209:)), but castigating the script as "threadbare and shallow... piece of mediocrity" and avering that "there is little in the score that is original or infectious" save for a few numbers, notably
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Shortly after the opening, Davis was sidelined in a car crash, and lyricist Cahn himself served as a temporary replacement. The production then moved on
December 13 to the
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gave a review favorable in some respects, praising the sets, costume, and cast ("The bounty of gals on deck lean definitely to the looker side" (
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as an "awe-inspiringly hideous train-wreck of a musical", and it is not known to have been staged since its 1944–45 flop.
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The production involved the efforts of several current or future entertainment-world luminaries: music and lyrics were by
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390:. Vol. 56, no. 48. Cincinnati: The Billboard Publishing Company. November 25, 1944. p. 30
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in Boston, where
Berkeley left the show to return to Hollywood (being replaced by Charles Conaway) and
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was drafted for the starring role. It closed there on
January 6, 1945, having never made it to
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567:"Guess I'll Hang My Tears Out To Dry – Sinatra Song of the Century #36"
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The Sound of
Broadway Music: A Book of Orchestrators and Orchestrations
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had been planned for the starring role ("Glad to see you" was
Silvers'
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120:(now the Miller) on November 13, 1944, where it was poorly received.
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but flopped, closing after out-of-town tryouts and never opening in
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350:. Screen Classics. University Press of Kentucky. p. 309.
481:(5 ed.). Hal Leonard Corporation. 1997. p. 185.
85:), of a nightclub entertainer who tours USO clubs in the
26:
510:"The Boston Opera House – Glad To See You (Playbill)"
445:"How Arrested Development Reinvented the Catchphrase"
112:The production was not a success. It tried out in
25:. The musical, which involves the adventure of a
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315:"Off-Broadway/Regional – Glad To See You (1944)"
253:"Most Unusual Weather (For This Time of Year)"
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537:. Oxford University Press. pp. 385–386.
219:, writing retrospectively in 2015, described
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231:The musical included the following songs:
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179:) was recycled and used in the 1950 film
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284:"Grown-Ups Are the Stupidest People"
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149:Guess I'll Hang My Tears Out to Dry
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275:"I'll Hate Myself in the Morning"
478:The Ultimate Broadway Fake Book
412:The Routledge Guide to Broadway
319:The Official Jule Styne Website
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151:", sung by Withers, became a
87:Pacific Theater of Operations
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241:"I Murdered Them in Chicago"
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633:Musicals about World War II
565:Mark Steyn (June 1, 2015).
443:Ben Yagoda (June 3, 2013).
256:"Any Fool Can Fall in Love"
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415:. Routledge. p. 516.
287:"Love and I Went Waltzing"
250:"I Don't Love You No More"
69:, set and light design by
344:Spivak, Jeffrey (2010).
281:"I'm Laying Away a Buck"
531:Suskin, Steven (2009).
247:"Ladies Don't Have Fun"
185:, where it was sung by
512:. Boston Opera House
211:Most Unusual Weather
182:The West Point Story
93:with Fred Thompson.
21:was a 1944 American
409:Bloom, Ken (2006).
259:"Come On! Come On!"
33:, was intended for
278:"So This Is Italy"
139:In popular culture
73:, and costumes by
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592:"Glad To See You"
544:978-0-19-530947-8
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599:. Retrieved
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187:James Cagney
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153:pop standard
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95:Jane Withers
79:Phil Silvers
63:choreography
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31:World War II
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165:Ray Charles
125:Opera House
103:Sammy White
99:June Knight
83:catchphrase
617:Categories
292:References
217:Mark Steyn
145:torch song
107:Gene Barry
71:Howard Bay
55:Sammy Cahn
51:Jule Styne
45:Production
601:April 10,
576:April 10,
550:April 10,
516:April 10,
494:April 10,
394:April 10,
388:Billboard
363:April 10,
324:April 10,
199:Billboard
193:Reception
169:Mel Tormé
428:July 18,
177:Brooklyn
133:Broadway
39:New York
35:Broadway
204:transl.
61:, with
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603:2017
578:2017
552:2017
539:ISBN
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483:ISBN
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430:2021
417:ISBN
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365:2017
352:ISBN
326:2017
97:and
53:and
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27:USO
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