4810:"My first professor was the great baritone Antonio Cotogni. He had been on the board of examiners at the entrance examination, and had chosen me then and there to be one of his students. I consider it a privilege to have known Cotogni. He was not only a great artist, but also an exceptionally good and generous man who took a personal interest, not only in the musical progress of his students, but also in their material welfare, going so far as to send anonymous gifts of shoes, an overcoat or even money, when he thought they were needed. He was completely free from the pettiness and envy that are common to so many singers. After having spent almost thirty years as 'the Tsar's baritone' at the Moscow Imperial Theatre, he was still at the height of his fame when another Italian baritone, Battistini, appeared on the Moscow scene. Cotogni immediately decided that his own innings had lasted long enough, and he set about training the younger man as his successor. He called on Battistini unannounced one morning at eight o'clock. Battistini was somewhat taken aback. 'Young man,' said Cotogni without preamble, 'you must lose no time in preparing yourself to take over the role of Don Giovanni. Now, there are certain traditions attached to this role as sung at the Imperial Theatre; let me explain them to you.' The night Battistini made his Moscow début in 'Don Giovanni', Cotogni embraced him in full view of the audience, and then spoke a few words of farewell. He left for Rome the following day, and never sang in opera again. So great was his prestige that the Academy of Santa Cecilia promptly offered him a professorship. When I arrived, he had been teaching there for twenty years or more. I had never known anyone like Cotogni. It thrilled me to sit in his class and think that here I was, being taught by someone who had himself been one of the greatest singers in Europe. Moreover, one felt somehow ennobled by his very presence. It was natural, therefore, that I should have felt indignant when Falchi, the director of the Academy, told me that I was wasting my time in Cotogni's class. Where, I demanded, outraged, could one find a greater, more eminent teacher? The training of my voice, he said, was now his responsibility. Cotogni was over eighty years of age, and his energy was failing. If I wanted to make progress, I should enroll as a student of Maestro Enrico Rosati. I held out stubbornly as long as I could, but Falchi was, after all, the director of the Academy, and in the end I felt obliged to follow his advice. I hardly knew what explanation to give Cotogni, and as for Rosati, I entered his class unwillingly and with a very bad grace."
4885:'At noon â so told me himself â I came to the house and was told that the maestro, still absent, he about to return. He returned shortly thereafter in fact outfitted for the countryside, with muddy clothes. Seeing him in that getup, rather than disturbing him, I tried to hide, but he had seen me and without giving me time to utter a word, he reached out his hand and said: "You're the baritone Cotogni, are you not? All right: Mariani already wrote me about you, and I have the pleasure of seeing you here and hearing you... Come, come with me." And with that, he took me to his study, took out the score of Don Carlo and: "Right then, sing the entrance aria," he said preluding. â You cannot imagine â Cotogni continued to narrate, with his usual modesty and sincerity â what I felt at that point! I was no longer myself: but I got over it and as God wanted, I sang "Carlo ch'Ăš solo il nostro amore." But in the awe of that supreme test, well I stared at Verdi with feverish anxiety, to scrutinize what kind of impression he had of my singing; and the impression was good, because he approved the final cadence in a loud voice: "Bravo! Now let's hear the duet; I'll do the tenor part," the maestro said to me. The duet was my forte, and except for one point where I interpreted differently from the will of the author, nothing bothered me. However I just sang it the way I felt it, perhaps even in defiance of a warning, and Verdi stopped, looked at me and said: "You didn't execute this here as I've written it; but no matter; sing it that way, which is great; in fact, it's probably better... That crescendo gives a good effect.. And now to finish, sing the death scene." â That was what I wanted, and getting myself all worked up again, I sang the aria "Per me giunto Ă© il dĂŹ supremo," singing it as perhaps I had never sung in my life. I put into it all the ardor of my soul, and because of the emotion, I felt my face getting wet with tears! I finished exhausted, but an ineffable joy soon flooded my heart when I realized that the maestro was crying too!... "Well done, my ignorantino!" â he said, squeezing my hand â "bravo! Go ahead to Bologna and tell Mariani I cried hearing you sing!..." â I went back to Bologna fully satisfied and waited for the first performance of Don Carlo with the utmost calm. After having sung in the presence of Verdi, the audience of the Communale didn't really bother me.'
297:"For the first year I sang nothing but scales. In the second year, vocal exercises and simple songs. Third year, training in operatic music, chiefly solos. Fourth year, ensembles, duets, trios, etc. Fifth year, training in scenic action, mostly in front of a looking-glass." This may be to a certain extent too rigid a description, but the fact remains that, as Cotogni said, his master considered him fit for the stage when there was not a single opera in the current repertoire which he did not know backwards, and when, as he reproachfully added every time I tried to find an excuse for missing a top note, he could be awakened at 3 a.m. and made to give an A-flat mezza voce. Cotogni sang on the stage for over forty years.
691:(who would later become a vocal coach) began accompanying voice lessons given by Cotogni, who had performed several of Verdi's operas under the composer's supervision. At this early age, Ricci began taking meticulous notes on traditions that Cotogni passed on to him from his own work with Verdi and other 19th century composers and conductors information about elements that had been changed in rehearsal and practice but had never been notated officially, as well as traditions of variations and cadenza begun by various singers from the past century. Ricci continued his copious note taking throughout his life and eventually compiled these into a four-part collection entitled
4640:. When rehearsing the phrases leading up to the duet "Dio, che nell'alma infondere", Cotogni deviated from what Verdi had written, and though Verdi remarked on it, he accepted Cotogni's change, saying that it was actually better, with the result that the markings were changed in the new editions of the score. It became well known that Verdi was moved to tears by Cotogni's singing of Rodrigo's death scene at this test rehearsal. Many who knew Cotogni admired him for his almost extreme modesty and humility; Verdi was no different, only teasing him about it with his own nickname for himâ
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overcomes them with ease, with astounding ownership; in him one find not effort nor the slightest fatigue: even if sometimes he has been singing with full vibration and power, his voice can still come out quiet and safe. His ways are often exceptional, and not content with the difficulties inherent to the score, he will add new onesâalways tasteful, and it seems he delights in defying them. The voice of this singer leaves an everlasting impression on you.
600:. Cotogni had been nervous about this debuting, doubting his ability to do it justice and doubting the power of his voice to be heard in the theater. The reviews of the debut were encouraging, but one or two critics mentioned a certain tremulousness and constriction in his high notes. But Cotogni regained his composure after the premiere, and won over the Milan public with his other roles that seasonâWilliam Tell,
473:. That performance assured his place on the scene and revealed him to be an absolute master of his artâtechnically, stylistically, and dramatically. Consequently, this became one of Cotogni's signature roles, one by which he made great impressions on all the great theaters of Europe and even the most sullen critics. In Nice, he followed
1665:
the truth, singing and reciting his part with heartbreaking accent. He painted ever so gently his romance "Ambo nati," and the first act duet with the thunderous
Nannetti was a real delirium, unheard of fanaticism. Even I, an old theatergoer, have never heard the duet performed with such color, with so much strength and homogeneity.
4828:"A most remarkable illustration of this was the famous baritone, Cotogni, who used to sing Figaro to Patti's Rosina at Covent Garden in Rossini's Barbiere. His delivery of the ' Largo al factotum ' was as quick and lively as that of the present-day Titta Ruffo, and certainly more distinct; and in the recitative of the Figaro of
4834:
his clear utterance was beyond reproach. Yet it is a fact of which all his friends were aware that
Cotogni suffered from an impediment in his speech which in ordinary conversation was painfully evident. He did not stammer â people who stammer badly but do not hesitate when singing or reciting are not
1577:
As a child, Cotogni had merely a weak soprano voice, but it did begin to increase in volume and darken, turning later into a contralto voice. As a teenager, his voice finally began to break into that of a young man, and the head music teacher
Scardovelli forbade him to sing; Cotogni grudgingly obeyed
1664:
A full voice that is mellow, flexible, and well-schooled; persona; expression; and mastery of the scene all combine to make
Cotogni the model artist, a perfect singer. The public hangs on every word from his lips. The pathetic scene of the recognition of the daughter, Cotogni masterfully portrayed
1743:), writes Michael Scott. "Not surprisingly Marconi gets the better of it. Still, however difficult it is to make out Cotogni's contribution, it is all we have left of a singer who for over 40 years dominated the stages in London, Madrid and Lisbon, St. Petersburg and Moscow and throughout Italy."
265:
under
Fontemaggi. Soon after, he began working with Achille Faldi on the study of singing itself. Under his guidance, Cotogni made his first public ventures into solo singing but only in the principal churches of Rome and in small summer music festivals in the small towns of the province, such as
1754:
duet "Si pel ciel" reveals the baritone voice to be identical in timbre and production, with its thin and nasal qualities, especially in the passagio. These stand in contradistinction to the voice confirmed to be
Cotogni's (the Mulattieri duet), which is noticeably more even, round, and sonorous
715:
Ricci reports that when in 1912 he attended performances at Moscow's
Imperial theater and Zimina Opera, as well as at the Imperial Theater in St. Petersburg, half of the artists on stage had been Cotogni's students. For nearly 20 years, Cotogni dedicated himself to teaching singing. Many artists
1682:
Cotogni, who can well be called the prince of baritones today, has definitively captivated the audience. This singer, of a voice both powerful and suave, really is something extraordinary. He sings like few can sing, and although his part fraught with difficulties, he breaks down everything and
455:
The turning point in
Cotogni's career came in late 1858. As soon as he arrived in Nice for rehearsals in October, he began to feel an air of contempt for his presence from everyone from the theater to public restaurants and cafés. Those who knew and loved Varesi felt that Cotogni, an virtually
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in Nice, where the audience greeted him with noises and whistling before he had even opened his mouth. This same audience fell silent during
Antonio's opening aria "Ambo nati in queste valle" and gave him a unanimous, colossal applause after the cadenza, demanding a
249:
to Agata
Fazzini and Raffaele Cotogni, who managed a small majolica plant. He had four siblings: sister Giuditta (who remained unmarried and lived in the family household); brothers Francesco, Andrea (who owned a meat packing business), and Gaspare (later mayor of
702:
Cotogni died of old age in Rome less than a month prior to the 1918 armistice that ended World War I. A group of his friends, colleagues, and former students raised money for his tomb. His burial chapel is located at plot 98 in the Pincetto Nuovo section of the
1651:
remarked that Cotogni's voice was totally even and that "one didn't hear the transition between the registers... Hearing it, it seemed that everything was natural, while, instead, the poor Cotogni had practiced for years and years to acquire that perfection."
