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has commented on
Debussy's own wish to incorporate ideas of juxtaposing elements of the visual arts in musical terms, including a quote from Debussy to Caplet from a letter of 26 February 1910: "You can't imagine how naturally the transition works between 'Parfums de la nuit' and 'Le Matin d'un jour
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This is one of
Debussy's most modern works. He used two folk tunes, "Nous n'irons plus au bois" and "Do, do l'enfant do" in this movement. Brown, Dempster and Headlam have analyzed the tonal structure of this movement. The first song plays a prominent role from the start of the
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as of
September 1905. However, by March 1906, in another letter to Durand, he had begun to think of arranging the work for orchestra rather than two pianos.
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which appear once or twice or are reused in fragments throughout the piece. Other themes are long solo passages written particularly for the oboe d'amore.
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time until the end of the movement, in the solos and in the accompaniments and countermelodies. Debussy had already quoted the song
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821:, unknown author, 1935 article, via oldandsold.com (archive from 22 June 2006)
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Matthew Brown has briefly commented on
Debussy's use of techniques such as
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have accepted that Caplet assisted with the orchestration. According to
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V) Hypothesis: Testing the Limits of
Schenker's Theory of Tonality".
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Brown, Matthew; Dempster, Douglas; Headlam, Dave (Autumn 1997). "The
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515:(1980). "The Relationship between André Caplet and Claude Debussy".
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819:"Claude Achille Debussy – Iberia: Images for Orchestra, No. 2"
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Brown, Matthew (Autumn 1993). "Tonality and Form in
Debussy's
547:(1967). "Portrait of Debussy. 5: Debussy and English Music".
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Paul Driver, "Debussy through His
Letters" (December 1987).
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599:(1582). The Musical Times, Vol. 115, No. 1582: 1030–1035.
585:(1974). "Debussy's Orchestral Collaborations, 1911–13. 1:
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Orchestral composition in three sections by Claude
Debussy
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which give a sense of unity to the piece. Most are short
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672:, "Debussy and the Art of the Cinema" (January 1973).
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337:(MS 1010) shows no evidence of Caplet's involvement.
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480:(1974). "Debussy's Musical Gifts to Emma Bardac".
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163:is scored for a large orchestra consisting of 2
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352:is the most popular of the three orchestral
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814:International Music Score Library Project
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368:(Along the streets and along the paths)
360:within the triptych. Its sections are:
333:, however, the manuscript score in the
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423:("Round dances of spring") (1905–1909)
1262:Hommage Ă S. Pickwick Esq. P.P.M.P.C.
1025:Rhapsodie for saxophone and orchestra
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1058:Dances for Harp and String Orchestra
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1517:Compositions for symphony orchestra
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1073:Six sonatas for various instruments
631:Claude Debussy: biographie critique
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716:Prélude à 'L'Après-midi d'un faune
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1347:Cinq poèmes de Charles Baudelaire
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963:Prélude à l'après-midi d'un faune
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313:There is debate over the role of
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366:Par les rues et par les chemins
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111:three sections, five movements
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1527:Compositions using folk songs
1390:Le Martyre de saint SĂ©bastien
587:Le martyre de Saint-SĂ©bastien
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396:Ça n'a pas l'air d'être écrit
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290:and the Tyneside folk tune "
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1218:La fille aux cheveux de lin
909:La chute de la maison Usher
629:(1996). "Reviews of Books:
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1211:Ce qu'a vu le vent d'ouest
378:Le matin d'un jour de fĂŞte
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445:Nous n'irons plus au bois
374:(The scents of the night)
294:", which are used as key
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1497:Suites by Claude Debussy
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317:in the orchestration of
19:Not to be confused with
1300:Six Ă©pigraphes antiques
1232:La cathédrale engloutie
1225:La sérénade interrompue
405:incomplete progressions
1419:Impressionism in music
372:Les parfums de la nuit
335:Bibliothèque nationale
276:The original title of
1250:, Book 2 (1912–1913)
1192:, Book 1 (1909–1910)
808:Images pour orchestre
770:Music Theory Spectrum
721:Music Theory Spectrum
670:Richard Langham Smith
633:by François Lesure".
