Knowledge

George Glass

Source 📝

42: 317:
Glass is credited by several sources with originating the witticism, "An actor is a kind of guy who if you ain't talking about him ain't listening." That line has also been attributed to Brando, who reportedly heard it from Glass and quoted it many times.
607:
Communist Activities among Professional Groups in the Los Angeles Area - Part 1: Hearings before the Committee on Un-American Activities, House of Representatives, Eighty-second Congress, Second Session, January 21, 22, 23, 24, 25, and 26, and April 9,
137:. In Kramer's 1997 autobiography, describing how he formed his first production company in the late 1940s, he called Glass "one of the best publicity men in town", and remarked "I was fortunate to get Glass, with whom I had worked in the 178:
Glass began his career in the entertainment industry as a radio news commentator and sports broadcaster, but left radio for films in 1936 to work in advertising and publicity capacities for
669: 442:
The American Film Institute Catalog of Motion Pictures Produced in the United States: Within Our Gates: Ethnicity in American Feature Films, 1911-1960
186:, and others. With Kramer's company, in addition to being the head publicist, Glass often acted as associate producer, sometimes uncredited (as for 223:
started a freelance publicity organization, described in the press as a collaboration of "two of the most experienced and able drum beaters" in
817: 169:
had been a major part of the company's success. A short, stubby, ebullient man, he performed his craft on the basis of telling the truth.
298: 797: 232: 802: 719: 449: 279: 751: 652: 631: 582: 550: 418: 399: 362: 342: 305:
and other members of the entertainment industry in the mid-1940s, at which he was urged to become a member of the
611: 306: 268: 205: 411:
The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1941 - 1950
543:
The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1961-1970.
193: 266:. He continued to work with Kramer for many years as an associate producer, with additional credits including 164: 487: 378: 274: 153:
George Glass was a veteran of movie publicity, but he was more than a publicist for Kramer. He, Kramer and
227:. After Brando formed his own production company, Pennebaker Productions, Glass and Seltzer joined him as 224: 513: 777: 530: 145:
partnership before the war. He was a bright man and a very smooth operator." In a 1973 biography of
19:
This article is about the American film producer. For the United States Ambassador to Portugal, see
610:
Washington, D.C.: United States Government Printing Office, 1952. pp. 2487-2495. Scan available at
65: 259: 665: 812: 807: 575:
The Films of the Seventies: A Filmography of American, British and Canadian Films 1970-1979
158: 8: 731: 199: 84: 20: 228: 772: 758:
Interview with the subject in which he describes his career and his work with Kramer.
747: 715: 648: 627: 578: 546: 445: 414: 395: 358: 338: 302: 157:
were partners in the independent film company, and Glass's brilliant campaigns for
694: 727: 251: 239: 220: 183: 179: 134: 791: 146: 126: 24: 735: 263: 212: 154: 138: 672: 245: 768: 712:
High Noon: The Hollywood Blacklist and the Making of an American Classic
392:
Showdown at High Noon: Witch-Hunts, Critics, and the End of the Western.
142: 301:. In his testimony, he described attending gatherings at the homes of 188: 130: 286: 464:. New York: Biblo & Tannen, 1969 (reprint). Volume IV, p. 15. 726:
Provides details about the subject's business relationship with
41: 373:
Spear, Ivan. "Press-Agents Who Became Successful Producers."
624:
Famous Lines: The Columbia Dictionary of Familiar Quotations
