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1939:
1021:
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989:
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2147:
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1991:
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881:
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2059:
3808:; 19 July 1895 – 26 September 1953), also known as "Ju Péon", was a Chinese painter. He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century. He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes – a show of his high proficiency in an essential Western art technique. He was one of the four pioneers of Chinese modern art who earned the title of "
1138:
5082:
2039:
1005:
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595:(1857–1922) wrote this about ink wash painting: "The painter... put upon the paper the fewest possible lines and tones; just enough to cause form, texture and effect to be felt. Every brush-touch must be full-charged with meaning, and useless detail eliminated. Put together all the good points in such a method, and you have the qualities of the highest art". Dow's fascination with ink wash painting not only shaped his own approach to art but also helped free many American modernists of the era, including his student
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movement and ink flow. These skills are closely related to those needed for basic writing in East Asian characters, and then for calligraphy, which essentially use the same ink and brushes. In the hand of a master, a single stroke can produce considerable variations in tonality, from deep black to silvery gray. Thus, in its original context, shading means more than just dark-light arrangement: It is the basis for the nuance in tonality found in East Asian ink wash painting and brush-and-ink calligraphy.
5125:
1064:
5166:
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46:
3975:
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495:
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5293:
1938:
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388:. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
1893:
2726:
4954:
703:. They included Wu Yunhui, Feng Yingke, Lu Wenbao, Zhang Tianxi, and others. Huzhou has been the center of Chinese brush making since the Qing dynasty. At the same time, many famous brushes were produced in other places, such as the Ruyang Liu brush in Henan province, the Li Dinghe brush in Shanghai, and the Wu Yunhui in Jiangxi province.
3002:; 1483–1544) are the main painters of the bold and unconstrained style of literati painting, and their ink wash painting is characterized by the incisive and fluent ink and wash. Their ink wash painting style is considered to have the typical characteristics of the Historical Oriental art. Xu Wei, other department "Qingteng Shanren" (
1095:
2146:
3290:
1020:
3501:
6198:
2262:
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2200:
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4500:. Sesson Shukei was one of the main representatives of Japanese ink wash painting, a learned and prolific Zen monk painter. He studied a wide range of early Chinese ink wash painting styles and played an important role in the development of Japanese Zen ink wash painting. Colleagues of Chinese ink painter
4504:(active in 13th century) first brought Muxi painting to Japan in the late 13th century. Japanese Zen monks follow and learn the gibbon pictures painted by Chinese monk painter Muqi. By the late 15th century, the animal image of Muqi style had become a hot topic in large-scale Japanese painting projects.
793:
that are more flexible. If one uses traditional paper, the idea of an "ink wash" refers to a wet-on-wet technique, applying black ink to paper where a lighter ink has already been applied, or by quickly manipulating watery diluted ink once it has been applied to the paper by using a very large brush.
2789:
757:
Different brushes have different qualities. A small wolf-hair brush that is tapered to a fine point can deliver an even thin line of ink (much like a pen). A large wool brush (one variation called the 'big cloud') can hold a large volume of water and ink. When the big cloud brush rains down upon the
899:
features great tensile strength, smooth surface, pure and clean texture as well as a clean stroke; it has great resistance to crease, corrosion, moth, and mold. Xuan paper has a special ink penetration effect, which is not readily available in paper made in
Western countries. It was first mentioned
792:
do not lend themselves readily to a smooth wash the way watercolor paper does. Each brush stroke is visible, so any "wash" in the sense of
Western style painting requires partially sized paper. Paper manufacturers today understand artists' demands for more versatile papers and work to produce kinds
415:
format tended to be associated with professional coloured painting, but was also used for literati painting. In both formats paintings were generally kept rolled up, and brought out for the owner to admire, often with a small group of friends. Chinese collectors liked to stamp paintings with their
1111:
607:
Ink wash painting uses tonality and shading achieved by varying the ink density, both by differential grinding of the ink stick in water and by varying the ink load and pressure within a single brushstroke. Ink wash painting artists spend years practicing basic brush strokes to refine their brush
3372:
567:
East Asian writing on aesthetics is generally consistent in saying that the goal of ink and wash painting is not simply to reproduce the appearance of the subject, but to capture its spirit. To paint a horse the ink-wash painting artist must understand its temperament better than its muscles and
1304:
Western scholars have written that before the Song dynasty, ink wash was primarily used for representation painting, while in the Yuan dynasty, expressive painting predominated. Chinese historical views have traditionally found it more appropriate to divide the general artistic features of this
1075:
3517:
891:) was first developed in China in the first decade of 100 AD. Previous to its invention, bamboo slips and silks were used for writing material. Several methods of paper production developed over the centuries in China. However, the paper which was considered of highest value was that of the
4114:
1990:
3110:
in ink wash painting. His theoretical system has a great influence on the painting concept and practice of East Asian countries, including Japan and Korea. Four Wangs were four
Chinese landscape painters in the 17th century, all called Wang (surname Wang). They are best known for their
7489:
839:. An artist puts a few drops of water on an inkstone and grinds the inkstick in a circular motion until a smooth, black ink of the desired concentration is made. Prepared liquid inks vary in viscosity, solubility, concentration, etc., but are in general more suitable for practicing
3254:
in early Qing dynasty (1644–1912). Eight
Eccentrics of Yangzhou is the name for a group of eight Chinese painters active in the 18th century, who were known in the Qing dynasty for rejecting the orthodox ideas about painting in favor of a style deemed expressive and individualist.
6178:
2239:
4355:
was the leader of Kano school, laid the foundation for the school's dominant position in
Japanese mainstream painting for centuries. He was mainly influenced by Xia Gui (active in 1195–1225), a Chinese court painter of the Southern Song dynasty. He was the chief painter of the
2324:
403:
In practice a talented painter often had an advantage in climbing the bureaucratic ladder. In Korea, painters were less segregated, and more willing to paint in two techniques, such as mixing areas of colour with monochrome ink, for example in painting the faces of figures.
1866:
391:
In China, Japan and, to a lesser extent, Korea, ink wash painting formed a distinct stylistic tradition with a different set of artists working in it than from those in other types of painting. In China especially it was a gentlemanly occupation associated with poetry and
4852:
of Korea. He was together a pillar of the establishment and a key figure of the new trends of his time, the 'true view painting'. Gim Hong-do was an exceptional artist in every field of traditional painting. His ink wash paintings of figures are deeply influenced by the
3675:) was a Chinese landscape painter and calligrapher during the Qing dynasty. His style name was 'Zuo Ying'. Pu painted landscapes and ink bamboo in an unconventional style of free and easy brush strokes. He is one of the important representatives of the Shanghai School.
695:
in the eastern Han dynasty. Third, the special form of "hairpin white pen" appeared. Officials in the Han dynasty often sharpened the end of the brush and stuck it in their hair or hat for their convenience. Worshipers also often put pen on their heads to show respect.
3826:; 16 March 1896 – 7 August 1994) was a prominent 20th century Chinese painter and a noted art educator. He excelled in Chinese painting and oil painting. He was one of the four pioneers of Chinese modern art who earned the title of "The Four Great Academy Presidents".
2169:
4028:
1425:, 8th century. Wang Wei is the most important representative of early Chinese ink wash painting. He believed that in all forms of painting, ink wash painting is the most advanced. Zhang Zao was a Chinese painter, painting theorist and politician during the
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or court academy was very important, and most major painters came from it, although the emphasis of the academy was on realistic decorative works and official portraits, so something of a break from this was required. However the high official and painter
4079:
3329:
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599:, from what he called a "story-telling" approach. Dow strived for harmonic compositions through three elements: line, shading, and color. He advocated practicing with East Asian brushes and ink to develop aesthetic acuity with line and shading.
7485:
2111:
2607:) school, one of the most important of the period. Although Xia was popular during his lifetime, his reputation suffered after his death, together with that of all Southern Song academy painters. Nevertheless, a few artists, including the
1835:
4238:(1420–1506) were monks, although Sesshū eventually left the clergy, and spent a year or so in China in 1468–69. By the end of the period the style had been adopted by several professional or commercial artists, especially from the large
5104:
6904:
4642:) genre. The majority of his works reflected his passion for classical Chinese culture and painting techniques, though he also incorporated revolutionary and modern techniques into his otherwise very traditional paintings. As a
2058:
954:
The production of Xuan paper is about an eighteen-step process – taken in detail over a hundred steps may be counted. Some paper makers keep their process strictly secret. The process includes cooking and bleaching the bark of
988:
7433:
2593:), was a Chinese landscape painter of the Song dynasty. Very little is known about his life, and only a few of his works survive, but he is generally considered one of China's greatest artists. He continued the tradition of
1604:; 8 January 1037 – 24 August 1101), courtesy name Zizhan (Chinese: 子瞻), art name Dongpo (Chinese: 東坡), was a Chinese poet, writer, politician, calligrapher, painter, pharmacologist, and gastronome of the Song dynasty.
4909:(1742), as well as numerous "true-view" landscape paintings on the subject of Korea and the history of its culture. He is counted among the most famous Korean painters. His style is realistic rather than abstract.