642:
was now taking over many of the Cotogni's old roles. Nevertheless, Battistini requested Cotogni to honor the company by joining them in one final performance, only this time asking that he sing the lead comic bass role of Don Pasquale, which Cotogni obliged.
655:
Students from the Accademia di Santa Cecilia on a trip to Frascati, June 18, 1914. Antonio Cotogni (center row, center), Beniamino Gigli (top row, right), Enrico Rosati (seated in chair, 2nd from right), Romeo Rossi (far left), Ugo Donarelli behind Cotogni,
4626:'s, who praised him for the beauty, warmth and strength of his voice, as well as for the emotional intensity which he brought to his musical interpretations. He sang most of the major Verdi baritone roles and took part in the first Italian staging of
4609:
in Bologna. His delivery of the solo was sublime: "...the audience, who literally filled the church, was so shaken that, forgetting they were in church, they applauded wildly." That response was not unfamiliar; when he made his public debut in
4906:
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The qualities that made Cotogni revered and beloved in his career on the stage also made him an exceptional teacher, one who went out of his way for his students to give them what they needed musically, artistically, and often materially.
4855:. Cotogni non senti in tal modo la frase. Rodrigo darĂ la sua vita per l'amicizia e nell'incrontro con Don Carlo, in un momento che ha bisogno di conforto, deve quasi esplodere, con tutta forza, dal cuore l'amicizia. Cotogni, invece di:
1763:
According to his biographer Angelucci, Cotogni sang one hundred fifty-seven works, but the former was only able to cite one hundred and forty-five. Of the other twelve, he could track down neither the title nor the name of the composer.
5294:
More EJS: Discography of the Edward J. Smith Recordings : "Unique Opera Records Corporation" (1972â1977), "A.N.N.A. Record Company" (1978â1982), "special-label" Issues (circa 1954â1981), and Addendum to "The Golden Age of Opera"
281:
Early on, Cotogni worked part-time in a majolica plant and did not care much for theater. He had no pretensions for assuming a career there and was content to remain a church singer. He won his first success in 1851 singing
5221:
Herman Klein and the Gramophone: Being a Series of Essays on the Bel Canto (1923), the Gramophone and the Singer (1924â1934), and Reviews of New Classical Vocal Recordings (1925â1934), and Other Writings from the
1578:
and was silent for about six months. After this period of rest, he began to find a few notes, then went on to enrich and strengthen his vocal means continuously until the complete development of a baritone voice.
428:
at Asti and then Cuneo, the Teatro Rossini again, Zara, in Genova, and at Turin for the opening of the new Teatro Alfieri. There he was asked by the impresario Scalaberni to take the place of the famous baritone
620:
During the ensuing decades, he also appeared at the leading opera houses in Madrid, Lisbon, Paris, London, Moscow, and Saint Petersburg. He became enormously popular with London audiences, performing at the
1750:'s brother, Giovanni. Comparisons of these two recordingsâ"O casto fior" and Stanislao Gastaldon's "Ti vorrei rapire" (formerly misidentified as "PerchĂ©?")âwith the Tamagno brothers' recording of the
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Cotogni's repertoire comprised between 150 and 160 roles. His operatic triumphs were not confined to Verdi's compositions. He was also an exponent of the elegant but technically demanding
5514:
1755:
throughoutâeven to the two high G naturals that end the refrain. In the Roman school, and in Cotogni's own teaching, any nasality was seen as a defect to be expressly avoided.
1701:. This most perfect artist makes every one of his parts into a creation. With great difficulty could there ever arise another singer who could emulate him; surpass him, never.
4819:"not only because it was foreign to the baritone register, but because nature had granted a voice so beautiful and rich that had no need to borrow effects from elsewhere."
1740:
676:
as a student) from 1894 to 1898, but he had to abandon this post in consequence of a serious illness, subsequently taking up an appointment in 1899 as a professor at the
4644:("my little ignoramus"). Even after his retirement from opera, he continued singing in benefits and concerts, the very last of which was in 1904, when Cotogni was 73.
1640:. It is therefore unlikely that Cotogni ever sang a note above the high Aâź in public performance. Of physiological interest is the fact that Cotogni suffered from a
178:
4835:
uncommon. He made a whistling sound with the sides of his tongue against his teeth that was worse than a lisp. The moment he began to sing it entirely disappeared."
5534:
338:. For the next year, he did not sing in public at all but rather studied assiduously with Faldi to build his repertoire. After an initial contract at Spoleto for
4636:
in 1867, under the supervision of the composer. Verdi, wanting to test out the abilities of Cotogni, privately heard him in several of the key pieces from
329:
283:
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in 1851, the audience's surprise and enthusiasm toward the young Cotogni's solo was so overwhelming that police had to be called in to restore order.
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specialist and keeper of some traditions of his works, even at a time when Mozart's works were not popular. He was particularly proud of his
5078:
1697:
The voice of the Cotogni is full, smooth, equal, of a most sympathetic timbre, and it moves the audience especially when he sings
1598:. According to Ricci, his other noted interpolations include a high G⯠in Posa's romanza "Carlo, ch'Ú sol il nostro amore" in
456:
unknown singer, had been hastily and unfairly chosen to replace him. The first role he was engaged to sing was of Antonio in
1731:
as the foremost baritone of his star-studded generation. He "had a very brief and scarcely revealing relationship with the
5292:
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5044:
160:
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415:. It was then that he met the soprano Maria Ballerini. They married the next year but never had any children together.
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already in the fullness of their careers also came to study with him at the Liceo and/or learn from him privately.
262:
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5361:
5539:
261:, where he was a student of Angelo Scardovelli, Andrea Salesi, and Ludovico Luccesi. He studied music theory at
5008:
638:. While Cotogni had spent his career singing the opera's baritone role of Dr. Malatesta, the younger baritone
237:. Cotogni forged an important second career as a singing teacher after his retirement from the stage in 1894.
5489:
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1720:
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555:
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In retirement, Cotogni became one of the most celebrated vocal teachers in history. At the invitation of
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5484:
677:
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1594:, though a handful of his roles and even his interpolations and cadenzas require a half-step lowerâAâ
688:
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in Rome, where his assistant was Enrico Rosati, who was later to become teacher to Beniamino Gigli.
632:
It was in 1894 at Saint Petersburg that he gave his last operatic stage performance, in Donizetti's
1746:
Two other recordings, at times believed to be of Cotogni, are in fact the voice of tenore robusto
5447:
Roland Mancini and Jean-Jacques Rouveroux, (orig. H. Rosenthal and J. Warrack, French edition),
4682:
2322:
1626:
372:
5461:
5327:
4053:
334:
5291:
Shaman, William; Smith, Edward Joseph; Collins, William J.; Goodwin, Calvin M. (Jan 1, 1999).
5219:
5187:
5181:
4739:
4711:
4606:
651:
350:, he began to pick up consistent work in the Italian regional operatic circuit: Lanciano for
5524:
5519:
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4702:
Cotogni sang in the company of many of the most famous opera singers of his timeâsopranos
8:
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1724:
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1061:
387:
325:
4830:
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462:
258:
110:
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5333:
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5258:
5226:
5191:
5050:
4787:
4783:
4763:
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4727:
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4715:
4696:
4692:
4658:
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1004:
639:
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4605:
performed in honor of Gioachino Rossini's death on 9 December 1868 at the church of
4601:
Cotogni also sang the baritone solo in the "Dies irae" section of Alessandro Busi's
293:
About his training prior to his Italian stage debut, Cotogni told a former student:
4869:
e Verdi l'accettĂČ, tanto che nell nuove edizioni riformate da Lui stesso, tolse il
4662:
1648:
1513:
899:
673:
665:
522:
469:
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of the first magnitude. Regarded internationally as being one of the greatest male
221:
4952:
4779:
4767:
4670:
1728:
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According to his biographer, Cotogni's professional/usable vocal range was from A
1179:
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969:
4678:
4623:
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923:
393:
346:
234:
99:
5478:
2316:
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796:
750:
626:
610:
430:
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131:
204:
4707:
4687:
4183:
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629:, from 1867 to 1889. He sang at Saint Petersburg in 26 successive seasons.
601:
439:
366:
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62:
5480:
Recording of Antonio Cotogni and Francesco Marconi singing "I mulattieri"
5137:
4723:
4674:
1631:
1096:
424:
233:
singers of the 19th century, he was particularly admired by the composer
30:
4695:, and which Cotogni then passed on to the inheritor of his traditions,
1732:
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4649:
4628:
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In the spring of 1857, he was signed by the impresario Jacovacci for
356:
328:, among others, he agreed to sign a contract for his debut at Rome's
4691:, a role that he learned from his predecessor, the Italian baritone
589:
275:
226:
127:
4633:
1660:
Journalistic reviews of his performances were often superlative.
1641:
528:
166:
Commendatore del R. Ordine Militare di Nosso Senhor Jesus Christo
1606:
538:
267:
251:
5298:. Westport, CT: Greenwood Publishing Group. pp. 101â104.
1604:; high Aâ's in "O de verd'anni miei" and "O sommo Carlo" from
4844:'Nella prima edizione del Don Carlo, Verdi scrisse la frase "
412:
230:
124:
1644:
that affected his speech but that disappeared when he sang.
5332:(1 ed.). New York: The Macmillan Company. p. 98.
