97:
1454:
312:"Reflets dans l'eau" is one of the many pieces Debussy wrote about water; in particular, light reflecting off its surface. The piece creates an image of water being not quite still, then becoming rapid, then decreasing in motion again. "Reflets dans l'eau" is also an example of the new tone colours Debussy discovered for the piano in this part of his life, and it is considered to be one of his greatest works for the instrument. Techniques such as
1480:
898:
133:
114:
131:
132:
72:: "Without false pride, I feel that these three pieces hold together well, and that they will find their place in the literature of the piano ... to the left of Schumann, or to the right of Chopin... "
113:
115:
64:. The first book was composed between 1901 and 1905, and the second book was composed in 1907. The total duration is approximately 30 minutes. With respect to the first series of
387:, or on a Japanese print. Other sources suggest it may have been inspired by actual goldfish swimming in a bowl, though the French for goldfish is 'poisson rouge' (red fish).
275:
17:
124:
364:"Et la lune descend sur le temple qui fut" (And the moon descends on the temple that was) was dedicated to Laloy. The name of the piece, which evokes images of
658:
498:
757:
465:
477:
1500:
636:
966:
1016:
805:
823:
812:
800:
850:
793:
106:
1265:
1510:
868:
1028:
897:
817:
1061:
1350:
1076:
912:
1505:
891:
285:' parce qu'il fait un temps insupportable" (We will no longer go to the woods because the weather is unbearable) in
58:. They were published in two books/series, each consisting of three pieces. These works are distinct from Debussy's
1214:
1393:
280:
584:
Elements of
Impressionism evoked in Debussy and Ravel's Reflets dans l'eau and Jeux d'eau: The theme of water
404:
778:
Hamelin executes the intricate passagework with fluidity and ease, exposing an array of subtle tone colours.
607:
1228:
843:
512:
1221:
687:
1358:
1470:
69:
1303:
1235:
904:
582:
546:
1385:
1055:
478:
10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000007353?rskey=q9sk62&result=1
349:"Cloches Ă travers les feuilles" was inspired by the bells in the church steeple in the village of
1457:
947:
836:
408:
1417:
1484:
1422:
1295:
1080:
722:
433:
423:
883:
1169:
990:
428:
228:"Et la lune descend sur le temple qui fut" (And the moon descends on the temple that was) in
170:
60:
33:
1377:
1251:
1193:
1022:
445:
1207:
1178:
1161:
1049:
1009:
336:
186:
81:(L. 87), in the Winter of 1894 and dedicated it to Yvonne Lerolle, daughter of the painter
1342:
8:
974:
1273:
1427:
731:– Stephen Walsh with a personal recommendation from recordings of Debussy's 2 books of
161:
1244:
1153:
1145:
1121:
492:
354:
1432:
1311:
1186:
1113:
1067:
982:
473:
416:
400:
343:
218:
1439:
931:
46:
1105:
859:
701:
55:
379:"Poissons d'or" was probably inspired by an image of a golden fish in Chinese
1494:
1129:
412:
294:
235:
190:
82:
51:
726:
174:
140:
1411:
1258:
437:
358:
350:
298:(L. 95, 1901); no. 3 is an early version of "Jardins sous la pluie" from
384:
369:
151:
1334:
365:
332:
325:
342:"Mouvement" is the most abstract designation of the pieces. It is a
1137:
317:
313:
300:
828:
395:
Many famous pianists of the 20th century have recorded
Debussy's
380:
373:
321:
286:
229:
222:
215:
202:
346:, meaning that it is built around a continuous stream of notes.
1200:
214:"Cloches Ă travers les feuilles" (Bells through the leaves) in
547:"An introduction to the solo piano music of Debussy and Ravel"
939:
361:, a close friend of Debussy and also his first biographer.
256:"Lent (mélancolique et doux)" (Melancholic and sweet) in F
27:
Suite of six compositions for solo piano by Claude
Debussy
663:– Série II – 2 Et la lune descend sur le temple qui fut"
1287:
1468:
307:
448:is noted for its "intriguing interpretive vision".