2834:
2638:) was a Chinese painter of the Southern Song dynasty. He was also known as "Madman Liang" because of his very informal pictures. His ink wash painting style has a huge influence on East Asia, especially Japan.
6139:
5039:
3552:
2084:
3427:
3644:), was a prominent painter, calligrapher and seal artist of the late Qing period. He is the leader of the Shanghai School. Wu Changshuo's style of painting has profoundly impacted the paintings in Japan.
7570:
568:
bones. To paint a flower there is no need to perfectly match its petals and colors, but it is essential to convey its liveliness and fragrance. It has been compared to the later
Western movement of
882:
4250:
was also very important. In the
Japanese way, the most promising pupils married daughters of the family, and changed their names to Kanō. The school continued to paint in the traditional Japanese
2297:
939:, is used as the main material for the production of rice paper in this area. Rice and several other materials were later added to the recipe in the Song and Yuan Dynasties. In those dynasties
668:. This primitive version of an ink brush found had a wooden stalk and a bamboo tube securing the bundle of hair to the stalk. Legend wrongly credits the invention of the ink brush to the later
2159:, Southern Song (Chinese), 13th century, set of three hanging scrolls, ink and color on silk, height: 173.9–174.2 cm (68.5–68.6 in), collected in Daitokuji, Kyoto, Japan. Designated
5081:
1137:
611:
Once a stroke is painted it cannot be changed or erased. As a result, ink and wash painting is a technically demanding art form requiring great skill, concentration, and years of training.
4998:
2038:
6900:
4471:". This painting was drawn the landscape of Song dynasty in China. He painted the natural landscape of winter. The feature of this painting is the thick line that represents the cliff.
2662:); was a late 13th century Chinese painter who lived during the Southern Song and early Yuan dynasties. Yan Hui's style of painting has also profoundly impacted the painters in Japan.
687:. First, the decorative craft of engraving and inlaying on the pen-holder appeared. Second, some writings on the production of writing brush have also survived. For example, the first
6272:
979:. In addition to stones, inkstones can be made of clay, bronze, iron and porcelain. This device evolved from the friction tool used to rub dyes about six to seven thousand years ago.
1798:), which was concerned more with individual expression and learning than with outward representation and immediate visual appeal. Other notable painters from the Yuan period include
7425:
6435:
Hearn, Maxwell K. Cultivated
Landscapes: Chinese Paintings from the Collection of Marie-Hélène and Guy Weill. New York: The Metropolitan Museum of Art, Yale University Press, 2002.
1587:(or "Literati Painting", the part of the Southern School), painters such as Su Shi, Mi Fu and Mi Youren, especially Muqi, had a decisive influence on East Asian ink wash painting.
3094:) of the Qing dynasty are representative painters of retro-style ink wash paintings that imitated the painting style before the Yuan dynasty. Dong Qichang was a Chinese painter,
8231:
439:
style of mountain landscapes are by far the most common, often evoking particular areas traditionally famous for their beauty, from which the artist may have been very distant.
6228:
Bio dates: Ch'en and
Bullock, 49 and 53; Stimson, 22; Watson, 10 and 170; and Wu, 225. Note, however, other sources, such as Chang, 58, and Davis, x, give his years as 701–761
2742:
3893:(traditionalist) painter, by the 1960s he was also renowned as a modern impressionist and expressionist painter. In addition, he is regarded as one of the most gifted master
5124:
4973:
4001:
6309:
5891:
4683:
of everyday life, and there was a tradition of more realistic landscapes of real locations, as well as mountains as fantastical as any
Chinese paintings, for which the
4654:, literati, man of letters), Ike was close to many of the prominent social and artistic circles in Kyoto, and in other parts of the country, throughout his lifetime.
1421:) are important representatives of early Chinese ink wash painting of the Southern School. Wang Wei was a Chinese poet, musician, painter, and politician during the
1149:
3919:). His works of landscape painting employed skillful use of dots and inking methods, creating a new technique encompassing many varieties within traditional rules.
7330:
1670:
are regarded as essential Chan paintings. Muqi's style of painting has also profoundly impacted painters from later periods to follow, especially monk painters in
8021:
4893:) (1676–1759) was a Korean landscape painter, also known by his pen name "Kyomjae" ("humble study"). His works include ink and oriental water paintings, such as
4052:
4195:) who immigrated to Japan from China has been called the "Father of Japanese ink painting". East Asian styles have mainly developed from the painting styles of
1360:
of painting. Representing painters are Wang Wei, Dong Yuan, and so on. The Southern School has had a profound impact on Japanese and Southeast Asian paintings.
1101:
Fragment of ancient Chinese paper map with features in black ink, found on the chest of the occupant of Tomb 5 of Fangmatan, Gansu in China in 1986, from early
4153:
3974:
3319:), Ming dynasty, 1467 (明 成化丁亥), Medium: Hanging scroll, ink and colors on Xuan paper, Dimensions: 193.8 × 98.1 cm (height × width), China. Collected by
420:
and usually in red inkpad; sometimes they would add poems or notes of appreciation. Some old and famous paintings have become very disfigured by this; the
1004:
5970:
3281:, 1824–1896) was a Chinese monk painter and poet during the Qing dynasty. His ink wash paintings give the audience a sense of abstraction and illusion.
559:. Ink on Xuan paper. Height: 156.8 cm (61.7 in); width: 356 cm (140 in). 16th century, Japan. The painting has been designated as a
400:
or literati class, ideally illustrating their own poetry and producing the paintings as gifts for friends or patrons, rather than painting for payment.
7827:
7256:
7188:
3780:
Important painters who have absorbed Western sketching methods to improve Chinese ink wash painting include Gao Jianfu, Xu Beihong and Liu Haisu, etc.
1584:
7849:
7636:
4967:, ink and light lolor on silk, 67 in. × 12 ft. 6 in. (170.2 × 381 cm), mid-16th century, Japan. Collected by the Metropolitan Museum of Art.
8093:
2511:) and Xia Gui's ink wash painting modeling and techniques have a profound influence on Japanese and Korean ink wash paintings. Li Tang was a Chinese
7900:
5014:
3867:. Later he created his own ink wash painting style and built the foundation of Chinese traditional painting education. He was persecuted during the
4778:
4706:
5690:
4571:
7766:
8221:
7617:
5850:
5165:
7931:
2547:. He perfected the technique of "axe-cut" brush-strokes. Ma Yuan was a Chinese painter of the Song dynasty. His works, together with that of
6264:
3829:
Pan Tianshou, Zhang Daqian and Fu Baoshi are important ink wash painters who stick to the tradition of Chinese classical Literati Painting.
3214:) are the innovative masters of ink wash painting in the late Ming and early Qing dynasties. Bada Shanren, other department "Bada Shanren" (
2720:, 1124, ink and color on silk, 188.7 cm (74.2 in); Width: 139.8 cm (55 in), collected by National Palace Museum, Taipei.
7675:
7210:
6453:
5526:
5482:
5426:
4187:
Since the Tang dynasty, Japan, Korea, and East Asian countries have extensively studied Chinese painting and ink wash painting. Josetsu (
1627:
7788:
7705:
7295:
6099:
6055:
6009:
5378:
4777:(1392–1910). Byeon is famous for his precise depictions of animals and people in detailed brushwork. Byeon was deeply influenced by the
2424:
and the rise of the Song. Representing painters are Ma Yuan, Xia Gui, and so on. The style stands in opposition to the Southern School (
6492:
3885:; 10 May 1899 – 2 April 1983) was one of the best-known and most prodigious Chinese artists of the 20th century. Originally known as a
3731:
1 January 1864 – 16 September 1957) was a Chinese painter noted for the whimsical, often playful style of his ink wash painting works.
4810:
The Korean painters influenced by the Northern School in the Song dynasty include Gang Hui-an, Kim Hong-do, Jang Seung-eop and so on.
1980:), ink and slight color on silk, dimensions of 6.75 ft × 2.5 ft (2.06 m × 0.76 m). 11th century, China.
7975:
6184:
1040:
6852:
2416:) was a manner of Chinese landscape painting centered on a loose group of artists who worked and lived in Northern China during the
1634:, 1074–1153) was a Chinese painter, poet, and calligrapher born in Taiyuan during the Song dynasty. He was the eldest son of Mi Fu.
7593:
7019:
6878:
526:), medium ink and light color on silk, dimensions 106.5 x 38.7 cm. 1447, Korea. Collected by Tenri University Central Library.
7399:
6989:
5075:, ink on Xuan paper, 62 in. x 11 ft. 5 in. (157.5 x 348 cm), 1570, Japan. Collected by the Metropolitan Museum of Art.
7109:
2386:), medium: hanging scroll; ink on Xuan paper, dimensions: 38 5/8 × 27 1/8 in. (98.1 × 68.9 cm), 1339, China. Collected by
1928:), ink and light color on silk. 111.76 cm × 55.88 cm (44.00 in × 22.00 in). 11th century, China.
