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347:. According to Halliwell, he "was ultimately successful in his main aims, but the struggle was a perpetual one ... Colloredo had to establish like-minded people in each institution – ecclesiastical, educational, legal, medical, fiscal, administrative and publicistic – and persuade the reluctant populace to change its entire mentality." Halliwell adds that Colloredo "attracted European-wide admiration for his efforts."
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The Prince-Archbishopric of
Salzburg fell vacant in December 1771, and (with considerable pressure from the Imperial court in Vienna), Colloredo, who had been Prince-Bishop of Gurk since 1761, was elected Prince-Archbishop on 14 March 1772 on the 13th ballot. According to Clive, "it was an unpopular
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Mozart's letters to his father recount his indignation at what he portrays as abusive and insulting behavior by the
Archbishop. In his letter of 13 June 1781, Mozart recounts that the final indignity of his dismissal by Colloredo was administered by the Archbishop's steward, Count Arco (Karl Joseph
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from 1772 until 1803, when the prince-archbishopric was secularized. After secularization, Colloredo fled to Vienna and remained the non-resident archbishop of
Salzburg, bereft of temporal power, until his death in 1812. He is most famously known as a patron and employer for
409:. He became exceptionally annoyed with Mozart's frequent absences. After a number of arguments, he ultimately dismissed him with the words, "Soll er doch gehen, ich brauche ihn nicht!" ("He should just go then; I don't need him!")
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choice in
Salzburg whose citizens remained cool to him until the end." Clive continues, "he was extremely autocratic and his dictatorial attitude at times provoked the hostility of the cathedral chapter and of civic officials."
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stayed in
Salzburg but "continued to bemoan the failure to replace musicians who had left or died, and the consequent shambles in the court music." Colloredo "sometimes played the violin in the court orchestra."
417:...if they don't want me – that's fine by me; --instead of Count Arco accepting my petition or obtaining an audience for me to send it in later or persuading me to let the matter rest and think it over,
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394:, who had lost his own state in the Napoleonic upheavals. Later, Salzburg was incorporated into Austria (1805), then Bavaria (1809), then finally into Austria again (1816).
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On 12 December 1801, as French troops under
Napoleon drew near to occupying the city, Archbishop Colloredo fled Salzburg, never to return. In 1803, in the course of the
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whatever he wanted --no, he throws me out of the room and gives me a kick up the backside. – Well, in plain language this means that as far as I'm concerned,
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Colloredo also resembled Joseph II in moving the Roman
Catholic religion within his domains in a direction similar to Protestantism. Halliwell writes: "
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Hieronymus was brought up in a strict religious household, and since his health did not allow him to pursue a military career, he was educated at the
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were shortened and sacred German hymns introduced ... These changes led to deep resentment, and
Colloredo and the architect of the pastoral letter ,
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Colloredo, as archbishop, remained the ecclesiastical head of the archdiocese (but not in residence) until his death, aged 79, at Vienna in 1812.
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During his thirty years as ruler of
Salzburg, Colloredo implemented reforms similar to those carried out in the Austrian Empire under
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and superstitious practices were banned, processions were restricted, church decoration was limited, musical settings of the
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286:(1706–1788), a high-ranking Imperial official and his wife, Countess Maria Gabriele of
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239:[hiˈʁɔnimʊsˈjoːzɛfˈfʁantsdəˈpaʊlaˈɡʁaːfkɔloˈʁeːdofɔnˈvalzeːʊntˈmɛlts]
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Coat of arms of
Hieronymus von Colloredo, as Prince-Archbishop of Salzburg.
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Cast and information about the musical from Budapest Operetta theatre
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Colloredo is also a character in the musical "Mozart l'opera rock'".
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Hieronymus Joseph Franz de Paula Graf Colloredo von Wallsee und Melz
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18th-century Roman Catholic archbishops in the Holy Roman Empire
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19th-century Roman Catholic archbishops in the Holy Roman Empire
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Colloredo is well known to history as a patron and employer of
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366:'. His diocesans would quip: "Our Prince von Colloredo has no
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in Rome. One of his brothers was the Austrian general
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732:"Colloredo, Hieronymus Joseph Franz de Paula von"
495:, not a first or middle name. The female form is
302:Academy in Vienna, and studied philosophy at the
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693:Mozart and his circle: a biographical dictionary
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670:Biographisch-Bibliographisches Kirchenlexikon
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735:. In Eisen, Cliff; Keefe, Simon P. (eds.).
