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Franco-Flemish School

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2594: 2604: 36: 1534: 883: 611:, and other parts of Europe—Poland, the Czech lands, Austria, Hungary, England, Sweden, Denmark, Saxony—carrying their styles with them. The exact centres shifted during this time, and by the end of the sixteenth century the focal point of the Western musical world had moved from the Low Countries to Italy. 614:
To conclude, let us recall that the expression "Franco-Flemish" and the more biased one of "Dutch school" are still controversial among musicologists. They were not in use at that time and seem to cover only part of the linguistic, political, territorial and historical reality.
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Following are five groups, or generations, that are sometimes distinguished in the Franco-Flemish/Netherlandish school. Development of this musical style was continuous, and these generations only provide useful reference points.
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were typically written for four voices, with all voices being equal. They often exhibit thick, dark textures, with an extended low range. The most notable composers of this style include
500:—are grouped under "Franco-Flemish School", though a teacher-student-relationship between them rarely existed. Most of these musicians were born in the thriving Burgundian provinces of 2172: 165: 1225: 448:
in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of
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who was one of the most influential composers of his generation. During periods of political and economic stability, the courts of the
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Franco-Flemish composers had their origins in ecclesiastical choir schools such as at the cathedrals and collegiate churches of
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embraces both earlier Burgundian traditions and also Italian and English styles. For example, in 1442, the poet
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Gut, Serge. 1968. "A propos des polyphonistes de la Renaissance : franco-flamand ou néerlandais".
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Tonus Peregrinus: The History of a Psalm-Tone and Its Use in Polyphonic Music
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Volledige namenlijst van alle polyfonisten uit de Nederlanden (1400–1600)
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Music: A Comprehensive Introduction: A Complete Music Appreciation Course
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in the 9th century. Franco-Flemish composers mainly wrote
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Sprezzatura: Fifty Ways Italian Genius Shaped the World
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Wright, Craig, and David Fallows. 2001. "Burgundy".
1004: 878: 60:. Unsourced material may be challenged and removed. 1179: 1115: 1090:D'Epiro, Peter, and Mary Desmond Pinkowish. 2001. 1022: 974: 932: 2620: 1043:, fourth edition. New York: Facts on File, Inc. 908: 1182:The New Grove Dictionary of Music and Musicians 980: 484:composers from the region loosely known as the 532:were a centre of cultural activity in Europe. 1846: 1559: 1247: 386: 1141:, online edition (accessed 12 January 2018). 1167:. New York: Excelsior Music Publishing Co. 850: 1853: 1839: 1566: 1552: 1254: 1240: 1116:Gleeson, Harold, and Warren Becker. 1988. 393: 379: 1573: 1106: 962: 660:praised Binchois and Dufay for following 591:where they were called "I fiamminghi" or 120:Learn how and when to remove this message 1145: 1118:Music in the Middle Ages and Renaissance 1055: 998: 926: 1261: 681:as its main exponent, others including 475: 14: 2621: 1162: 1010: 855:Composed between 1450 and 1520, these 1860: 1834: 1547: 1235: 1077:. Lanham, Maryland: Scarecrow Press. 