1434:
530:
2557:) school of painting, and are considered among the finest from the period. His works has inspired both Chinese artists of the
8189:
8109:
7139:
7045:
6949:
6743:
6659:
6486:
6390:
6093:
6049:
5888:
5520:
5476:
5420:
5372:
4364:
of painting. Kano Masanobu specialized in Zen paintings as well as elaborate paintings of Buddhist deities and Bodhisattvas.
7515:
7071:
6955:
6396:
6295:
5464:
2779:, Hanging scroll, ink and color on silk, 117.6 cm × 51.9 cm (46.3 in × 20.4 in), collected by
1063:
6688:
6242:
5867:
6575:
6128:"Chinese Painters in Nagasaki: Style and Artistic Contaminatio during the Tokugawa Period (1603–1868) (Ming Qing Studies)"
3777:. He is considered one of the last innovators in the literati style of painting and is noted for his freehand landscapes.
1429:, 8th century. He created the method of using fingers instead of brush to draw ink wash painting. Dong Yuan was a Chinese
7318:
6805:
3366:, hanging scroll, ink on silk, 166.3 x 64.5 cm (height x width). Painting is located in the Palace Museum, Beijing.
1657:(1127–1279). Today, he is considered to be one of the greatest Chan painters in history. His ink paintings, such as the
7289:
4338:, a Japanese ink wash painting genre, was born under the significant influence of Chinese Taoism and Buddhist culture.
2968:). They were approximate contemporaries, with Shen Zhou the teacher of Wen Zhengming, while the other two studied with
17:
7356:
2355:), ink on Xuan paper mounted on hanging scroll, dimensions: W 33.3 cm, H 61.9 cm, 1345, China. Collected by
1089:) detailing how pine is burned in a furnace at one end and its soot collected at the other for making inkstick, China.
676:. Traces of a writing brush, however, were discovered on the Shang jades, and were suggested to be the grounds of the
580:, which emphasizes "spontaneity and harmony with nature," especially when compared with the less spiritually-oriented
8143:
8054:
8033:
8015:
7983:
7887:
6785:
6606:
6192:
5633:
5332:
3809:
1117:
An image of a Ming dynasty woodcut describing five major steps in ancient Chinese papermaking process as outlined by
5560:
The Period and Content of Chinese Painting-Collection of Essays from the International Symposium on Chinese Painting
3124:
3037:
2892:
1677:
5303:
2028:, signed and dated 1072, ink and light lolor on silk. 11th century, China. Hanging scroll, ink and color on silk.
929:
The materials used in Xuan paper are closely related to the geographical environment of Jingxian. The bark of the
7853:
3957:, poet and calligrapher. He based his pseudonym on two artists who greatly influenced him, the landscape painter
8171:
8126:
8101:
7997:
5826:
5794:
4188:
4167:
4136:
4124:
4101:
4089:
4066:
4039:
4015:
3988:
3790:, pronounced "Gou Gim Fu" in Cantonese) was a Chinese painter and social activist. He is known for leading the
3586:
3527:
3414:
3359:
3312:
3300:
2954:
2942:
2926:
2914:
2817:
2713:
2477:
2379:
2348:
2334:
2307:
2284:
2272:
2222:
2210:
2183:
2133:
2094:
1723:
1711:
1699:
1143:
A Duan Inkstone of the Song dynasty-In for making Chinese ink using water and an inkstick, 10th century, China.
971:
is not only a traditional Chinese stationery device, but also an important tool of ink painting. It is a stone
486:) (detail), ink and light color on silk, dimensions are 46.0 x 298.0 cm, 10th century China. Collected by
479:
323:
205:
95:
66:
54:
5962:
5596:
5465:
The Editorial Committee of Chinese Civilization: A Source Book, City University of Hong Kong (1 April 2007).
4929:
4722:) for Prince Anpyeong in 1447 which is currently stored at Tenri University. He was deeply influenced by the
315:
111:
7823:
7371:
7242:
4705:. He entered royal service as a member of the Dohwaseo, the official painters of the Joseon court, and drew
8281:
8083:
7633:
7178:
6553:
5733:
5580:
5251:
4854:
4711:
3860:
3535:
3197:
4332:. A Chinese immigrant, he was naturalised in 1470 and is known as the "Father of Japanese ink painting".
3228:
painter of ink wash painting and a calligrapher. He was of royal descent, being a direct offspring of the
7908:
5782:
2597:, further simplifying the earlier Song style to achieve a more immediate, striking effect. Together with
1929:
6024:
originally appeared as "Analysis of modern Chinese paper and treatment of a Chinese woodblock print" in
8271:
8216:
8064:
5662:
5246:
5115:
4702:
4551:
4262:
3607:
2825:
2387:
1884:
487:
3511:, ink and light color on paper, 17th century, China. The collection of the Metropolitan Museum of Art.
8261:
7728:
4518:
2824:, ink and light colors on silk, 23.9 × 25.1 cm (9.4 × 9.8 in), 13th century China. Collected by
1030:, circa 1800 (late Edo), Medium: bronze, Dimensions: 18 cm (7 in), Japan. Collected By the
560:
8076:
7614:
7564:
6337:
1557:
of the Song dynasty. He has a profound impact on Japanese and Korean paintings. Guoxi was a Chinese
8276:
7941:
7701:
7429:
6449:
5310:
5198:
4440:
4386:
3016:
Chinese painter, poet, writer and dramatist famed for his artistic expressiveness. Chen Chun was a
2343:
1357:
1310:
1206:
754:
hair. The brush hairs are tapered to a fine point, a feature vital to the style of wash paintings.
4948:, ink on paper, 111.5 cm × 75.8 cm (43.9 in × 29.8 in), 1415, Japan.
8266:
8177:
5095:
3128:
2140:, ink on Xuan paper, 13th century, Southern Song (Chinese). Collected in Daitokuji, Kyoto, Japan.
2024:
1361:
1190:
931:
922:(Xuanzhou), hence the name Xuan paper. During the Tang dynasty, the paper was often a mixture of
832:
447:
6927:
Landscapes, Tradition, and the Seventeenth-Century Art Market: A Different Side of Bada Shanren.
4601:
and his son had a profound influence on Japanese ink painters, and Ike no Taiga is one of them.
2190:), ink and color on Xuan paper mounted on hanging scroll, 13th century, China. Collected by the
7671:
7545:
7542:
6728:
Little, Stephen; Eichman, Shawn; Shipper, Kristofer; Ebrey, Patricia Buckley (1 January 2000).
6645:
Little, Stephen; Eichman, Shawn; Shipper, Kristofer; Ebrey, Patricia Buckley (1 January 2000).
5563:
3758:
3320:
2230:
2029:
1981:
1857:
1759:
587:
East Asian ink wash painting has long inspired modern artists in the West. In his classic book
353:
78:
7697:
7214:
6777:
6770:
6445:
5510:
5466:
5410:
8044:
7798:
7733:
7381:
7279:
6083:
6039:
6000:
5362:
4829:
4432:
3017:
2876:
2780:
2558:
1654:
651:
638:
or literati class, which are also indispensable tools and materials for East Asian painting.
219:
6735:
6652:
6476:
5817:
Chinese brushwork in calligraphy and painting : its history, aesthetics, and techniques
5208:
3699:), was a prominent businessman and celebrated modern Chinese artist of the Shanghai School.
3240:. Art historians have named him as a brilliant painter of the period. Shitao, born into the
8256:
4804:
4562:
4279:
3856:
2905:) are a traditional grouping in Chinese art history of four famous Chinese painters of the
545:
431:
the scenes depicted are typically imaginary or very loose adaptations of actual views. The
286:
4679:
painting in the Chinese sensibility. Many painters made both Chinese-style landscapes and
173:
118:
102:
8:
6848:
4842:, born 1745, died 1806?–1814?), also known as "Kim Hong-do", most often styled "Danwon" (
3868:
3769:
province. He was the grandson of artist Huang Fengliu. He would later be associated with
2268:
1731:
840:
596:
7589:
7015:
6874:
5020:
4824:. He was good at poetry, calligraphy, and painting. He entered royal service by passing
4408:
4235:
3040:. Chén Chún later broke with Wen to favor a more freestyle method of ink wash painting.
2612:
2566:
848:
8155:, Pelican History of Art, Penguin (now Yale History of Art), 3rd ed 1971. LOC 70-125675
8043:
Hawkins, Shelley Drake (2010). King, Richard; Zheng, Sheng Tian; Watson, Scott (eds.).
7758:
6325:
5844:
5682:
5622:
New Literature-Reconstructing the Framework of a Poetic Art Theory and Its Significance
5236:
5050:
4749:
4578:, attributed to him and his son (also National Treasures). He was deeply influenced by
4365:
4357:
4321:
4224:
3954:
3916:
3251:
2562:
2536:
2512:
1899:
1554:
1445:
1031:
915:
892:
677:
455:
428:
345:
8090:(with a Preface for Collectors by W. W. Winkworth), 1935, Sidgwick & Jackson, Ltd.
7404:
6993:
4512:
4496:
mainly imitated the ink wash painting styles of the Chinese Song dynasty monk painter
3794:'s effort to modernize Chinese traditional ink wash painting as a "new national art."
