Knowledge

Giacomo Lauri-Volpi

Source đź“ť

200: 20: 415: 179:—in 1925 and 1936. By the latter date, he had broadened his repertoire, progressing from lyric roles to more taxing dramatic parts. His voice began to show consequent signs of wear in the 1940s, losing homogeneity. His thrilling top notes remained remarkably intact, however, right through until the 1950s. 286:
During the 1920s and 1930s, Lauri-Volpi made a number of 78-rpm recordings of operatic arias and duets for the following companies: Fonotipia, Brunswick, Victor and, finally, HMV. The discs that he cut for Victor and HMV are considered to be his finest. They are readily available on CD reissues. In
215:
companies during the height of his fame. His voice was a brilliant instrument at its zenith: bright, flexible and ringing in tone. He had astonishingly easy and penetrating high notes and possessed a shimmering vibrato which made his voice instantly recognisable both on disc and in the theatre.
231:). In the process, he cemented his position as one of the supreme opera singers of the 20th century, even though he faced stiff competition from a remarkable crop of rival Mediterranean tenors during his prime in the 1925-1940 period. (They included 341:
In 1974, aged 81, Lauri-Volpi released a final operatic recital record; but this particular LP has novelty value only. There are bits of newsreel footage of him performing on stage, too, and he appeared in the 1933 German film
82:
in 1914, during which he served with the Italian armed forces reaching the rank of captain and emerged as one of Italy's most decorated soldiers. The war over, he made a successful operatic debut as Arturo in
168:. His Met career was terminated prematurely after a dispute with the opera house's management. They wanted him to take a pay cut to help tide the theatre through the economic privations being caused by the 647: 667: 687: 44:
with a lyric voice of exceptional range and technical facility. He performed throughout Europe and the Americas in a top-class career that spanned 40 years.
129:, between the two world wars. A highlight of his Milan seasons occurred in 1929 when he was chosen to sing Arnoldo in La Scala's centenary production of 773: 291:. Later, in the 1950s, he participated in the recording of some complete operas that do not capture his voice anywhere like its peak. They included: 778: 623: 270:
Lauri-Volpi was a cultured, intelligent man with a fiery temperament and firm opinions. He retired to Spain after World War II and died in
768: 758: 668:"Poster for the London and Provincial Opera Society performance of 'Rigoletto' on 28 April 1936 at the Royal Opera House, Covent Garden" 594: 688:"Poster for the London and Provincial Opera Society performance of 'Aida' on 5 May 1936 at the Royal Opera House, Covent Garden" 648:"Poster for the London Opera Syndicate performance of 'Andrea Chénier' on 10 July 1925 at the Royal Opera House, Covent Garden" 353:—a revealing study of singers and their vocal techniques that is frequently cited by historians. His main published works are: 56:, he was orphaned at the age of 11. After completing his secondary education at the seminary at Albano and graduating from the 763: 715: 458: 436: 429: 753: 145:
from 1923 to 1933, appearing there in a total of 307 performances. During this 10-year period he sang opposite
57: 748: 101: 199: 175:
Lauri-Volpi's most notable appearances outside Italy also included two seasons at the Royal Opera House,
68: 96:, Italy, on 2 September 1919—performing under the name Giacomo Rubini, after Bellini's favourite tenor, 569: 548: 423: 190:. His last public performance in a full opera came in 1959, as Manrico, in a production of Verdi's 97: 709: 523: 494: 440: 121:
Lauri-Volpi was widely acclaimed for his performances at Italy's most celebrated opera house,
