:
1668:
1661:
1660:
1653:
1646:
1638:
1632:
1631:
1626:
1614:
1606:
1601:
1592:
1585:
1584:External links
1582:
1579:
1578:
1555:
1554:
1552:
1549:
1548:
1547:
1542:
1537:
1531:
1530:
1514:
1511:
1488:Main article:
1485:
1482:
1461:Main article:
1458:
1455:
1454:
1453:
1452:
1451:
1446:
1443:
1440:
1430:
1429:
1428:
1425:
1422:
1416:
1413:
1407:Diegetic sound
1395:
1392:
1390:
1389:
1384:
1379:
1373:
1368:
1363:
1358:
1353:
1344:
1338:
1332:
1329:Special effect
1327:Main article:
1324:
1321:
1319:
1318:
1313:
1308:
1306:SMPTE timecode
1303:
1298:
1293:
1288:
1283:
1278:
1273:
1268:
1263:
1258:
1257:("split edit")
1252:
1247:
1242:
1241:("split edit")
1236:
1231:
1226:
1221:
1216:
1211:
1206:
1201:
1196:
1190:
1185:Main article:
1182:
1179:
1173:
1172:
1167:
1165:Stage lighting
1162:
1157:
1152:
1147:
1142:
1137:
1132:
1130:Flood lighting
1127:
1122:
1120:Cameo lighting
1117:
1111:
1109:
1106:
1104:
1103:
1098:
1093:
1088:
1083:
1078:
1073:
1068:
1063:
1058:
1056:Stalker vision
1053:
1048:
1043:
1038:
1033:
1028:
1023:
1018:
1013:
1008:
1003:
998:
993:
988:
983:
981:Low-angle shot
978:
973:
968:
963:
958:
953:
948:
943:
938:
933:
928:
923:
918:
913:
908:
903:
898:
893:
888:
883:
878:
873:
868:
863:
858:
853:
848:
843:
838:
833:
827:
820:motion picture
807:
804:
801:Cinematography
799:Main article:
796:
795:Cinematography
793:
792:
791:
779:
774:
771:
766:
763:
758:
751:
746:
743:
738:
731:
725:
724:
708:
702:
699:
696:
693:
690:
682:
677:
674:
670:
669:
668:
667:
664:
659:
656:
653:
650:
647:
644:
641:
636:
633:
628:
624:
621:
617:
612:
609:
604:
601:
598:
595:
592:
589:
586:
567:
562:
559:
554:
550:
547:
544:
539:
531:
528:
525:
520:
513:
512:Hand-held shot
510:
507:
504:
501:
498:
495:
490:
487:
482:
479:
474:
471:
468:
465:
462:
459:
456:
453:
441:
436:
433:
428:
425:
420:
417:
412:
409:
404:
385:
379:
378:
375:
370:
366:
361:
358:
353:
350:
345:
341:
336:
333:
330:
327:
321:
320:
319:
318:
315:Low-angle shot
312:
303:
298:
290:
287:
284:
279:
276:
273:
270:
267:
260:
253:
250:
230:
229:
212:
211:
185:
183:
176:
169:
168:
83:
81:
74:
69:
43:
42:
40:
33:
26:
18:Film technique
9:
6:
4:
3:
2:
4254:
4243:
4240:
4238:
4235:
4234:
4232:
4209:
4206:
4204:
4201:
4200:
4198:
4194:
4184:
4181:
4179:
4176:
4174:
4171:
4169:
4166:
4164:
4161:
4160:
4158:
4156:
4152:
4146:
4143:
4141:
4138:
4136:
4133:
4131:
4128:
4126:
4123:
4122:
4120:
4118:
4114:
4108:
4105:
4103:
4100:
4098:
4095:
4093:
4090:
4088:
4085:
4083:
4080:
4078:
4075:
4073:
4070:
4068:
4065:
4063:
4062:Choreographer
4060:
4058:
4055:
4053:
4052:Dialect coach
4050:
4048:
4045:
4043:
4040:
4039:
4037:
4033:
4027:
4026:Layout artist
4024:
4022:
4019:
4017:
4014:
4012:
4009:
4007:
4004:
4003:
4001:
3999:
3995:
3989:
3986:
3984:
3981:
3980:
3978:
3976:
3972:
3966:
3963:
3961:
3958:
3956:
3953:
3951:
3948:
3946:
3943:
3941:
3938:
3936:
3933:
3929:
3926:
3925:
3924:
3921:
3919:
3916:
3914:
3911:
3909:
3906:
3904:
3903:Boom operator
3901:
3899:
3896:
3894:
3891:
3890:
3888:
3886:
3882:
3874:
3871:
3869:
3866:
3864:
3863:Best boy grip
3861:
3860:
3859:
3856:
3852:
3849:
3847:
3844:
3843:
3842:
3839:
3837:
3834:
3832:
3829:
3825:
3822:
3820:
3817:
3815:
3812:
3811:
3810:
3807:
3805:
3802:
3801:
3799:
3797:
3793:
3783:
3782:Scenic design
3780:
3778:
3775:
3773:
3772:Matte painter
3770:
3769:
3767:
3765:
3761:
3755:
3752:
3750:
3747:
3745:
3742:
3740:
3739:Set decorator
3737:
3735:
3732:
3730:
3727:
3725:
3722:
3720:
3717:
3713:
3710:
3709:
3708:
3705:
3704:
3702:
3696:
3686:
3683:
3682:
3680:
3678:
3674:
3668:
3665:
3663:
3660:
3658:
3655:
3653:
3650:
3648:
3645:
3643:
3640:
3638:
3635:
3633:
3630:
3628:
3625:
3623:
3620:
3619:
3617:
3615:
3611:
3607:
3603:
3598:
3594:
3582:
3581:Line producer
3579:
3577:
3574:
3573:
3572:
3571:Film producer
3569:
3567:
3564:
3562:
3561:Film director
3558:
3554:
3551:
3549:
3546:
3544:
3541:
3539:
3538:Ensemble cast
3536:
3534:
3531:
3529:
3528:Leading actor
3526:
3524:
3521:
3520:
3519:
3516:
3515:
3512:
3508:
3503:
3499:
3494:
3490:
3483:
3478:
3476:
3471:
3469:
3464:
3463:
3460:
3450:
3449:
3436:
3430:
3427:
3425:
3422:
3420:
3417:
3415:
3414:Film industry
3412:
3410:
3407:
3405:
3402:
3400:
3397:
3395:
3392:
3390:
3387:
3386:
3384:
3380:
3374:
3371:
3369:
3366:
3364:
3361:
3357:
3354:
3352:
3349:
3347:
3344:
3343:
3342:
3339:
3335:
3332:
3331:
3330:
3327:
3326:
3324:
3322:
3318:
3312:
3309:
3307:
3306:Negative cost
3304:
3300:
3297:
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1567:. New Wave TV
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1470:reverberation
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646:Reverse angle
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639:Racking focus
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607:Mise en scène
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553:illumination.
