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231:, which inspired him to create a number of amorous figures such as Cupid with Psyche and Pygmalion with Galathea. His main theme was however the naked female figure which he initially developed in collaboration with Kai Nielsen. His statuette of a "Reclining Girl" (1914) led to Nielsen's "Leda without the Swan" which in turn encouraged him to experiment with larger formats. His large female figures began with the bold "Danae" (1927) and was soon followed by the voluptuous "Girl Standing" (1929).
259:'s fairy story. With meticulous attention to detail, Henning has depicted a series of images on the many surfaces of the glazed sculpture including Chinese dragons, Persian warriors and children at play. Created in 1911, the following year the piece was awarded the First Class Medal at the Paris Salon where it was considered to be one of the finest pieces of European porcelain of the times.
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Around 1930, he altered his style with his "Moder Girl", a slender, short-haired figure in contrast to the heavier bushy-haired figures inspired by antiquity. During the 1930s, he added shoes and socks to his naked figures but soon omitted them again. His "Seated Girl" (1938) is based on a complex
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diagonal theme but stands in calm, harmonious equilibrium like his "Reclining Girl" (1943). He worked on his last large sculpture "Susanne" (1964) for a full 10 years, drawing on his sketches of
Pygmalion and Galatea from 1919 to 1920. His work was part of the
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In 1909, Henning began to work for
Copenhagen's Royal Porcelain Factory where, apart from an interruption from 1914 to 1920, he continued to be employed until 1925. There he met and married china painter
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Although he had never had instruction specifically in sculpture, he created sophisticated little groups of figures, often in erotic situations inspired by 18th century French art. But after he had met
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Other overglazed figurines include three Fairy Tale couples (1912–1914), Moongirl (1913), (Satyr and Nymph (1910), Cupid and Psyche (1914), Grief (1914), Venus (1924), and
Susanne (1924).
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175:(1898–1902) whose friendship greatly influenced his early work as a painter and illustrator. Their circle of friends was also inspired by the British illustrator
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With his appreciation of the curvature and tension of the female form, Henning is one of the most important contributors to the female figure in
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One of the finest works executed by
Henning while he was at the Royal Copenhagen factory was "The Princess on the Pea" inspired by
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167:(1892–94), he worked for a couple of years as a house painter's apprentice before spending the winter of 1897–98 in
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whose erotic style is also reflected in
Henning's early work. In 1931, Henning became a Danish citizen.
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147:(27 May 1880 – 16 September 1967) was a Swedish-Danish sculptor. While working at the
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Gerhard
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352:"Royal Copenhagen 1238 Princes and the Pea"
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510:Olympic competitors in art competitions
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219:and some of the classical works in the
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485:Recipients of the Prince Eugen Medal
480:Recipients of the Thorvaldsen Medal
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149:Royal Danish Porcelain Factory
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399:. Retrieved 21 December 2011.
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410:"Prins Eugen Medaljen"
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245:1932 Summer Olympics
159:After attending the
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195:, Malmö Slottspark
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302:"Gerhard Henning"
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73:(1967-09-16)
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465:1967 deaths
460:1880 births
426:14 February
337:(in Danish)
310:(in Danish)
209:Kai Nielsen
102:Nationality
53:27 May 1880
454:Categories
397:Figurin.se
286:References
266:Assessment
221:Glyptothek
169:Gothenburg
165:Copenhagen
155:Early life
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49:1880-05-27
393:"Denmark"
373:Olympedia
114:Sculpture
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57:Stockholm
378:8 August
79:Hellerup
243:at the
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183:Career
135:, 1955
129:, 1937
120:Awards
61:Sweden
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428:2015
380:2020
225:Ovid
68:Died
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