758:
paper, it delivers a graded swath of ink encompassing myriad shades of gray to black.
535:
8185:
8167:
8139:
8122:
8105:
8050:
8029:
8011:
7993:
7979:
7883:
7794:
7762:
7750:
7285:
7248:
6945:
6781:
6739:
6655:
6612:
6602:
6482:
6386:
6301:
6188:
6089:
6045:
5832:
5822:
5815:
5790:
5629:
5516:
5472:
5416:
5368:
5229:
4684:
4458:
4412:
3852:
3762:
3606:
Modern and contemporary Chinese freehand ink wash painting is the most famous of the
3021:
2840:
2677:
2639:
2598:
2594:
2544:
2485:
2441:
2303:
2160:
1787:
1707:
1229:
972:
843:
than executing paintings. Inksticks themselves are sometimes ornately decorated with
592:
372:
brushwork and conveying the perceived "spirit" or "essence" of a subject over direct
7511:
7105:
4046:, ink on Xuan paper, 266 × 100 cm (104.7 × 39.3 in), 1946, Modern times, China.
1356:), is a term used to denote art and artists which stand in opposition to the formal
8148:
7742:
5674:
4800:
4782:
4759:
4745:
4727:
4579:
4454:
4436:
4400:
4382:
4317:
4212:
3437:
3382:
3047:
2681:
2445:
1538:
1339:
1182:
1174:
906:
635:
451:
417:
397:
385:
136:
7131:
7041:
6729:
6646:
6379:
Schirokauer, Conrad; Brown, Miranda; Lurie, David; Gay, Suzanne (1 January 2012).
4960:
4879:. He was one of the few painters to hold a position of rank in the Joseon court.
4339:
4247:
4243:
2291:), ink on Xuan paper, 141x42,2 cm, 1366, China. Collected by Shanghai Museum.
1105:, 2nd century BC, 5.6 cm × 2.6 cm (2.2 in × 1.0 in).
7936:
7640:
7621:
7574:
7067:
6939:
6380:
5895:
5871:
5275:
5261:
5256:
5193:
5140:
4901:
4886:
4763:
4723:
4615:
4547:
4540:
4508:
4313:
4200:
4196:
3847:; 1897–1971) was a Chinese painter and art educator. Pan was born in Guanzhuang,
3492:
3449:
3107:
3103:
2615:, continued Xia's tradition for hundreds of years, until the early 17th century.
2435:
2403:
2356:
1546:
1325:
1306:
1245:
739:
735:
507:
7426:"Retracting a Diagnosis of Madness: A Reconsideration of Japanese Eccentric Art"
6684:
6238:
5864:
5309:
The references used may be made clearer with a different or consistent style of
2736:, handscroll, ink and color on silk, collected by the Metropolitan Museum of Art
710:
are similar to the brushes used for calligraphy and are traditionally made from
252:
8286:
8131:
8003:
6571:
5314:
5213:
5171:
4895:
4862:
4858:
4849:
4821:
4774:
4694:
4680:
4530:
4273:
4223:, a painter who immigrated from China and taught the first major early painter
4144:
3912:
3848:
3791:
3543:
3400:
3065:
2699:
2463:
2417:
2245:
2206:
1880:
1853:
1695:
1666:
1619:
1123:
1027:
408:
361:
6305:
4861:(1843–1897) (commonly known by his pen name "Owon") was a painter of the late
4361:
4335:
4239:
8250:
7754:
7278:
King, Richard; Croizier, Ralph; Zheng, Shentian; Watson, Scott, eds. (2010).
7179:"Five major works of Xu Beihong that shouldn't be missed – Chinadaily.com.cn"
6801:
6616:
5241:
5049:, Mountain landscapes are by far the most common scenes depicted in ink wash
4668:
4474:
4431:; 1420 – 26 August 1506) was the most prominent Japanese master of
4058:
3746:
3732:
3033:
2922:
2473:
2434:) of Chinese painting. Northern School has a profound impact on Japanese and
2253:
2191:
2049:
1741:
1647:
1566:
1558:
1507:
1465:
995:
844:
699:
During the Yuan and Ming dynasties, a group of pen making experts emerged in
569:
7252:
7211:"Singapore Art Museum (SAM) opens 'Xu Beihong in Nanyang' a Solo Exhibition"
5836:
4325:
1343:
691:
on the selection, production and function of a writing brush was written by
380:
in China (960–1279) onwards, as well as in Japan after it was introduced by
8163:
7552:
7352:
5087:
4876:
4871:
4602:
4583:
4378:
4310:
4216:
4085:
3980:
3872:
3864:
3830:
3611:
3378:
3241:
3229:
3138:
3099:
3095:
3043:
3013:
2906:
2866:
2524:
2421:
2069:
1779:
1775:
1438:
1426:
1422:
1314:
1202:
1198:
1186:
911:
581:
381:
377:
357:
143:
45:
7240:
4529:("literati") style or school ran from the 18th century until the death of
4284:
of about 1595 is a famous example; only some 15% of the paper is painted.
4276:, often produced in sets so that they ran all round even large rooms. The
3542:, ink on Xuan paper, 18th century, Qing dynasty, China, collection of the
7183:
5658:
5130:
4833:
4811:
4638:
4575:
3915:
painter. He also taught in the Art Department of Central University (now
3894:
3676:
3225:
3132:
3120:
3029:
1823:
1753:
1510:"Zhongli" and "Zhongzheng", better known by his pseudonym "Fan Kuan" and
1405:
1102:
1054:
836:
684:
669:
647:
393:
6265:"Chinese painting – Five Dynasties (907–960) and Ten Kingdoms (902–978)"
1537:) had a great influence on East Asian ink wash painting. Li Cheng was a
8211:
7746:
7160:
5686:
5617:
4882:
4627:
4623:
4159:
4120:
3795:
3781:
3523:
3075:
2175:
1799:
1658:
948:
896:
783:
767:
655:
412:
365:
74:
7247:. Nanjing: Jiangsu Fine Arts Publishing House(江苏美术出版社). pp. 6–7.
4265:(1568–1600) was to use the monochrome style on a much larger scale in
2875:), ink and light color on silk, 13th century, Yuan dynasty (Chinese).
2783:. File:Ma Yuan - Dancing and Singing- Peasants Returning from Work.jpg
1596:
1593:
1569:
dynasty. One text entitled "The Lofty Message of Forest and Streams" (
576:, which emphasizes "simplicity, spontaneity and self-expression", and
8114:
5625:
5555:
5268:
4979:
4587:
4007:
3898:
3813:
3700:
3624:
12 September 1844 – 29 November 1927, also romanised as Wu Changshi,
3296:
3114:
2995:
2969:
2934:
2910:
2764:
2618:
1872:
1841:
1793:
1385:
1369:
1194:
1178:
919:
751:
747:
743:
723:
707:
688:
673:
434:
349:
341:
50:
6944:. Hong Kong: City University of Hong Kong Press. 2007. p. 761.
6127:
5678:
2048:(窠石平遠圖), 1078, ink and light lolor on silk, China. Collected by the
1168:
7167:. San Francisco: San Francisco Museum of Modern Art, 1998, page 26.
6173:
5592:
4690:
4663:
4543:
4253:
4211:
In Japan, the style was introduced in the 14th century, during the
3774:
3770:
3754:
3237:
3233:
2950:
2938:
2532:
2520:
1944:
1783:
1661:
1542:
1480:
1430:
1046:
1011:
968:
944:
801:
797:
692:
665:
499:
421:
369:
261:
7136:
The Lingnan School of Painting: Art and Revolution in Modern China
5945:
The Art of Sumi-e: Beautiful ink painting using Japanese Brushwork
4556:
4268:
4036:
Eagle Standing on Pine Tree, Four-character Couplet in Seal Script
1155:
East Asian painting-calligraphy's ink stone, ink stick, and usage.
5741:
4924:
4767:
4462:
4404:
4305:
4287:
4220:
2809:
2795:
2584:
2570:
2548:
2540:
2516:
1822:; 1248–1310), also a poet, and was known for his landscapes, and
1653:
and painter who lived in the 13th century, around the end of the
1623:
1550:
1121:
in 105 AD. The image is from the 17th-century technical document
1118:
715:
646:
The earliest intact ink brush was found in 1954 in the tomb of a
615:
373:
8206:
6557:
5114:, between 1723 and 1776, ink on Xuan paper, Japan. Collected by
796:
In ink wash paintings, as in calligraphy, artists usually grind
494:
8241:
8096:; Eichman, Shawn; Shipper, Kristofer; Ebrey, Patricia Buckley,
5220:
5203:
4927:(A Chinese immigrant, "Father of Japanese ink wash painting"),
4825:
4790:
4753:
4735:
4698:
4687:
along the eastern side of Korea offered plenty of inspiration.
4674:
3962:
3958:
3922:
3888:
3750:
3689:; 1867–1938), commonly known by his courtesy name Wang Yiting (
3645:
3610:, and the most representative ones are the following painters.
3464:
3433:
3421:, 1597, hanging scroll, ink on Xuan paper, Ming dynasty, China.