482:"George Glass, Walter Seltzer Form Publicity Organization." 508:"George Glass, Walter Seltzer End Pennebaker Affiliation." 231:, and together they turned out a number of films including 444:. Berkeley: University of California Press, 1997. p. 655. 413:. Berkeley: University of California Press, 1999. p. 526. 545:
Berkeley: University of California Press, 1997. p. 436.
647:. New Haven, CT: Yale University Press, 2006. p. 313. 577:. Jefferson, NC: McFarland and Company, 1984. p. 33. 432:, Dir. Michael Gordon, 1950. DVD: Alpha Video, 2003. 626:. New York: Columbia University Press, 1996. p. 5. 125:(August 19, 1910 – April 1, 1984) was an American 525:"Walter Mirisch Renamed President of Producers." 337:. New York: Harcourt, Brace and Co., 1997. p. 9. 789: 258:Glass was elected to the executive board of the 335:A Mad, Mad, Mad, Mad World: A Life in Hollywood 204:). Other productions from this period include 730:, and his role in the events that led to the 377:. May 29, 1948. pp. 22-23. Scan available at 297:In January 1952, Glass testified before the 192:), and sometimes with screen credit (as for 746:. New York: Pyramid Books. pp. 49–54. 512:. Apr. 24, 1961. p. 16. Scan available at 486:. Nov. 17, 1956. p. 28. Scan available at 394:Lanham, MD: Scarecrow Press, 2004. p. 35. 355:Marlon: Portrait of the Rebel as an Artist 292: 40: 529:. May 9, 1960. p. W-1. Scan available at 299:House Committee on Un-American Activities 741: 709: 357:. New York: Random House, 1973. p. 55. 216:, for which Glass suggested the title. 790: 333:Kramer, Stanley and Thomas M. Coffey. 643:Shapiro, Fred R. and Joseph Epstein. 818:20th-century American businesspeople 23:. For the scholar and chaplain, see 693:See review of pertinent sources at 13: 703: 14: 829: 762: 675:(all retrieved: 2-December-2022). 687: 678: 658: 637: 617: 600: 588: 567: 555: 536: 519: 502: 493: 476: 462:Daniel Blum's Screen World 1953 307:Communist Political Association 133:, best known for his work with 798:Film producers from California 614:(retrieved: 8-September-2010). 467: 454: 435: 423: 404: 384: 367: 347: 327: 1: 321: 312: 281:Bless the Beasts and Children 803:Film people from Los Angeles 714:. New York: Bloomsbury USA. 533:(retrieved 2-December-2022). 516:(retrieved 2-December-2022). 490:(retrieved 2-December-2022). 381:(retrieved 2-December-2022). 275:The Secret of Santa Vittoria 269:Guess Who's Coming to Dinner 7: 645:The Yale Book of Quotations 10: 834: 234:Shake Hands with the Devil 18: 664:See alternate wording at 173: 108: 100: 92: 73: 51: 39: 32: 697:(retrieved: 1-Nov-2014). 96:Film producer, publicist 778:Profile of George Glass 744:A Special Kind of Magic 710:Frankel, Glenn (2017). 293:Congressional testimony 66:Los Angeles, California 742:Newquist, Roy (1972). 260:Screen Producers Guild 171: 16:American film producer 151: 262:in 1960, along with 149:, Bob Thomas wrote: 229:executive producers 219:In 1956, Glass and 207:Death of a Salesman 85:Ventura, California 46:George Glass c.1960 21:George Edward Glass 695:Quote Investigator 430:Cyrano de Bergerac 195:Cyrano de Bergerac 721:978-1-62040-948-0 670:Dictionary Quotes 450:978-0-520-20964-0 303:Ring Lardner, Jr. 166:Home of the Brave 120: 119: 101:Years active 825: 757: 725: 698: 691: 685: 682: 676: 662: 656: 641: 635: 621: 615: 604: 598: 592: 586: 573:Sigoloff, Marc. 571: 565: 559: 553: 540: 534: 523: 517: 514:Internet Archive 506: 500: 497: 491: 480: 474: 471: 465: 458: 452: 439: 433: 427: 421: 408: 402: 388: 382: 379:Internet Archive 371: 365: 351: 345: 331: 80: 61: 59: 44: 30: 29: 833: 832: 828: 827: 826: 824: 823: 822: 788: 787: 765: 754: 722: 706: 704:Further reading 701: 692: 688: 683: 679: 663: 659: 642: 638: 622: 618: 605: 601: 593: 589: 572: 568: 560: 556: 541: 537: 524: 520: 507: 503: 499:Thomas, p. 131. 