592:, Milan, debuting there in the role of Giovanni Bandino in
434:
246:
58:
5515:
Academic staff of the Accademia Nazionale di Santa Cecilia
5290:
4622:
During his career, Cotogni was an especial favorite of
437:. During his time in Nice, Cotogni studied the role of
433:
in an operatic company being formed for the theater in
324:
In 1852, after much insistence from Faldi and castrato
5029:
5027:
401:. In September and October of that year, he performed
5409:
4907:"I Cotogni e il Polesine â Sindaco e artista lirico"
5451:, Les indispensables de la musique (Fayard, 1995).
5024:
4976:Mackenzie, Sir Compton; Stone, Christopher (1924).
582:. By October 1860, Cotogni had sung in 21 theaters,
225:; 1 August 1831 â 15 October 1918) was an Italian
5418:Tradition and Gigli: 1600â1955 : a panegyric
5393:Music & Musicians in Nineteenth-century Italy
516:He sang with enormous success over the next yearâ
5496:
5255:The Real Toscanini: Musicians Reveal the Maestro
5010:Dizionario Biografico degli Italiani â Volume 30
4946:
4944:
4942:
4940:
4938:
4936:
4934:
4932:
5535:Academic staff of Saint Petersburg Conservatory
5415:
4978:"Antonio Cotogni's description of his training"
1616:; and a quick high Aâźin a roulade on the word "
5186:. Dallas, TX: Baskerville Publishers. p.
5079:"Cronache d'Art: Il Maestro Rosati a New York"
4975:
5169:. Vol. 2. Voci maschili. Milan: Ricordi.
5160:
5158:
4929:
695:(two volumes and two appendices published by
5353:
5246:
5106:
5104:
5036:
290:at the church of Santa Maria in Vallicella.
240:
5225:. Portland, OR: Amadeus Press. p. 43.
5135:
5466:A Dictionary of Modern Music and Musicians
5217:
5155:
1634:for interpolating an unwritten high Bâ in
710:
29:
5218:Klein, Herman; Moran, William R. (1990).
5101:
5000:
4950:
4535:Michele de Vasconcello/Guido di Monforte
5390:
5325:
5284:
5076:
5042:
2137:Sant'eustachio: azione sacra in due atti
1739:, he recorded duet 'I mulattieri'" (by
650:
418:Following that, Cotogni was engaged for
5505:19th-century Italian male opera singers
5435:Ricordi di una artista, Antonio Cotogni
5359:
5252:
5167:Variazioni-cadenze tradizioni per canto
4954:Ricordi di una artista, Antonio Cotogni
1714:
693:Variazioni-cadenze tradizioni per canto
443:with his predecessor, Italian baritone
5497:
5490:Associazione Culturale Antonio Cotogni
4898:
4848:" cosĂŹ: Alla quarta battuta scrisse:
1719:Cotogni ranks with his contemporaries
5179:
5164:
5110:
5049:. London: Profile Books. p. 37.
5006:
4669:. He sang roles from the new Italian
2266:Pipelet, ossia Il portinajo di Parigi
1735:; at the age of 77... with the tenor
1655:
220:
5326:Gaisberg, Frederick William (1942).
4904:
1670:a critic, of an 1886 performance of
1610:and the end of "Suoni la tromba" in
660:(behind and to the left of Cotogni).
168:Cavaliere del R. Ordine di Carlo III
5077:De Biasi, Pasquale (October 1922).
4734:; the Marchisio sisters; contralto
1708:Dizionario universale dei musicisti
13:
687:During this time, twelve-year-old
447:, who had left the stage in 1855.
314:
257:After some initial studies at the
14:
5551:
5472:
5281:(London, Duckworth 1977), p. 105.
5117:. London: Cassell. pp. 55â56
4957:. Rome: SocietĂ editrice teatrale
222:[anËtÉËnjoËtÉËtokoËtoÉČÉČi]
87:Via dei Genovesi, 13, Rome, Italy
5468:(Dent, London and Toronto 1924).
5395:. London: Batsford. p. 48.
5366:Ars et Labor: Musica e Musicisti
5043:Scheijen, Sjeng (Aug 26, 2010).
646:
203:
164:Cavaliere dell'Ordine di S. Iago
5416:Herbert-Caesari, Edgar (1963).
5384:
5360:Cametti, Alberto (March 1904).
5319:
5271:
5211:
5173:
5129:
4911:Associazione Culturale MELLARIA
4879:
4838:
4822:
4813:
3119:Don Fernando, King of Castille
450:
187:
5420:. London: R. Hale. p. 80.
5114:The Memoirs of Beniamino Gigli
5070:
4969:
4804:
532:in Viterbo; again at Nice for
16:Italian opera singer 1831-1918
1:
4892:
1758:
1721:Francesco Graziani (baritone)
670:Saint Petersburg Conservatory
288:Il martirio di Sant'Eustachio
159:Commendatore dell'Ordine dei
2763:Il Conte Alberto di Volheim
1647:The famed Italian conductor
245:Antonio Cotogni was born in
156:Ordine della Corona d'Italia
151:Ordine della Corona d'Italia
35:Antonio Cotogni in the 1860s
7:
5257:. Hal Leonard Corporation.
2262:Serafino Amedeo De Ferrari
1690:Gazzetta Musicale di Milano
672:(where incidentally he had
10:
5556:
5510:Italian operatic baritones
5427:
4790:, Eraclito Bagagiolo, and
2518:Enrico, duca di Chevreuse
678:Accademia di Santa Cecilia
5111:Gigli, Beniamino (1957).
4617:
3752:JĂłzef MichaĆ Poniatowski
2571:Alina, regina di Golconda
2118:Il vecchio della montagna
1928:I Capuleti ed i Montecchi
1630:. He did, however, chide
241:Early years and education
202:
197:
172:
145:
137:
120:
106:
92:
81:
69:
40:
28:
21:
5253:Civetta, Cesare (2012).
4951:Angelucci, Nino (1907).
4846:Carlo mio, con me dividi
4797:
3866:Le Prigioni di Edimburgo
3377:Wolfgang Amadeus Mozart
3358:Wolfgang Amadeus Mozart
3339:Wolfgang Amadeus Mozart
3320:Wolfgang Amadeus Mozart
3301:Wolfgang Amadeus Mozart
1581:
1572:
585:and it was at this point
319:
5391:Rosselli, John (1991).
5362:"Un Giubileo Artistico"
5136:Bakken Klaviter, Jane.
5007:IesuĂš, Alberto (1984).
4673:literature, the French
3920:Il barbiere di Siviglia
3044:Don Fernando d'Azevedo
2666:Il ritorno di Columella
2594:The Duke of Nottingham
1627:Il barbiere di Siviglia
711:Students & Protégés
511:Il barbiere di Siviglia
5540:Italian voice teachers
5462:Arthur Eaglefield Hull
4862:intese tale frase con
4756:Lodovico Graziani
4681:. He was considered a
2328:Le comte de Charolais
1712:
1694:
1679:
661:
312:
259:Hospice of San Michele
218:Italian pronunciation:
214:Antonio "Toto" Cotogni
161:SS. Maurizio e Lazzaro
111:Hospice of San Michele
5279:The Record of Singing
5180:Ruffo, Titta (1995).
5165:Ricci, Luigi (1966).
5033:Eaglefield-Hull 1924.
4607:San Giovanni in Monte
4584:Carl Maria von Weber
3565:Venceslao Persichini
3206:Francesco Mercadante
3187:Francesco Mercadante
3168:Francesco Mercadante
3149:Francesco Mercadante
2839:Mercutio and Capulet
2774:AntĂŽnio Carlos Gomes
2699:Friedrich von Flotow
2680:Friedrich von Flotow
2647:I profughi fiamminghi
2284:Il birraio di Preston
2192:Il matrimonio segreto
1985:La damnation de Faust
1886:Ludwig van Beethoven
1815:Diamanti della corona
1695:
1680:
1662:
1141:Zygmunt (Sigismondo)
654:
411:at Teatro Rossini in
295:
5329:The music goes round
4905:Ridfolfi, Raffaele.
4677:tradition, and some
4345:Don Carlo di Vargas
4341:La forza del destino
4265:Un ballo in maschera
3962:Fernando Villabella
3847:Crispino e la Comare
3733:Amilcare Ponchielli
3714:Amilcare Ponchielli
3096:Cavalleria Rusticana
2962:Ruggero Leoncavallo
2662:Vincenzo Fioravanti
2280:Serafino De-Ferrari
2173:Le astuzie femminili
2042:L'assedio di Firenze
1715:Gramophone recording
598:L'assedio di Firenze
263:Santa Maria Maggiore
115:Santa Maria Maggiore
5142:Bel Canto Institute
4772:Jean-Baptiste Faure
4754:, Pietro Mongini,
4732:Alessandro Moreschi
4193:Claudio Imperatore
4070:Antonio Rubinstein
4049:Gioacchino Rossini
4030:Gioacchino Rossini
4011:Gioacchino Rossini
3992:Gioacchino Rossini
3973:Gioacchino Rossini
3954:Gioacchino Rossini
3935:Gioacchino Rossini
3916:Gioacchino Rossini
3811:Chiara di Rosemberg
3770:Filippo Puccinelli
3569:Amante Sessagenario
3172:I normanni a Parigi
2925:Vladimir Kashperov
2895:Comte de Comminges
2684:Alma l'incantatrice
2476:Lucia di Lammermoor
2230:Disertore per amore
2151:Ambrogio Centolani
2038:Giovanni Bottesini
2004:La stella di Toledo
1785:City of role debut
1769:
1725:Jean-Baptiste Faure
721:
534:Lucia di Lammermoor
388:Lucia di Lammermoor
376:in several cities;
85:Memorial plaque at
5183:Ruffo: My Parabola
4776:Francesco Graziani
4667:Saverio Mercadante
4531:I vespri siciliani
4307:Francesco Foscari
4089:Gualtiero Sanelli
3996:Matilde di Shabran
3696:Pasquale Piacenza
3625:Giovanna di Napoli
3587:L'assedio di Leida
3513:Isabella d'Aragona
3381:Le nozze di Figaro
3362:Le nozze di Figaro
3282:Giacomo Meyerbeer
3267:La stella del nord
3263:Giacomo Meyerbeer
3244:Giacomo Meyerbeer
3225:Giacomo Meyerbeer
3130:Felix Mendelssohn
3073:Filippo Marchetti
3055:Filippo Marchetti
3022:Eroe delle Asturie
2816:Philémon et Baucis
2651:Il conte di Bergh
2605:Gaetano Donizetti
2586:Gaetano Donizetti
2567:Gaetano Donizetti
2548:Gaetano Donizetti
2529:Gaetano Donizetti
2510:Gaetano Donizetti
2491:Gaetano Donizetti
2472:Gaetano Donizetti
2457:Linda di Chamounix
2453:Gaetano Donizetti
2434:Gaetano Donizetti
2415:Gaetano Donizetti
2396:Gaetano Donizetti
2377:Gaetano Donizetti
2358:Gaetano Donizetti
2339:Gaetano Donizetti
2188:Domenico Cimarosa
2169:Domenico Cimarosa
2133:Salvatore Capocci
1868:Vincenzo Battista
1767:
1673:Linda di Chamounix
1656:Critical reception
719:
707:cemetery in Rome.