3390:
3335:
3159:
3055:
3025:
2975:
2689:
2528:
2453:
2371:
2330:
2090:
1996:
1719:
1588:
1511:
940:
775:
731:
719:
711:
700:
577:
331:
166:
82:
6929:
Master's Thesis, University of California, Davis., June, 2008.
5736:(2006). "Meaning and Function of Chinese Landscape Painting".
926:(the first fiber used for paper in China) and mulberry fiber.
7969:
6174:
6002:
Technology, treatment, and care of a chinese wood block print
5998:
5778:
5776:
5774:
5772:
5770:
5768:
5766:
5150:
4866:
4771:
4619:
4598:
4350:
4329:
3766:
3558:
3258:
2608:
2318:, 1335, ink on silk, collected by Metropolitan Museum of Art.
1691:
1671:
1605:
1562:
1437:(10th century). His ink wash painting style is considered by
771:
517:
242:
182:
8226:
7170:
6478:
Poetry and Painting in Song China: The Subtle Art of Dissent
823:
in Japanese) are also available. Most inksticks are made of
683:
The writing brush entered a new stage of development in the
6597:
Lachman, Charles (2005). "Art". In Lopez, Donald S. (ed.).
4591:
4501:
4497:
2152:
2117:
1650:
1635:
1050:
923:
828:
824:
779:
727:
8236:
8232:
Hasegawa Tohaku's Pine Trees at the Tokyo National Museum
7729:"Euigwe and the Documentation of Joseon Court Ritual Life"
5763:
4869:. His life was dramatized in the award-winning 2002 film
3098:, politician, and art theorist of the later period of the
1618:, also given as Mi Fei, 1051–1107) was a Chinese painter,
782:
is also used in some forms of ink painting. Many types of
8049:. Hong Kong: Hong Kong University Press. pp. 58–90.
7419:
7417:
7415:
6758:
Barnhart, "Three Thousand Years of Chinese Painting", 96.
6727:
6718:
Barnhart, "Three Thousand Years of Chinese Painting", 93.
6644:
5094:, ink and light color on silk, 1747, Japan. Collected by
2252:, 1341, ink and light lolor on silk, China. Collected by
1642:; Japanese: Mokkei; 1210?–1269?), also known as Fachang (
976:
936:
805:
632:
The four jewels of the study: Brush, Ink, Paper, Inkstone
573:
7284:. University of British Columbia Press. pp. 97–98.
7281:
Art in Turmoil: The Chinese Cultural Revolution, 1966–76
6378:
6085:
Gardner's Art through the Ages: Non-Western Perspectives
5994:
5992:
5990:
5988:
4143:, ink and color on Xuan paper, 1930s, 166 x 92 cm.
3491:, ink on Xuan paper, 1675, China. The collection of the
3448:, ink on Xuan paper, 17th century, Qing dynasty, China,
1026:
Murata Seimin (1761–1837), Brush rest in the shape of a
774:(Japanese paper) both of which are highly absorbent and
7277:
6417:
Barnhart: Page 372. Guo Xi's style name was Chunfu (淳夫)
5415:. Enrich Professional Publishing Limited. p. 178.
4533:(1837–1924) who was widely regarded as the last of the
4465:. After studying landscape painting in China, he drew "
3855:, and graduated from Zhejiang First Normal School (now
3593:, ink on Xuan paper, 19th century, Qing dynasty, China.
1205:
would identify two distinct styles: a clearer, grander
368:, using only shades of black, with a great emphasis on
7992:, ed. Gabriele Fahr-Becker, Könemann, Volume 2, 1998.
7412:
6941:
China: five thousand years of history and civilization
6601:. Chicago: University of Chicago Press. pp. 4~5.
6556:. Taipei: National Palace Museum. 2006. Archived from
5963:"Introduction to the Xuan Paper Making in Anhui China"
5468:
China: Five Thousand Years of History and Civilization
5227:
5218:
5028:
4643:
4631:
4534:
4524:
4516:
4277:
4266:
4251:
2484:); c. 1050 – 1130) of the Northern School, especially
1291:
1275:
1269:
1239:
1233:
994:
Ink brush with golden dragon design, used by the Ming
787:
291:
6382:
A Brief History of Chinese and Japanese Civilizations
5985:
5266:
3965:. He created two different ink wash painting styles.
3886:
3112:
2864:
1791:
1570:
1468:
1409:
659:
432:
356:, in different concentrations. It emerged during the
148:
6372:
5808:
5806:
5804:
5802:
5412:
The History and Spirit of Chinese Art (2-Volume Set)
5134:
4672:
4550:. He is considered one of the great painters of the
4515:(1539–1610), and lasted until the 18th century. The
1189:(618–907), and its early development is credited to
224:
210:
7241:Zhang Shaoxia and Li Xiaoshan(张少侠 and 李小山) (1986).
7095:(Zhongguo meishu jia renming cidian) on p. 131
4820:, was a prominent scholar and painter of the early
4108:, ink and color on Xuan paper, Modern times, China.
2527:. He forms a link between earlier painters such as
2420:that occupied the time between the collapse of the
1690:) is a name used to collectively describe the four
8026:Shitao: Painting and Modernity in Early Qing China
7403:
7244:History of Contemporary Chinese Painting (中国现代绘画史)
6769:
5814:
5583:(1990). "Methodology of Chinese Painting History"
4574:), or the paintings in walls and sliding doors at
4320:(15th century). He was probably also a teacher of
1852:), ink and light color on silk, 10th century, the
7423:
5799:
5008:, ink on silk, Gosagwansudo, 15th century. Korea.
2229:, ink on Xuan paper, 1348 and 1351, collected by
1879:, ink and light color on silk, 10th century, the
1549:. Li Cheng has a profound impact on Japanese and
1441:to be the most typical style of Southern School.
1169:Chinese painters and their influence on East Asia
602:
360:of China (618–907), and overturned earlier, more
8248:
8046:Summoning Confucius: Inside Shi Lu's Imagination
6513:Barnhart: 373. His courtesy name was Yuanzhang (
5916:Cambridge History of Ancient China, 1999:108–112
4073:, ink on Xuan paper, 1950s, Modern times, China.
3745:; 1865–1955) was a Chinese literati painter and
2066:Clearing Autumn Skies over Mountains and Valleys
1299:
8184:. Oxford University Press, USA. p. 32600.
6554:"米芾的書畫世界 The Calligraphic World of Mi Fu's Art"
5471:. City University of HK Press. pp. 732–5.
4941:
4360:and is generally considered the founder of the
4182:
4022:, ink on Xuan paper, 1947, Modern times, China.
2972:. Their styles and subject matter were varied.
2561:, as well as the great early Japanese painters
2398:
2068:, ink and light lolor on silk, China. Northern
1320:
1081:Image from the 17th-century technical document
1069:Commemorative Chinese inksticks for collectors.
809:
543:
7690:
6820:
6481:. Harvard University Asia Center. p. 31.
6077:
6075:
6073:
5628:: Elephant Publisher House. pp. 184–202.
5066:
4935:
4649:
4607:
4489:
4479:
4466:
4370:
4344:
4292:
4147:of Painting in Guangzhou Museum of Art, China.
3995:, ink on Xuan paper, 1918,Modern times, China.
816:
572:. It is also particularly associated with the
552:
266:
247:
7882:(하룻밤에 읽는 한국사) p299, Paper Road, Seoul, 2007.
7592:. New York: The Metropolitain Museum of Art.
7488:. New York: The Metropolitain Museum of Art.
6901:"Thirty-six Peaks of Mount Huang Recollected"
6538:
6532:
6526:
6520:
6514:
5957:
5955:
5953:
5575:
5573:
5504:
5502:
5500:
4507:The smaller, more purist and less flamboyant
3785:
3245:
2602:
2588:
2552:
1975:
1923:
1762:
1747:
1735:
1575:
1474:
1379:
1373:
872:
863:
625:
619:
116:
100:
7901:"Gyeomjae Jeong seon Memorial Museum, Korea"
7624:Encyclopædia Britannica Online. 10 Dec. 2009
6349:
6347:
5912:
5910:
5908:
5612:
5610:
5608:
5606:
5404:
5402:
5400:
5398:
5396:
5159:), ink and color on Xuan paper, 1776, Korea.
5154:
5144:
4987:
4843:
4837:
4815:
4717:
2551:, formed the basis of the so-called Ma-Xia (
1181:" expected to be learnt by China's class of
521:
511:
411:was the classic format; the long horizontal
187:
171:
7530:
6776:. New York: Harry N. Abrams, Inc. pp.
6070:
5748:
5728:
5726:
5550:
5548:
5546:
5544:
6734:. University of California Press. p.
6651:. University of California Press. p.
6125:
6044:. Cambridge University Press. p. 43.
5950:
5849:: CS1 maint: location missing publisher (
5570:
5512:Encyclopedia of China: History and Culture
5497:
5460:
5458:
5456:
5454:
5452:
5450:
5448:
5446:
5444:
5364:A Cultural History of the Chinese Language
4671:and others championed amateur literati or
4554:(1573–1603), and he is best known for his
2887:
2752:, collected by the Palace Museum, Beijing.
