25:
90:
229:, were noted by his contemporaries for their solidity of texture and their sensitive treatment of the text as well as for their chromaticism. His instrumental music includes trio and quartet sonatas, sinfonias and partitas, mostly for strings and
155:(an important composer and organist) at the Minorite Church of St. James the Great, and he is believed to have received musical instruction from him. Tůma then went to Vienna, where he was active as a church musician; according to
194:
to Prague
Cathedral, but his recommendation arrived too late and Tůma may have remained in Kinsky's service until the latter's death in 1741. In that year he was appointed
416:
213:
monastery of Geras (Lower
Austria), but in his last illness he returned to Vienna and died in the hospital of the Merciful Brethren in the Leopoldstadt.
341:
54:
391:
381:
345:
401:
411:
386:
205:; he was esteemed by the court and the nobility, and at least one work may have been commissioned from him by the Empress
152:
76:
47:
396:
143:
Tůma received his early musical training from his father, parish organist at
Kostelec, and probably studied at the
201:
For the next 18 years he remained in Vienna and was active as a composer and as a player on the bass viol and the
174:, who was the High Chancellor of Bohemia. Kinsky's patronage made it possible for him to study counterpoint with
406:
129:
355:
351:
198:
to the dowager empress, the widow of
Emperor Charles VI. On her death in 1750, Tůma received a pension.
125:
163:
at Vienna in 1722. Tůma's name first appears in
Viennese records in April 1727, when he got married.
156:
37:
41:
33:
58:
221:
Tůma's music belongs stylistically to the late
Baroque. His sacred works, which were known to
101:
187:
376:
371:
8:
306:
210:
171:
365:
206:
117:
135:
He was an important late-baroque composer, organist, gambist and theorbist.
246:
237:
230:
183:
144:
175:
202:
105:
226:
209:. After the death of his wife in about 1768, Tůma lived at the
148:
121:
113:
109:
241:
222:
178:
in Vienna. He participated in the premiere of Fux's opera
128:, later filling a similar office for the widow of Emperor
233:; some of them were clearly intended for orchestral use.
89:
190:. In 1734, Kinsky recommended Tůma for the post of the
328:. With a practical edition of selected choral works
363:
46:but its sources remain unclear because it lacks
309:. Ensemble Diderot. (Audax Records ADX 13701)
151:. He likely sang as a tenor chorister under
330:. Bell & Howell, Ann Arbor, Mich. 1975.
120:. He lived the greater part of his life in
346:International Music Score Library Project
77:Learn how and when to remove this message
417:People from Rychnov nad Kněžnou District
88:
299:
236:Among his sacred works we find some 65
364:
326:The choral music of Franz Ignaz Tuma
18:
392:18th-century musicians from Bohemia
13:
318:
147:, an important Jesuit seminary in
14:
428:
335:
277:Partita in D minor, for orchestra
253:
124:, first as director of music for
382:18th-century classical composers
23:
168:Compositor und Capellen-Meister
402:Czech male classical composers
1:
352:Free scores by František Tůma
342:Free scores by František Tůma
313:
356:Choral Public Domain Library
98:František Ignác Antonín Tůma
7:
412:Pupils of Johann Joseph Fux
387:18th-century male musicians
265:Mass in E-minor (64 masses)
10:
433:
280:Sonata in G, for orchestra
126:Franz Joseph, Count Kinsky
170:to Count Franz Ferdinand
216:
32:This article includes a
397:Czech Baroque composers
274:Litanie Lauretanie (20)
138:
61:more precise citations.
244:and 5 settings of the
108:– 3 February 1774, in
94:
407:Czech Roman Catholics
188:Sylvius Leopold Weiss
92:
324:Theodore M. Klinka:
300:Selected discography
180:Constanza e Fortezza
100:(2 October 1704, in
307:Johannes Pramsohler
305:The Dresden Album.
268:Symphony No. 7 in A
102:Kostelec nad Orlicí
271:Symphony in B-flat
166:In 1731 he became
161:vice-Kapellmeister
95:
34:list of references
211:Premonstratensian
153:B. M. Černohorský
87:
86:
79:
424:
259:Stabat Mater (5)
116:composer of the
82:
75:
71:
68:
62:
57:this article by
48:inline citations
27:
26:
19:
432:
431:
427:
426:
425:
423:
422:
421:
362:
361:
338:
321:
319:Further reading
316:
302:
256:
219:
141:
83:
72:
66:
63:
52:
38:related reading
28:
24:
17:
12:
11:
5:
430:
420:
419:
414:
409:
404:
399:
394:
389:
384:
379:
374:
360:
359:
349:
337:
336:External links
334:
333:
332:
320:
317:
315:
312:
311:
310:
301:
298:
297:
296:
293:
292:Magnificat (3)
290:
287:
284:
281:
278:
275:
272:
269:
266:
263:
260:
255:
254:Selected works
252:
218:
215:
140:
137:
93:František Tůma
85:
84:
42:external links
31:
29:
22:
16:Czech composer
15:
9:
6:
4:
3:
2:
429:
418:
415:
413:
410:
408:
405:
403:
400:
398:
395:
393:
390:
388:
385:
383:
380:
378:
375:
373:
370:
369:
367:
357:
353:
350:
347:
343:
340:
339:
331:
327:
323:
322:
308:
304:
303:
294:
291:
288:
285:
282:
279:
276:
273:
270:
267:
264:
261:
258:
257:
251:
250:
248:
243:
239:
234:
232:
228:
224:
214:
212:
208:
207:Maria Theresa
204:
199:
197:
196:Kapellmeister
193:
192:Kapellmeister
189:
185:
181:
177:
173:
169:
164:
162:
158:
154:
150:
146:
136:
133:
131:
127:
123:
119:
115:
111:
107:
103:
99:
91:
81:
78:
70:
60:
56:
50:
49:
43:
39:
35:
30:
21:
20:
358:(ChoralWiki)
329:
325:
289:Miserere (1)
286:Lamentations
247:Stabat Mater
245:
235:
220:
200:
195:
191:
179:
167:
165:
160:
159:he became a
142:
134:
97:
96:
73:
67:January 2013
64:
53:Please help
45:
377:1774 deaths
372:1704 births
295:Te Deum (1)
184:Georg Benda
182:along with
145:Clementinum
118:Baroque era
59:introducing
366:Categories
314:References
283:Psalm (29)
176:Johann Fux
130:Charles VI
262:Mass in C
231:continuo
112:) was a
354:in the
348:(IMSLP)
344:at the
203:theorbo
157:Marpurg
106:Bohemia
55:improve
242:psalms
238:masses
227:Mozart
172:Kinsky
149:Prague
122:Vienna
110:Vienna
240:, 29
223:Haydn
217:Style
114:Czech
40:, or
225:and
186:and
139:Life
132:.
368::
104:,
44:,
36:,
249:.
80:)
74:(
69:)
65:(
51:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.