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493:Flash forward
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439:Eyeline match
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339:Cross-cutting
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289:Bridging shot
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269:Airborne shot
268:
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264:eyeline match
261:
259:
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191:
186:This article
184:
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112: –
111:
107:
106:Find sources:
100:
96:
90:
89:
84:This article
82:
78:
73:
72:
67:
65:
58:
57:
52:
51:
46:
41:
32:
31:
19:
4130:Sound editor
4097:Stunt double
4092:Stage combat
4072:Talent agent
4042:Acting coach
3965:Orchestrator
3960:Music editor
3923:Foley artist
3814:Focus puller
3712:Art director
3566:Screenwriter
3439:
3341:Film release
3321:Distribution
3264:Re-recording
3259:Film editing
3171:Videographer
3150:
3032:Film finance
2990:Step outline
2755:Slow cutting
2729:Flashforward
2715:Contrast cut
2703:Storytelling
2675:Fast cutting
2575:Split screen
2529:Parallel cut
2509:Choreography
2495:Film editing
2444:Split screen
2439:Smallgantics
2429:Match moving
2237:Pyrotechnics
2187:Animatronics
2027:Lens effects
1888:Camera angle
1876: /
1759:Non-diegetic
1664:
1612:(in Spanish)
1569:. Retrieved
1559:
1500:
1493:
1478:Foley studio
1466:
1463:Sound effect
1432:
1419:Source music
1406:
1397:
1301:Split screen
1296:Slow cutting
1224:Fast cutting
1187:Film editing
1175:
1140:Key lighting
881:Camera dolly
871:Camera angle
817:
809:
787:
754:
726:
673:Static Frame
389:camera dolly
380:
373:Camera Dolly
301:Camera angle
245:
243:
218:
202:
195:Please help
187:
157:
151:October 2015
148:
138:
131:
124:
117:
105:
93:Please help
88:verification
85:
61:
54:
48:
47:Please help
44:
4125:Film editor
4047:Body double
3928:Voice foley
3836:Second unit
3796:Photography
3777:Illustrator
3764:Visual arts
3744:Set dresser
3729:Hairdresser
3698:Production
3553:Cameo actor
3523:Voice actor
3419:Film rights
3409:Filmography
3166:Videography
3094:Scenography
3005:spec script
2965:Development
2654:Slow motion
2620:Timelapsing
2524:Master shot
2449:Stop motion
2424:Introvision
2404:Compositing
2394:Bullet time
2376:Stop motion
2364:Slow motion
2359:Fast motion
2304:Lens flares
2279:Bullet time
2252:Sugar glass
2242:Rubber mask
2176:wire-flying
2082:Master shot
1936:Dutch angle
1846:Perspective
1527:Film portal
1382:Stop motion
1376:Stereoscopy
1356:Bullet time
1261:Master shot
991:Medium shot
986:Master shot
931:Follow shot
911:Dutch angle
836:Aerial shot
692:Story board
600:Medium shot
571:medium shot
565:Master shot
530:Iris in/out
523:Inter-title
470:Fade in/out
448:; See also
4242:Filmmaking
4231:Categories
4203:Swing gang
4173:Compositor
4107:Under-five
3868:Dolly grip
3677:Storyboard
3493:filmmaking
3424:Turnaround
3389:Box office
3274:Soundtrack
3269:Sync sound
3227:Editor log
3204:Production
3138:Production
3084:Storyboard
3044:Greenlight
2995:Screenplay
2983:scriptment
2957:Filmmaking
2580:Transition
2399:Chroma key
2354:Time-lapse
2319:Filtration
2284:Dolly zoom
2212:Kitbashing
2018:Dolly zoom
1916:Crane shot
1911:Bird's-eye
1906:High-angle
1794:Field size
1769:Film score
1711:Lens flare
1681:Background
1551:References
1449:Film score
1445:Mood music
1387:Stop trick
1351:Chroma key
1347:Bluescreen
1170:Soft light
1145:Lens flare
1125:Fill light
1076:Trunk shot
996:Money shot
946:Full frame