2376:Enjoying the Wilderness in an Autumn Grove
1778:(1271–1368). They were revered during the
1541:of the Song dynasty. He was influenced by
44:
7976:Shanghai Lexicographical Publishing House
7608:
7394:
7392:
7390:
6344:
6185:Shanghai Lexicographical Publishing House
5905:
5603:
5393:
5333:Learn how and when to remove this message
5178:, ink on Xuan paper, 19th century, Korea.
4770:Byeon clan during the late period of the
4174:, ink on Xuan paper, Modern times, China.
3074:; 1555–1636) of the Ming dynasty and the
2105:, ink on Xuan paper, 11th century, China.
975:used for the grinding and containment of
77:, 12th century, Southern Song (Chinese),
8138:, British Museum Press, 2007 (2nd edn).
8028:. New York: Cambridge University Press.
8010:, British Museum Press, 2007 (2nd edn).
7932:"Jeong Seon's Paintings Brought to Life"
7929:
7627:
7236:
7234:
7232:
6834:
6832:
6599:Critical terms for the study of Buddhism
6507:
6420:
6365:
6363:
6169:
6167:
6165:
6163:
6161:
6159:
6157:
6121:
6119:
6117:
5723:
5541:
5356:
5354:
5352:
5350:
1185:. Ink wash painting appeared during the
658:) located in an archaeological dig site
529:
493:
446:
376:. Ink wash painting flourished from the
8042:
7923:
7797:Korean-Hanja Dictionary. Archived from
7726:
7643:Mibura-Dera Temple Website. 10 Dec 2009
7377:
7319:"Zhang Daqian: A World-renowned Artist"
7271:
7124:
6596:
6438:
6081:
5616:
5508:
5441:
3881:
3804:
3695:
3685:
3664:
3577:
3483:
3405:
3350:
3277:
3178:
3090:
3070:
2990:
2859:
2804:
2704:
2658:
2579:
2500:
2468:
2011:
1959:
1914:
1818:
1526:
1495:
1460:
1400:
504:Dream Journey to the Peach Blossom Land
470:
14:
8249:
8176:
8136:The British Museum Book of Chinese Art
8008:The British Museum Book of Chinese Art
7866:
7387:
6355:Cambridge Illustrated History of China
6177:Editorial Committee (辭海編輯委員會) (1979).
6008:, Smithsonian Institution, p. 4,
5857:
5732:
5653:
5651:
5649:
5647:
5645:
5579:
5408:
2773:Shakyamuni Emerging from the Mountains
1972:Travellers among Mountains and Streams
1163:
918:, which was under the jurisdiction of
614:The Four Treasures is summarized in a
27:Chinese painting style using black ink
7967:Cihai Editorial Committee (辭海編輯委員會),
7930:Ah-young, Chung (15 September 2009).
7824:"Humanism in Gang Hui-an's Paintings"
7813:
7584:
7582:
7518:from the original on 19 December 2017
7480:
7478:
7359:from the original on 20 December 2020
7333:from the original on 27 February 2021
7323:China and the World Cultural Exchange
7229:
6829:
6474:
6360:
6154:
6114:
5999:Fei Wen Tsai; Dianne van der Reyden,
5881:
5554:
5509:Perkins, Dorothy (19 November 2013).
5347:
4419:; Oda Tōyō since 1431, also known as
3102:. He is the founder of the theory of
1920:A Solitary Temple Amid Clearing Peaks
766:Ink wash painting is usually done on
7860:
7402:. Britannica article. Archived from
7213:. Art Knowledge News. Archived from
7142:from the original on 10 January 2015
7048:from the original on 20 October 2020
6767:
6761:
6519:) with several sobriquets: Nangong (
6495:from the original on 10 January 2017
6312:from the original on 5 November 2019
6293:
6275:from the original on 20 January 2021
6142:from the original on 6 December 2016
6037:
5973:from the original on 1 February 2021
5947:, Search Press, Kent UK, 2015, p. 16
5657:
5286:
4992:), ink on silk, 15th century. Korea.
2734:Duke Wen of Jin Recovering His State
2710:Wind in Pines Among a Myriad Valleys
1280:), also called "Literati Painting" (
1014:'s (1711–1799) writing table, China.
910:. It was originally produced in the
851:and some are highlighted with gold.
476:Luxuriant Forest among Distant Peaks
8020:
7880:Reading Korean history in one night
7557:
7536:Nussbaum, Louis-Frédéric. (2005). "
7316:
7203:
7154:
6976:
6970:
6958:from the original on 14 August 2020
6629:
6456:from the original on 11 August 2020
6126:Meccarelli, Marco (December 2015).
6082:Kleiner, Fred S. (5 January 2009).
5812:
5754:
5642:
5006:Scholar gazing at the running river
4258:and other coloured styles as well.
2601:, he founded the so-called Ma-Xia (
424:Emperor was a particular offender.
24:
7852:. 엠파스홈 (in Korean). Archived from
7579:
7475:
7310:
7191:from the original on 17 April 2021
7018:. The Metropolitan Museum of Art.
6903:. The Metropolitan Museum of Art.
6877:. The Metropolitan Museum of Art.
6808:from the original on 21 April 2015
6590:
6245:from the original on 21 April 2015
6102:from the original on 5 August 2021
5663:"Why Chinese Painting Is History?"
5529:from the original on 5 August 2021
5381:from the original on 5 August 2021
5360:
4848:), was a full-time painter of the
4439:. He was deeply influenced by the
4385:. He was deeply influenced by the
3939:; 1919–1982), born "Feng Yaheng" (
3236:who had a feudal establishment in
2281:Dwelling in the Qingbian Mountains
2078:, detail from a horizontal scroll.
1444:Chinese ink wash painters such as
1305:historical stage by the theory of
626:
25:
8298:
8200:
8153:The Art and Architecture of China
8151:, in: Sickman L. & Soper A.,
7830:from the original on 4 March 2016
7769:from the original on 3 March 2016
7708:from the original on 21 June 2021
7678:from the original on 11 June 2008
7596:from the original on 22 July 2021
7492:from the original on 22 July 2021
7436:from the original on 21 July 2021
7022:from the original on 21 July 2021
6907:from the original on 21 July 2021
6881:from the original on 21 July 2021
6691:from the original on 26 June 2015
6632:Ink painting in medieval kamakura
6578:from the original on 16 June 2020
6399:from the original on 26 June 2020
6385:. Cengage Learning. p. 223.
6058:from the original on 26 July 2021
5485:from the original on 29 July 2021
5429:from the original on 29 July 2021
4618:painter and calligrapher born in
4523:(meaning "Southern painting") or
3810:The Four Great Academy Presidents
2250:Stone Cliff at the Pond of Heaven
1553:painters. Fan Kuan was a Chinese
1177:, brush painting was one of the "
959:and adding various fruit juices.
8088:A Background to Chinese Painting
7298:from the original on 13 May 2016
7259:from the original on 9 July 2021
7112:from the original on 9 July 2021
7074:from the original on 9 July 2021
6855:from the original on 9 July 2021
6201:from the original on 9 July 2021
6088:. Cengage Learning. p. 81.
6015:from the original on 2 July 2021
5821:(Dover ed.). Mineola, N.Y.
5693:from the original on 9 July 2021
5361:Gu, Sharron (22 December 2011).
5291:
5164:
5123:
5103:
5080:
5058:
5038:
5013:
4997:
4972:
4953:
4917:
4828:in 1441 under the reign of king
4152:
4113:
4078:
4051:
4027:
4000:
3973:
3551:
3516:
3500:
3457:
3426:
3371:
3328:
3289:
3038:Four Masters of the Ming dynasty
3020:. Born into a wealthy family of
2893:Four Masters of the Ming dynasty
2833:
2788:
2757:
2741:
2725:
2670:
2587:1195–1225), courtesy name Yuyu (
2364:
2323:
2296:
2261:
2238:
2219:Dwelling in the Fuchun Mountains
2199:
2168:
2145:
2110:
2083:
2057:
2037:
1989:
1937:
1892:
1865:
1834:
1678:Four Masters of the Yuan dynasty
1244:), and a freer, more expressive
1193:(active in the 8th century) and
1148:
1136:
1110:
1094:
1074:
1062:
1039:
1019:
1003:
987:
8242:Sumi-e Society of America, Inc.
8121:, Oxford: Phaidon Press, 1980.
7893:
7872:
7842:
7781:
7720:
7664:
7655:
7646:
7504:
7466:
7457:
7448:
7345:
7098:
7093:Encyclopedia of Chinese Artists
7086:
7060:
7034:
7008:
6982:
6932:
6919:
6893:
6867:
6841:
6794:
6752:
6721:
6712:
6703:
6677:
6668:
6638:
6623:
6564:
6546:
6468:
6429:
6411:
6287:
6257:
6231:
6222:
6213:
6031:
5937:
5928:
5919:
5714:
5566:. pp. 186–192 and 285–297.
5409:Yilong, Lu (30 December 2015).
