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Hanns Eisler

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522: 605: 246:, Op. 11. The work is dedicated to Margot Hinnenberg-Lefebre. Though not written in the twelve-tone technique, it was perhaps the forerunner of a musical art style later known as "News Items" (or perhaps better characterized as "news clippings") – musical compositions that parodied a newspaper's content and style, or that included lyrics lifted directly from newspapers, leaflets, magazines or other written media of the day. The cycle parodies a newspaper's layout and content, with the songs comprising it given titles similar to headlines. Its content reflects Eisler's socialist leanings, with lyrics memorializing the struggles of ordinary Germans subject to post–World War I hardships. 183: 275:" became a popular militant anthem sung in street protests and public meetings throughout Europe, and their "Ballad of Paragraph 218" was the world's first song protesting laws against abortion. Brecht-Eisler songs of this period tended to look at life from "below"—from the perspective of prostitutes, hustlers, the unemployed and the working poor. In 1931–32 he collaborated with Brecht and director 33: 2673: 2661: 511:
I leave this country not without bitterness and infuriation. I could well understand it when in 1933 the Hitler bandits put a price on my head and drove me out. They were the evil of the period; I was proud at being driven out. But I feel heartbroken over being driven out of this beautiful country in
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Eisler collaborated with Brecht until the latter's death in 1956. He never recovered completely from his friend's demise, and his remaining years were marred by depression and declining health. He died of a heart attack (his second) in East Berlin in September 1962, and is buried near Brecht in the
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Arnold Pistiak (2009). "Skovbostrand 1937: Nein und Ja. Erinnerung an Hanns Eislers Kantaten auf Texte von Ignazio Silone und Bertolt Brecht" [Skovbostrand 1937: No and yes. Remeniscences to Hanns Eisler's cantatas on texts by Ignazio Silone and Bertolt Brecht]. In Frank Stern (ed.).
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pushed those debates from the agenda. Eisler fell into a depressive mood, and did not write the music for the opera. In his last work, "Ernste Gesänge" (Serious Songs), written between spring 1961 and August 1962, Eisler attempted to work through his depression, taking up the
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album (1998). In the song, an introspective Guthrie asked himself what he would do if called to testify before the House Committee on Un-American Activities: "I don't know what I'll do / I don't know what I'll do / Eisler's on the come and go / and I don't know what I'll do."
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Eisler is part of the most precious legacy which they must appropriate. And if I can contribute something to that, by telling people here (in America) about Eisler – from my very limited perspective, of course – then it's a good thing and I'm happy about it.
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organ, which disapproved of the negative depiction of Faust as a renegade and accused the work of being "a slap in the face of German national feeling" and of having "formalistically deformed one of the greatest works of our German poet Goethe"
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in 1920; they separated in 1934. In 1925, he moved to Berlin—then a hothouse of experimentation in music, theater, film, art and politics. There he became an active supporter of the Communist Party of Germany and became involved with the
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and wrote experimental chamber and documentary music. In 1942, he moved to Los Angeles where he joined Brecht, who had arrived in California in 1941 after a long trip eastward from Denmark across the Soviet Union and the Pacific Ocean.
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Hearings regarding Hanns Eisler. Hearings before the Committee on Un-American Activities, House of Representatives, Eightieth Congress, first session, Public law 601 (section 121, subsection Q (2) ) Sept. 24, 25, and 26,
223:, who would grow up to become an important painter, was born. His music became increasingly oriented towards political themes and, to Schoenberg's dismay, more "popular" in style with influences drawn from 2803: 301:, Denmark, Eisler traveled for a number of years, working in Prague, Vienna, Paris, London, Moscow, Spain, Mexico and Denmark. He made two visits to the US, with speaking tours from coast to coast. 873:" ("United Front Song"); "Saarlied" ("Saar Song"), "Lied gegen den Krieg" ("Song Against War"), "Ballade von der Judenhure Marie Sanders" ("Ballad of the Jews' Whore Marie Sanders"), songs from 1287:; "Die Teppichweber von Kujan-Bulak" ("The Carpetweavers of Kujan-Bulak", with Brecht); "Lied der Tankisten" (text by Weinert); "Regimenter gehn"; "Marsch der Zeit" ("March of Time", after 314:: Song of the Worker's United Front). The song was very easy to follow, and it was written that way so workers who didn't have much musical training could sing it. The song is quite 357:. From 1927 to the end of his life, Eisler wrote the music for 40 films, making film music the largest part of his compositions after vocal music for chorus and/or solo voices. 749:) for chorus and small orchestra, Op. 16; Six Lieder (after Weinert, Weber, Jahnke and Vallentin); "Lied der Werktätigen" ("Song of the Working People"; with Stephan Hermlin) 2001: 2743: 1214: 2139: 992:"Friedenssong" ("Peace Song", after Petere); "Kammerkantaten" ("Chamber Cantatas"); Ulm 1592; "Bettellied "("Begging Song", with Brecht); "Lenin Requiem" (with Brecht) 2768: 627:
with its demise of the Stalin cult, as a sign of hope for a future enabling to "live without fear". Although he continued to work as a composer and to teach at the
727:); "Kumpellied"; "Red Sailors' Song"; "Couplet vom Zeitfreiwilligen"; "Newspaper's Son"; "Auch ein Schumacher (verschiedene Dichter)"; "Was möchst du nicht" (from 624: 631:, the gap between Eisler and the cultural functionaries of East Germany grew wider in the last decade of his life. During this period, he befriended musician 597:). Eisler's opera project was discussed in three of the bi-weekly meetings "Mittwochsgesellschaft" of a circle of intellectuals under the auspices of the 2194: 1739:, then serving his first term as a U.S. Congressman, 'the case of Hanns Eisler' was 'perhaps the most important ever to have come before the committee'. 2064: 2034: 836:, Op. 24 ("Niemandsland"); Three Songs after Erich Weinert; "Das Lied vom vierten Mann" ("The Song of the Fourth Man"); "Streiklied" ("Strike Song"); 1459: 1664: 2763: 2352: 1252: 2773: 1492: 628: 2636: 2127:"From the People to the People: The Reception of Hanns Eisler's Critical Theory of Music in Spain through the Writings of Otto Mayer-Serra 2808: 2798: 444:, the composer was accused of being "the Karl Marx of music" and the chief Soviet agent in Hollywood. Among his accusers was his sister 116: 1762:] (originally written as 1976 PhD thesis) (in German). Berlin (GDR), and Meisenheim an der Glan (FRG): Akademie Verlag, and Hain. 576:, written by Eisler himself, was published in the fall of 1952. It portrayed Faust as an indecisive man who betrayed the cause of the 2723: 2703: 2276: 1760:
Hanns Eisler in the US-American Exile. The positions of the composer regardting politics, estetics, and composition from 1938 to 1948
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In several chamber and choral compositions of this period, Eisler returned to the twelve-tone method he had abandoned in Berlin. His
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and tried to promote him (but in 1976, Biermann would be stripped of his GDR citizenship while on concert tour in West Germany).