926:Filmmaking
921:Film frame
906:Dolly zoom
901:Crane shot
823:filmmaking
735:Dolly shot
536:vignetting
477:Fill light
407:Dolly zoom
356:Deep focus
236:Filmmaking
234:See also:
205:March 2022
121:newspapers
50:improve it
4183:Rendering
3998:Animation
3945:Subtitles
3824:Steadicam
3724:Greensman
3548:Bit actor
3489:Film crew
3146:Film crew
3126:one-liner
3099:Rehearsal
2814:Long take
2750:Cross cut
2745:Smash cut
2725:Flashback
2637:Axial cut
2606:Long shot
2601:Match cut
2589:Insertion
2538:Technique
2419:Go motion
2344:Slit-scan
2266:In-camera
2165:Practical
2097:Long take
2003:SnorriCam
1998:Steadicam
1978:Hand-held
1926:Low-angle
1764:Narration
1726:Rembrandt
1291:Smash cut
1266:Match cut
1229:Flashback
1051:SnorriCam
976:Long take
971:Long shot
961:Head shot
951:Full shot
861:Boom shot
783:zoom lens
761:Whip zoom
755:swish pan
713:Steadicam
680:Steadicam
620:character
588:Match cut
557:Long shot
549:Key light
517:Steadicam
485:Flashback
393:Steadicam
56:talk page
4140:Animator
4135:Colorist
4077:Stand-in
4016:Modeling
4006:Animator
3950:Composer
3858:Key grip
3363:Roadshow
3279:Timecode
3214:Progress
2978:Producer
2690:Supercut
2649:Dissolve
2632:Jump cut
2596:Dialogue
2232:Puppetry
2102:One-shot
1988:Tracking
1971:Whip pan
1921:Jib shot
1826:Two shot
1816:Close-up
1806:American
1786:Shooting
1754:Diegetic
1701:High-key
1673:Lighting
1620:Archived
1571:22 April
1513:See also
1474:flanging
1400:diegetic
1245:Jump cut
1214:Dissolve
1096:Whip pan
1081:Two shot
896:Close-up
788:dollying
749:Whip pan
741:Two shot
627:tilting.
583:cutaways
579:closeups
542:Jump cut
401:trucking
364:Dissolve
344:actions.
325:Close-up
4021:Rigging
3935:Dubbing
3382:Related
3356:delayed
3351:limited
3089:Casting
3072:process
3000:process
2850:Editing
2829:Footage
2685:Montage
2550:Cutaway
2502:Concept
2408:digital
2406: (
2274:Bipacks
2221:hanging
2219: (
2174: (
2061:Zooming
2049:Shallow
2039:Racking
1966:Panning
1961:Tilting
1864:Reverse
1821:Italian
1716:Low-key
1341:3D film
1271:Montage
1209:Cutaway
506:Framing
415:Editing
295:pick-up
135:scholar
4035:Talent
3841:Gaffer
3700:design
3299:visual
3020:Option
2834:B-roll
2738:Action
2659:Prelap
2611:Insert
2386:Visual
2107:Insert
2087:B-roll
2013:Follow
1901:Aerial
1874:Single
1811:Medium
1250:Keying
1234:Insert
1199:B-roll
1194:A-roll
866:B-roll
717:gimbal
575:longer
397:gimbal
137:
130:
123:
116:
108:
4196:Other
4067:Extra
3885:Sound
3518:Actor
3294:sound
3284:Music
3219:Sound
3037:pitch
2889:(NLE)
2668:Other
2545:Clues
2034:Focus
1993:Dolly
1983:Shaky
1869:Trunk
1858:(POV)
1746:Sound
1731:Stage
1696:Flood
1686:Cameo
1595:Sound
1394:Sound
1255:L cut
1239:J cut
730:Truck
652:Scene
500:Focus
369:cuts.
142:JSTOR
128:books
3873:Grip
3404:Film
3346:wide
3334:list
3223:Cost
3015:Hook
2790:Term
2769:Rule
2644:Wipe
2054:Deep
1896:Tilt
1736:Soft
1721:Mood
1691:Fill
1573:2011
1316:Wipe
777:Zoom
769:Wipe
698:Tilt
658:Shot
581:and
238:and
114:news
3940:ADR
2627:Cut
1706:Key
1597:at
1472:or
623:Pan
573:or
332:Cut
275:Arc
97:by
4233::
2727:/
1480:.
815:.
715:,
395:,
59:.
3495:)
3491:(
3481:e
3474:t
3467:v
2949:e
2942:t
2935:v
2487:e
2480:t
2473:v
2410:)
2223:)
2178:)
2149:e
2142:t
2135:v
1657:e
1650:t
1643:v
1575:.
1349:/
737:)
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585:.
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452:)
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139:·
132:·
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66:)
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