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Germany, Year Zero

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unrealistic. Rossellini stated that he wanted to "tell a story of a child, of an innocent creature which a distorted 'utopian' education induced to commit murder in the belief that he was performing a heroic gesture. But a feeble light of morality is not yet extinguished in him; driven by those small gleams of conscious, confused, he commits suicide." Jean Georges Auriol called it hasty and superficial.
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acrobat named Edmund Meschke and immediately asked Meschke to audition for him. Rossellini combed Meschke's hair to resemble his son and, amazed at the physical resemblance, immediately cast him in the lead role. The finished film began with the title "This film is dedicated to the memory of my son Romano. — Roberto Rossellini"
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anyone. When Edmund tries to join younger children in a street game of soccer, they reject him. He ascends the ruins of a bombed out building, and watches from a hole in the wall as they take his father's coffin away across the street. Finally, after hearing his sister call for him, he jumps from the building to his death.
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relieves some of the pressure on his family. When Edmund goes to see his father, the old man bemoans his misery. He tells his son that he has considered suicide but lacks the courage to carry it out. He says that he is a burden and that it would be better if he were dead. Edmund steals some poison while no one is looking.
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Shooting began on 15 August 1947 with no formal script and Rossellini instructing the actors to improvise their dialogue. Rossellini directed the film in French and had to depend on Max Colpet to translate for him throughout shooting. While filming on location in the streets of Berlin, Rossellini was
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A disturbed Edmund wanders the city. He turns first to Christl, but she is busy with young men and has no time for or interest in a youngster. He goes to Henning and confesses that he did as the schoolteacher had suggested, murdering his father, but Henning protests that he never told the boy to kill
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When the German actors arrived in Rome they had to wait until November to resume filming because the film's sets had not been built. By November the previously malnourished Germans had gained a noticeable amount of weight while in Rome and had to be put on crash diets so as to retain continuity with
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to sell to the occupying soldiers, entrusting him to the more experienced Jo and Christl. Henning gives Edmund 10 marks for his work. Afterward, Edmund tags along as the young man Jo steals 40 marks from a woman by pretending to sell her a bar of soap. Jo gives Edmund some of his stolen potatoes and
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This film was in many ways vastly different from Rossellini's previous neorealism films, in that it was mostly shot in a studio and used rear screen projections for the Berlin scenes. Many critics who had previously championed Rossellini condemned the film for being melodramatic and disappointingly
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For the lead role of Edmund, Rossellini wanted to find a young German boy who physically resembled his recently deceased son Romano Rossellini. After auditioning several young boys, Rossellini went to a performance of the Barlay circus one night to see the elephants. There he saw an eleven-year-old
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As was his usual custom, Rossellini cast the film with non-professionals that he met on the street. Rossellini found Ernst Pittschau sitting on the front steps of a retirement home and discovered that he had been a silent film actor forty years earlier. He saw former ballet dancer Ingetraud Hinze
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herself. Karl-Heinz is the older son who fought in the war and is a burden to the struggling family, refusing to register with the police and get a ration card because he is afraid of what would happen if they found out he fought to the bitter end. The Köhlers and others have been assigned to the
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After Mr. Köhler takes a turn for the worse, Henning tells Edmund that life is cruel and that the weak should be sacrificed so that the strong can survive. A kindly doctor manages to get Mr. Köhler admitted to a hospital, where he receives much more plentiful and healthy food. This temporarily
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A few days later, the father is discharged and returns home. Edmund poisons his tea just before police raid the apartment and Karl-Heinz finally turns himself in. The father dies while his elder son is in custody. Everyone assumes the death is due to malnutrition and sickness. When Karl-Heinz
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Most Germans disliked the film's negative and pessimistic attitude. The film was first screened in Germany in 1952 at a brief Munich film club screening and was not seen again until it was shown on German TV in 1978. In 1949 Austrian film critic
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amazed by the indifference to a film crew from people on the streets who were far too preoccupied with attempting to get food and survive. When Rossellini went to Rome for a week in the middle of shooting to spend time with his then mistress
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called it "a terrifying film...not artistically, but because it would be terrifying if the world saw the new Germany as Rossellini does." It premiered in New York in September 1949 and was negatively compared to
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their earlier scenes. After filming in Rome was complete most of the German actors didn't want to go back to Berlin and a few ran away to the Italian countryside. The film's final budget was $ 115,000.