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On 1 February 1940, he began work on the "Research Program on the Relation between Music and Films" funded by a grant from the
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army and was wounded several times in combat. Returning to Vienna after Austria's defeat, he studied from 1919 to 1923 under
521: 2778: 2728: 1276:) ("Four Scenes from the Country", after Erwin Strittmatter); Children's Songs (after Brecht); "Fidelio" (after Beethoven) 1260:; "Im Blumengarten" ("In the flower garden"); "Die haltbare Graugans"; Three Lieder after Brecht; music for the 1955 film 2713: 2345: 1359: 2733: 2161: 1767: 1460:"A Communist's Career – The 'Story of Eisler – For Thirty Years His Has Been a Life of Adventure on Three Continents" 333:
In the U.S., Eisler composed music for various documentary films and for eight Hollywood film scores, two of which –
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Hanns Eisler im USA-Exil: zu den politischen, ästhetischen und kompositorischen Positionen des Komponisten 1938–1948
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happened at about the same time. The collaboration between the two artists lasted for the rest of Brecht's life.
2818: 2338: 1875: 1527: 472:—organized benefit concerts to raise money for his defense fund, but he was deported early in 1948. Folksinger 267:(1957). They also collaborated on protest songs that celebrated, and contributed to, the political turmoil of 167:, writing books against her former political affiliation, and even testifying against her brothers before the 1714: 875: 2072: 2042: 2758: 1219: 619: 2285: 1692:]. Feuchtwanger Studies, Volume 2 (in German). Bern: Peter Lang (published 2011). pp. 305–331. 1479: 476:
protested the composer's deportation in his lyrics for "Eisler on the Go"—recorded fifty years later by
2753: 2651: 2427: 1134: 879:; "Sklave, wer wird dich befreien" ("Slave, who will liberate you"; with Brecht); "California Ballad"; 550: 413: 160: 2300: 2294: 1246: 863: 103:(6 July 1898 – 6 September 1962) was a German-Austrian composer. He is best known for composing the 2624: 2527: 2437: 1909:. Remarks occasioned by the publication of the opera text "Johannes Faustus" by Hanns Eisler]. 1301: 903: 799: 257: 2272: 1502: 448:, who also testified before the Committee that her other brother, Gerhart, was a Communist agent. 2522: 1201: 640: 612: 581: 546: 216: 104: 2457: 1905:. Bemerkungen aus Anlaß des Erscheinens des Operntextes "Johann Faustus" von Hanns Eisler" [ 1235:
1952: "Das Lied vom GlĂĽck" ("The Song of Happiness"; after Brecht); "Das Vorbild" (after Goethe)
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beginning on 13 May 1953. The last of these meetings took place on Wednesday, 10 June 1953.
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1928: "Drum sag der SPD ade"; "Lied der roten Matrosen" ("Song of the Red Sailors", with
433: 251: 735: 2502: 2397: 2126: 1464: 1206: 1148: 661: 322: 2597: 2310: 2247: 2220: 2157: 2105: 1937: 1797: 1789: 1763: 1693: 1374: 1310: 1099: 1080: 870: 585: 500: 469: 392: 384: 373: 335: 306: 199: 2512: 2181: 2035:"Hanns Eisler DVD-Edition Rockefeller Filmmusik Projekt 1940–42: A Child went forth" 2665: 2629: 2614: 2507: 2387: 2330: 1348: 1344: 1154: 1123: 1075: 1069:); "14 Arten den Regen zu beschreiben" (14 ways to describe rain) (inspired by the 1042: 724: 311: 211: 2422: 405: 2582: 2557: 2477: 2402: 2377: 2289: 2099: 1900: 1497: 1442: 1352: 1139: 811: 594: 461: 457: 272: 268: 195: 1295:); "Sputnik-Lied" ("Sputnik Song", text of Kuba (Kurt Barthel)); film music for 2609: 2572: 2547: 2452: 2407: 1643: 1621: 1515:
Gerhart Eisler ... had just been accused of being the No. I U.S. Communist
1321: 1176: 1046: 928: 783: 771: 763: 709: 558: 526: 486: 397: 326: 232: 152: 112: 2171: 1962:"Hanns Eisler: Life: Interview with Wolf Biermann (also about Gerhart Eisler)" 828:(texts by Brecht) with the famous "Ballad of the Pirates", "Song of Mariken", 2687: 2542: 2492: 2487: 2467: 2462: 2447: 2065:"Hanns Eisler DVD-Edition Rockefeller Filmmusik Projekt 1940–42: White Flood" 1957: 1736: 1669: 1128: 1038: 716: 632: 577: 473: 465: 396:(1935–57)—a choral symphony in eleven movements based on poems by Brecht and 346: 315: 163:
in the mid-1920s. After emigrating to North America, she turned into an anti-
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and incidental music for theater, films, television and party celebrations.
