51:
443:
does not want to marry Aminta. Agenore, too, is tormented by the planned marriage. Tamiri tells
Alessandro that she and Agenore are in love. The women throw themselves onto Alessandro's mercy. Elisa begs him to give her back Aminta who declares his love for Elisa ("L'amerò, sarò costante" / I shall love her, I shall be constant). Realizing the potential injustice he was about to inflict, Alessandro tells Aminta to marry Elisa and Tamiri to marry Agenore. Aminta is crowned king of Sidon.
1287:
1778:
424:
Elisa is with her lover Aminta, the shepherd. She assures him that the war between King
Alessandro and Stratone, the tyrant of Sidon, will not affect their love for each other. Having deposed Stratone, Alessandro searches for the rightful heir to Sidon. He thinks that Aminta is the rightful heir. He
442:
Elisa is prevented by
Agenore from seeing Aminta. He also discourages Aminta from pursuing her. Alessandro tells Aminta to dress like a king so he can be presented to his subjects. He also decides that Tamiri marry Aminta. Aminta is distraught. Agenore is upset. He breaks the news to Elisa. Tamiri
428:
Elisa gets permission from her father to marry Aminta. Aminta tells Elisa that he is the rightful heir to the throne and that his father was driven out by
Stratone when he was a baby. Aminta promises to return to Elisa after claiming his throne. Aminta loves Elisa but Alessandro suggests that when
197:– Mozart's version, however was two acts rather than Giardini's three, and has a few substantial changes. Each act lasts for around an hour in performance. The Salzburg court chaplain Varesco was largely responsible for this editing of Metastasio's libretto.
200:
It is often referred to not as an opera, but as a serenata, a type of dramatic cantata. The appearance of a quartet of lovers (Aminta and Elisa, Agenore and Tamiri) of somewhat dubious fidelity automatically puts a modern audience in mind of
425:
comes to Aminta in disguise and offers him to take him to
Alessandro. Aminta wants to remain a shepherd. Meantime, Agenore encounters his beloved Tamiri, daughter of Stratone. Tamiri is comforted to learn that Agenore still loves her.
207:. The principal psychological theme of the opera is, however, the demands of love against the demands of kingship, as Aminta, the shepherd-king, tussles with his conscience, and in this
1014:
1044:
429:
Aminta is hailed king, royal duties take precedence over love. Alessandro suggests that Tamiri marry Aminta in order to ascend her father's throne. Aminta disagrees.
1754:
718:
1323:
673:(Aminta), Francine van der Heyden (Elisa), Claudia Patacca (Tamiri), Alexei Grigorev (Alessandro), Marcel Reijans (Agenore), Musica ad Rhenum, Jed Wentz (
986:
819:
908:
1823:
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1006:
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1700:
1798:
1257:
1049:
1039:
1341:
1034:
1029:
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1316:
1262:
951:
193:. The libretto was picked up when Mozart (just 19 at the time) and his father saw a performance of it set to music composed by
173:
1582:
901:
180:, to Salzburg. Mozart spent six weeks working on the opera. It consists of two acts and runs for approximately 107 minutes.
225:, after his six-year-long break from the stage. Furthermore, the theme of qualities for kingship appears in another opera,
1600:
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1351:
981:
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382:
873:
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530:(Tamiri), Albert Weikenmeier (Alessandro), Werner Hohmann (Agenore), Stuttgarter Tonstudio Orchester, Gustav Lund (
1481:
20:
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in the
Rittersaal (knight's hall) of the Residenz-Theater in the palace of the Archbishop Count
142:
42:
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1391:
1226:
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1627:
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8:
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531:
184:
89:
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50:
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371:
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1782:
1531:
1199:
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1169:
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523:
886:
407:
The king of
Macedonia, Alessandro, has overthrown Stratone, the tyrant of
1421:
562:
158:
635:
550:
542:
538:
257:
250:
150:
64:
1609:
289:
1471:
277:
213:
162:
146:
110:
688:(Elisa), Arpiné Rahdjian (Tamiri), Kresimir Spicer (Alessandro),
639:
274:
386:
to which her husband had contributed the second part (now lost).
663:
189:
83:
183:
Metastasio wrote the libretto in 1751, basing it on a work by
1461:
408:
329:
268:
134:
38:
1777:
420:
In a meadow. The city of Sidon can be seen from a distance.