743: 738: 602: 134: 19: 8: 236: 186:, Lauri-Volpi was based in Italy and was particularly admired by the country's dictator, 264: 142: 130: 723: 240: 204: 187: 183: 169: 84: 24: 275: 248: 244: 232: 211:
Lauri-Volpi recorded a number of opera arias and duets for European and American
105: 64: 335: 260: 256: 160: 53: 732: 176: 156: 146: 29: 331: 192: 164: 100:. Four months later, on 3 January 1920, he scored another success, at the 252: 79: 78:
His nascent singing career was put on hold, however, by the outbreak of
221: 212: 109: 88: 724:
History of the Tenor / Giacomo Lauri-Volpi / Sound Clips and Narration
271: 495:"Giacomo Lauri-Volpi- Bio, Albums, Pictures – Naxos Classical Music" 151: 122: 93: 549:"Manon 1919-20 | Archivio Storico del Teatro dell'Opera di Roma" 227: 63:, he began vocal studies under the great 19th-century baritone 126: 114: 41: 287:
1947, he recorded in Italy a series of extended scenes from
349:
Lauri-Volpi wrote several books. The best known of them is
172:, but he refused to cooperate and left New York for Italy. 72: 104:
in Rome, this time performing under his own name opposite
570:"In Memoriam-Geburtstage - Giacomo Lauri-Volpi (11.12.)" 40:(11 December 1892 – 17 March 1979) was an Italian 401:
has been published by Bongiovanni, Bologna, in 2022.
219:He sang roles as diverse as Arturo (in Bellini's 69:Liceo Musicale (later Conservatorio) Santa Cecilia 338:. All these recordings have been reissued on CD. 330:from Naples in 1951, in which he is partnered by 730: 263:—as well as the young Alessandro Ziliani and 624:"From the Archives: Luisa Miller at the Met" 141:He was also a leading tenor at the New York 23:Giacomo Lauri-Volpi in the role of Pedro in 326:In addition, there is a live recording of 281: 774:Italian military personnel of World War I 459:Learn how and when to remove this message 422:This article includes a list of general 198: 47: 18: 779:20th-century Italian male opera singers 731: 595:"Metropolitan Opera History: Turandot" 149:in the American premiere of Puccini's 518: 516: 514: 489: 487: 485: 483: 481: 479: 477: 475: 408: 316:(both made in 1954, both live); and 13: 769:Sapienza University of Rome alumni 759:Conservatorio Santa Cecilia alumni 428:it lacks sufficient corresponding 358:L'equivoco (Cosi è, e non vi pare) 14: 790: 703: 511: 472: 203:Signed drawing of Lauri-Volpi by 413: 680: 660: 640: 616: 587: 562: 541: 524:"Giacomo Lauri-Volpi - Tenors" 1: 404: 384:(Dall'Oglio, Roma, 1957); and 372:, (Corbaccio, Milano, 1953); 207:for the Cincinnati Post 1924 7: 599:archives.metoperafamily.org 10: 795: 397:an English translation of 360:(Corbaccio, Milano, 1938); 764:Fonotipia Records artists 378:(Garzanti, Milano, 1955); 225:) and Otello (in Verdi's 382:Misteri della voce umana 366:(Atlantica, Roma, 1948); 98:Giovanni Battista Rubini 754:Italian operatic tenors 443:more precise citations. 390:(Bonavita, Roma, 1971); 282:Recordings and writings 159:in the Met premiere of 208: 34: 334:, under the baton of 202: 48:Career and assessment 22: 278:, at the age of 86. 16:Italian opera singer 749:People from Lanuvio 716:Giacomo Lauri-Volpi 710:Giacomo Lauri-Volpi 306:(all made in 1951); 237:Giovanni Martinelli 58:University of Rome 38:Giacomo Lauri-Volpi 388:Incontri e scontri 344:Das Lied der Sonne 265:Giovanni Malipiero 209: 143:Metropolitan Opera 35: 25:Franco Vittadini’s 712:at Operavivra.com 469: 468: 461: 364:Cristalli viventi 346:playing himself. 241:Aureliano Pertile 786: 720: 698: 697: 695: 694: 684: 678: 677: 675: 674: 664: 658: 657: 655: 654: 644: 638: 637: 635: 634: 628:www.metopera.org 620: 614: 613: 611: 610: 601:. Archived from 591: 585: 584: 582: 581: 566: 560: 559: 557: 556: 545: 539: 538: 536: 535: 520: 509: 508: 506: 505: 491: 464: 457: 453: 450: 444: 439:this article by 430:inline citations 417: 416: 409: 395:Parallel Voices, 205:Manuel Rosenberg 196:staged at Rome. 188:Benito Mussolini 184:Second World War 170:Great Depression 794: 793: 789: 788: 787: 785: 784: 783: 729: 728: 718: 706: 701: 692: 690: 686: 685: 681: 