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Feuchtwanger und Exil. Glaube und Kultur 1933 – 1945. "Der Tag wird kommen"
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Feuchtwanger and Exile. Belief and Culture 1933–1945. "The day will come"
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1948: "Lied ĂĽber die Gerechtigkeit" ("Song of Justice", after W. Fischer)
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In 1938, Eisler finally managed to emigrate to the United States with a
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for chorus, solo voices and two pianos for a New York stage production
139:, a professor of philosophy, and Marie Ida Fischer. His father was an 2417: 2365: 1665:"Karyn Levitt to Perform Eric Bentley's Brecht–Eisler Song Book, 2/3" 939: 779: 608: 298: 207: 164: 1879: 1086:
1942: "Hollywood-Elegien" ("Hollywood Elegies"; with Brecht) in the
866:); reissued as instrumental piece Op. 30 ("Die Jugend hat das Wort") 678:
1922: Allegro moderato and Waltzes; Allegretto and Andante for Piano
584:. In May 1953, Eisler's libretto was attacked by a major article in 182: 2472: 2173:"They Called Me An Alien": Hanns Eisler's American Years, 1935–1948 573: 429: 304:
In 1934, Eisler composed music for a song written by Brecht called
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After 1933, Eisler's music and Brecht's poetry were banned by the
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Die Debatte um Hanns Eislers "Johann Faustus": eine Dokumentation
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Transcript of those sessions together with related documents in
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Academic staff of the Hochschule fĂĽr Musik Hanns Eisler Berlin
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Hanns Eisler – biography, bibliography, works and discography.
2156:] (in German). MĂĽnchen: edition text+kritik. p. 252. 1934:
The debate on Hanns Eisler's "Johann Faustus": a documentation
1597:"Marxist Theory of Art: United Front Song (Einheitsfrontlied)" 1228:
1950: "Mitte des Jahrhunderts" (after Becher); Four Lieder on
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Eisler's promising career in the U.S. was interrupted by the
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1932: "Ballad of the Women and the Soldiers" (with Brecht);
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of Eisler and his third wife Stephanie (Steffy) Wolf at the
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was Bertolt Brecht, who wrote the story along with director
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Musicologica Austriaca. Journal for Austrian Music Studies
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On 26 March 1948, Eisler and his wife, Lou, departed from
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Redaktionskollegium "Neues Deutschland" (14 May 1953). "
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20th Congress of the Communist Party of the Soviet Union
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News Items: An Exploratory Study of Journalism in Music
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His most ambitious project of the period was the opera
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Eisler wrote music for several Brecht plays, including
2303:(projected publication of all his scores and writings) 529:, his close friend and collaborator, East Berlin, 1950 2649: 2246:. MĂĽnchen: Edition Elke Heidenreich bei Bertelsmann. 1993: 1133:
1946: "GlĂĽckliche Fahrt" ("Prosperous Voyage", after
194:, Hanns Eisler served as a front-line soldier in the 2360: 2240:
Hanns Eisler – Composer, Cosmopolitan, Revolutionist
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Hanns Eisler. Musik einer Zeit, die sich eben bildet