531:10.1093/mq/LXVI.1.112
518:The Musical Quarterly
483:The Musical Quarterly
453:Jardins sous la pluie
391:Richard Langham Smith
389:inspired this music.
161:Images pour orchestre
133:in three sections by
119:Images pour orchestre
32:Images pour orchestre
1414:Musée Claude-Debussy
1204:Des pas sur la neige
888:Pelléas et Mélisande
865:List of compositions
701:(1738): pp. 687–689.
513:Spencer, Williametta
75:Images for Orchestra
21:Images (piano suite)
880:Rodrigue et Chimène
675:Music & Letters
649:10.1093/ml/77.1.132
636:Music & Letters
496:10.1093/mq/LX.4.544
421:Rondes de printemps
356:and itself forms a
327:Williametta Spencer
298:. Revolving around
1424:Debussy quadrangle
1374:La Damoiselle Ă©lue
1166:Reflets dans l'eau
1019:Première rhapsodie
944:La boîte à joujoux
1522:Orchestral suites
1512:1912 compositions
1507:1909 compositions
1502:1908 compositions
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1339:Ariettes oubliées
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1241:La plus que lente
1175:Children's Corner
1129:suite (1894–1901)
1118:Suite bergamasque
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1006:L'enfant prodigue
694:The Musical Times
592:The Musical Times
555:(1493): 599–601.
549:The Musical Times
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682:(1): pp. 61–70.
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385:Impressions of
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323:Robert Orledge
288:Charles Bordes
284:Gigues tristes
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146:for solo piano
135:Claude Debussy
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189:bass clarinet
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1292:Petite suite
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1077:Cello Sonata
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315:André Caplet
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302:are musical
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292:The Keel Row
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177:oboe d'amore
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1408:Emma Bardac
1366:Other vocal
1358:(1891–1904)
1350:(1887–1889)
1342:(1885–1887)
1295:(1886–1889)
1255:Brouillards
1178:(1906–1908)
1121:(1890–1905)
1027:(1901-1911)
1021:(1909–1910)
1015:(1889–1890)
990:(1905–1912)
982:(1903–1905)
974:(1897–1899)
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931:(1911–1912)
912:(1908–1917)
904:(1902–1911)
883:(1890–1892)
345:(1905–1908)
272:(1909–1912)
181:cor anglais
131:composition
126:122, is an
64:FĂ©lix Nadar
62:, photo by
60: 1900
1491:Categories
1046:Piano Trio
955:Orchestral
465:References
225:tambourine
221:field drum
207:(in C), 3
128:orchestral
1331:Beau soir
1067:for flute
971:Nocturnes
810:(Debussy)
394:de fĂŞte.
245:xylophone
229:castanets
209:trombones
185:clarinets
108:Movements
81:Catalogue
1454:Category
1248:Préludes
1190:Préludes
1134:Estampes
764:♭
758:♯
461:(1903).
458:Estampes
358:triptych
263:Sections
241:triangle
205:trumpets
193:bassoons
165:piccolos
92:Composed
1401:Related
1142:Masques
1039:Chamber
257:strings
249:cymbals
237:celesta
217:timpani
156:Scoring
97: (
71:English
1467:Portal
1429:crater
1410:(wife)
1393:(1911)
1385:(1909)
1377:(1889)
1334:(1880)
1311:(1915)
1303:(1914)
1272:(1915)
1270:Études
1244:(1910)
1197:Voiles
1186:(1909)
1158:Images
1153:(1904)
1145:(1904)
1137:(1903)
1113:(1890)
1079:(1915)
1069:(1913)
1065:Syrinx
1060:(1904)
1054:(1893)
1048:(1879)
1009:(1884)
987:Images
979:La mer
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