498: 494: 481: 477: 472: 468: 459: 455: 440: 436: 428: 424: 409: 405: 390:Byman, Jeremy. 389: 385: 372: 368: 352: 348: 332: 328: 324: 315: 295: 176: 112:Harriet Glass ( 88: 82: 78: 69: 63: 62:August 19, 1910 57: 55: 47: 35: 28: 17: 12: 11: 5: 831: 821: 820: 815: 810: 805: 800: 786: 785: 775: 764: 763:External links 761: 760: 759: 752: 739: 728:Stanley Kramer 720: 705: 702: 700: 699: 686: 684:Thomas, p. 55. 677: 657: 636: 616: 599: 587: 566: 554: 535: 518: 501: 492: 475: 473:Thomas, p. 82. 466: 460:Blum, Daniel. 453: 434: 422: 403: 383: 366: 346: 325: 323: 320: 314: 311: 294: 291: 252:One-Eyed Jacks 240:The Naked Edge 221:Walter Seltzer 184:United Artists 180:Samuel Goldwyn 175: 172: 135:Stanley Kramer 118: 117: 110: 106: 105: 102: 98: 97: 94: 90: 89: 83: 81:(aged 73) 75: 71: 70: 64: 53: 49: 48: 45: 37: 36: 33: 15: 9: 6: 4: 3: 2: 830: 819: 816: 814: 811: 809: 806: 804: 801: 799: 796: 795: 793: 783: 779: 776: 774: 770: 767: 766: 755: 753:0-515-02767-7 749: 745: 740: 737: 733: 729: 723: 717: 713: 708: 707: 696: 690: 681: 674: 671: 667: 661: 654: 653:0-300-10798-6 650: 646: 640: 633: 632:0-231-10218-6 629: 625: 620: 613: 609: 603: 596: 591: 584: 583:0-7864-0882-0 580: 576: 570: 563: 558: 552: 551:0-520-20970-2 548: 544: 539: 532: 528: 522: 515: 511: 505: 496: 489: 485: 479: 470: 463: 457: 451: 447: 443: 438: 431: 426: 420: 419:0-520-21521-4 416: 412: 407: 401: 400:0-8108-4998-4 397: 393: 387: 380: 376: 370: 364: 363:0-394-48728-1 360: 356: 353:Thomas, Bob. 350: 344: 343:0-15-154958-3 340: 336: 330: 326: 319: 310: 308: 304: 300: 290: 289: 288: 283: 282: 277: 276: 271: 270: 265: 261: 256: 254: 253: 248: 247: 242: 241: 236: 235: 230: 226: 222: 217: 215: 214: 209: 208: 203: 202: 197: 196: 191: 190: 185: 181: 170: 168: 167: 162: 161: 156: 150: 148: 147:Marlon Brando 144: 140: 136: 132: 128: 127:film producer 124: 115: 111: 107: 103: 99: 95: 93:Occupation(s) 91: 86: 77:April 1, 1984 76: 72: 67: 54: 50: 43: 38: 31: 26: 25:George Glasse 22: 781: 769:George Glass 743: 736:Carl Foreman 732:blacklisting 711: 689: 680: 660: 644: 639: 623: 619: 606: 602: 594: 590: 574: 569: 561: 557: 542: 538: 526: 521: 509: 504: 495: 483: 478: 469: 461: 456: 441: 437: 429: 425: 410: 406: 391: 386: 374: 369: 354: 349: 334: 329: 316: 296: 285: 280: 273: 267: 264:Mervyn LeRoy 257: 250: 244: 238: 233: 218: 213:The Wild One 211: 206: 200: 194: 187: 177: 165: 159: 155:Carl Foreman 152: 123:George Glass 122: 121: 113: 79:(1984-04-01) 34:George Glass 813:1984 deaths 808:1910 births 612:archive.org 246:Paris Blues 792:Categories 322:References 313:Quotations 58:1910-08-19 782:Exhibitor 666:Quoteland 597:, p. 243. 564:, p. 953. 527:Boxoffice 510:Boxoffice 484:Boxoffice 375:Boxoffice 225:Hollywood 189:High Noon 131:publicist 104:1936–1971 287:R. P. M. 160:Champion 116:Galblum) 673:Quotltr 201:The Men 784:, 1952 750:  718:  651:  630:  581:  549:  448:  417:  398:  361:  341:  174:Career 109:Spouse 87:, U.S. 68:, U.S. 608:1952. 595:Ibid. 562:Ibid. 531:Yumpu 488:Yumpu 139:Lewin 773:IMDb 748:ISBN 716:ISBN 649:ISBN 628:ISBN 579:ISBN 547:ISBN 446:ISBN 415:ISBN 396:ISBN 359:ISBN 339:ISBN 284:and 249:and 210:and 198:and 163:and 143:Loew 129:and 74:Died 52:Born 780:in 771:at 734:of 114:nÊe 794:: 668:, 309:. 278:, 272:, 255:. 243:, 237:, 182:, 756:. 738:. 724:. 655:. 634:. 585:. 141:- 60:) 56:( 27:.

Index

George Edward Glass
George Glasse

Los Angeles, California
Ventura, California
film producer
publicist
Stanley Kramer
Lewin
Loew
Marlon Brando
Carl Foreman
Champion
Home of the Brave
Samuel Goldwyn
United Artists
High Noon
Cyrano de Bergerac
The Men
Death of a Salesman
The Wild One
Walter Seltzer
Hollywood
executive producers
Shake Hands with the Devil
The Naked Edge
Paris Blues
One-Eyed Jacks
Screen Producers Guild
Mervyn LeRoy

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