1838: 1721:. North American Hanns Eisler Forum. Archived from 1646:. Academy of Motion Picture Arts and Sciences. 1945 1624:. Academy of Motion Picture Arts and Sciences. 1944 1418:. North American Hanns Eisler Forum. Archived from 507:. Before he left, he read the following statement: 368:and The New School. This work resulted in the book 2744:Austro-Hungarian military personnel of World War I 2236:Hanns Eisler – Komponist, WeltbĂĽrger, Revolutionär 2135:Ă–sterreichische Gesellschaft fĂĽr Musikwissenschaft 1950: 1774:Includes a German translation of the HUAC hearings 1538: 1391: 1314:(after texts of Bertolt Brecht and Ignazio Silone) 708:; Ten Lieder; Three Songs for Men's Chorus (after 660:); "Wenn es nur einmal so ganz still wäre" (after 174:At age 14, Eisler joined a socialist youth group. 2033:Internationale Hanns-Eisler-Gesellschaft (2012). 1822:. U.S. Government Printing Office. Archived from 1485: 177: 2769:Recipients of the National Prize of East Germany 2685: 2195:"The Wire playlist: Hanns Eisler fighting songs" 1936:] (in German). BasisDruck. pp. 45–248. 1715:"Hanns Eisler: Life: Eisler in the McCarthy Era" 1706: 1636: 1614: 1403: 1335:1962: "Ernste Gesänge" ("Serious Songs"), seven 1199:; "Lied ĂĽber den Frieden" ("Song about Peace"); 1065:, 20 children songs for female choir written in 943:for solo voice, strings and woodwind instruments 432:. He was one of the first artists placed on the 1903:Das "Faust"-Problem und die deutsche Geschichte 1412:"Hanns Eisler: Life: BBC Composer of the Month" 957:(Man lebt von einem Tag zu dem andern), Op. 62; 927:1937: Seven cantatas based on texts taken from 390:Eisler's works of the 1930s and 1940s included 349:in 1944 and 1945 respectively. Also working on 1682: 1028:), reissued as Suite for Septet No. 1, op. 92a 364:, which he got with the help of film director 155:, was a Communist journalist, and his sister, 2346: 1956: 1894: 1777: 1451: 1317:1958: "Am 1. Mai" ("To May Day", with Brecht) 1007:1938: Theme and Variations "Der lange Marsch" 494: 325:. In New York City, he taught composition at 115:, and for the scores he wrote for films. The 2209:"Bertolt Brecht and the Politics of Secrecy" 1917: 1744: 1644:"Oscar Legacy • 17th Academy Awards Winners" 1622:"Oscar Legacy • 16th Academy Awards Winners" 1676: 1373:. New York: International Publishers, 1978 400:—and a cycle of art songs published as the 2353: 2339: 2154:Hanns Eisler. Music of a time in formation 1907:The "Faust"-Problem and the German History 1594: 687:1923: Divertimento for wind quintet, Op. 4 31: 2277:International Music Score Library Project 1360:List of works by Hanns Eisler (in German) 456:Eisler's supporters—including his friend 442:House Committee on Un-American Activities 111:, for his long artistic association with 2176:. M.A. thesis. Arizona State University. 1750: 1225:, collection of songs to texts by Becher 603: 520: 242:In 1929, Eisler composed the song cycle 181: 117:Hochschule fĂĽr Musik Hanns Eisler Berlin 16:Austrian and German composer (1898–1962) 1999: 1844: 1560:. Hackensack, New Jersey: Boonin, 1972. 1457: 2764:People deported from the United States 2686: 2268:The International Hanns Eisler Society 2219:(in German). Hildesheim: Olms Verlag. 2192: 2179: 1520: 1440: 1291:); Three Lieder (after Mayakovsky and 1137:); Songs and ballad for Brecht's play 997:Cantata on Herr Meyers' First Birthday 810:1931: "Lied der roten Flieger" (after 169:House Un-American Activities Committee 2334: 1928:(1991). Brecht-Zentrum Berlin (ed.). 1924: 1205:(National Anthem of the DDR (text by 1020:1941: Music for the documentary film 1013:1940: Music for the documentary film 918:for solo voices, chorus and orchestra 818:(after Frank, Weinert) from the film 684:1923: Divertimento; Four Piano Pieces 440:bosses. In two interrogations by the 423: 231:. At the same time, he drew close to 143:of Jewish descent and his mother was 2774:Musicians from the Kingdom of Saxony 2097: 1712: 1582: 1544: 1409: 1397: 675:); "Sehr leises Gehn im lauen Wind"; 381:Fourteen Ways of Describing the Rain 122: 1595:Hirschfeld, Eugene (31 July 2010). 1371:A Rebel in Music: Selected Writings 557:-style songs to satirical poems by 13: 2809:20th-century German male musicians 2799:Austrian emigrants to East Germany 2119: 1501:. 17 February 1947. Archived from 1458:Freeman, Ira Henry (22 May 1949). 