870:(seven recordings) on operadis-opera-discography.org.uk
781:, p. 12, Signum Classics SIG433 (2015), via chandos.net
172:
In 1775 the opera was commissioned for a visit by the
1766:
1331:
221:
was the next completed opera that Mozart wrote after
161:. The opera was first performed on 23 April 1775 in
1790:
380:(Divine Mercy) in Mozart's first musical play,
1317:
902:
122:
29:
878:(K. 208) de Mozart, une pastorale politique"
375:
916:
395:Some sources give Braunhofer for this role.
217:than any other of Mozart's operas. Indeed,
1324:
1310:
909:
895:
504:"Voi che fausti ognor donati" – Alessandro
492:"Se vincendo vi rendo felici" – Alessandro
471:"Si spande al sole in faccia" – Alessandro
49:
832:"L'amerò, sarò costante" (animated score)
826:International Music Score Library Project
308:daughter of the deposed tyrant, Stratone
1824:Operas based on works by Torquato Tasso
1078:
1791:
1592:Der Hölle Rache kocht in meinem Herzen
411:, but aims to find the rightful king.
174:Archduke Maximilian Francis of Austria
1305:
890:
501:"Sol può dir come si trova" – Agenore
468:"Aer tranquillo e di sereni" – Aminta
55:Mozart in 1777, by an unknown painter
744:"Role Creators in the Mozart Operas"
603:1989 – Angela Maria Blasi (Aminta),
451:
370:Maria Magdalena Lipp was married to
729:. L'Almanacco di Gherardo Casaglia
621:Academy of St. Martin in the Fields
374:. She had also created the role of
13:
1352:Die Schuldigkeit des ersten Gebots
383:Die Schuldigkeit des ersten Gebots
14:
1835:
1799:Operas by Wolfgang Amadeus Mozart
1601:Dies Bildnis ist bezaubernd schön
788:
526:(Aminta), Käthe Nentwig (Elisa),
495:"L'amerò, sarò costante" – Aminta
489:"Barbaro! oh Dio mi vedi" – Elisa
241:Roles, voice types, premiere cast
1776:
1664:O zittre nicht, mein lieber Sohn
1286:
1285:
1146:Maria Anna Thekla Mozart (Bäsle)
557:(Agenore), Orchestra of Naples,
477:"Di tante sue procelle" – Tamiri
16:Opera by Wolfgang Amadeus Mozart
1263:Beethoven–Haydn–Mozart Memorial
498:"Se tu di me fai dono" – Tamiri
1637:Madamina, il catalogo è questo
765:
736:
711:
465:"Alla selva, al prato" – Elisa
446:
389:
364:
176:, the youngest son of Empress
21:Il re pastore (disambiguation)
1:
1702:Die EntfĂĽhrung aus dem Serail
1482:Die EntfĂĽhrung aus dem Serail
704:
516:
474:"Per me rispondete" – Agenore
462:"Intendo, amico rio" – Aminta
267:a shepherd, rightful heir to
1655:O, wie will ich triumphieren
1172:(paternal great-grandfather)
1015:Concert arias, songs, canons
590:Mozarteum-Orchester Salzburg
255:Premiere cast, 23 April 1775
7:
1152:Franz Xaver Wolfgang Mozart
1134:Maria Anna Mozart (Nannerl)
859:"Synopsis, libretto, arias"
700:(DVD; Deutsche Grammophon).
402:
10:
1840:
717:Casaglia, Gherardo (2005).