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and Alfredo Guarini. He also got equipment and crew members from the German company Sadfi. Rossellini then returned to Berlin in July 1947 to continue research for the film and select a suitable cast.
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with his ailing, bedridden father and his adult siblings, Eva and Karl-Heinz. Eva manages to obtain cigarettes by going out with soldiers of the Allied forces, but she resists others' expectations to
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directed some scenes in his absence. In mid-September location shooting in Berlin wrapped after 40 days and the production moved to Rome on 26 September 1947 to film the interior scenes.
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said it was "the most beautiful Italian film" he had ever seen. Rossellini said that "I don't think it's possible to say more bad things about a film than were said about
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Rossellini visited Berlin in March 1947 with a vague idea of making this film. Rossellini then returned to Rome and secured funding for the film from the French company
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standing in a food line and was struck with the look of despair on her face. Franz-Otto KrĂĽger came from a family of academics and had been imprisoned by the
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general, an ex-wrestler, a literature and art history professor, a model and a group of children that were bored of living on the streets.
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leaves the inexperienced boy with Christl, whom another member of their gang describes as a mattress that dispenses cigarettes.
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Edmund does what he can for his family, trying to find work and selling a scale for Mr. Rademacher on the
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called it "not a movie but a sketch, a rough draft of a work Rossellini hasn't given us." However,
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apartment home of the Rademachers by the housing authority, much to Mr. Rademacher's irritation.
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and intended to convey the reality in Germany the year after its near total destruction in
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said that the film had "a strange emptiness of genuine feeling." Nevertheless it won the
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films, Rossellini used mainly local, non-professional actors. He filmed on locations in
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Gallagher, Tag (Winter 1988). "NR = MC: Rossellini, 'Neo-Realism,' and Croce".
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during the war. Other smaller parts were cast with such people as a former
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Edmund Moeschke as Edmund Köhler (as Edmund Meschke)
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Indiana University Press: 87–97. 466:as Karl-Heinz Köhler (as Franz GrĂĽger) 1306: 977: 676:The Adventures of Roberto Rossellini. 2160:Films directed by Roberto Rossellini 438:returns, he is crushed by the news. 18: 1728:Antonio Gramsci: The Days of Prison 587:Locarno International Film Festival 13: 909:My Method: Writings and Interviews 865: 14: 2221: 1133:(segment: "Ingrid Bergman", 1953) 919: 478: 2205:Films scored by Renzo Rossellini 1736:The Idlers of the Fertile Valley 1234:The Taking of Power by Louis XIV 1109:(segment: "Envie, L'Envy", 1952) 485:Union GĂ©nĂ©rale CinĂ©matographique 34:relies largely or entirely on a 23: 1381:When Willie Comes Marching Home 840:"Winners of the Golden Leopard" 823: 814: 805: 796: 787: 778: 770:World Film Directors, Volume 2. 