756:"Royal genealogies of Europe: Colloredo 2"
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695:. New Haven, CT: Yale University Press.
512:"Colloredo(-Mannsfeld), Hieronymus Graf"
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451:. He is also a character in the musical
374:." Throughout his life he was close to
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87:Cathedral of Saints Rupert and Vergilius
441:Hieronymus von Colloredo was played by
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57:Portrait by Johann M. Greiter, ca. 1780
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16:German Catholic archbishop (1732–1812)
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819:Patrons of Wolfgang Amadeus Mozart
308:Collegium Germanicum et Hungaricum
207:Collegium Germanicum et Hungaricum
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737:The Cambridge Mozart Encyclopedia
663:Bautz, Friedrich Wilhelm (1990).
279:, the second son of Count, later
21:Hieronymus von Colloredo-Mansfeld
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665:"Colloredo, Hieronymus Graf von"
469:Salzburg coin of Colloredo, 1780
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382:End of Colloredo's secular rule
849:Prince-archbishops of Salzburg
739:. Cambridge University Press.
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335:Hieronymus von Colloredo, 1787
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256:Prince-Archbishop of Salzburg
129:Augustin Johann Joseph Gruber
45:Prince-Archbishop of Salzburg
667:. In Bautz, Traugott (ed.).
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284:Rudolph Joseph von Colloredo
246: 1732 –
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489:was a title, translated as
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312:Wenzel Joseph von Colloredo
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542:"Hieronymus von Colloredo"
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714:. London: Penguin Books.
712:Mozart: A Life in Letters
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783:Hieronymus von Colloredo
754:Marek, Miroslav (2009).
729:Halliwell, Ruth (2006).
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38:Hieronymus von Colloredo
686:(subscription required)
407:Wolfgang Amadeus Mozart
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362:, were called 'secret
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254:from 1761 to 1772 and
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834:Musicians from Vienna
710:Eisen, Cliff (2006).
691:Clive, Peter (1993).
673:. Vol. 1. Hamm.
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392:Grand Duke of Tuscany
360:Johann Michael Bönike
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252:Prince-Bishop of Gurk
235:German pronunciation:
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138:Prince-Bishop of Gurk
67:Roman Catholic Church
19:For the general, see
785:at Wikimedia Commons
425:no longer exists....
401:Colloredo and Mozart
388:German mediatization
306:and theology at the
304:University of Vienna
211:University of Vienna
215:Theresianum Academy
829:Starhemberg family
637:TCM Movie Database
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437:In popular culture
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824:Counts of Austria
781:Media related to
746:978-0-521-85659-1
721:978-0-14-144146-7
702:978-0-300-05900-7
586:, pp. 39–40.
445:in the 1984 film
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183:(1812-05-20)
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96:22 June 1772
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844:1812 deaths
839:1732 births
352:Pilgrimages
345:Josephinism
300:Theresianum
288:Starhemberg
195:Nationality
181:20 May 1812
159:31 May 1732
116:Predecessor
111:20 May 1812
73:Archdiocese
793:Categories
657:References
619:Eisen 2006
584:Clive 1993
567:Marek 2009
555:Bautz 1990
267:Early life
155:1732-05-31
101:Term ended
376:Jansenism
364:Lutherans
341:Joseph II
318:Accession
203:Education
126:Successor
93:Installed
33:His Grace
423:Salzburg
327:Policies
198:Austrian
187:Vienna,
77:Salzburg
761:8 April
635:at the
632:Amadeus
454:Mozart!
448:Amadeus
277:Austria
167:Austria
743:
718:
699:
677:
498:Gräfin
419:enfin,
368:Gloria
343:; see
281:Prince
273:Vienna
261:Mozart
248:20 May
244:31 May
163:Vienna
63:Church
526:3 May
516:AEIOU
492:Count
461:Notes
372:Credo
763:2021
741:ISBN
716:ISBN
697:ISBN
675:ISBN
528:2019
485:Graf
370:nor
356:Mass
294:Life
178:Died
149:Born
83:See
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