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Horace Brodzky

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pencil outline, carefully rubbed out afterwards to give a false impression of spontaneity. There are no erasures or alterations. Each drawing is made 'au premier coup'. It is made very quickly, as a unity, and when finished the artist cannot remember at what point it was started. The drawing has been thrown on the paper, as it were, with a single gesture.
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Brodzky prefers the ordinary 'dip-in' steel nib, for this enables the hand, by varying its pressure on the paper, to broaden the line at will, or rather in obedience to the obscure subconscious or half-conscious promptings which guide the hand to its task. He makes no preliminary studies, draws no
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Since 1911 I have been connected with the London art world & have exhibited at all important exhibitions…and have worked for modern art... For a long time I have sold none of my work & have had to rely on selling items by other artists that I have collected ... This letter is not an angry
141:. During that period he was a pioneer of the technique of linocut, in which medium he has been said to have "excelled". His early oils reveal the influence of both Gertler and Bomberg. Among his works of the period are portraits of 161:. There he worked as a poster artist and an arts journalist, and, in 1917, helped Quinn organize a New York exhibition of Vorticist artists. In 1919, he married Bertha Greenfield, with whom he was to have three sons. In 1920, 86:
in Melbourne. In 1904, his father was bankrupted after losing a libel case arising from an attempt to expose alleged corruption, and Horace moved with his family to San Francisco.
29:(30 January 1885 – 11 February 1969) was an Australian-born artist and writer most of whose work was created in London and New York. His work included paintings, drawings and 222:
areas, continuing to produce paintings, drawings and linocuts. He supported himself by teaching and painting stage decor and, from 1948 to 1962, he was art-editor of the
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Cellars. In 1967, some of his early linocuts were reissued in London in a signed edition of 60 prints. Brodzky died in Kilburn in 1969, and his estate was valued for
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in 1929. However, his initial success withered in the 1930s, during which time his marriage broke up, and from then on he lived in financial straits. In 1935,
125:, which led to his first London exhibition, "Paintings and Sketches of Italian and Sicilian Scenes" (c. 1911), of which one painting was selected for the 1912 600: 605: 585: 110:, London), and whose biography he wrote in 1933. Brodzky is said to have been so engrossed in talk when he visited Gaudier-Brzeska's studio in the 33:, of which he was an early pioneer. An associate in his early career of many leading artists working in the Britain of his period, including 296: 185:
Returning to London in 1923, he became a professional artist. His work featured in the first-ever exhibition of linocuts, organized by
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published a collection of 21 of Brodzky's linoprints in New York. Brodzky also designed
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In 1946, Brodzky published his own study of the French-Romanian-Jewish artist
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Portrait bust of Horace Brodzky by Henri Gaudier-Brzeska, 1913 (Tate Gallery)
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In 1915, Brodzky moved to New York, with an introduction to the art patron
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complaint but just the plain facts that I thought you might like to know.
73:. In his youth he assisted with the production of his father's magazine, 194: 166: 70: 331:, Canberra: National Centre of Biography, Australian National University 247:
In 1965, 80th anniversary exhibitions were organised for Brodzky at the
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In 1908, Brodzky went to London where he studied during 1911 at the
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at £7977. Exhibitions of Brodzky's work were held in the
201:. Laver described Brodzky's drawing technique as follows: 62: 297:"Brodzky, Horace Asher (1885–1969), artist and writer" 472:, London Arts Group website accessed 2 November 2015. 444:
Among the Bohemians: Experiments in Living 1900-1939