672: 670: 666: 665: 661: 652: 650: 646: 645: 641: 632: 630: 622: 621: 617: 608: 606: 593: 592: 588: 579: 577: 568: 567: 563: 554: 552: 547: 546: 542: 533: 531: 522: 521: 512: 503: 501: 493: 492: 473: 465: 454: 448: 445: 435:Please help to 434: 418: 414: 407: 399:Voci Parallele, 284: 249:Galliano Masini 245:Francesco Merli 233:Beniamino Gigli 106:Rosina Storchio 102:Teatro Costanzi 65:Antonio Cotogni 50: 17: 12: 11: 5: 792: 782: 781: 776: 771: 766: 761: 756: 751: 746: 741: 727: 726: 721: 713: 705: 704:External links 702: 700: 699: 679: 659: 639: 615: 586: 561: 540: 510: 470: 467: 466: 421: 419: 412: 406: 403: 392: 391: 385: 379: 376:Voci parallele 373: 367: 361: 351:Voci Parallele 336:Tullio Serafin 324: 323: 317: 307: 283: 280: 261:Renato Zanelli 257:Antonio Cortis 135:Guglielmo Tell 112:in Massenet's 54:Lanuvio, Italy 49: 46: 15: 9: 6: 4: 3: 2: 791: 780: 777: 775: 772: 770: 767: 765: 762: 760: 757: 755: 752: 750: 747: 745: 742: 740: 737: 736: 734: 725: 722: 717: 714: 711: 708: 707: 689: 683: 669: 663: 649: 643: 629: 625: 619: 605:on 2021-06-24 604: 600: 596: 590: 575: 574:Online Merker 571: 565: 550: 544: 529: 525: 519: 517: 515: 500: 499:www.naxos.com 496: 490: 488: 486: 484: 482: 480: 478: 476: 471: 463: 460: 452: 442: 438: 432: 431: 425: 420: 411: 410: 402: 400: 396: 389: 386: 383: 380: 377: 374: 371: 370:A viso aperto 368: 365: 362: 359: 356: 355: 354: 352: 347: 345: 339: 337: 333: 329: 321: 318: 315: 311: 308: 305: 301: 297: 294: 293: 292: 290: 279: 277: 273: 268: 266: 262: 258: 254: 250: 246: 242: 238: 234: 230: 229: 224: 223: 217: 214: 206: 201: 197: 195: 194: 189: 185: 180: 178: 177:Covent Garden 173: 171: 167: 166: 162: 158: 157:Rosa Ponselle 155:and opposite 154: 153: 148: 147:Maria Jeritza 144: 139: 137: 136: 132: 128: 124: 119: 117: 116: 111: 107: 103: 99: 95: 91: 90: 86: 81: 76: 74: 70: 66: 62: 61: 55: 45: 43: 39: 32: 31: 30:Anima allegra 26: 21: 719:(in Italian) 691:. Retrieved 682: 671:. Retrieved 662: 651:. Retrieved 642: 631:. Retrieved 627: 618: 607:. Retrieved 603:the original 598: 589: 578:. Retrieved 573: 564: 553:. Retrieved 551:(in Italian) 543: 532:. Retrieved 530:. 2015-12-30 527: 502:. Retrieved 498: 455: 446: 427: 398: 394: 393: 387: 381: 375: 369: 363: 357: 350: 348: 343: 340: 332:Maria Callas 328:Il trovatore 327: 325: 320:Gli Ugonotti 319: 313: 310:Il trovatore 309: 304:Luisa Miller 303: 300:Il trovatore 299: 295: 288: 285: 269: 226: 220: 218: 210: 193:Il Trovatore 191: 181: 174: 165:Luisa Miller 163: 150: 140: 133: 120: 113: 87: 77: 59: 51: 37: 36: 28: 744:1979 deaths 739:1892 births 576:(in German) 528:Opera Vivrà 441:introducing 314:La favorita 253:Tito Schipa 182:During the 80:World War I 60:La Sapienza 733:Categories 693:2021-06-20 673:2021-06-20 653:2021-06-20 633:2021-06-20 609:2021-06-20 580:2021-06-20 555:2021-06-20 534:2021-06-20 504:2021-06-20 424:references 405:References 222:I Puritani 213:gramophone 110:Ezio Pinza 89:I Puritani 449:July 2016 296:La bohème 289:Rigoletto 272:Burjassot 131:Rossini's 85:Bellini's 276:Valencia 152:Turandot 123:La Scala 52:Born in 437:improve 322:(1955). 274:, near 161:Verdi's 94:Viterbo 67:at the 426:, but 228:Otello 33:, 1923 27:opera 127:Milan 115:Manon 42:tenor 312:and 302:and 259:and 108:and 73:Rome 267:.) 92:in 71:in 735:: 626:. 597:. 572:. 526:. 513:^ 497:. 474:^ 298:, 255:, 251:, 247:, 243:, 239:, 235:, 138:. 125:, 118:. 75:. 696:. 676:. 656:. 636:. 612:. 583:. 558:. 537:. 507:. 462:) 456:( 451:) 447:( 433:.

Index


Franco Vittadini’s
Anima allegra
tenor
Lanuvio, Italy
University of Rome La Sapienza
Antonio Cotogni
Liceo Musicale (later Conservatorio) Santa Cecilia
Rome
World War I
Bellini's
I Puritani
Viterbo
Giovanni Battista Rubini
Teatro Costanzi
Rosina Storchio
Ezio Pinza
Manon
La Scala
Milan
Rossini's
Guglielmo Tell
Metropolitan Opera
Maria Jeritza
Turandot
Rosa Ponselle
Verdi's
Luisa Miller
Great Depression
Covent Garden

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