1253:Herr Puntila and His Servant Matti 1188:1948: OuvertĂĽre zu einem Lustspiel 967:Kantate auf den Tod eines Genossen 862:with "Song from the Urals" (after 516: 404:(1938–43). With lyrics by Brecht, 372:which was published in 1947, with 14: 2830: 2283:North American Hanns Eisler Forum 2261: 2125:Alonso, Diego. (6 December 2019) 2101:Hanns Eisler – Political Musician 1735:To the rising anticommunist star 1563: 1493:"Communists: The Man from Moscow" 1112:; "Deutsche Misere" (with Brecht) 731:); "Wir sind das rote Sprachrohr" 451: 2724:Twelve-tone and serial composers 2704:20th-century classical composers 2671: 2659: 1820:McCarthy Hearings 1953–54 Vol. 2 1320:1959: 36 more songs on texts by 1232:; Children's Songs (with Brecht) 876:Die Rundköpfe und die Spitzköpfe 786:, Wiesner-Gmeyner, and Arendt); 2719:German male classical composers 1868: 1808: 1658: 1588: 1109:Schweik in the Second World War 690:1924: Piano Sonata No. 2, Op. 6 681:1923: Piano Sonata No. 1, Op. 1 646: 264:Schweik in the Second World War 147:. In 1901, the family moved to 2242:] (in German). Preface by 2104:. Cambridge University Press. 2091: 1550: 1434: 807:), for small theatre orchestra 327:New School for Social Research 178:Early years and Bertolt Brecht 1: 2784:20th-century German composers 2301:Hanns Eisler Complete Edition 2193:CrĂ©pon, Pierre (March 2023). 2180:Schell, Michael (July 2023). 2000:Jackson, Margaret R. (2003). 1384: 1118:1943: Kammer-Sinfonie, Op. 69 854:, Music for the Russian film 843:1932: Kleine Sinfonie, Op. 29 2709:Austrian classical composers 2234:WiĂźmann, Friederike (2012). 620:East German uprising of 1953 127:Johannes Eisler was born in 7: 2779:Pupils of Arnold Schoenberg 2729:German film score composers 2273:Free scores by Hanns Eisler 1444:The Men in the Trojan Horse 1364: 1175:1948: Incidental music for 1079:(1929), later dedicated to 803:) by Bertolt Brecht (after 271:in the early 1930s. Their " 252:The Decision (Die MaĂźnahme) 10: 2835: 2714:German classical composers 1986:– Originally published in 1410:Levi, Erik (August 1998). 1357: 1285:Bilder aus der Kriegsfibel 1004:1938: FĂĽnf OrchesterstĂĽcke 793:1931 incidental music for 770:(after Weber, Brecht, and 656:("Die Mausefalle") (after 551:German Democratic Republic 495:On departing from the U.S. 279:on the working-class film 161:Communist Party of Germany 2734:Male film score composers 2373: 1281:Sturm-Suite fĂĽr Orchester 1270:Vier Szenen auf dem Lande 1215:Neue deutsche Volkslieder 698:Tagebuch des Hanns Eisler 654:Gesang des Abgeschiedenen 342:None but the Lonely Heart 235:, whose own turn towards 90: 67: 42: 30: 23: 2528:Gottfried Michael Koenig 1528:"The Karl Marx of Music" 1441:Singer, Kurt D. (1953). 1115:1943: Piano sonata no. 3 1031:1940/41: Film music for 963:(Kantate im Exil No. 2); 840:, Op. 26 ("Kuhle Wampe") 734:Between 1929 and 1931: " 693:1925: Eight Piano Pieces 629:East Berlin conservatory 525:Hanns Eisler (left) and 288: 2794:Political music artists 2789:National anthem writers 2148:Betz, Albrecht (1976). 2098:Betz, Albrecht (1982). 1845:Guthrie, Woody (1948). 1573:. Abilene, Texas: 1992. 1202:Auferstanden aus Ruinen 1058:Woodbury-LiederbĂĽchlein 979:Die den Mund auf hatten 832:(with Bertolt Brecht); 641:Dorotheenstadt cemetery 613:Dorotheenstadt Cemetery 370:Composing for the Films 186:Eisler in uniform, 1917 2814:Victims of McCarthyism 2749:Musicians from Leipzig 2739:Second Viennese School 2588:Second Viennese School 1351:, Helmut Richter, and 1297:Les Sorcières de Salem 1166:The Woman on the Beach 1146:1946: Film scores for 1088:Hollywooder Liederbuch 1083:for his 70th birthday) 706:11 Zeitungsausschnitte 615: 599:Berlin Academy of Arts 530: 514: 362:Rockefeller Foundation 210:technique. He married 187: 159:, was a leader of the 2819:East German musicians 2620:Karlheinz Stockhausen 2578:Einojuhani Rautavaara 2326:Hanns Eisler FBI File 2215:Weber, Horst (2012). 1713:Lang, Andrew (2005). 