662:
463:Linda di Chamounix
154:Commendatore dell'
5530:Singers from Rome
5046:Diaghilev: A Life
4917:on 10 August 2014
4792:Ădouard de Reszke
4784:Mattia Battistini
4764:Francesco Tamagno
4760:Enrico Tamberlick
4744:Francesco Marconi
4728:Gemma Bellincioni
4720:Christina Nilsson
4716:Marcella Sembrich
4697:Mattia Battistini
4693:Antonio Tamburini
4659:Gaetano Donizetti
4655:Gioachino Rossini
4599:
4598:
4164:Lionello Ventura
4059:Baritone soloist
3829:Chi dura la vince
3531:Tutti in maschera
3494:Guerra in quattro
3396:Leopoldo Mugnone
3122:Saint Petersburg
3103:Saint Petersburg
3059:Romeo e Giulietta
3018:Domenico Lucilla
3000:Domenico Lucilla
2973:Saint Petersburg
2943:Charles Lenepveu
2906:Ferdinand HĂ©rold
2891:Le pré aux clercs
2887:Ferdinand HĂ©rold
2868:Fromental Halévy
2860:Saint Petersburg
2835:Roméo et Juliette
2823:Saint Petersburg
2755:Raffaele Gentili
2736:Raffaele Gentili
2728:Saint Petersburg
2718:Erennio Gammieri
2207:Filippo Clementi
2067:baritone soloist
2046:Giovanni Bandino
2000:Tommaso Bevenuti
1962:Vincenzo Bellini
1943:Vincenzo Bellini
1924:Vincenzo Bellini
1909:Beatrice di Tenda
1905:Vincenzo Bellini
1773:Composer Surname
1748:Francesco Tamagno
1737:Francesco Marconi
1688:Pietro Faustini,
1622:Largo al factotum
1570:
1569:
1279:Giuseppe Antonio
640:Mattia Battistini
623:Royal Opera House
458:Gaetano Donizetti
445:Antonio Tamburini
330:Teatro Metastasio
305:, November 1924,
284:Salvatore Capocci
211:
210:
138:Years active
98:Mio ignorantino (
5547:
5481:
5449:Guide de l'opéra
5433:Nino Angelucci,
5422:
5421:
5413:
5407:
5406:
5388:
5382:
5381:
5379:
5377:
5357:
5351:
5350:
5348:
5346:
5323:
5317:
5316:
5314:
5312:
5288:
5282:
5275:
5269:
5268:
5250:
5244:
5243:
5241:
5239:
5215:
5209:
5208:
5206:
5204:
5177:
5171:
5170:
5162:
5153:
5152:
5150:
5148:
5133:
5127:
5126:
5124:
5122:
5108:
5099:
5098:
5096:
5094:
5074:
5068:
5067:
5065:
5063:
5040:
5034:
5031:
5022:
5021:
5019:
5017:
5004:
4998:
4997:
4995:
4993:
4973:
4967:
4966:
4964:
4962:
4948:
4927:
4926:
4924:
4922:
4913:. Archived from
4902:
4886:
4883:
4877:
4842:
4836:
4826:
4820:
4817:
4811:
4808:
4712:ThérÚse Tietjens
4663:Vincenzo Bellini
4603:Messa da requiem
4145:Ambroise Thomas
4126:Ambroise Thomas
4115:Filippo Conzaga
4111:Aurora di Nevers
4107:Giuseppe Sinico
3788:Giacomo Puccini
3678:Enrico Petrella
3659:Enrico Petrella
3640:Enrico Petrella
3621:Enrico Petrella
3602:Enrico Petrella
3583:Enrico Petrella
3460:Comte de Rysoor
3452:Ămile Paladilhe
3433:Giovanni Pacini
3415:Giovanni Pacini
3343:Il flauto magico
3271:Peter the Great
3092:Pietro Mascagni
2722:NiccolĂČ de' Lapi
2590:Roberto Devereux
2400:L'elisir d'amore
2298:Nicola de Giosa
2177:Dottor Romualdo
2114:Antonio Cagnoni
2096:Antonio Cagnoni
2078:Antonio Cagnoni
2062:A German Requiem
2057:Johannes Brahms
1797:Luchino Visconti
1770:
1766:
1741:Francesco Masini
1710:
1699:a fior di labbra
1692:
1677:
1203:Herbert-Caesari
722:
718:
674:Sergei Diaghilev
666:Anton Rubinstein
588:that he reached
556:Teatro Principal
503:Roberto Devereux
399:Teatro Argentina
335:L'elisir d'amore
332:, as Belcore in
326:Domenico MustafĂ
310:
224:
219:
207:
191:
189:
93:Other names
88:
76:
54:
52:
33:
19:
18:
5555:
5554:
5550:
5549:
5548:
5546:
5545:
5544:
5495:
5494:
5479:
5475:
5430:
5425:
5414:
5410:
5403:
5389:
5385:
5375:
5373:
5358:
5354:
5344:
5342:
5340:
5324:
5320:
5310:
5308:
5306:
5289:
5285:
5276:
5272:
5265:
5251:
5247:
5237:
5235:
5233:
5216:
5212:
5202:
5200:
5198:
5178:
5174:
5163:
5156:
5146:
5144:
5134:
5130:
5120:
5118:
5109:
5102:
5092:
5090:
5075:
5071:
5061:
5059:
5057:
5041:
5037:
5032:
5025:
5015:
5013:
5005:
5001:
4991:
4989:
4974:
4970:
4960:
4958:
4949:
4930:
4920:
4918:
4903:
4899:
4895:
4890:
4889:
4884:
4880:
4843:
4839:
4827:
4823:
4818:
4814:
4809:
4805:
4800:
4780:Leone Giraldoni
4768:Charles Santley
4642:mio ignorantino
4620:
4612:Sant'Eustachio
4565:Richard Wagner
4546:Richard Wagner
4527:Giuseppe Verdi
4508:Giuseppe Verdi
4489:Giuseppe Verdi
4470:Giuseppe Verdi
4451:Giuseppe Verdi
4432:Giuseppe Verdi
4413:Giuseppe Verdi
4394:Giuseppe Verdi
4375:Giuseppe Verdi
4356:Giuseppe Verdi
4337:Giuseppe Verdi
4318:Giuseppe Verdi
4299:Giuseppe Verdi
4280:Giuseppe Verdi
4261:Giuseppe Verdi
4242:Giuseppe Verdi
4223:Giuseppe Verdi
4215:St. Petersburg
4204:Giuseppe Verdi
4081:St. Petersburg
3984:St. Petersburg
3799:St. Petersburg
3744:St. Petersburg
3725:St. Petersburg
3667:Marco Visconti
3591:Armando Boasot
3554:Vittore Pisani
3527:Carlo Pedrotti
3509:Carlo Pedrotti
3490:Carlo Pedrotti
3471:Carlo Pedrotti
3191:Orazi e Curiazi
3111:Jules Massenet
2850:Charles Gounod
2831:Charles Gounod
2812:Charles Gounod
2793:Charles Gounod
2613:Torquato Tasso
2495:Lucrezia Borgia
2331:St. Petersburg
2323:Jean de Nivelle
2196:Count Robinson
2155:Isabella Orsini
1989:MéphistophélÚs
1981:Hector Berlioz
1793:Roberto Amadei
1779:Opera/Oratorio
1768:Sortable table
1761:
1729:Charles Santley
1717:
1711:
1706:Carlo Schmidl,
1705:
1693:
1687:
1678:
1669:
1658:
1597:
1593:
1589:
1584:
1575:
1447:Quinzi Tapergi
720:Sortable table
713:
668:, he taught at
649:
453:
373:Lucrezia Borgia
322:
317:
315:Operatic career
311:
301:
278:, and Viterbo.
243:
217:
193:
190: 1858)
185:
181:
179:Maria Ballerini
167:
165:
163:
158:
153:
149:Cavaliere dell'
130:
113:
97:
86:
74:
73:15 October 1918
65:
56:
50:
48:
47:
46:
45:Antonio Cotogni
36:
24:
23:Antonio Cotogni
17:
12:
11:
5:
5553:
5543:
5542:
5537:
5532:
5527:
5522:
5517:
5512:
5507:
5493:
5492:
5487:
5474:
5473:External links
5471:
5470:
5469:
5459:
5445:
5443:978-1148413716
5437:(Roma, 1907).
