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Henry Villierme

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245:. He is also known for his portraits and still lifes, which are generally done on smaller, one-square-foot canvases. He worked from sketches he made on the spot, which he put aside for a month or more before he painted from them. His approach is often considered pointillist and cubist. In 1992, Richard Diebenkorn said of Villierme, "(Villierme's) painting had, and still has, instinctual understanding of that universal human activity in which colors are applied to a surface." 248:
In the late 1950s Henry Villierme and his wife left the Bay Area for Southern California to raise their family. Richard Diebenkorn later said, responding to Villierme's decision, "Of all the painting students at the California College of Arts and Crafts who might have abandoned his direction, Henry
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Villierme's art showed promise early on. In August 1957 Villierme won Second Award at the Jack London Square Art Festival for his painting "Highway". In November, his painting "Lake View" took First Place at the 7th Annual Exhibition Oil and Sculpture at the Richmond Art Center, with honorable
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In Oakland, at the California College of Arts & Crafts, he met Barbara Albers in 1953, and they married in 1954. They raised four children, Frank, Julianne, Paul and Claudia. They moved to Southern California in the late fifties, where they stayed, living successively in
112:. Villierme first rose to prominence with a series of successful exhibitions in the late 1950s. From the 1960s to the 1980s Villierme continued to paint and sculpt in his studio, and in the late 1980s returned to public exhibitions. 232:
Villierme was invited to display in "The Next Direction", an exhibition sponsored by the Oakland Art Museum and which also featured works by McGaw, Park, Bischoff, and Diebenkorn. He later went on to win a prize aware at the
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1958 Annual Exhibition – Artists of Los Angeles and Vicinity, for his piece "Landscape". Villierme's works were also featured in exhibitions at the M.H. de Young Memorial Museum and the San Francisco Museum of Art.
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Villierme credited his initial interest in art to "working in a paint store and working out interior color schemes". He also credited his time in the Far East, where he was excited by the look of
155:, as a medic on the front line, and he was awarded the Bronze Star by the United States Army in 1951. Upon returning to the United States and discharge from the Army, he enrolled in the 373:
Exhibition Flyer, Jack London Square Art Festival, by Paul Mills. Publishers: Oakland Chamber of Commerce, Oakland Art Museum, California College of Arts and Crafts. Oakland, 1957.
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Exhibition Catalog, Contemporary Bay Area Figurative Painting, by Paul Mills. Publishers: Archives of California Art, The Oakland Art Museum. Oakland, 1957.
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1958 Annual Exhibition – Artists of Los Angeles and Vicinity. Los Angeles County Museum. May 21 – June 29, 1958. Los Angeles, CA. "Landscape" (Prize Award)
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Seventy Sixth Annual Painting and Sculpture Exhibition of the San Francisco Art Association. February 28 - March 31, 1957. San Francisco, CA. "House Tops"
213:. Villierme graduated from CCAC with a Bachelor's Degree in Painting. Villierme also took several courses at the California School of Fine Arts ( 252:
In the late 1980s Villierme began a comeback that culminated with the 2005 Bay Area Figurative 1950s and 1960s exhibit at the Bolinas Museum in
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Seventy-Seventh Annual Painting and Sculpture Exhibition of the San Francisco Art Association. May 1958. San Francisco, CA. "Landscape" .
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Show Booklet, 1958 Annual Exhibition – Artists of Los Angeles and Vicinity. Publishers: Los Angeles County Museum. Los Angeles, 1958.
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in 1928. His father, Louis Justin Henri Faustin Villierme (Tahiti, 1904 – San Francisco, 1967), was member of a French family from
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7th Annual Exhibition Oil and Sculpture at the Richmond Art Center. November 1–30, 1957. Richmond, CA. "Lake View" (First Place).
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Leba Hertz, "Promising artist from the 1950s enjoys success half a century later", San Francisco Chronicle, April 30th, 2005.
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Villierme's work is typically realistic, and his most frequent subjects are great rolling landscapes typical of California's
156: 148:; he returned to the Bay Area for his higher education in 1939. Henry Villierme spoke French due his paternal family origin. 279:
Contemporary Bay Area Figurative Painting Exhibition. The Oakland Art Museum. September 1957. Oakland, CA. "Highway Study".
209:, one of Henry Villierme's early influences at CCAC was the Japanese American abstractionist and abstract calligrapher 423: 104:(August 21, 1928 – March 13, 2013) was an American Californian painter associated with abstract expressionism and the 234: 480: 206: 109: 105: 81: 267:
California College of Arts and Crafts 50th Anniversary. M.H. de Young Memorial Museum. San Francisco, CA.
242: 214: 303: 202:, the latter having commented on Henry Villierme's “instinctual understanding” of the art of painting. 360: 187:, as well as "the concern for art values" that was part of the Japanese people's way of life." 85: 382:
Gussie Fauntleroy, "Returning to the Fore", Southwest Art Magazine, April 2002. Pp. 126-128.
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Bay Area Figurative 1950s and 1960s. Bolinas Museum. April 29 – June 18, 2006. Bolinas, CA.
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Brookshire Square Invitational Art Exhibition. Downey Museum of Art, May, 1966. Donwey, CA.
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Contemporary Bay Area Figurative Paintings. Los Angeles County Museum. Los Angeles, CA
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Jack London Square Art Festival. August 1957. Oakland, CA. "Highway" (Second Award).
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Personal correspondence, Richard Diebenkorn with Henry Villierme, January 1992.
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The Next Direction. The Oakland Art Museum. June 8 – 30, 1957. Oakland, CA.
427: 218: 108:. Villierme was considered one of the "Second Generation" members of the 89: 152: 190:
At the California College of Arts and Crafts Villierme studied under
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Index

Painting
Bay Area Figurative Movement
Abstract Expressionism
Pointillist
Cubist
Bay Area Figurative Movement
Bay Area Figurative Movement
San Francisco
Lorient
Brittany
Tahiti
French Polynesia
Tahiti
French Polynesia
Korean War
California College of Arts and Crafts
G.I. Bill
Hermosa Beach
Ojai
Japan
David Park
Elmer Bischoff
Richard Diebenkorn
Bay Area Figurative Movement
Saburo Hasegawa
San Francisco Art Institute
Manuel Neri
Nathan Oliveira
Los Angeles County Museum
Central Valley

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