1601:Marxist Theory of Art 1358:Further information: 1250:, music for the film 1121:1945: Film score for 1097:1943: Film music for 1067:Woodbury, Connecticut 1034:The Forgotten Village 885:Prelude and Fugue on 762:, LehrstĂĽck, text by 729:Des Knaben Wunderhorn 702:Diary of Hanns Eisler 658:Christian Morgenstern 607: 537:, and later moved to 524: 509: 345:– were nominated for 185: 2563:Krzysztof Penderecki 2518:Josef Matthias Hauer 2458:AndrĂ© Boucourechliev 2413:Osvaldas Balakauskas 2321:Georg Eisler Gallery 2316:Hanns Eisler Project 2170:Boyd, Caleb (2013). 2014:on 13 September 2006 1882:on 14 September 2017 1422:on 14 September 2017 1240:Winterschlacht-Suite 1230:Die Tage der Commune 1103:; Piano Sonata No. 3 1052:1940/41: Nonet No. 2 1001:1938: String Quartet 949:Die Römische Kantate 858:(Song of Heroes) by 582:German Peasants' War 512:this ridiculous way. 119:is named after him. 2759:Hollywood blacklist 2483:Niccolò Castiglioni 2288:7 July 2019 at the 1816:"McCarthy Hearings" 1667:by Diana Heisroth, 1585:, pp. 104–106. 1558:Zeitungsausschnitte 1341:Friedrich Hölderlin 1289:Vladimir Mayakovsky 1169:, film directed by 985:Die WeiĂźbrotkantate 580:by not joining the 533:Eisler returned to 434:Hollywood blacklist 410:Friedrich Hölderlin 244:Zeitungsausschnitte 2538:Witold LutosĹ‚awski 2503:Luigi Dallapiccola 2398:Hans Erich Apostel 1847:"Eisler on the Go" 1465:The New York Times 1207:Johannes R. Becher 1160:1947: Septet No. 2 1149:A Scandal in Paris 1092:Hollywood Songbook 1022:A Child went forth 848:Seven Piano Pieces 760:The Measures Taken 662:Rainer Maria Rilke 618:A week later, the 616: 545:, he composed the 531: 460:and the composers 424:HUAC investigation 402:Hollywood Songbook 188: 2754:German communists 2647: 2646: 2598:Arnold Schoenberg 2253:978-3-921402-17-7 2226:978-3-487-14787-1 2111:978-0-521-24022-2 2075:on 6 October 2011 2045:on 6 October 2011 1943:978-3-86163-019-7 1911:Neues Deutschland 1699:978-3-03-430188-6 1673:, 27 January 2014 1569:Thomas, H. Todd. 1505:on 25 August 2008 1311:Deutsche Sinfonie 1100:Hangmen Also Die! 1081:Arnold Schoenberg 1063:Woodbury Songbook 1010:1939: Nonet No. 1 871:Einheitsfrontlied 822:; film music for 586:Neues Deutschland 501:LaGuardia Airport 470:Leonard Bernstein 393:Deutsche Sinfonie 385:Arnold Schoenberg 374:Theodor W. Adorno 351:Hangmen Also Die! 336:Hangmen Also Die! 307:Einheitsfrontlied 200:Arnold Schoenberg 123:Family background 98: 97: 2826: 2676: 2675: 2674: 2664: 2663: 2662: 2655: 2630:Charles Wuorinen 2615:Nikos Skalkottas 2508:Karel Goeyvaerts 2388:Louis Andriessen 2355: 2348: 2341: 2332: 2331: 2257: 2230: 2204: 2189: 2167: 2143: 2115: 2085: 2084: 2082: 2080: 2061: 2055: 2054: 2052: 2050: 2041:. Archived from 2030: 2024: 2023: 2021: 2019: 2013: 2006: 1997: 1991: 1985: 1979: 1977: 1960:(October 1983). 1954: 1948: 1947: 1921: 1915: 1914: 1898: 1892: 1891: 1889: 1887: 1878:. Archived from 1872: 1866: 1865: 1863: 1861: 1854:woodyguthrie.org 1851: 1842: 1836: 1835: 1833: 1831: 1812: 1806: 1805: 1781: 1775: 1773: 1752:Schebera, JĂĽrgen 1748: 1742: 1741: 1732: 1730: 1710: 1704: 1703: 1680: 1674: 1662: 1656: 1655: 1653: 1651: 1640: 1634: 1633: 1631: 1629: 1618: 1612: 1611: 1609: 1607: 1592: 1586: 1580: 1574: 1567: 1561: 1554: 1548: 1542: 1536: 1535: 1524: 1518: 1517: 1512: 1510: 1489: 1483: 1477: 1475: 1473: 1455: 1449: 1448: 1438: 1432: 1431: 1429: 1427: 1407: 1401: 1395: 1349:Giacomo Leopardi 1345:Berthold Viertel 1223: 1163:1947: Music for 1155:Deadline at Dawn 1124:The Spanish Main 1106:1943: Songs for 1043:Alexander Hammid 1017:(Frontier Films) 864:Sergei Tretyakov 856:Pesn' o geroyakh 736:Solidaritätslied 566:Johannes Faustus 212:Charlotte Demant 196:Austro-Hungarian 74: 71:6 September 1962 52: 50: 35: 21: 20: 2834: 2833: 2829: 2828: 2827: 2825: 2824: 2823: 2684: 2683: 2682: 2678:Classical music 2672: 2670: 2660: 2658: 2650: 2648: 2643: 2583:Humphrey Searle 2558:Juan Carlos Paz 2478:Jacques Calonne 2428:Richard Barrett 2403:Kees van Baaren 2378:Hans Abrahamsen 2369: 2359: 2295:Orel Foundation 2290:Wayback Machine 2264: 2254: 2233: 2227: 2214: 2182:"Eisler at 125" 2164: 2147: 2137: 2122: 2120:Further reading 2112: 2094: 2089: 2088: 2078: 2076: 2069:hanns-eisler.de 2063: 2062: 2058: 2048: 2046: 2039:hanns-eisler.de 2031: 2027: 2017: 2015: 2011: 2004: 1998: 1994: 1975: 1973: 1972:on 10 June 2007 1966:eislermusic.com 1955: 1951: 1944: 1922: 1918: 1899: 1895: 1885: 1883: 1874: 1873: 1869: 1859: 1857: 1849: 1843: 1839: 1829: 1827: 1826:on 11 June 2011 1814: 1813: 1809: 1783: 1782: 1778: 1770: 1749: 1745: 1728: 1726: 1719:eislermusic.com 1711: 1707: 1700: 1681: 1677: 1663: 1659: 1649: 1647: 1642: 1641: 1637: 1627: 1625: 1620: 1619: 1615: 1605: 1603: 1593: 1589: 1581: 1577: 1568: 1564: 1556:Eisler, Hanns. 