263:(1988) and at the Boundary Gallery, London (1989). 214:. He lived for most of the rest of his life in the 576:Alumni of the City and Guilds of London Art School 295: 61:, to the Australian journalist Maurice Brodzky, a 45:movement, he ended his life relatively neglected. 96:City and Guilds South London Technical Art School 552: 616:National Gallery of Victoria Art School alumni 98:. He became an acquaintance and follower of 601:Australian expatriates in the United States 395: 393: 391: 389: 387: 385: 383: 381: 325:"Alfred Tennyson (Bob) Brodney (1896–1984)" 606:Australian emigrants to the United Kingdom 586:Australian people of Polish-Jewish descent 515:. Ruth Borchard Collection. Archived from 289: 287: 285: 283: 281: 279: 277: 275: 441: 399: 121:Brodzky travelled to Italy with the poet 378: 353: 351: 349: 347: 345: 293: 234:In 1963, Brodzky wrote to the collector 17: 482: 480: 478: 302:Oxford Dictionary of National Biography 272: 553: 357: 316: 541:3 artworks by or after Horace Brodzky 465: 463: 342: 177:, and painted a portrait of O'Neill. 475: 432:website, accessed 28 September 2015. 224:Antique Dealer and Collector's Guide 360:"Horace Ascher Brodzky (1885–1969)" 322: 13: 460: 364:Australian Dictionary of Biography 329:Australian Dictionary of Biography 180: 14: 632: 534: 226:, founded by his brother Vivian. 114:, that he missed the last bus to 82:Brodzky studied initially at the 621:20th-century Australian painters 402:"Horace Brodzky, Kilburn artist" 366:. Australian National University 199:Forty Drawings by Horace Brodzky 505: 435: 419: 229: 1: 406:Kilburn and Willesden History 266: 137:. Brodzky became a member of 53:Brodzky was born in 1885, in 48: 571:20th-century British artists 442:Nicholson, Virginia (2003). 65:immigrant to Australia from 7: 152: 10: 637: 261:Jewish Museum of Australia 611:People from Kew, Victoria 591:Jewish Australian artists 304:. Oxford University Press 294:Lambirth, Andrew (2004). 89: 400:Weindling, Dick (2015). 358:Cannon, Michael (1979). 106:of Brodzky (now in the 84:National Gallery School 581:Artists from Melbourne 245: 208: 169:for writers including 23: 240: 203: 41:, and members of the 35:Henri Gaudier-Brzeska 27:Horace Ascher Brodzky 21: 135:Whitechapel Gallery 123:John Gould Fletcher 492:The British Museum 323:Frances, Raelene, 197:published a study 24: 519:on 1 October 2015 628: 529: 528: 526: 524: 513:"Horace Brodzky" 509: 503: 502: 500: 498: 488:"Horace Brodzky" 484: 473: 470:"Horace Brodzky" 467: 458: 457: 439: 433: 423: 417: 416: 414: 412: 397: 376: 375: 373: 371: 355: 340: 339: 338: 336: 320: 314: 313: 311: 309: 299: 291: 175:Theodore Dreiser 139:The London Group 118:where he lived. 636: 635: 631: 630: 629: 627: 626: 625: 596:Modern painters 551: 550: 537: 532: 522: 520: 511: 510: 506: 496: 494: 486: 485: 476: 468: 461: 454: 440: 436: 424: 420: 410: 408: 398: 379: 369: 367: 356: 343: 334: 332: 321: 317: 307: 305: 292: 273: 269: 249:Ben Uri Gallery 232: 191:Redfern Gallery 183: 181:Back to England 155: 127:Venice Biennale 92: 51: 12: 11: 5: 634: 624: 623: 618: 613: 608: 603: 598: 593: 588: 583: 578: 573: 568: 563: 549: 548: 536: 535:External links 533: 531: 530: 504: 474: 459: 452: 446:. Penguin UK. 434: 418: 377: 341: 315: 270: 268: 265: 231: 228: 182: 179: 171:Eugene O'Neill 154: 151: 100:Walter Sickert 91: 88: 50: 47: 9: 6: 4: 3: 2: 633: 622: 619: 617: 614: 612: 609: 607: 604: 602: 599: 597: 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 559: 558: 556: 546: 542: 539: 538: 518: 514: 508: 493: 489: 483: 481: 479: 471: 466: 464: 455: 449: 445: 438: 431: 427: 422: 407: 403: 396: 394: 392: 390: 388: 386: 384: 382: 365: 361: 354: 352: 350: 348: 346: 330: 326: 319: 303: 298: 290: 288: 286: 284: 282: 280: 278: 276: 271: 264: 262: 258: 254: 250: 244: 239: 237: 236:Ruth Borchard 227: 225: 221: 217: 213: 207: 202: 200: 196: 192: 188: 187:Claude Flight 178: 176: 172: 168: 164: 160: 150: 148: 144: 143:Jacob Epstein 140: 136: 132: 131:David Bomberg 128: 124: 119: 117: 113: 109: 105: 104:portrait bust 101: 97: 87: 85: 80: 78: 77: 72: 68: 64: 60: 56: 46: 44: 40: 36: 32: 28: 20: 16: 543: at the 521:. Retrieved 517:the original 507: 495:. Retrieved 491: 443: 437: 430:Tate Gallery 429: 421: 409:. Retrieved 405: 368:. Retrieved 363: 335:19 September 333:, retrieved 328: 318: 306:. Retrieved 301: 253:Oxford Union 246: 241: 233: 223: 212:Jules Pascin 209: 204: 198: 184: 167:book jackets 163:Egmont Arens 156: 147:Jacob Kramer 120: 108:Tate Gallery 93: 81: 74: 52: 39:Mark Gertler 26: 25: 15: 566:1969 deaths 561:1885 births 523:17 December 497:17 December 411:17 December 370:17 December 308:17 December 230:Final years 195:James Laver 112:King's Road 71:May Brodney 555:Categories 453:0141933402 267:References 159:John Quinn 116:Herne Hill 76:Table Talk 49:Early life 426:"Brodzky" 220:Willesden 133:, in the 59:Melbourne 43:Vorticism 251:and the 153:New York 31:linocuts 257:probate 216:Kilburn 189:at the 545:Art UK 450:  90:London 67:Poland 63:Jewish 547:site 525:2023 499:2023 448:ISBN 413:2023 372:2023 337:2024 310:2023 218:and 173:and 145:and 55:Kew 557:: 490:. 477:^ 462:^ 428:, 404:. 380:^ 362:. 344:^ 327:, 300:. 274:^ 149:. 79:. 57:, 37:, 527:. 501:. 456:. 415:. 374:. 312:.

Index


linocuts
Henri Gaudier-Brzeska
Mark Gertler
Vorticism
Kew
Melbourne
Jewish
Poland
May Brodney
Table Talk
National Gallery School
City and Guilds South London Technical Art School
Walter Sickert
portrait bust
Tate Gallery
King's Road
Herne Hill
John Gould Fletcher
Venice Biennale
David Bomberg
Whitechapel Gallery
The London Group
Jacob Epstein
Jacob Kramer
John Quinn
Egmont Arens
book jackets
Eugene O'Neill
Theodore Dreiser

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