497:: CS1 maint: DOI inactive as of September 2024 (
1492:
292:No. 2 is the first version of "Sarabande" from
1001:
844:
331:"Hommage Ă Rameau" is more subdued. It is a
18:Images (Debussy compositions for solo piano)
851:
837:
419:no. 266 & 334) as being "unrivalled".
376:music, which famously influenced Debussy.
1501:Solo piano compositions by Claude Debussy
824:International Music Score Library Project
813:International Music Score Library Project
801:International Music Score Library Project
755:
702:"Noriko Ogawa: Pianist: Full Biography"
372:. The piece is evocative of Indonesian
14:
1493:
54:of six compositions for solo piano by
1266:Hommage Ă S. Pickwick Esq. P.P.M.P.C.
1029:Rhapsodie for saxophone and orchestra
832:
721:
45:
1062:Dances for Harp and String Orchestra
656:
637:"Le blog de La librairie Heurtebise"
580:
540:
538:
536:
534:
357:, France. Rahon was the hometown of
1097:
1077:Six sonatas for various instruments
762:; Preludes II – Marc-André Hamelin"
581:Park, Sun Hye (13 September 2012).
24:
858:
715:
605:
587:(Thesis). University of Washington
544:
150:Problems playing these files? See
95:
75:Debussy wrote another collection,
68:, Debussy wrote to his publisher,
25:
1522:
1351:Cinq poèmes de Charles Baudelaire
1017:Fantaisie for piano and orchestra
967:Prélude à l'après-midi d'un faune
787:
756:Beaumont, RĂ©a (2 February 2015).
574:
569:Debussy: The Quiet Revolutionary.
531:
328:are used to depict moving water.
308:Inspirations and musical analysis
234:"Poissons d'or" (Golden fish) in
209:Book 2 (or "2nd series") (L. 111)
44:(usually pronounced in French as
1478:
1453:
1452:
896:
173:" (Reflections in the water) in
129:
111:
749:
694:
185:"Hommage Ă Rameau" (Tribute to
727:"Building a Library: Debussy:
680:
650:
629:
599:
561:
505:
458:
13:
1:
1511:Compositions using folk songs
1394:Le Martyre de saint SĂ©bastien
451:
405:Arturo Benedetti Michelangeli
390:
688:"Claude Debussy (1862–1918)"
519:. National Library of France
407:. The French musical critic
368:, was suggested by Laloy, a
88:
7:
1222:La fille aux cheveux de lin
913:La chute de la maison Usher
466:"Debussy, (Achille-)Claude"
426:won the Editor's Choice of
10:
1527:
1215:Ce qu'a vu le vent d'ouest
432:and is noted favorably by
221:(the middle section is in
201:"Mouvement" (Movement) in
160:Book 1 (or "1st series") (
31:
1448:
1404:
1369:
1326:
1090:
1042:
958:
923:
905:Le diable dans le beffroi
875:
866:
276:Nous n'irons plus au bois
265:"Souvenir du Louvre" in C
1506:Suites by Claude Debussy
1288:Four hands or two pianos
659:"John Clement Anderson:
571:New York: Amadeus Press.
567:Lederer, Victor (2007).
335:honouring the memory of
32:Not to be confused with
1304:Six Ă©pigraphes antiques
1236:La cathédrale engloutie
1229:La sérénade interrompue
517:. Piano. SĂ©ries 1 et 2"
444:series. A recording by
1423:Impressionism in music
274:"Quelques aspects de '
100:
1254:, Book 2 (1912–1913)
1196:, Book 1 (1909–1910)
480:(inactive 2024-09-26)
99:
61:Images pour orchestre
34:Images pour orchestre
1418:Musée Claude-Debussy
1208:Des pas sur la neige
892:Pelléas et Mélisande
869:List of compositions
616:classicalconnect.com
337:Jean-Philippe Rameau
884:Rodrigue et Chimène
725:(25 January 2014).
415:'s 1979 recording (
1428:Debussy quadrangle
1378:La Damoiselle Ă©lue
1170:Reflets dans l'eau
1023:Première rhapsodie
948:La boîte à joujoux
657:Anderson, John C.