750: 741: 16:1948 film by Roberto Rossellini 1931:Off to the Revolution by a 2CV 1229:(segment: "Illibatezza", 1963) 1141:(segment: "Napoli 1943", 1954) 1114:The Machine to Kill Bad People 732: 723: 702: 693: 668: 641: 599: 1: 2140:Italian black-and-white films 592: 550:called it revolutionary, and 473: 354:) is a 1948 film directed by 1856:The Place on a Grey Tricorne 1645:They Have Changed Their Face 1334:Golden Leopard winning films 607:"Germania, Anno Zero (1948)" 536: 7: 2135:1940s German-language films 1904:Skin of Man, Heart of Beast 1808:Distant Voices, Still Lives 10: 2226: 1266:L'etĂ  di Cosimo de' Medici 1098:The Flowers of St. Francis 515: 494: 1922: 1711: 1469:The Emperor's Nightingale 1340: 1012: 329: 311: 291: 281: 267:1 December 1948 258: 250: 236: 226: 216: 208: 188: 176: 160: 150: 146: 134: 130: 121: 116: 2170:Italian neorealist films 1349:And Then There Were None 380:Allied invasion of Italy 1701:The Son of Amir Is Dead 1525:Transport from Paradise 1453:The Sheep Has Five Legs 1170:Giovanna d'Arco al rogo 902:Oxford University Press 445: 404: 376:Allied-occupied Germany 2165:Golden Leopard winners 1776:Stranger Than Paradise 1581:Those Who Wear Glasses 1573:Charles, Dead or Alive 1373:The Farm of Seven Sins 611:British Film Institute 411:Allied-occupied Berlin 349: 2180:Films about patricide 2155:Films shot in Germany 2043:Right Now, Wrong Then 2019:The Girl from Nowhere 1637:On the Point of Death 1549:Courage for Every Day 1106:The Seven Deadly Sins 907:Rossellini, Roberto. 2185:Films about children 2145:Films set in Germany 1597:No Path Through Fire 1186:General Della Rovere 1042:The Man with a Cross 969:Criterion Collection 877:Les Editions du Cerf 773:H. 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Wilson Company 62:"Germany, Year Zero" 47:improve this article 2210:1940s Italian films 2200:Italian drama films 2190:Films about suicide 2150:Films set in Berlin 2035:From What Is Before 1541:Four in the Morning 1485:Ten North Frederick 1405:The Composer Glinka 1752:To Love the Damned 1509:Fires on the Plain 1365:Germany, Year Zero 1178:India: Matri Bhumi 1082:Germany, Year Zero 1006:Roberto Rossellini 1004:Films directed by 965:Jonathan Rosenbaum 949:Germany, Year Zero 943:TCM Movie Database 938:Germany, Year Zero 927:Germany, Year Zero 898:Roberto Rossellini 884:Roberto Rossellini 873:Roberto Rossellini 829:Gallagher. p. 336. 820:Gallagher. p. 295. 811:Gallagher. p. 245. 802:Gallagher. p. 266. 793:Gallagher. p. 251. 784:Gallagher. p. 288. 756:Gallagher. p. 243. 747:Gallagher. p. 241. 738:Gallagher. p. 246. 729:Gallagher. p. 242. 720:Gallagher. p. 240. 708:Gallagher. p. 237. 699:Gallagher. p. 235. 638:Gallagher. p. 244. 356:Roberto Rossellini 351:Germania anno zero 341:Germany, Year Zero 184:Roberto Rossellini 164:Roberto Rossellini 155:Roberto Rossellini 141:Germania anno zero 117:Germany, Year Zero 2195:Films about Nazis 2117: 2116: 2027:Story of My Death 1792:Jezioro BodeĹ„skie 1300: 1299: 1258:Agostino d'Ippona 1146:Where Is Freedom? 1138:Mid-Century Loves 882:Guarner, Jose L. 871:Serceau, Michel. 556:Germany Year Zero 464:Franz-Otto KrĂĽger 372:Germany Year Zero 337: 336: 201:Franz-Otto KrĂĽger 112: 111: 97: 2217: 2175:1948 drama films 1832:Accidental Waltz 1693:TűzoltĂł utca 25. 1685:The Illumination 1589:Three Sad Tigers 1327: 1320: 1313: 1304: 1303: 1154:Journey to Italy 998: 991: 984: 975: 974: 859: 858: 856: 855: 846:. 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Index


single source
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improve this article
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"Germany, Year Zero"
news
newspapers
books
scholar
JSTOR

Italian
Roberto Rossellini
Max Kolpé
Carlo Lizzani
Salvo D'Angelo
Ernst Pittschau
Franz-Otto KrĂĽger
Eraldo Da Roma
Renzo Rossellini
German
English
French
Italian
Roberto Rossellini
Rome, Open City
PaisĂ 
Allied-occupied Germany
Allied invasion of Italy

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