5429:
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5424:
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4982:The Gramophone
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4748:JuliĂĄn Gayarre
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4478:Count Stankar
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4172:Marino Capece
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4078:Julius Vindex
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3982:
3979:
3977:Guglielmo Tell
3974:
3971:
3967:
3966:
3963:
3960:
3958:La gazza ladra
3955:
3952:
3948:
3947:
3944:
3941:
3939:La Cenerentola
3936:
3933:
3929:
3928:
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3914:
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3902:Falsi Monetari
3899:
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3874:
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3870:
3868:
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3826:
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3808:
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3797:
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3697:
3694:
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3689:
3686:
3684:
3679:
3676:
3672:
3671:
3668:
3665:
3663:Marco Visconti
3660:
3657:
3653:
3652:
3649:
3646:
3641:
3638:
3634:
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3627:
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3563:
3559:
3558:
3555:
3552:
3550:Vittore Pisani
3547:
3544:
3540:
3539:
3536:
3533:
3528:
3525:
3521:
3520:
3517:
3515:
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3507:
3503:
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3305:CosĂŹ fan tutte
3302:
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3081:Don Sallustio
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3036:Ruggero Manna
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3008:
3006:
3004:Il conte Rosso
3001:
2998:
2994:
2993:
2990:
2987:
2982:
2979:
2975:
2974:
2971:
2968:
2963:
2960:
2956:
2955:
2952:
2949:
2944:
2941:
2937:
2936:
2933:
2931:
2926:
2923:
2919:
2918:
2915:
2912:
2907:
2904:
2900:
2899:
2896:
2893:
2888:
2885:
2881:
2880:
2877:
2874:
2869:
2866:
2862:
2861:
2858:
2856:
2851:
2848:
2844:
2843:
2840:
2837:
2832:
2829:
2825:
2824:
2821:
2818:
2813:
2810:
2806:
2805:
2802:
2799:
2794:
2791:
2787:
2786:
2783:
2780:
2775:
2772:
2768:
2767:
2764:
2761:
2756:
2753:
2749:
2748:
2745:
2742:
2737:
2734:
2730:
2729:
2726:
2724:
2719:
2716:
2712:
2711:
2708:
2705:
2700:
2697:
2693:
2692:
2689:
2688:Don Sebastian
2686:
2681:
2678:
2674:
2673:
2670:
2668:
2663:
2660:
2656:
2655:
2652:
2649:
2644:
2643:Franco Faccio
2641:
2637:
2636:
2633:
2630:
2625:
2624:Franco Faccio
2622:
2618:
2617:
2614:
2611:
2609:Torquato Tasso
2606:
2603:
2599:
2598:
2595:
2592:
2587:
2584:
2580:
2579:
2576:
2573:
2568:
2565:
2561:
2560:
2557:
2554:
2549:
2546:
2542:
2541:
2538:
2535:
2530:
2527:
2523:
2522:
2519:
2516:
2514:Maria di Rohan
2511:
2508:
2504:
2503:
2500:
2497:
2492:
2489:
2485:
2484:
2481:
2478:
2473:
2470:
2466:
2465:
2462:
2459:
2454:
2451:
2447:
2446:
2443:
2442:Earl of Vergy
2440:
2438:Gemma di Vergy
2435:
2432:
2428:
2427:
2424:
2421:
2416:
2413:
2409:
2408:
2405:
2402:
2397:
2394:
2390:
2389:
2386:
2383:
2378:
2375:
2371:
2370:
2367:
2366:Dr. Malatesta
2364:
2359:
2356:
2352:
2351:
2348:
2345:
2340:
2337:
2333:
2332:
2329:
2326:
2319:
2314:
2310:
2309:
2306:
2304:
2299:
2296:
2292:
2291:
2288:
2286:
2281:
2278:
2274:
2273:
2270:
2268:
2263:
2260:
2256:
2255:
2252:
2250:
2245:
2242:
2238:
2237:
2234:
2232:
2227:
2224:
2220:
2219:
2216:
2213:
2208:
2205:
2201:
2200:
2197:
2194:
2189:
2186:
2182:
2181:
2178:
2175:
2170:
2167:
2163:
2162:
2159:
2157:
2152:
2149:
2145:
2144:
2141:
2139:
2134:
2131:
2127:
2126:
2123:
2120:
2115:
2112:
2108:
2107:
2104:
2102:
2097:
2094:
2090:
2089:
2086:
2084:
2079:
2076:
2072:
2071:
2068:
2065:
2058:
2055:
2051:
2050:
2047:
2044:
2039:
2036:
2032:
2031:
2028:
2025:
2020:
2019:Georges Bizet
2017:
2013:
2012:
2009:
2006:
2001:
1998:
1994:
1993:
1990:
1987:
1982:
1979:
1975:
1974:
1971:
1968:
1963:
1960:
1956:
1955:
1952:
1949:
1944:
1941:
1937:
1936:
1933:
1930:
1925:
1922:
1918:
1917:
1914:
1911:
1906:
1903:
1899:
1898:
1895:
1892:
1887:
1884:
1880:
1879:
1876:
1874:
1869:
1866:
1862:
1861:
1858:
1855:
1850:
1847:
1843:
1842:
1839:
1836:
1834:Le domino noir
1831:
1828:
1824:
1823:
1820:
1817:
1812:
1809:
1805:
1804:
1801:
1799:
1794:
1791:
1787:
1786:
1783:
1780:
1777:
1774:
1760:
1757:
1716:
1713:
1703:
1685:
1667:
1657:
1654:
1595:
1591:
1587:
1583:
1580:
1574:
1571:
1568:
1567:
1566:Mezzo-Soprano
1564:
1561:
1557:
1556:
1553:
1550:
1546:
1545:
1542:
1537:
1533:
1532:
1529:
1524:
1520:
1519:
1516:
1511:
1507:
1506:
1503:
1500:
1496:
1495:
1492:
1489:
1485:
1484:
1481:
1478:
1474:
1473:
1470:
1467:
1463:
1462:
1459:
1456:
1452:
1451:
1448:
1445:
1441:
1440:
1437:
1434:
1430:
1429:
1426:
1423:
1419:
1418:
1415:
1412:
1408:
1407:
1404:
1401:
1397:
1396:
1393:
1390:
1386:
1385:
1382:
1379:
1375:
1374:
1371:
1368:
1364:
1363:
1360:
1357:
1353:
1352:
1349:
1346:
1342:
1341:
1338:
1335:
1331:
1330:
1327:
1324:
1320:
1319:
1316:
1313:
1309:
1308:
1305:
1302:
1298:
1297:
1294:
1291:
1287:
1286:
1283:
1280:
1276:
1275:
1272:
1269:
1265:
1264:
1261:
1256:
1252:
1251:
1248:
1245:
1241:
1240:
1237:
1234:
1230:
1229:
1226:
1223:
1219:
1218:
1215:
1212:
1208:
1207:
1204:
1201:
1197:
1196:
1193:
1190:
1186:
1185:
1182:
1177:
1173:
1172:
1169:
1166:
1162:
1161:
1158:
1153:
1149:
1148:
1145:
1142:
1138:
1137:
1134:
1129:
1125:
1124:
1121:
1118:
1114:
1113:
1110:
1107:
1103:
1102:
1099:
1094:
1090:
1089:
1086:
1083:
1079:
1078:
1075:
1072:
1068:
1067:
1064:
1059:
1055:
1054:
1051:
1048:
1044:
1043:
1040:
1037:
1033:
1032:
1029:
1026:
1022:
1021:
1018:
1015:
1011:
1010:
1007:
1002:
998:
997:
994:
991:
987:
986:
983:
980:
976:
975:
972:
967:
963:
962:
959:
958:Rossi-Morelli
956:
952:
951:
948:
945:
941:
940:
937:
934:
930:
929:
926:
921:
917:
916:
913:
910:
906:
905:
902:
897:
893:
892:
889:
886:
882:
881:
878:
875:
871:
870:
867:
864:
860:
859:
856:
853:
849:
848:
845:
840:
836:
835:
832:
829:
825:
824:
821:
818:
814:
813:
810:
807:
803:
802:
799:
794:
790:
789:
786:
783:
779:
778:
775:
772:
768:
767:
764:
761:
757:
756:
753:
748:
744:
743:
740:
737:
733:
732:
729:
726:
712:
709:
648:
645:
614:, and Ezio in
548:Maria di Rohan
507:Don Sebastiano
479:Gemma di Vergy
452:
449:
394:Gemma di Vergy
364:; Orvieto for
362:Maria di Rohan
347:Maria di Rohan
321:
318:
316:
313:
307:The Gramophone
303:The Gramophone
299:
242:
239:
235:Giuseppe Verdi
209:
208:
200:
199:
195:
194:
183:
177:
176:
174:
170:
169:
147:
143:
142:
139:
135:
134:
122:
118:
117:
108:
104:
103:
94:
90:
89:
83:
79:
78:
77:(aged 87)
71:
67:
66:
57:
44:
42:
38:
37:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
5552:
5541:
5538:
5536:
5533:
5531:
5528:
5526:
5523:
5521:
5518:
5516:
5513:
5511:
5508:
5506:
5503:
5502:
5500:
5491:
5488:
5486:
5482:
5477:
5476:
5467:
5463:
5460:
5458:
5457:2-213-59567-4
5454:
5450:
5446:
5444:
5440:
5436:
5432:
5431:
5419:
5412:
5404:
5402:9780713461534
5398:
5394:
5387:
5371:
5367:
5363:
5356:
5341:
5339:9780405096785
5335:
5331:
5330:
5322:
5307:
5305:9780313298356
5301:
5297:
5296:
5287:
5280:
5274:
5266:
5264:9781574674163
5260:
5256:
5249:
5234:
5232:9780931340185
5228:
5224:
5223:
5214:
5199:
5197:9781880909393
5193:
5189:
5185:
5184:
5176:
5168:
5161:
5159:
5143:
5139:
5138:"Luigi Ricci"
5132:
5116:
5115:
5107:
5105:
5088:
5084:
5080:
5073:
5058:
5056:9781847652454
5052:
5048:
5047:
5039:
5030:
5028:
5012:
5011:
5003:
4987:
4983:
4979:
4972:
4956:
4955:
4947:
4945:
4943:
4941:
4939:
4937:
4935:
4933:
4916:
4912:
4908:
4901:
4897:
4882:
4875:
4874:
4871:dolcissimo e
4868:
4867:
4861:
4860:
4857:dolcissimo e
4854:
4853:
4850:dolcissimo e
4847:
4841:
4833:
4832:
4825:
4816:
4807:
4803:
4795:
4793:
4789:
4786:; and basses
4785:
4781:
4777:
4773:
4769:
4765:
4761:
4757:
4753:
4752:Angelo Masini
4749:
4745:
4741:
4737:
4736:Sofia Scalchi
4733:
4729:
4725:
4721:
4717:
4713:
4709:
4705:
4704:Adelina Patti
4700:
4698:
4694:
4690:
4689:
4684:
4680:
4676:
4672:
4668:
4664:
4660:
4656:
4652:
4651:
4645:
4643:
4639:
4635:
4631:
4630:
4625:
4615:
4613:
4608:
4604:
4594:
4591:
4589:
4586:
4583:
4580:
4579:
4575:
4572:
4570:
4567:
4564:
4561:
4560:
4556:
4553:
4551:
4548:
4545:
4542:
4541:
4537:
4534:
4532:
4529:
4526:
4523:
4522:
4518:
4515:
4513:
4510:
4507:
4504:
4503:
4499:
4496:
4494:
4491:
4488:
4485:
4484:
4480:
4477:
4475:
4472:
4469:
4466:
4465:
4461:
4458:
4456:
4453:
4450:
4447:
4446:
4442:
4439:
4437:
4434:
4431:
4428:
4427:
4423:
4420:
4418:
4415:
4412:
4409:
4408:
4404:
4401:
4399:
4396:
4393:
4390:
4389:
4385:
4382:
4380:
4377:
4374:
4371:
4370:
4366:
4363:
4361:
4358:
4355:
4352:
4351:
4347:
4344:
4342:
4339:
4336:
4333:
4332:
4328:
4325:
4323:
4320:
4317:
4314:
4313:
4309:
4306:
4304:
4303:I due Foscari
4301:
4298:
4295:
4294:
4290:
4287:
4285:
4282:
4279:
4276:
4275:
4271:
4268:
4266:
4263:
4260:
4257:
4256:
4252:
4249:
4247:
4244:
4241:
4238:
4237:
4233:
4230:
4228:
4225:
4222:
4219:
4218:
4214:
4211:
4209:
4206:
4203:
4200:
4199:
4195:
4192:
4190:
4187:
4185:
4182:
4179:
4178:
4174:
4171:
4169:
4166:
4163:
4160:
4159:
4155:
4152:
4150:
4147:
4144:
4141:
4140:
4136:
4133:
4131:
4128:
4125:
4122:
4121:
4117:
4114:
4112:
4109:
4106:
4103:
4102:
4098:
4096:
4094:
4093:Luisa Strozzi
4091:
4088:
4085:
4084:
4080:
4077:
4075:
4072:
4069:
4066:
4065:
4061:
4058:
4056:
4055:
4051:
4048:
4045:
4044:
4040:
4037:
4035:
4032:
4029:
4026:
4025:
4021:
4018:
4016:
4013:
4010:
4007:
4006:
4002:
3999:
3997:
3994:
3991:
3988:
3987:
3983:
3980:
3978:
3975:
3972:
3969:
3968:
3964:
3961:
3959:
3956:
3953:
3950:
3949:
3945:
3942:
3940:
3937:
3934:
3931:
3930:
3926:
3923:
3921:
3918:
3915:
3912:
3911:
3907:
3905:
3903:
3900:
3897:
3894:
3893:
3889:
3887:
3885:
3882:
3879:
3876:
3875:
3871:
3869:
3867:
3864:
3861:
3858:
3857:
3853:
3850:
3848:
3845:
3842:
3839:
3838:
3834:
3832:
3830:
3827:
3824:
3821:
3820:
3816:
3814:
3812:
3809:
3806:
3803:
3802:
3798:
3795:
3793:
3792:Manon Lescaut
3790:
3787:
3784:
3783:
3779:
3777:
3775:
3774:Santa Cecilia
3772:
3769:
3766:
3765:
3761:
3759:
3757:
3754:
3751:
3748:
3747:
3743:
3740:
3738:
3735:
3732:
3729:
3728:
3724:
3721:
3719:
3716:
3713:
3710:
3709:
3705:
3703:
3701:
3698:
3695:
3692:
3691:
3687:
3685:
3683:
3680:
3677:
3674:
3673:
3669:
3666:
3664:
3661:
3658:
3655:
3654:
3650:
3647:
3645:
3642:
3639:
3636:
3635:
3631:
3628:
3626:
3623:
3620:
3617:
3616:
3612:
3609:
3607:
3604:
3601:
3598:
3597:
3593:
3590:
3588:
3585:
3582:
3579:
3578:
3574:
3572:
3570:
3567:
3564:
3561:
3560:
3556:
3553:
3551:
3548:
3546:Achille Peri
3545:
3542:
3541:
3537:
3534:
3532:
3529:
3526:
3523:
3522:
3518:
3516:
3514:
3511:
3508:
3505:
3504:
3500:
3497:
3495:
3492:
3489:
3486:
3485:
3481:
3478:
3476:
3473:
3470:
3467:
3466:
3462:
3459:
3457:
3454:
3451:
3448:
3447:
3443:
3440:
3438:
3435:
3432:
3429:
3428:
3424:
3422:
3420:
3417:
3414:
3411:
3410:
3406:
3403:
3401:
3398:
3395:
3392:
3391:
3387:
3384:
3382:
3379:
3376:
3373:
3372:
3368:
3365:
3363:
3360:
3357:
3354:
3353:
3349:
3346:
3344:
3341:
3338:
3335:
3334:
3330:
3328:Don Giovanni
3327:
3325:
3322:
3319:
3316:
3315:
3311:
3308:
3306:
3303:
3300:
3297:
3296:
3292:
3289:
3287:
3284:
3281:
3278:
3277:
3273:
3270:
3268:
3265:
3262:
3259:
3258:
3254:
3251:
3249:
3246:
3243:
3240:
3239:
3235:
3232:
3230:
3227:
3224:
3221:
3220:
3216:
3213:
3211:
3208:
3205:
3202:
3201:
3197:
3194:
3192:
3189:
3186:
3183:
3182:
3178:
3175:
3173:
3170:
3167:
3164:
3163:
3159:
3156:
3154:
3153:Il giuramento
3151:
3148:
3145:
3144:
3140:
3137:
3135:
3132:
3129:
3126:
3125:
3121:
3118:
3116:
3113:
3110:
3107:
3106:
3102:
3099:
3097:
3094:
3091:
3088:
3087:
3083:
3080:
3078:
3075:
3072:
3069:
3068:
3064:
3062:
3060:
3057:
3054:
3051:
3050:
3046:
3043:
3041:
3038:
3035:
3032:
3031:
3027:
3025:
3023:
3020:
3017:
3014:
3013:
3009:
3007:
3005:
3002:
2999:
2996:
2995:
2991:
2988:
2986:
2983:
2980:
2977:
2976:
2972:
2969:
2967:
2964:
2961:
2958:
2957:
2953:
2950:
2948:
2945:
2942:
2939:
2938:
2934:
2932:
2930:
2927:
2924:
2921:
2920:
2916:
2913:
2911:
2908:
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2226:Carlo Coccia
2225:
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2018:
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1966:La sonnambula
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1849:Daniel Auber
1848:
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1837:
1835:
1832:
1830:Daniel Auber
1829:
1826:
1825:
1821:
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1811:Daniel Auber
1810:
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809:Alessandroni
808:
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685:
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679:
675:
671:
667:
659:
653:
647:Voice teacher
644:
641:
637:
636:
630:
628:
627:Covent Garden
624:
618:
617:
613:
612:
611:La sonnambula
608:, Rodolfo in
607:
606:Vittor Pisani
603:
599:
595:
591:
587:
584:
581:
577:
573:
569:
565:
561:
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553:
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459:
448:
446:
442:
441:
436:
432:
431:Felice Varesi
427:
426:
421:
416:
414:
410:
409:Luisa Strozzi
406:
405:
404:I due Foscari
400:
396:
395:
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369:
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206:
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196:
180:
175:
171:
162:
157:
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148:
144:
140:
136:
133:
132:Voice teacher
129:
126:
123:
121:Occupation(s)
119:
116:
112:
109:
105:
101:
95:
91:
84:
80:
72:
68:
64:
60:
55:1 August 1831
43:
39:
32:
27:
20:
5465:
5448:
5434:
5417:
5411:
5392:
5386:
5374:. Retrieved
5369:
5365:
5355:
5343:. Retrieved
5328:
5321:
5309:. Retrieved
5293:
5286:
5278:
5273:
5254:
5248:
5236:. Retrieved
5220:
5213:
5201:. Retrieved
5182:
5175:
5166:
5145:. Retrieved
5141:
5131:
5119:. Retrieved
5113:
5091:. Retrieved
5086:
5083:Il Carroccio
5082:
5072:
5060:. Retrieved
5045:
5038:
5014:. Retrieved
5009:
5002:
4990:. Retrieved
4985:
4981:
4971:
4959:. Retrieved
4953:
4919:. Retrieved
4915:the original
4910:
4900:
4881:
4872:
4870:
4865:
4864:crescendo e
4863:
4858:
4856:
4851:
4849:
4845:
4840:
4829:
4824:
4815:
4806:
4766:; baritones
4708:Teresa Stolz
4701:
4688:Don Giovanni
4686:
4648:
4646:
4641:
4637:
4627:
4621:
4611:
4602:
4600:
4587:
4568:
4549:
4530:
4512:Il trovatore
4511:
4492:
4473:
4454:
4435:
4417:I masnadieri
4416:
4397:
4379:Luisa Miller
4378:
4359:
4340:
4321:
4302:
4283:
4264:
4245:
4226:
4207:
4188:
4184:Edoardo Vera
4167:
4148:
4129:
4110:
4092:
4073:
4054:Stabat mater
4052:
4033:
4014:
3995:
3976:
3957:
3938:
3919:
3901:
3898:Lauro Rossi
3883:
3880:Lauro Rossi
3865:
3862:Luigi Ricci
3846:
3843:Luigi Ricci
3828:
3825:Luigi Ricci
3810:
3807:Luigi Ricci
3791:
3773:
3755:
3749:Poniatowski
3736:
3717:
3699:
3681:
3662:
3643:
3624:
3605:
3586:
3568:
3549:
3530:
3512:
3493:
3474:
3455:
3436:
3418:
3399:
3380:
3361:
3342:
3324:Don Giovanni
3323:
3304:
3286:Gli ugonotti
3285:
3266:
3247:
3228:
3209:
3190:
3171:
3152:
3133:
3127:Mendelssohn
3114:
3095:
3076:
3058:
3039:
3021:
3003:
2984:
2981:Franz Liszt
2965:
2959:Leoncavallo
2946:
2928:
2909:
2890:
2871:
2853:
2834:
2815:
2796:
2777:
2758:
2739:
2721:
2702:
2683:
2665:
2646:
2627:
2608:
2589:
2570:
2551:
2532:
2513:
2494:
2475:
2456:
2437:
2418:
2399:
2381:Don Pasquale
2380:
2362:Don Pasquale
2361:
2342:
2321:
2301:
2283:
2265:
2247:
2244:Henri Cohen
2229:
2210:
2191:
2172:
2154:
2136:
2117:
2100:Don Bucefalo
2099:
2081:
2060:
2041:
2022:
2003:
1984:
1965:
1946:
1927:
1908:
1894:Don Pizarro
1889:
1871:
1852:
1833:
1814:
1796:
1762:
1751:
1745:
1718:
1707:
1698:
1696:
1689:
1681:
1671:
1663:
1659:
1646:
1642:lateral lisp
1635:
1625:
1617:
1611:
1605:
1599:
1585:
1576:
1074:Persichetti
714:
705:Campo Verano
701:
697:Casa Ricordi
692:
686:
682:
663:
635:Don Pasquale
633:
631:
619:
615:
609:
605:
597:
586:
583:
579:
575:
571:
567:
563:
559:
547:
543:
537:
533:
527:
521:
520:, Rossini's
517:
515:
510:
506:
502:
499:Don Pasquale
498:
494:
490:
486:
482:
478:
474:
468:
461:
454:
451:Breakthrough
440:Don Giovanni
438:
423:
419:
417:
408:
402:
392:
386:
384:
382:at Perugia.