1555: 1551: 1543: 1539: 1526: 1525: 1521: 1508: 1506: 1491: 1490: 1486: 1471: 1469: 1456: 1452: 1447:. Beacon Press. 1439: 1435: 1425: 1423: 1416:eislermusic.com 1408: 1404: 1396: 1392: 1387: 1367: 1362: 1353:Stephan Hermlin 1217: 1140:Life of Galileo 955:Kantate im Exil 923:Gegen den Krieg 907:) rewritten as 890:(string trio); 812:Semyon Kirsanov 649: 547:national anthem 519: 517:In East Germany 497: 462:Igor Stravinsky 458:Charlie Chaplin 454: 426: 383:– composed for 291: 273:Solidarity Song 180: 151:. His brother, 125: 105:national anthem 86: 82: 76: 72: 63: 54: 48: 46: 38: 26: 17: 12: 11: 5: 2832: 2822: 2821: 2816: 2811: 2806: 2801: 2796: 2791: 2786: 2781: 2776: 2771: 2766: 2761: 2756: 2751: 2746: 2741: 2736: 2731: 2726: 2721: 2716: 2711: 2706: 2701: 2696: 2681: 2680: 2668: 2645: 2644: 2642: 2641: 2632: 2627: 2622: 2617: 2612: 2610:Roger Sessions 2607: 2606: 2605: 2600: 2595: 2585: 2580: 2575: 2573:Henri Pousseur 2570: 2565: 2560: 2555: 2550: 2548:Donald Martino 2545: 2540: 2535: 2530: 2525: 2520: 2515: 2513:Henryk GĂłrecki 2510: 2505: 2500: 2495: 2490: 2485: 2480: 2475: 2470: 2465: 2460: 2455: 2453:Konrad Boehmer 2450: 2445: 2440: 2435: 2430: 2425: 2420: 2415: 2410: 2408:Milton Babbitt 2405: 2400: 2395: 2390: 2385: 2380: 2374: 2371: 2370: 2358: 2357: 2350: 2343: 2335: 2329: 2328: 2323: 2318: 2313: 2304: 2298: 2292: 2280: 2270: 2263: 2262:External links 2260: 2259: 2258: 2252: 2231: 2225: 2212: 2205: 2190: 2186:Sequenza21.com 2177: 2168: 2162: 2145: 2121: 2118: 2117: 2116: 2110: 2093: 2090: 2087: 2086: 2056: 2025: 1992: 1988:Communications 1949: 1942: 1916: 1893: 1867: 1837: 1807: 1776: 1768: 1743: 1705: 1698: 1675: 1657: 1635: 1613: 1587: 1575: 1562: 1549: 1547:, p. 230. 1537: 1532:jacobinmag.com 1519: 1484: 1450: 1433: 1402: 1400:, p. 311. 1389: 1388: 1386: 1383: 1382: 1381: 1366: 1363: 1356: 1355: 1333: 1322:Kurt Tucholsky 1318: 1315: 1306: 1277: 1266: 1242: 1236: 1233: 1226: 1210: 1209:)); "Treffass" 1193:Berliner-Suite 1189: 1186: 1183: 1177:Johann Nestroy 1173: 1161: 1158: 1144: 1131: 1127:, directed by 1119: 1116: 1113: 1104: 1095: 1084: 1053: 1050: 1047:John Steinbeck 1029: 1018: 1011: 1008: 1005: 1002: 999: 993: 989: 988: 982: 976: 970: 964: 961:Kantate "Nein" 958: 952: 945: 944: 934:Bread and Wine 929:Ignazio Silone 925: 921:1936: Cantata 919: 912: 895: 892:Spartakus 1919 867: 844: 841: 808: 791: 784:Kurt Tucholsky 772:Walter Mehring 764:Bertolt Brecht 750: 743:Tempo der Zeit 739: 732: 713: 710:Heinrich Heine 694: 691: 688: 685: 682: 679: 676: 665: 648: 645: 609:Grave of honor 559:Kurt Tucholsky 527:Bertolt Brecht 518: 515: 496: 493: 487:Mermaid Avenue 453: 452:His supporters 450: 425: 422: 398:Ignazio Silone 376:as co-author. 323:permanent visa 290: 287: 269:Weimar Germany 233:Bertolt Brecht 217:November Group 179: 176: 124: 121: 113:Bertolt Brecht 96: 95: 92: 88: 87: 77: 75:(aged 64) 69: 65: 64: 55: 44: 40: 39: 37:Eisler in 1940 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 2831: 2820: 2817: 2815: 2812: 2810: 2807: 2805: 2802: 2800: 2797: 2795: 2792: 2790: 2787: 2785: 2782: 2780: 2777: 2775: 2772: 2770: 2767: 2765: 2762: 2760: 2757: 2755: 2752: 2750: 2747: 2745: 2742: 2740: 2737: 2735: 2732: 2730: 2727: 2725: 2722: 2720: 2717: 2715: 2712: 2710: 2707: 2705: 2702: 2700: 2697: 2695: 2692: 2691: 2689: 2679: 2669: 2667: 2657: 2656: 2653: 2639: 2638: 2633: 2631: 2628: 2626: 2625:Richard Swift 2623: 2621: 2618: 2616: 2613: 2611: 2608: 2604: 2601: 2599: 2596: 2594: 2591: 2590: 2589: 2586: 2584: 2581: 2579: 2576: 2574: 2571: 2569: 2566: 2564: 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2136: 2132: 2128: 2124: 2123: 2113: 2107: 2103: 2102: 2096: 2095: 2074: 2070: 2066: 2060: 2044: 2040: 2036: 2029: 2010: 2003: 1996: 1989: 1984: 1971: 1967: 1963: 1959: 1958:Wolf