694:Balthasar-Neumann-Ensemble
18:
1739:
1683:
1573:
1340:
1281:
1258:Mozart in popular culture
1245:
1209:
1112:
1070:Relationship with G minor
1005:
924:
95:
78:
70:
60:
48:
37:
28:
987:Appearance and character
432:
414:
234:
167:Hieronymus von Colloredo
1804:Italian-language operas
1334:Wolfgang Amadeus Mozart
1273:Mozart Monument, Vienna
918:Wolfgang Amadeus Mozart
845:Les Musiciens du Louvre
143:Wolfgang Amadeus Mozart
100:23 April 1775
1729:The Marriage of Figaro
1522:The Marriage of Figaro
1512:Der Schauspieldirektor
1392:Mitridate, re di Ponto
1166:(paternal grandfather)
656:Concentus Musicus Wien
376:
211:is closer in theme to
123:
30:
1452:Thamos, King of Egypt
1372:Bastien und Bastienne
355:Franz Anton Spitzeder
317:Maria Anna Braunhofer
315:Maria Magdalena Lipp/
1583:Canzonetta sull'aria
1432:La finta giardiniera
1412:Il sogno di Scipione
1362:Apollo et Hyacinthus
1065:Compositional method
1045:Works for solo piano
880:, critical analysis
660:Nikolaus Harnoncourt
625:Sir Neville Marriner
155:Giambattista Varesco
19:For other uses, see
1628:LĂ ci darem la mano
1552:La clemenza di Tito
1164:Johann Georg Mozart
1099:Neue Mozart-Ausgabe
1092:Alte Mozart-Ausgabe
851:(conductor), 2012 (
814:Neue Mozart-Ausgabe
752:Stanford University
598:Deutsche Grammophon
325:Sidonian aristocrat
300:Maria Anna Fesemayr
243:
228:La clemenza di Tito
1158:Karl Thomas Mozart
698:Thomas Hengelbrock
675:Brilliant Classics
239:
1764:
1763:
1382:La finta semplice
1299:
1298:
1128:Anna Maria Mozart
1108:
1107:
861:, opera-arias.com
513:
512:
360:
359:
334:Felix Hofstätter
131:The Shepherd King
118:
117:
1831:
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1466:
1456:
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1426:
1416:
1406:
1396:
1386:
1376:
1366:
1356:
1326:
1319:
1312:
1303:
1302:
1289:
1288:
1178:(brother-in-law)
1140:Constanze Mozart
1086:Köchel catalogue
1076:
1075:
1060:Violin concertos
911:
904:
897:
888:
887:
883:
833:
824:: Scores at the
810:
782:
769:
763:
762:
760:
758:
740:
734:
732:
726:
715:
690:Andreas Karasiak
671:Johannette Zomer
629:Philips Classics
452:
438:Macedonian Camp.
396:
393:
387:
379:
368:
282:Tommaso Consoli
244:
242:
238:
231:, his last one.
141:208, written by
126:
107:
105:
53:
33:
26:
25:
1839:
1838:
1834:
1833:
1832:
1830:
1829:
1828:
1789:
1788:
1787:
1775:
1767:
1765:
1760:
1753:
1748:Da Ponte operas
1746:
1735:
1726:
1720:The Magic Flute
1717:
1708:
1699:
1690:
1679:
1673:Se vuol ballare
1670:
1661:
1652:
1643:
1634:
1625:
1616:
1607:
1598:
1589:
1580:
1569:
1562:The Magic Flute
1559:
1549:
1539:
1529:
1519:
1509:
1502:Lo sposo deluso
1499:
1492:L'oca del Cairo
1489:
1479:
1469:
1459:
1449:
1439:
1429:
1419:
1409:
1402:Ascanio in Alba
1399:
1389:
1379:
1369:
1359:
1349:
1336:
1330:
1300:
1295:
1277:
1241:
1222:Catholic Church
1205:
1202:(sister-in-law)
1196:(sister-in-law)
1190:(sister-in-law)
1184:(mother-in-law)
1104:
1074:
1040:Piano concertos
1001:
920:
915:
881:
831:
808:
806:critical report
791:
786:
785:
770:
766:
756:
754:
742:
741:
737:
730:
724:
716:
712:
707:
686:Marlis Petersen
617:Claes H. Ahnsjö
609:Iris Vermillion
547:Arlene Saunders
528:Hetty PlĂĽmacher
519:
514:
449:
435:
417:
405:
400:
399:
394:
390:
369:
365:
260:: W. A. Mozart
256:
240:
237:
195:Felice Giardini
114:
113:
108:
103:
101:
87:
56:
24:
17:
12:
11:
5:
1837:
1827:
1826:
1821:
1816:
1811:
1806:
1801:
1786:
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1762:
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1759:
1758:
1751:
1743:
1741:
1737:
1736:
1734:
1733:
1724:
1715:
1706:
1697:
1693:Così fan tutte
1687:
1685:
1681:
1680:
1678:
1677:
1668:
1659:
1650:
1646:Non piĂą andrai
1641:
1632:
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1614:
1605:
1596:
1587:
1577:
1575:
1571:
1570:
1568:
1567:
1557:
1547:
1542:Così fan tutte
1537:
1527:
1517:
1507:
1497:
1487:
1477:
1467:
1457:
1447:
1437:
1427:
1417:
1407:
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1377:
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1357:
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1197:
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1185:
1179:
1173:
1167:
1161:
1155:
1149:
1148:(first cousin)
1143:
1137:
1131:
1125:
1122:Leopold Mozart
1118:
1116:
1110:
1109:
1106:
1105:
1103:
1102:
1095:
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1080:
1073:
1072:
1067:
1062:
1057:
1052:
1047:
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1032:
1027:
1025:Horn concertos
1022:
1017:
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1009:
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979:
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849:Marc Minkowski
841:Sonya Yoncheva
828:
817:
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789:External links
787:
784:
783:
764:
735:
727:23 April 1775"
709:
708:
706:
703:
702:
701:
678:
667:
652:Markus Schäfer
650:(Alessandro),
632:
615:(Alessandro),
601:
584:(Alessandro),
582:Peter Schreier
578:Sona Ghazarian
566:
553:(Alessandro),
535:
532:Period Records
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377:Barmherzigkeit
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204:Così fan tutte
185:Torquato Tasso
145:to an Italian
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90:Torquato Tasso
80:
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1755:Derived works
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1684:Discographies
1682:
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1669:
1665:
1660:
1656:
1651:
1647:
1642:
1638:
1633:
1629:
1624:
1620:
1619:Il mio tesoro
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1444:
1443:
1442:Il re pastore
1438:
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1315:
1313:
1308:
1307:
1304:
1292:
1284:
1283:
1280:
1274:
1271:
1269:
1268:Mozart effect
1266:
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1259:
1256:
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1244:
1238:
1235:
1233:
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1228:
1225:
1223:
1220:
1218:
1215:
1214:
1212:
1208:
1201:
1198:
1195:
1194:Aloysia Weber
1192:
1189:
1188:Josepha Weber
1186:
1183:
1182:Cäcilia Weber
1180:
1177:
1174:
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876:Il re pastore
872:
869:
867:
866:Il re pastore
863:
860:
857:
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1170:Franz Mozart
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755:. Retrieved
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738:
731:(in Italian)
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644:Inga Nielsen
613:Jerry Hadley
586:Werner Krenn
574:Arleen Augér
570:Edith Mathis
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43:W. A. Mozart
1814:1775 operas
1809:Opera seria
1422:Lucio Silla
1227:Freemasonry
952:Nationality
932:Biographies
882:(in French)
868:discography
843:(soprano),
809:(in German)
775:liner notes
692:(Agenore),
654:(Agenore),
619:(Agenore),
588:(Agenore),
563:RCA Records
447:Noted arias
292:shepherdess
159:opera seria
157:. It is an
1793:Categories
1332:Operas by
1210:Influences
1055:Symphonies
942:Grand tour
937:Birthplace
853:live video
757:10 October
748:OperaGlass
705:References
684:(Aminta),
646:(Tamiri),
638:(Aminta),
636:Ann Murray
611:(Tamiri),
580:(Tamiri),
572:(Aminta),
551:Luigi Alva
549:(Tamiri),
543:Lucia Popp
541:(Aminta),
539:Reri Grist
517:Recordings
340:Alessandro
290:Phoenician
251:Voice type
151:Metastasio
104:1775-04-23
65:Metastasio
61:Librettist
1610:Dove sono
1217:Beethoven
962:Scatology
957:Residence
925:Biography
642:(Elisa),
607:(Elisa),
576:(Elisa),
545:(Elisa),
346:Macedonia
323:Agenore,
258:Conductor
1472:Idomeneo
1291:Category
1136:(sister)
1130:(mother)
1124:(father)
1079:Editions
967:Smallpox
779:Ian Page
403:Synopsis
344:King of
312:soprano
306:Tamiri,
296:soprano
278:castrato
265:Aminta,
219:Idomeneo
214:Idomeneo
163:Salzburg
147:libretto
133:) is an
111:Salzburg
96:Premiere
79:Based on
71:Language
1740:Related
1246:Related
1237:Salieri
1050:Sonatas
837:YouTube
811:in the
680:2006 –
669:2001 –
640:Eva Mei
634:1995 –
568:1974 –
537:1967 –
522:1952 –
287:Elisa,
275:soprano
187:called
102: (
74:Italian
1819:Operas
1769:Portal
1565:(1791)
1555:(1791)
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1395:(1770)
1385:(1769)
1375:(1768)
1365:(1767)
1355:(1767)
1342:Operas
1142:(wife)
1114:Family
1035:Operas
1030:Masses
1020:Dances
982:Prague
977:Berlin
796:
725:
664:Teldec
508:
351:tenor
190:Aminta
84:Aminta
1783:Opera
1574:Arias
1462:Zaide
1232:Haydn
1160:(son)
1154:(son)
1007:Music
997:Death
972:Italy
802:Score
484:Act 2
457:Act 1
433:Act 2
415:Act 1
409:Sidon
330:tenor
269:Sidon
247:Role
235:Roles
135:opera
39:Opera
947:Name
804:and
759:2008
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