4539:artists. Hasegawa Tōhaku was a
4219:monasteries, and in particular
4133:Fire on the Eastern Battlefield
3601:
627:wénfáng sìbǎo: bǐ, mò, zhǐ, yàn
591:, American artist and educator
396:. It was often produced by the
8102:University of California Press
7472:Stanley-Baker, 132–134, 148–50
7353:"Fu Baoshi-Biography-Artworks"
7176:
7106:"Qi Baishi-Biography-Artworks"
7016:"Squirrel on an Autumn Branch"
6038:Chen, Tingyou (3 March 2011).
5705:
5367:. McFarland. pp. 99–100.
5155:
5145:
5067:
4795:
4740:
4650:
4568:Pine Tree and Flowering Plants
4467:
4449:
4395:
4192:
4171:
4140:
4128:
4105:
4093:
4070:
4043:
4019:
3992:
3949:
3944:
3940:
3935:
3930:
3926:
3907:
3902:
3876:
3843:
3838:
3834:
3822:
3817:
3799:
3741:
3736:
3727:
3722:
3718:
3713:
3708:
3704:
3658:
3653:
3649:
3640:
3630:
3620:
3590:
3571:
3566:
3562:
3531:
3477:
3472:
3468:
3418:
3395:
3363:
3344:
3316:
3304:
3271:
3266:
3262:
3220:
3210:
3205:
3201:
3192:
3187:
3182:; other department "Yuan Ji" (
3172:
3167:
3163:
3147:
3084:
3060:
3008:
2999:
2984:
2958:
2946:
2930:
2918:
2901:
2872:
2853:
2848:
2844:
2821:
2776:
2768:
2717:
2694:
2652:
2647:
2643:
2627:
2494:
2481:
2458:
2430:
2412:
2383:
2352:
2338:
2311:
2288:
2276:
2226:
2214:
2187:
2137:
2125:
2103:Withered Tree and Strange Rock
2098:
2005:
1953:
1908:
1849:
1812:
1807:
1803:
1774:), who were active during the
1727:
1715:
1703:
1686:
1639:
1631:
1614:
1609:
1601:
1592:
1520:
1489:
1454:
1394:
1365:
1352:
1334:
1286:
1281:
1264:
1258:
1253:
1249:
1224:
1218:
1213:
1209:
1128:
1086:
902:Notes of Past Famous Paintings
873:
864:
620:
603:Technique, materials and tools
522:
512:
483:
464:
336:
327:
319:
292:
225:
211:
149:
117:
101:
70:
58:
13:
1:
7960:
7793:[Guksu] (in Korean).
7132:"The Lingnan School Painting"
6294:Fu, Mi; Ji, Zhao; Jing, Cai.
5597:Zhejiang Academy of Fine Arts
4930:Catching catfish with a gourd
4814:(1417?–1464), pen name Injae
4261:A Japanese innovation of the
4228:
3669:
3244:imperial clan as "Zhu Ruoji"
3152:
2962:
2632:
2505:
2072:
2016:
1964:
1768:
1531:
1500:
1415:
1300:Tang, Song and Yuan dynasties
1049:; carbon-based and made from
854:
442:
8098:Taoism and the Arts of China
7512:"Metropolitan Museum of Art"
7068:"Pu Hua-Artworks, Biography"
6731:Taoism and the Arts of China
6648:Taoism and the Arts of China
5813:Kwo, Da-Wei (October 1990).
5252:Modern European Ink Painting
5247:Cantonese school of painting
4855:Eight Eccentrics of Yangzhou
4183:Other countries in East Asia
3861:Chinese traditional painting
3536:Eight Eccentrics of Yangzhou
3198:Eight Eccentrics of Yangzhou
2399:Northern School and painters
1321:Southern School and painters
947:began to be used to produce
808:, but prepared liquid inks (
574:Chán or Zen sect of Buddhism
364:techniques. It is typically
7:
8119:The Great Painters of China
7634:HASEGAWA Tohaku (1539–1610)
7165:Inside Out: New Chinese Art
5789:, 1974, Penguin, p. 86-88,
5755:Dow, Arthur Wesley (1899).
5267:
5228:
5219:
5186:
5135:
5029:
4942:
4693:was a painter of the early
4673:
4644:
4632:
4535:
4525:
4517:
4349:, 1434? – August 2, 1530?,
4278:
4267:
4252:
3887:
3489:Pine Pavilion Near a Spring
3113:
2865:
2157:Guanyin, Crane, and Gibbons
1930:Nelson-Atkins Museum of Art
1792:
1782:and later periods as major
1622:, and calligrapher born in
1571:
1469:
1410:
1292:
1276:
1270:
1240:
1234:
962:
810:
788:
761:
660:
544:
433:
10:
8303:
7486:"The Four Accomplishments"
6772:The Shanghai Museum of Art
5787:Style in the Arts of China
5515:. Routledge. p. 232.
5116:Metropolitan Museum of Art
4703:South Chungcheong Province
4597:The ink wash paintings of
3953:), was a Chinese painter,
3583:High Mountains and Streams
2933:, 1470–1559), both of the
2826:Boston Museum of Fine Arts
2539:and later artists such as
2388:Metropolitan Museum of Art
1885:Liaoning Provincial Museum
1010:Reconstruction of Emperor
488:Liaoning Provincial Museum
8237:Sumi-e Beppe Mokuza, Inc.
7563:Appert, Georges. (1888).
6539:
6533:
6527:
6521:
6515:
4988:
4936:
4890:
4844:
4838:
4816:
4786:
4731:
4718:
4608:
4560:folding screens, such as
4490:
4480:
4444:
4416:
4390:
4371:
4345:
4293:
4234:). Both he and his pupil
3871:until his death in 1971.
3786:
3690:
3680:
3635:
3625:
3615:
3540:Fisherman and Fisherwoman
3534:, 1687–1772) (one of the
3441:
3386:
3339:
3246:
3215:
3183:
3142:
3079:
3051:
3003:
2979:
2896:
2799:
2685:
2622:
2603:
2589:
2574:
2553:
2489:
2449:
2425:
2407:
2121:
2000:
1976:
1948:
1924:
1903:
1763:
1748:
1736:
1681:
1643:
1626:during the Song dynasty.
1576:
1515:
1484:
1475:
1449:
1389:
1380:
1374:
1347:
1329:
900:in ancient Chinese books
817:
553:
459:
305:
285:
280:
276:
267:
260:
248:
241:
236:
218:
204:
199:
195:
188:
181:
172:
165:
160:
142:
135:
130:
126:
110:
94:
89:
43:
39:
34:
7789:
7702:University of Washington
7590:"Gibbons in a Landscape"
7430:University of Washington
6674:Farrer, 115–116; 339–340
6450:University of Washington
5902:Retrieved on 2010-11-27.
5878:Retrieved on 2010-11-27.
5584:
5282:
5199:Bird-and-flower painting
4965:The Four Accomplishments
4697:. He was born in Jigok,
4657:
4381:monk and painter of the
4206:
1580:) is attributed to him.
641:
340:); is a type of Chinese
96:Traditional Chinese
8182:Grove Dictionary of Art
7424:Stephen Francis Salel.
6990:"Xū Gǔ Brief Biography"
6875:"Birds in a Lotus Pond"
6475:Murck, Alfreda (2000).
6269:Encyclopedia Britannica
5096:Cleveland Museum of Art
4494:, 1539 – 19 March 1610)
3509:Searching for Immortals
2888:Ming and Qing dynasties
1197:, among others. In the
957:Pteroceltis tatarinowii
932:Pteroceltis tatarinowii
352:, such as that used in
112:Simplified Chinese
8217:National Palace Museum
8162:, Thames and Hudson,
7463:Stanley-Baker, 126–129
7454:Stanley-Baker, 118–124
6537:), and Haiyue Waishi (
5967:China Culture Tour.com
5744:: Guangxi Art College.
5564:National Palace Museum
5073:Gibbons in a Landscape
5033:), ink on silk, Japan.
4552:Azuchi–Momoyama period
4263:Azuchi–Momoyama period
3321:National Palace Museum
2231:National Palace Museum
2030:National Palace Museum
1982:National Palace Museum
1858:National Palace Museum
1846:Dongtian Mountain Hall
1583:As representatives of
935:, a common variety of
564:
527:
491:
354:East Asian calligraphy
79:National Palace Museum
8158:Stanley-Baker, Joan,
7878:Choi Yongbeom (최용범),
7734:Archives of Asian Art
7163:, and Norman Bryson.
6560:on 23 September 2013.
6531:), Xiangyang Manshi (
6026:The Paper Conservator
5894:21 March 2012 at the
5887:Big5.xinhuanet.com. "
5092:Fishing in Springtime
4433:ink and wash painting
4303:was one of the first
4246:(1434–1530); his son
3897:of the 20th century.
3411:Wanluan Thatched Hall
2877:Tokyo National Museum
2814:Sailboat in Rainstorm
2781:Tokyo National Museum
2750:Boy and water buffalo
2509: 1160–65 – 1225
2418:Five Dynasties period
1786:of the tradition of "
1655:Southern Song dynasty
1565:who lived during the
1317:in the Ming dynasty.