377:
371:
367:I masnadieri
365:
361:
355:
351:
345:
341:Il trovatore
339:
333:
323:
306:
302:
296:
292:
287:
286:'s oratorio
280:
256:
244:
213:
212:
75:(1918-10-15)
63:Papal States
5525:1918 deaths
5520:1831 births
5372:(3): 146â48
5093:23 November
4730:; castrato
4724:Emma Albani
4675:grand opera
4592:Scherasmin
4493:La traviata
4067:Rubinstein
3884:Domino Nero
3767:Puccinelli
3730:Ponchielli
3718:La gioconda
3711:Ponchielli
3562:Persichini
3475:Il favorito
3419:Bondelmonte
3203:Mercadante
3184:Mercadante
3165:Mercadante
3146:Mercadante
2966:I pagliacci
2929:Maria Tudor
2659:Fioravanti
2419:La favorita
2317:LĂ©o Delibes
2277:De Ferrari
2259:De Ferrari
2008:Filippo II
1632:Titta Ruffo
1552:Wittkowska
1458:Costantini
1315:Ceccarelli
1259:Lauri-Volpi
1236:Tumminello
1152:Aristodemo
1028:Bertinelli
888:Bellantoni
731:Voice Type
725:First Name
689:Luigi Ricci
658:Luigi Ricci
487:La favorita
425:La traviata
274:, Subisco,
5499:Categories
5277:M. Scott,
5222:Gramophone
4893:References
4569:TannhaĂŒser
4554:Telramund
4459:Rigoletto
4421:Francesco
4360:I lombardi
4326:Don Carlo
4284:Don Carlos
4000:Aliprando
3981:Guglielmo
3670:Barcelona
3651:Saragozza
3479:Obolenski
3449:Paladilhe
3444:Barcelona
3309:Guglielmo
3279:Meyerbeer
3260:Meyerbeer
3241:Meyerbeer
3229:L'africana
3222:Meyerbeer
3210:La vestale
3176:Ordamante
3070:Marchetti
3052:Marchetti
2922:Kashperov
2778:Il Guarany
2602:Donizetti
2583:Donizetti
2564:Donizetti
2559:Barcelona
2545:Donizetti
2540:Barcelona
2526:Donizetti
2507:Donizetti
2488:Donizetti
2469:Donizetti
2450:Donizetti
2431:Donizetti
2412:Donizetti
2393:Donizetti
2374:Donizetti
2355:Donizetti
2347:Belisario
2336:Donizetti
2302:Don Checco
2211:Pellegrina
2148:Centolani
2035:Bottesini
2027:Escamillo
1947:I puritani
1883:Beethoven
1853:Masaniello
1838:Gil Perez
1819:Rebolledo
1759:Repertoire
1733:gramophone
1676:at Firenze
1613:I puritani
1563:Cao Pinna
1555:Contralto
1469:Argentini
1425:Valentine
1381:Tanglongo
1293:Ciccolini
1282:Paganelli
1271:Romagnoli
1214:Van Hoose
1176:Beniamino
1168:Gualtieri
1120:Donarelli
1085:Diaghilev
1071:Salvatore
1062:Stracciari
1025:Nazzareno
1005:Battistini
912:Caselotti
855:Caporello
782:Benvenuto
763:Pollastri
728:Last Name
518:I lombardi
397:at Rome's
379:I puritani
309:, Volume 2
272:Valmontone
51:1831-08-01
4738:; tenors
4653:music of
4650:bel canto
4638:Don Carlo
4629:Don Carlo
4550:Lohengrin
4474:Stiffelio
4455:Rigoletto
4212:Amonasro
4153:Lothario
3851:Fabrizio
3737:I lituani
3700:Marinella
3693:Piacenza
3675:Petrella
3656:Petrella
3637:Petrella
3618:Petrella
3599:Petrella
3580:Petrella
3524:Pedrotti
3506:Pedrotti
3487:Pedrotti
3468:Pedrotti
3441:Alcandro
3400:Birichino
3347:Papageno
3157:Manfredo
3108:Massenet
3089:Mascagni
2940:Lenepveu
2876:Ruggiero
2854:Cinq-Mars
2801:Valentin
2782:Gonzales
2740:Rosamonda
2715:Gammieri
2707:Plunkett
2533:I martiri
2343:Belisario
2308:Lanciano
2295:De Giosa
2204:Clementi
2185:Cimarosa
2166:Cimarosa
1997:Bevenuti
1951:Riccardo
1878:Lanciano
1872:Esmeralda
1865:Battista
1776:Composer
1649:Toscanini
1601:Don Carlo
1527:Kastorsky
1523:Vladimir
1510:Virgilio
1502:Di Lelio
1444:Giuseppe
1414:Casolari
1403:Blackman
1378:Vincenzo
1345:Manfredo
1337:Pasinati
1268:Giuliano
1189:Pasquale
1147:Baritone
1136:Baritone
1128:Marcello
1123:Baritone
1101:Baritone
1088:Baritone
1077:Baritone
1066:Baritone
1058:Riccardo
1053:Baritone
1042:Baritone
1039:Shevelev
1031:Baritone
1020:Baritone
1009:Baritone
996:Baritone
985:Baritone
982:Emiliani
974:Baritone
961:Baritone
950:Baritone
947:Pasinati
939:Baritone
928:Baritone
924:De Reszke
904:Baritone
896:Giuseppe
891:Baritone
885:Giuseppe
880:Baritone
877:Bernabei
869:Baritone
858:Baritone
852:Domenico
847:Baritone
834:Baritone
823:Baritone
820:Ferretti
812:Baritone
801:Baritone
788:Baritone
777:Baritone
766:Baritone
755:Baritone
742:Baritone
699:, 1963).
594:Bottesini
580:Trovatore
552:Barcelona
550:; and at
544:Trovatore
495:Trovatore
483:Rigoletto
357:Rigoletto
352:Trovatore
198:Signature
141:1851â1918
107:Education
82:Monuments
5376:5 August
5345:5 August
5311:3 August
5238:2 August
5089:(4): 446
5062:3 August
5016:3 August
4921:6 August
4831:Le Nozze
4595:Bologna
4576:Bologna
4573:Wolfram
4516:Di Luna
4500:Viterbo
4497:Germont
4440:Nabucco
4424:Viterbo
4402:Macbeth
4348:Spoleto
4231:Egberto
4196:Bologna
4175:Bologna
4161:Ventura
4086:Sanelli
4046:Rossini
4027:Rossini
4019:Faraone
4008:Rossini
3989:Rossini
3970:Rossini
3951:Rossini
3943:Dandini
3932:Rossini
3913:Rossini
3796:Lescaut
3785:Puccini
3741:Arnoldo
3722:Barnaba
3610:Arnaldo
3538:Trieste
3498:Candido
3404:Blachot
3393:Mugnone
3236:Bologna
3233:NĂ©lusko
3198:Perugia
3134:St. Paul
3077:Ruy Blas
3040:Preziosa
3028:Bologna
3015:Lucilla
3010:Bologna
2997:Lucilla
2985:Christus
2917:Bologna
2820:Jupiter
2752:Gentili
2744:Edgardo
2733:Gentili
2632:Claudio
2521:Spoleto
2499:Alfonso
2461:Antonio
2423:Alfonso
2404:Belcore
2350:Trieste
2313:Delibes
2290:Orvieto
2218:Bologna
2130:Capocci
2111:Cagnoni
2106:Trieste
2093:Cagnoni
2075:Cagnoni
1978:Berlioz
1970:Rodolfo
1959:Bellini
1940:Bellini
1932:Lorenzo
1921:Bellini
1913:Filippo
1902:Bellini
1727:and Sir
1704:â
1686:â
1668:â
1560:Cecilia
1544:Soprano
1499:Umberto
1477:Tadeusz
1455:Irnerio
1433:Gennaro
1422:Filippo
1392:Berardi
1389:Berardo
1367:Rinaldo
1348:Miselli
1326:Lucenti
1255:Giacomo
1244:Giacomo
1211:Ellison
1165:Armando
1156:Giorgini
1144:Zaleski
1109:Dolinin
1050:Pirrone
1047:Onofrio
1036:Nikolai
993:Basiola
966:Mariano
831:Perrone
771:Augusto
747:Alfredo
616:Attila.