1072: 1041:The Facts on File Dictionary of Music 1038: 938: 914: 1212:A History of Music and Musical Style 1132: 1039:Ammer, Christine. "Flemish School". 986: 58:adding citations to reliable sources 29: 1075:Dies Irae: A Guide to Requiem Music 587:or moved to the European courts in 24: 1198: 652:. The origins of the style of the 25: 2655: 897:Category:Franco-Flemish composers 601:Flemish chapel (capilla flamenca) 595:("those from over the Alps") and 2639:Renaissance in the Low Countries 2602: 2593: 2592: 2128:Giovanni Pierluigi da Palestrina 1532: 1109:Five Centuries of Keyboard Music 1060:. Dubuque: W. C. Brown Company. 881: 34: 1192:. London: Macmillan Publishers. 45:needs additional citations for 618: 13: 1: 1871:List of Renaissance composers 902: 440:composition originating from 1184:, second edition, edited by 7: 1385:Grupo de renovación musical 1135:Franco-Netherlandish School 874: 10: 2660: 2501:Petrus Phalesius the Elder 2316:English Virginalist School 1094:. New York: Anchor Books. 1056:Broekema, Andrew J. 1978. 951:D'Epiro and Pinkowish 2001 869:De profundis clamavi ad te 632:(1420–1450), dominated by 2572: 2524: 2451: 2390: 2344: 2291: 2283:Jan Pieterszoon Sweelinck 2166: 2053: 1965: 1877: 1868: 1777: 1731: 1670: 1614: 1581: 1530: 1269: 1146:Lundberg, Mattias. 2012. 756:, and most significantly 524:, Simone de Bonefont and 433:, refers to the style of 1139:Encyclopaedia Britannica 851:The Franco-Flemish motet 2311:English Madrigal School 1133:Karp, Theodore. 2007. " 1107:Gillespie, John. 1965. 1023:Wright and Fallows 2001 975:Gleeson and Becker 1988 480:Several generations of 69:"Franco-Flemish School" 2153:Tomás Luis de Victoria 1957:Oswald von Wolkenstein 1744:Jacob Clemens non Papa 1490:Viennese preclassicism 1163:Porter, Steven. 1986. 889:Classical music portal 670:("English character"). 446:Burgundian Netherlands 2173:Transition to Baroque 2118:Pierre de Manchicourt 1759:Pierre de Manchicourt 1575:Franco-Flemish School 1073:Chase, Robert. 2003. 407:Franco-Flemish School 178:Movements and schools 166:Transition to Baroque 2203:Girolamo Frescobaldi 2010:Cristóbal de Morales 476:Term and controversy 419:Low Countries School 411:Netherlandish School 54:improve this article 27:Style of vocal music 2644:Culture of Wallonia 2629:Composition schools 2321:Florentine Camerata 2293:Composition schools 1952:Gaspar van Weerbeke 1380:Grupo de los cuatro 1345:English Virginalist 1263:Composition schools 667:contenance angloise 215:English Virginalist 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Busnois 1892:Gilles Binchois 1873: 1864: 1859: 1829: 1824: 1820:Giaches de Wert 1810:Philippe Rogier 1790:Carolus Luython 1773: 1769:Adrian Willaert 1754:Nicolas Gombert 1727: 1666: 1610: 1601:Antoine Busnois 1596:Gilles Binchois 1577: 1572: 1542: 1537: 1528: 1492: 1410:The Mighty Five 1355:Frankfurt Group 1265: 1260: 1201: 1199:Further reading 1196: 1029: 1021: 1017: 1009: 1005: 997: 993: 985: 981: 973: 969: 961: 957: 949: 945: 937: 933: 925: 921: 913: 909: 905: 887: 882: 880: 877: 853: 840:Claude Goudimel 658:Martin le Franc 646:Antoine Busnois 642:Gilles Binchois 621: 490:Northern France 478: 454:Gregorian chant 431:Northern School 399: 368: 365:Baroque music → 361: 348: 347: 346: 314: 306: 305: 304: 234: 226: 225: 224: 179: 169: 168: 151: 126: 115: 109: 106: 63: 61: 51: 39: 28: 23: 22: 15: 12: 11: 5: 2657: 2647: 2646: 2641: 2636: 2631: 2614: 2613: 2611: 2610: 2600: 2582: 2578:Medieval music 2574: 2573: 2570: 2569: 2567: 2566: 2565: 2564: 2559: 2554: 2549: 2544: 2534: 2528: 2526: 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911: 907: 898: 895: 894: 890: 879: 872: 870: 866: 862: 858: 845: 841: 837: 833: 829: 825: 821: 817: 813: 809: 805: 803:and Bonefont. 