470:Grove Music Online
446:Marc-André Hamelin
442:Building a Library
171:Reflets dans l'eau
107:Reflets dans l'eau
101:
1466:
1465:
1343:Ariettes oubliées
1322:
1321:
1283:
1282:
1245:La plus que lente
1179:Children's Corner
1133:suite (1894–1901)
1122:Suite bergamasque
1038:
1037:
1010:L'enfant prodigue
612:– Claude Debussy"
134:
116:
16:(Redirected from
1518:
1483:
1482:
1481:
1474:
1456:
1455:
1312:En blanc et noir
1285:
1284:
1187:The Little Nigar
1114:Valse romantique
1095:
1094:
999:
998:
900:
853:
846:
839:
830:
829:
822:: Scores at the
811:: Scores at the
799:: Scores at the
781:
780:
775:
773:
753:
747:
746:
744:
742:
719:
713:
712:
710:
708:
698:
692:
691:
684:
678:
677:
675:
673:
654:
648:
647:
645:
643:
633:
627:
626:
624:
622:
606:DuBose, Joseph.
603:
597:
596:
594:
592:
578:
572:
565:
559:
558:
556:
554:
545:Andres, Robert.
542:
529:
528:
526:
524:
509:
503:
502:
496:
488:
486:
485:
462:
401:Walter Gieseking
344:perpetuum mobile
304:(L. 100, 1903).
284:
270:
269:
261:
260:
241:
240:
196:
195:
180:
179:
136:
135:
125:Hommage Ă Rameau
118:
117:
98:
49:
21:
1526:
1525:
1521:
1520:
1519:
1517:
1516:
1515:
1491:
1490:
1489:
1485:Classical music
1479:
1477:
1469:
1467:
1462:
1444:
1440:Debussy Heights
1400:
1365:
1318:
1279:
1165:, Set 1 (1905)
1086:
1034:
997:
954:
919:
871:
862:
857:
819:Images oubliées
790:
785:
784:
771:
769:
754:
750:
740:
738:
720:
716:
706:
704:
700:
699:
695:
686:
685:
681:
671:
669:
655:
651:
641:
639:
635:
634:
630:
620:
618:
604:
600:
590:
588:
579:
575:
566:
562:
552:
550:
543:
532:
522:
520:
511:
510:
506:
490:
489:
483:
481:
464:
463:
459:
454:
422:A recording by
393:
316:, pedal-point,
310:
278:
267:
266:
258:
257:
249:Images oubliées
238:
237:
193:
192:
177:
176:
157:
156:
148:
146:
145:
144:
143:
137:
130:
127:
121:
120:
119:
112:
109:
102:
96:
91:
78:Images oubliées
47:[i.maĘ’]
37:
28:
23:
22:
15:
12:
11:
5:
1524:
1514:
1513:
1508:
1503:
1488:
1487:
1464:
1463:
1461:
1460:
1449:
1446:
1445:
1443:
1442:
1437:
1436:
1435:
1425:
1420:
1415:
1408:
1406:
1402:
1401:
1399:
1398:
1390:
1386:Trois Chansons
1382:
1373:
1371:
1367:
1366:
1364:
1363:
1359:FĂŞtes galantes
1355:
1347:
1339:
1330:
1328:
1324:
1323:
1320:
1319:
1317:
1316:
1308:
1300:
1291:
1289:
1281:
1280:
1278:
1277:
1271:
1270:
1269:
1262:
1249:
1241:
1240:
1239:
1232:
1225:
1218:
1211:
1204:
1191:
1183:
1175:
1174:
1173:
1158:
1154:L'isle joyeuse
1150:
1142:
1134:
1126:
1118:
1110:
1106:Two Arabesques
1101:
1099:
1092:
1088:
1087:
1085:
1084:
1074:
1065:
1059:
1056:String Quartet
1053:
1046:
1044:
1040:
1039:
1036:
1035:
1033:
1032:
1026:
1020:
1014:
1005:
1003:
1002:With a soloist
996:
995:
987:
979:
971:
962:
960:
956:
955:
953:
952:
944:
936:
927:
925:
921:
920:
918:
917:
909:
901:
888:
879:
877:
873:
872:
867:
864:
863:
860:Claude Debussy
856:
855:
848:
841:
833:
827:
826:
815:
803:
789:
788:External links
786:
783:
782:
766:The Whole Note
748:
723:Walsh, Stephen
714:
693:
679:
649:
628:
598:
573:
560:
530:
504:
456:
455:
453:
450:
392:
389:
309:
306:
290:
289:
272:
263:
253:
252:
245:
244:
232:
226:
211:
210:
206:
205:
199:
183:
166:
165:
147:
138:
128:
123:
122:
110:
105:
104:
103:
94:
93:
92:
90:
87:
70:Jacques Durand
56:Claude Debussy
26:
9:
6:
4:
3:
2:
1523:
1512:
1509:
1507:
1504:
1502:
1499:
1498:
1496:
1486:
1476:
1475:
1472:
1459:
1451:
1450:
1447:
1441:
1438:
1434:
1431:
1430:
1429:
1426:
1424:
1421:
1419:
1416:
1413:
1410:
1409:
1407:
1403:
1396:
1395:
1391:
1388:
1387:
1383:
1380:
1379:
1375:
1374:
1372:
1368:
1361:
1360:
1356:
1353:
1352:
1348:
1345:
1344:
1340:
1337:
1336:
1332:
1331:
1329:
1325:
1314:
1313:
1309:
1306:
1305:
1301:
1298:
1297:
1293:
1292:
1290:
1286:
1275:
1272:
1268:
1267:
1263:
1261:
1260:
1256:
1255:
1253:
1250:
1247:
1246:
1242:
1238:
1237:
1233:
1231:
1230:
1226:
1224:
1223:
1219:
1217:
1216:
1212:
1210:
1209:
1205:
1203:
1202:
1198:
1197:
1195:
1192:
1189:
1188:
1184:
1181:
1180:
1176:
1172:
1171:
1167:
1166:
1164:
1163:
1159:
1156:
1155:
1151:
1148:
1147:
1143:
1140:
1139:
1135:
1132:
1131:
1130:Pour le piano
1127:
1124:
1123:
1119:
1116:
1115:
1111:
1108:
1107:
1103:
1102:
1100:
1096:
1093:
1089:
1082:
1079:(1915–1917):
1078:
1075:
1072:
1070:
1066:
1063:
1060:
1057:
1054:
1051:
1048:
1047:
1045:
1041:
1030:
1027:
1024:
1021:
1018:
1015:
1012:
1011:
1007:
1006:
1004:
1000:
993:
992:
988:
985:
984:
980:
977:
976:
972:
969:
968:
964:
963:
961:
957:
950:
949:
945:
942:
941:
937:
934:
933:
929:
928:
926:
922:
915:
914:
910:
907:
906:
902:
899:
894:
893:
889:
886:
885:
881:
880:
878:
874:
870:
865:
861:
854:
849:
847:
842:
840:
835:
834:
831:
825:
821:
820:
816:
814:
810:
808:
804:
802:
798:
796:
792:
791:
779:
767:
763:
761:
752:
736:
734:
730:
724:
718:
703:
697:
689:
683:
668:
664:
662:
653:
638:
632:
617:
613:
611:
602:
586:
585:
577:
570:
564:
548:
541:
539:
537:
535:
518:
516:
508:
500:
494:
479:
475:
471:
467:
461:
457:
449:
447:
443:
439:
435:
434:Stephen Walsh
431:
430:
425:
420:
418:
417:Diapason d'Or
414:
413:Claudio Arrau
410:
406:
402:
398:
388:
386:
382:
377:
375:
371:
367:
362:
360:
356:
352:
347:
345:
340:
338:
334:
329:
327:
323:
319:
315:
305:
303:
302:
297:
296:
295:Pour le piano
288:
282:
277:
273:
264:
255:
254:
250:
247:
246:
243:
233:
231:
227:
224:
220:
217:
213:
212:
208:
207:
204:
200:
198:
188:
184:
182:
172:
168:
167:
163:
159:
158:
155:
153:
142:
139:Performed by
126:
108:
86:
84:
83:Henry Lerolle
80:
79:
73:
71:
67:
63:
62:
57:
53:
48:
43:
42:
35:
30:
19:
1392:
1384:
1376:
1357:
1349:
1341:
1333:
1310:
1302:
1296:Petite suite
1294:
1264:
1257:
1243:
1234:
1227:
1220:
1213:
1206:
1199:
1185:
1177:
1168:
1160:
1152:
1144:
1136:
1128:
1120:
1112:
1109:(1888, 1891)
1104:
1081:Cello Sonata
1068:
1008:
989:
981:
973:
965:
946:
938:
930:
911:
903:
895:(1893–1902)
890:
882:
818:
806:
794:
777:
770:. Retrieved
765:
759:
751:
739:. Retrieved
732:
728:
717:
705:. Retrieved
696:
682:
670:. Retrieved
666:
660:
652:
640:. Retrieved
631:
619:. Retrieved
615:
609:
601:
589:. Retrieved
583:
576:
568:
563:
551:. Retrieved
521:. Retrieved
514:
507:
482:. Retrieved
469:
460:
441:
427:
424:Noriko Ogawa
421:
396:
394:
378:
363:
348:
341:
330:
311:
299:
293:
291:
248:
149:
141:Giorgi Latso
77:
76:
74:
65:
59:
40:
39:
38:
29:
1412:Emma Bardac
1370:Other vocal
1362:(1891–1904)
1354:(1887–1889)
1346:(1885–1887)
1299:(1886–1889)
1259:Brouillards
1182:(1906–1908)
1125:(1890–1905)
1031:(1901-1911)
1025:(1909–1910)
1019:(1889–1890)
994:(1905–1912)
986:(1903–1905)
978:(1897–1899)
943:(1912–1913)
935:(1911–1912)
916:(1908–1917)
908:(1902–1911)
887:(1890–1892)
772:27 December
758:"Debussy –
741:27 December
707:27 December
672:27 December
642:27 December
621:27 December
591:27 December
553:27 December
523:27 December
438:BBC Radio 3
383:artwork or
359:Louis Laloy
279: [
1495:Categories
1050:Piano Trio
959:Orchestral
735:for piano"
484:2024-02-04
452:References
429:Gramophone
399:, such as
391:Recordings
385:embroidery
370:sinologist
219:whole-tone
152:media help
1335:Beau soir
1071:for flute
975:Nocturnes
768:. Toronto
411:wrote of
366:East Asia
333:sarabande
326:glissando
89:Structure
1458:Category
1252:Préludes
1194:Préludes
1138:Estampes
809:, book 2
797:, book 1
610:Images I
493:cite web
409:Jean Roy
318:staccato
314:arpeggio
301:Estampes
268:♯
259:♯
239:♯
194:♯
178:♭
1405:Related
1146:Masques
1043:Chamber
667:last.fm
381:lacquer
374:gamelan
322:tremolo
287:D minor
251:(L. 87)
230:E minor
223:E major
203:C major
50:) is a
1471:Portal
1433:crater
1414:(wife)
1397:(1911)
1389:(1909)
1381:(1889)
1338:(1880)
1315:(1915)
1307:(1914)
1276:(1915)
1274:Études
1248:(1910)
1201:Voiles
1190:(1909)
1162:Images
1157:(1904)
1149:(1904)
1141:(1903)
1117:(1890)
1083:(1915)
1073:(1913)
1069:Syrinx
1064:(1904)
1058:(1893)
1052:(1879)
1013:(1884)
991:Images
983:La mer
970:(1894)
951:(1913)
932:Khamma
924:Ballet
807:Images
795:Images
760:Images
733:Images
729:Images
661:Images
515:Images
397:Images
187:Rameau
66:Images
41:Images
1327:Songs
1091:Piano
876:Opera
737:. BBC
549:. BBC
351:Rahon
283:]
271:minor
262:minor
242:major
197:minor
189:) in
181:major
52:suite
1098:Solo
940:Jeux
774:2016
743:2016
709:2016
674:2016
644:2016
623:2016
593:2016
555:2016
525:2016
499:link
403:and
355:Jura
324:and
164:110)
474:doi
440:'s
436:in
353:in
1497::
776:.
764:.
665:.
614:.
533:^
495:}}
491:{{
472:.
468:.
339:.
320:,
281:fr
162:L.
85:.
1473::
852:e
845:t
838:v
745:.
711:.
690:.
676:.
646:.
625:.
608:"
595:.
557:.
527:.
513:"
501:)
487:.
476::
236:F
225:)
216:B
191:G
175:D
169:"
154:.
36:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.