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40:. In the poem, Pound describes a moment in the underground metro station in Paris in 1912; he suggested that the faces of the individuals in the metro were best put into a poem not with a description but with an "equation". Because of the treatment of the subject's appearance by way of the poem's own visuality, it is considered a quintessential
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The poem is essentially a set of images that have unexpected likeness and convey the rare emotion that Pound was experiencing at that time. Arguably the heart of the poem is not the first line, nor the second, but the mental process that links the two together. "In a poem of this sort," as Pound
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as it attempts to "break from the pentameter", incorporates the use of visual spacing as a poetic device, and does not contain any verbs. The work originally appeared with different spacing between the groups of words. This can be found in the on-line version of
232:'s focus on economy of language, precision of imagery and experimenting with non-traditional verse forms. The poem is Pound's written equivalent for the moment of revelation and intense emotion he felt at the Paris Metro's
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Like other modernist artists of the period, Pound found inspiration in
Japanese art, but the tendency was to re-make and to meld cultural styles rather than to copy directly or slavishly. He may have been inspired by a
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print he almost certainly saw in the
British Library (Rupert Richard Arrowsmith mentions the specific prints he matched to verse), and probably attempted to write
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explained, "one is trying to record the precise instant when a thing outward and objective transforms itself, or darts into a thing inward and subjective."
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and suggested that it "is the sort of
American stuff I can show here in Paris without its being ridiculed". "In a Station of the Metro" is an early work of
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magazine began, in the issue of April 1913, Ezra Pound's now famous 'In a
Station of the Metro' appeared. This may be the first published hokku in English.
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in 1914. Pound, though briefly, embraced
Imagism stating that it was an important step away from the verbose style of
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Rupert
Richard Arrowsmith, Video of a lecture discussing the importance of Japanese culture to Pound's early poetry
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Pound was influential in the creation of
Imagist poetry until he left the movement to embrace
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The poem contains only fourteen words (without a verb therein—making it a good example of the
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published in
English, though it lacks the traditional 3-line, 17-syllable structure of haiku.
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tradition. Pound's process of deletion from thirty lines to only fourteen words typifies
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The poem was first published in 1913 and is considered one of the leading poems of the
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Modernism and the Museum: Asian, African, and
Pacific Art and the London Avant-Garde
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The New
Anthology of American Poetry: Traditions and Revolutions, Beginnings to 1900
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Rupert Richard Arrowsmith posited that Pound may have been inspired by this
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Wall Street journal, Jan 7-8, 2017 Page C14 review by Willard Spiegelman
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Barbarese, J.T. "Ezra Pound's Imagist Aesthetics: Lustra to Mauberley"
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313:. Tokyo: Kodansha International (published 1989). p. 51.
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Axelrod, Steven Gould and Camille Roman, Thomas J. Travisano.
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The Haiku Handbook: How to Write, Share, and Teach Haiku
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Hirsch, Edward 'A Poet's Glossary' Houghton Mi n, 2014
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Imagist poem in English by Ezra Pound published in 1913
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https://archive.org/details/gaudierbrzeska00pounrich
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34:published in April 1913 in the literary magazine
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1046:Works originally published in Poetry (magazine)
496:Modern American Poetry, University of Illinois
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54:The poem was reprinted in Pound's collection
350:Columbia University Press (1993) pp.307-308
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80:The apparition of these faces in the crowd:
60:Personae: The Collected Poems of Ezra Pound
47:It is sometimes considered to be the first
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471:The Cat Empire, "The Crowd", Nov/Dec, 2004
440:London University School of Advanced Study
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212:Learn how and when to remove this message
58:in 1917, and again in the 1926 anthology
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348:The Columbia history of American poetry
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334:.Rutgers University Press (2003) p.663
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593:The River Merchant's Wife: A Letter
422:Pound (1916) Gaudier-Brzeska, 103.
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478:(Oxford University Press, 2011),
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412:. No. 96. pp. 461–471.
404:Pound, Ezra (1 September 1914).
383:"On "In a Station of the Metro""
277:-like verse during this period.
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370:Modernsim: A Short Introduction
137:needs additional citations for
62:, which compiled his early pre-
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460:Ezra Pound "Vorticism"
372:. Blackwell (2004) p.2
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251:print he saw in the
146:improve this article
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934:A ZBC of Ezra Pound
785:Boris de Rachewiltz
745:(maternal ancestor)
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702:Ideogrammic method
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410:Fortnightly Review
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484:978-0-191-59568-4
315:Six months after
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1010:Vienna Café
980:Hugh Kenner
958:Brunnenburg
906:Discretions
898:Works about
889:W. B. Yeats
842:James Joyce
837:T. E. Hulme
817:T. S. Eliot
631:Other works
550:(July 1908)
406:"Vorticism"
1036:1913 poems
1025:Categories
986:Ezra Pound
879:Allen Tate
781:(daughter)
773:Olga Rudge
761:Omar Pound
619:The Cantos
610:The Cantos
532:Ezra Pound
293:References
172:newspapers
32:Ezra Pound
1000:Modernism
963:CasaPound
775:(partner)
727:Vorticism
236:station.
97:Vorticism
717:Periplum
695:Concepts
580:" (1913)
570:Ripostes
565:" (1909)
281:See also
234:Concorde
202:May 2009
118:Analysis
70:The poem
23:" is an
1051:Imagism
988:(Lewis)
707:Imagism
588:(1915)
454:Sources
249:ukiyo-e
230:Imagism
226:Imagist
186:scholar
92:form).
66:works.
42:Imagist
25:Imagist
757:(wife)
736:Family
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585:Cathay
573:(1912)
539:Poetry
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56:Lustra
44:text.
37:Poetry
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763:(son)
462:, in
275:haiku
193:JSTOR
179:books
49:haiku
812:H.D.
480:ISBN
165:news
28:poem
148:by
30:by
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