802: 798: 794: 790: 786: 782: 778: 774: 770: 767:(1520–1560): 766: 762: 759: 755: 751: 747: 743: 739: 735: 731: 727: 723: 720:(1480–1520): 719: 715: 712: 708: 704: 700: 696: 692: 688: 684: 680: 676: 672: 669: 668: 663: 659: 655: 651: 647: 643: 639: 635: 631: 627: 626: 625: 616: 612: 610: 606: 602: 598: 594: 590: 586: 582: 578: 574: 570: 566: 562: 558: 554: 550: 546: 542: 538: 537:Saint-Quentin 533: 531: 527: 523: 519: 515: 511: 507: 503: 499: 495: 491: 487: 486:Low Countries 483: 473: 471: 467: 463: 459: 455: 451: 447: 444:and from the 443: 439: 436: 432: 428: 424: 420: 416: 412: 408: 396: 391: 389: 384: 382: 377: 376: 374: 373: 367: 366: 360: 359: 354: 353: 352: 351: 343: 340: 338: 335: 333: 330: 328: 327: 323: 321: 318: 317: 310: 309: 301: 298: 296: 293: 291: 288: 286: 283: 281: 278: 276: 273: 271: 268: 266: 263: 261: 258: 256: 253: 251: 248: 246: 243: 241: 238: 237: 233:Major figures 230: 229: 221: 218: 216: 213: 211: 208: 206: 203: 201: 198: 196: 193: 191: 188: 186: 183: 182: 175: 174: 167: 163: 159: 158: 157: 156: 150: 149: 146: 143: 142: 138: 134: 133: 124: 121: 113: 110:February 2017 102: 99: 95: 92: 88: 85: 81: 78: 74: 71: –  70: 66: 65:Find sources: 59: 55: 49: 48: 43:This article 41: 37: 32: 31: 19: 2583: 2576: 2547:Architecture 2481:Jacob Bathen 2427: 2325: 2198:John Dowland 2068:William Byrd 1942:Leonel Power 1815:Jacobus Vaet 1574: 1519:Wandelweiser 1349: 1292: 1285: 1278: 1211: 1205: 1190:John Tyrrell 1181: 1164: 1147: 1138: 1117: 1108: 1091: 1074: 1057: 1040: 1031: 1030: 1018: 1006: 994: 982: 970: 958: 946: 934: 922: 910: 868: 854: 807: 764: 717: 674: 665: 653: 629: 622: 613: 593:Oltremontani 585:French court 545:Valenciennes 534: 479: 460:, primarily 458:sacred music 430: 427:Dutch School 426: 422: 418: 414: 410: 406: 404: 363: 356: 324: 189: 164: / 116: 107: 97: 90: 83: 76: 64: 52:Please help 47:verification 44: 2537:Renaissance 2532:Early music 2428:Netherlands 2408:Elizabethan 2263:Jacopo Peri 2233:Alonso Lobo 2193:John Cooper 2055:Late (1530) 2015:Jean Mouton 1927:Jean Japart 1917:Walter Frye 1698:Jean Mouton 1493: [ 1435:Ny Enkelhed 1280:Ars antiqua 1011:Porter 1986 781:Manchicourt 777:Crecquillon 722:Jean Mouton 619:Development 498:Netherlands 482:Renaissance 438:vocal music 313:Major forms 2623:Categories 2562:Philosophy 2557:Literature 2525:Background 2391:Traditions 2367:Magnificat 2357:Intermedio 2301:Burgundian 1524:West Coast 1447:Notre Dame 1425:New Jewish 1420:New German 1415:Neapolitan 1400:Manchester 1315:Burgundian 1310:Boston Six 977:, 106–111. 953:, 253–254. 939:Chase 2003 915:Ammer 2004 903:References 435:polyphonic 300:Monteverdi 280:Palestrina 185:Burgundian 80:newspapers 2377:Offertory 2306:Colorists 2168:Mannerism 1486:Viennese 1330:Darmstadt 987:Karp 2007 836:de Macque 750:Richafort 730:de la Rue 711:Tinctoris 662:Dunstaple 605:Habsburgs 260:Tinctoris 162:Composers 2598:Category 2575: ← 2438:Portugal 2362:Madrigal 2336:Venetian 1482:Venetian 1442:New York 1405:Mannheim 1325:Colorist 1287:Ars nova 875:See also 867:, whose 861:Ockeghem 816:de Monte 797:Courtois 793:Willaert 785:Arcadelt 746:Pipelare 695:Agricola 679:Ockeghem 506:Flanders 450:printing 332:Madrigal 295:Victoria 250:Ockeghem 245:Binchois 210:Venetian 195:Colorist 152:Overview 137:a series 135:Part of 2588:→  2418:Germany 2398:British 1467:Les Six 1320:Cologne 1300:Bologna 1032:Sources 865:Josquin 828:Luython 824:Regnart 769:Gombert 754:Divitis 726:Obrecht 703:Faugues 691:Prioris 687:Compère 609:Germany 603:of the 573:Antwerp 565:Cambrai 561:Tournai 553:Bourges 518:Limburg 514:Hainaut 510:Brabant 494:Belgium 326:Chanson 275:Zarlino 265:Josquin 255:Busnois 94:scholar 2608:Portal 2433:Poland 2413:France 2403:Cyprus 2382:Pavane 2176:c.1600 1507:Second 1305:Boston 1218:  1171:  1154:  1124:  1098:  1081:  1064:  1047:  1013:, 190. 929:, 273. 857:motets 844:Rogier 812:Lassus 773:Phinot 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Franco-Flemish

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Renaissance music
Composers
Transition to Baroque
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