Biermann 1953: 1945: 1939: 1935: 1931: 1927: 1920: 1912: 1908: 1904: 1897: 1881: 1877: 1871: 1855: 1848: 1841: 1825: 1821: 1817: 1811: 1803: 1799: 1795: 1791: 1787: 1780: 1771: 1769:3-445-01743-3 1765: 1761: 1757: 1753: 1747: 1740: 1738: 1737:Richard Nixon 1725:on 1 May 2015 1724: 1720: 1716: 1709: 1701: 1695: 1691: 1687: 1679: 1672: 1671: 1670:BroadwayWorld 1666: 1661: 1645: 1639: 1623: 1617: 1602: 1598: 1591: 1584: 1579: 1572: 1566: 1559: 1553: 1546: 1541: 1533: 1529: 1523: 1516: 1504: 1500: 1499: 1494: 1488: 1481: 1468:. p. 132 1467: 1466: 1461: 1454: 1446: 1445: 1437: 1421: 1417: 1413: 1406: 1399: 1394: 1390: 1380: 1376: 1372: 1369: 1368: 1361: 1354: 1350: 1346: 1342: 1338: 1334: 1331: 1327: 1323: 1319: 1316: 1313: 1312: 1307: 1304: 1303: 1298: 1294: 1290: 1286: 1282: 1278: 1275: 1271: 1267: 1265: 1264: 1259: 1258:Puntila-Suite 1255: 1254: 1249: 1248: 1247:Night and Fog 1243: 1241: 1237: 1234: 1231: 1227: 1224: 1221: 1216: 1211: 1208: 1204: 1203: 1198: 1194: 1190: 1187: 1184: 1182: 1178: 1174: 1172: 1168: 1167: 1162: 1159: 1157: 1156: 1151: 1150: 1145: 1142: 1141: 1136: 1132: 1130: 1129:Frank Borzage 1126: 1125: 1120: 1117: 1114: 1111: 1110: 1105: 1102: 1101: 1096: 1093: 1089: 1085: 1082: 1078: 1077: 1072: 1068: 1064: 1060: 1059: 1054: 1051: 1048: 1045:, written by 1044: 1040: 1039:Herbert Kline 1037:(directed by 1036: 1035: 1030: 1027: 1024:(directed by 1023: 1019: 1016: 1012: 1009: 1006: 1003: 1000: 998: 994: 991: 990: 986: 983: 980: 977: 974: 973:Kriegskantate 971: 968: 965: 962: 959: 956: 953: 950: 947: 946: 942: 941: 936: 935: 930: 926: 924: 920: 917: 916:Lenin Requiem 913: 910: 906: 905: 900: 896: 893: 889: 888: 882: 878: 877: 872: 868: 865: 861: 857: 853: 849: 845: 842: 839: 835: 831: 827: 826: 821: 817: 813: 809: 806: 802: 801: 796: 792: 789: 785: 781: 777: 773: 769: 765: 761: 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The 539:East Berlin 478:Billy Bragg 438:film studio 282:Kuhle Wampe 261:(1932) and 204:twelve-tone 190:During the 79:East Berlin 53:6 July 1898 2688:Categories 2593:Alban Berg 2553:Luigi Nono 2244:Peter Hamm 1650:29 January 1628:29 January 1385:References 1326:Gisela May 1274:Katzgraben 931:'s novels 904:The Mother 899:Die Mutter 881:Six Pieces 816:Four Songs 800:The Mother 795:Die Mutter 355:Fritz Lang 316:march-like 295:Nazi Party 258:The Mother 91:Occupation 59:, Saxony, 49:1898-07-06 2666:Biography 2433:JĂĽrg Baur 2418:Don Banks 2368:composers 2018:19 August 1583:Betz 1982 1545:Betz 1982 1398:Betz 1982 975:, Op. 65; 969:, Op. 64; 951:, Op. 60; 940:Fontamara 780:B. Traven 721:Pantomime 299:Svendborg 192:Great War 165:Stalinist 2473:Ole Buck 2286:Archived 2200:The Wire 1850:(lyrics) 1794:48050031 1754:(1978). 1365:Writings 1197:Rhapsody 1179:'s play 894:, Op. 43 790:, Op. 23 595:Ulbricht 574:libretto 430:Cold War 255:(1930), 157:Elfriede 145:Lutheran 94:Composer 2652:Portals 2279:(IMSLP) 2275:at the 2129:", in: 1802:3376771 1379:2632915 1263:Bel Ami 909:cantata 887:B–A–C–H 869:1934: " 778:(after 673:Klabund 568:on the 555:cabaret 549:of the 535:Austria 484:on the 436:by the 312:English 237:Marxism 229:cabaret 153:Gerhart 141:atheist 129:Leipzig 57:Leipzig 2366:serial 2250:  2223:  2160:  2108:  1940:  1830:1 June 1800:  1792:  1766:  1696:  1377:  1339:after 1337:Lieder 1279:1957: 1268:1956: 1244:1955: 1212:1950: 1191:1949: 1135:Goethe 1055:1941: 995:1938: 914:1935: 897:1935: 752:1930: 741:1929: 723:(with 696:1926: 667:1919: 652:1918: 588:, the 505:Prague 418:lieder 414:Goethe 347:Oscars 208:serial 149:Vienna 133:Saxony 2238:[ 2152:[ 2142:] 2012:(PDF) 2005:(PDF) 1932:[ 1758:[ 1688:[ 1222:] 1073:film 570:Faust 541:. 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Index


Leipzig
German Empire
East Berlin
East Germany
national anthem
East Germany
Bertolt Brecht
Hochschule fĂĽr Musik Hanns Eisler Berlin
Leipzig
Saxony
Rudolf Eisler
atheist
Lutheran
Vienna
Gerhart
Elfriede
Communist Party of Germany
Stalinist
House Un-American Activities Committee

Great War
Austro-Hungarian
Arnold Schoenberg
twelve-tone
serial
Charlotte Demant
November Group
Georg Eisler
jazz

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