590:La Scala
576:Barbiere
564:Traviata
491:Traviata
300:â
276:Velletri
227:baritone
128:baritone
125:Operatic
5485:YouTube
5464:(Ed.),
5428:Sources
5203:30 July
5147:30 July
5121:30 July
4992:30 July
4961:30 July
4671:verismo
4634:Bologna
4562:Wagner
4543:Wagner
4519:Madrid
4481:London
4436:Nabucco
4398:Macbeth
4383:Miller
4364:Pagano
4310:London
4291:London
4272:Dublin
4269:Renato
4189:Valeria
4142:Thomas
4137:London
4134:Hamlet
4123:Thomas
4104:Sinico
4022:London
3965:London
3927:Genova
3924:Figaro
3854:Venice
3762:London
3756:Gelmina
3648:Arbace
3629:Marino
3606:Celinda
3535:AbdalĂ
3430:Pacini
3425:Bilbao
3412:Pacini
3407:Venice
3388:London
3374:Mozart
3369:London
3366:Figaro
3355:Mozart
3350:London
3336:Mozart
3331:London
3317:Mozart
3312:London
3298:Mozart
3293:London
3290:Nevers
3274:London
3255:London
3248:Dinorah
3214:Publio
3195:Orazio
3179:Modena
3084:Venice
2989:Christ
2954:London
2951:Teuter
2947:Velleda
2903:HĂ©rold
2898:London
2884:HĂ©rold
2879:London
2872:L'ebrea
2865:Halévy
2847:Gounod
2842:London
2828:Gounod
2809:Gounod
2790:Gounod
2785:London
2759:Werther
2710:Madrid
2696:Flotow
2691:London
2677:Flotow
2672:Torino
2654:Milano
2640:Faccio
2635:Genova
2621:Faccio
2616:Modena
2578:Bilbao
2575:Volmar
2556:Severo
2552:Poliuto
2537:Severo
2502:London
2480:Enrico
2464:Genova
2388:London
2369:London
2254:London
2248:Estella
2223:Coccia
2215:Iacopo
2199:Madrid
2180:London
2122:Hassan
2082:Claudia
2054:Brahms
2030:Lisbon
2011:Genova
1973:London
1935:Genova
1916:Venice
1897:London
1890:Fidelio
1860:Lisbon
1857:Pietro
1841:London
1822:London
1790:Amadei
1624:" from
1618:piacere
1536:Carmen
1514:Lazzari
1491:Verger
1411:Emilio
1400:Alfred
1370:Grassi
1359:Bavaro
1356:Nicola
1301:Julian
1247:Eliseo
1233:Franco
1106:Evgeny
1082:Sergei
1001:Mattia
979:Marino
970:Stabile
900:De Luca
874:Ettore
863:Enrico
817:Cesare
806:Cesare
797:Galeffi
785:Franci
760:Amleto
739:Pacini
736:Adolfo
529:Nabucco
420:Foscari
192:
184:
5455:
5441:
5399:
5336:
5302:
5295:Series
5261:
5229:
5194:
5053:
4782:, and
4762:, and
4726:, and
4683:Mozart
4679:Wagner
4665:, and
4618:Legacy
4588:Oberon
4581:Weber
4557:Turin
4538:Turin
4524:Verdi
4505:Verdi
4486:Verdi
4467:Verdi
4448:Verdi
4443:Turin
4429:Verdi
4410:Verdi
4391:Verdi
4386:Turin
4372:Verdi
4367:Milan
4353:Verdi
4334:Verdi
4322:Ernani
4315:Verdi
4296:Verdi
4277:Verdi
4258:Verdi
4246:Attila
4239:Verdi
4234:Turin
4227:Aroldo
4220:Verdi
4201:Verdi
4149:Mignon
4130:Amleto
4118:Milan
4099:Turin
4074:Nerone
4034:Otello
4003:Turin
3908:Turin
3895:Rossi
3890:Turin
3877:Rossi
3859:Ricci
3840:Ricci
3822:Ricci
3804:Ricci
3706:Cuneo
3688:Cuneo
3682:Elnava
3632:Turin
3613:Turin
3594:Turin
3557:Milan
3519:Milan
3501:Milan
3482:Turin
3456:Patria
3385:Count
3160:Cuneo
3115:Le Cid
3100:Alfio
3065:Genoa
3047:Milan
3033:Manna
2978:Liszt
2970:Tonio
2914:Zampa
2771:Gomes
2766:Milan
2628:Amleto
2272:Nizza
2241:Cohen
2125:Milan
2088:Milan
2049:Milan
2023:Carmen
2016:Bizet
1954:Milan
1846:Auber
1827:Auber
1808:Auber
1752:Otello
1637:Hamlet
1620:" in "
1607:Ernani
1549:Marta
1466:Paolo
1436:Curci
1384:Tenor
1373:Tenor
1362:Tenor
1351:Tenor
1340:Tenor
1334:Luigi
1329:Tenor
1323:Luigi
1318:Tenor
1312:Luigi
1307:Tenor
1296:Tenor
1290:Guido
1285:Tenor
1274:Tenor
1263:Tenor
1250:Tenor
1239:Tenor
1228:Tenor
1225:Fusco
1217:Tenor
1206:Tenor
1200:Edgar
1195:Tenor
1192:FuntĂČ
1184:Tenor
1171:Tenor
1160:Tenor
1132:Giorda
1112:Tenor
1093:Titta
1017:Picco
1014:Millo
990:Mario
955:Luigi
944:Luigi
933:Leone
915:Tenor
909:Guido
828:Dante
793:Carlo
578:, and
568:Attila
546:, and
539:Ernani
526:, and
523:Otello
509:, and
360:, and
268:Anagni
252:Melara
173:Spouse
4988:: 202
4798:Notes
4740:Mario
4632:, in
4624:Verdi
4462:Rome
4405:Nice
4329:Rome
4288:Posa
4253:Zara
4250:Ezio
4180:Vera
4156:Rome
4062:Rome
4041:Nice
4038:Iago
3946:Nice
3872:Nice
3835:Nice
3817:Nice
3780:Rome
3575:Rome
3543:Peri
3463:Rome
3437:Saffo
3252:Hoël
3217:Nice
3141:Rome
3138:bass
2992:Rome
2935:Nice
2910:Zampa
2804:Rome
2797:Faust
2747:Rome
2703:Marta
2597:Nice
2483:Rome
2445:Rome
2426:Rome
2407:Rome
2236:Asti
2161:Lugo
2143:Rome
2070:Rome
1992:Rome
1803:Lugo
1782:Role
1582:Range
1573:Voice
1540:Melis
1531:Bass
1518:Bass
1505:Bass
1494:Bass
1488:Tito
1483:Bass
1480:Orda
1472:Bass
1461:Bass
1450:Bass
1439:Bass
1428:Bass
1417:Bass
1406:Bass
1395:Bass
1304:Biel
1222:Enzo
1180:Gigli
1097:Ruffo
936:Paci
920:Jean
866:Nani
843:Gilly
839:Dinh
774:Beuf
751:Costa
572:Gemma
560:Saffo
477:with
475:Linda
413:Turin
320:Debut
231:opera
186:(
182:
146:Title
100:Verdi
5453:ISBN
5439:ISBN
5397:ISBN
5378:2014
5347:2014
5334:ISBN
5313:2014
5300:ISBN
5259:ISBN
5240:2014
5227:ISBN
5205:2014
5192:ISBN
5149:2014
5123:2014
5095:2018
5064:2014
5051:ISBN
5018:2014
4994:2014
4963:2014
4923:2014
4788:Foli
4208:AĂŻda
4168:Alda
4015:MosĂš
3644:Ione
1590:to B
1117:Ugo
602:Peri
558:for
435:Nice
422:and
407:and
391:and
344:and
247:Rome
96:Toto
70:Died
59:Rome
41:Born
5483:on
5188:227
4876:.'
1723:,
604:'s
554:'s
470:bis
460:'s
254:).
5501::
5370:59
5368:.
5364:.
5190:.
5157:^
5140:.
5103:^
5087:15
5085:.
5081:.
5026:^
4984:.
4980:.
4931:^
4909:.
4873:pp
4866:ff
4859:pp
4852:pp
4794:.
4778:,
4774:,
4770:,
4758:,
4750:,
4746:,
4742:,
4722:,
4718:,
4714:,
4710:,
4706:,
4699:.
4661:,
4657:,
625:,
596:'s
574:,
570:,
566:,
562:,
542:,
536:,
513:.
505:,
501:,
497:,
493:,
489:,
485:,
481:,
370:;
354:,
270:,
188:m.
61:,
5405:.
5380:.
5349:.
5315:.
5267:.
5242:.
5207:.
5151:.
5125:.
5097:.
5066:.
5020:.
4996:.
4986:2
4965:.
4925:.
1596:1
1592:4
1588:1
216:(
102:)
53:)
49:(
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