652:Warring States period
542:, Right panel of the
533:
497:
450:
7990:The Art of East Asia
7727:Sŏng-mi, Yi (2008).
7317:Zhu, Haoyun (2012).
6768:Shen, Zhiyu (1981).
6446:"Scholar's Painting"
5870:16 June 2011 at the
4215:(1333–1573) through
3911:; 1904–1965), was a
3857:Hangzhou High School
3634:), born Wu Junqing (
1877:Jiangnan Summer View
344:painting which uses
206:Revised Romanization
8282:Painting techniques
7944:on 22 December 2014
7911:on 22 December 2014
7573:13 May 2021 at the
6996:on 8 September 2008
6630:Rio, Aaron (2015).
6297:Xuan He HuaPu(宣和画谱)
6138:. Aracne: 175–236.
6041:Chinese Calligraphy
5863:Chinesetoday.com. "
5051:landscape paintings
4832:(1397–1418–1450).
4630:, he perfected the
4546:and founder of the
4486:and Hasegawa Tōhaku
3869:Cultural Revolution
3119:painting.They were
3111:accomplishments in
3018:Ming dynasty artist
1164:History and artists
998:(1563–1620), China.
895:in Anhui Province.
841:Chinese calligraphy
324:traditional Chinese
8166:, 2000 (2nd edn).
7747:10.1353/aaa.0.0003
7639:2009-12-08 at the
7620:5 May 2015 at the
7546:Japan Encyclopedia
6851:. British Museum.
6634:. pp. 67~113.
5889:Big5.xinhuanet.com
5237:Ink-wash animation
5209:Dhyāna in Buddhism
4572:National Treasures
4375:, died c. 1444–50)
4358:Ashikaga shogunate
4098:Ganoderma and Rock
3955:wood block printer
3917:Nanjing University
3250:, was one Chinese
3196:), 1642–1707) and
2949:, 1470–1523), and
1730:; 1301–1374), and
1032:Walters Art Museum
706:Ink wash painting
678:oracle bone script
565:
528:
492:
429:landscape painting
316:simplified Chinese
18:Ink wash paintings
8272:Japanese painting
8212:The Palace Museum
8207:Transcultural Ink
8191:978-0-1951-7068-9
8149:Sickman, Laurence
8110:978-0-520-22785-9
8065:cite encyclopedia
8002:Farrer, Anne, in
7978:(上海辭書出版社), 1979.
7850:"Brief biography"
6951:978-962-937-140-1
6745:978-0-520-22785-9
6661:978-0-520-22785-9
6488:978-0-674-00782-6
6392:978-0-495-91322-1
6095:978-0-495-57367-8
6051:978-0-521-18645-2
6028:, 1997, pp. 48–62
5522:978-1-135-93562-7
5478:978-962-937-140-1
5422:978-1-62320-130-2
5374:978-0-7864-8827-8
5343:
5342:
5335:
5230:Higashiyama Bunka
4685:Taebaek Mountains
4570:(both registered
4309:(ink wash) style
3853:Zhejiang Province
3252:landscape painter
3151:, born "Zhu Da";
3022:scholar-officials
2994:, 1521–1593) and
2515:who practised at
2513:landscape painter
2161:National Treasure
1788:literati painting
1646:), was a Chinese
1555:landscape painter
1313:, as promulgated
1183:scholar-officials
650:citizen from the
616:four-word couplet
593:Arthur Wesley Dow
561:National Treasure
540:Pine Trees screen
312:Ink wash painting
309:
308:
301:
300:
232:
231:
220:McCune–Reischauer
156:
155:
137:Standard Mandarin
63:Drunken Celestial
35:Ink wash painting
16:(Redirected from
8294:
8262:Chinese painting
8195:
8080:
8074:
8070:
8068:
8060:
8039:
7954:
7953:
7951:
7949:
7940:. Archived from
7927:
7921:
7920:
7918:
7916:
7907:. Archived from
7897:
7891:
7876:
7870:
7869:, p. (18)53
7864:
7858:
7857:
7846:
7840:
7839:
7837:
7835:
7821:
7817:
7811:
7810:
7808:
7806:
7785:
7779:
7778:
7776:
7774:
7724:
7718:
7717:
7715:
7713:
7698:"Court Painting"
7694:
7688:
7687:
7685:
7683:
7668:
7662:
7659:
7653:
7650:
7644:
7631:
7625:
7612:
7606:
7605:
7603:
7601:
7586:
7577:
7561:
7555:
7534:
7528:
7527:
7525:
7523:
7508:
7502:
7501:
7499:
7497:
7482:
7473:
7470:
7464:
7461:
7455:
7452:
7446:
7445:
7443:
7441:
7421:
7410:
7409:
7407:
7396:
7385:
7375:
7369:
7368:
7366:
7364:
7349:
7343:
7342:
7340:
7338:
7314:
7308:
7307:
7305:
7303:
7275:
7269:
7268:
7266:
7264:
7238:
7227:
7226:
7224:
7222:
7207:
7201:
7200:
7198:
7196:
7174:
7168:
7158:
7152:
7151:
7149:
7147:
7128:
7122:
7121:
7119:
7117:
7102:
7096:
7090:
7084:
7083:
7081:
7079:
7064:
7058:
7057:
7055:
7053:
7038:
7032:
7031:
7029:
7027:
7012:
7006:
7005:
7003:
7001:
6992:. Archived from
6986:
6980:
6979:, pp. 1, 84
6974:
6968:
6967:
6965:
6963:
6936:
6930:
6923:
6917:
6916:
6914:
6912:
6897:
6891:
6890:
6888:
6886:
6871:
6865:
6864:
6862:
6860:
6845:
6839:
6838:Cihai: Page 802.
6836:
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6798:
6792:
6791:
6775:
6765:
6759:
6756:
6750:
6749:
6725:
6719:
6716:
6710:
6709:Sickman, 219–220
6707:
6701:
6700:
6698:
6696:
6681:
6675:
6672:
6666:
6665:
6642:
6636:
6635:
6627:
6621:
6620:
6594:
6588:
6587:
6585:
6583:
6568:
6562:
6561:
6550:
6544:
6542:
6541:
6536:
6535:
6530:
6529:
6525:), Lumen Jushi (
6524:
6523:
6518:
6517:
6511:
6505:
6504:
6502:
6500:
6472:
6466:
6465:
6463:
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6433:
6427:
6426:Ci hai: Page 452
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6319:
6317:
6291:
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6280:
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6255:
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6220:
6217:
6211:
6210:
6208:
6206:
6171:
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6149:
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6123:
6112:
6111:
6109:
6107:
6079:
6068:
6067:
6065:
6063:
6035:
6029:
6023:
6022:
6020:
6014:
6007:
5996:
5983:
5982:
5980:
5978:
5959:
5948:
5941:
5935:
5932:
5926:
5923:
5917:
5914:
5903:
5885:
5879:
5865:Chinesetoday.com
5861:
5855:
5854:
5848:
5840:
5820:
5810:
5797:
5780:
5761:
5760:
5752:
5746:
5745:
5738:Arts Exploration
5730:
5721:
5718:
5712:
5709:
5703:
5702:
5700:
5698:
5667:The Art Bulletin
5655:
5640:
5639:
5614:
5601:
5600:
5577:
5568:
5567:
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5539:
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5534:
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5495:
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5490:
5462:
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5406:
5391:
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5386:
5358:
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5331:
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5318:
5295:
5294:
5287:
5272:
5233:
5224:
5168:
5158:
5157:
5148:
5147:
5138:
5127:
5107:
5084:
5070:
5069:
5062:
5042:
5032:
5025:Autumn Landscape
5017:
5001:
4991:
4990:
4976:
4957:
4947:
4945:
4939:
4938:
4921:
4892:
4847:
4846:
4841:
4840:
4819:
4818:
4801:Chinese painting
4797:
4788:
4760:Byeon Sang-byeok
4746:Chinese painting
4742:
4733:
4721:
4720:
4715:
4678:
4653:
4652:
4647:
4635:
4626:. Together with
4613:
4611:
4610:
4580:Chinese painting
4538:
4528:
4522:
4495:
4493:
4492:
4485:
4483:
4482:
4470:
4469:
4455:Chinese painting
4451:
4446:
4437:Muromachi period
4435:from the middle
4418:
4401:Chinese painting
4397:
4392:
4383:Muromachi period
4376:
4374:
4373:
4354:
4348:
4347:
4318:Muromachi period
4316:painters in the
4302:
4296:
4295:
4283:
4272:
4257:
4233:
4230:
4213:Muromachi period
4194:
4173:
4156:
4142:
4130:
4117:
4107:
4095:
4082:
4072:
4055:
4045:
4031:
4021:
4004:
3994:
3985:Ink Plum Blossom
3977:
3951:
3946:
3942:
3937:
3932:
3928:
3909:
3904:
3892:
3883:
3878:
3845:
3840:
3836:
3824:
3819:
3806:
3801:
3789:
3788:
3743:
3738:
3729:
3724:
3720:
3715:
3710:
3706:
3697:
3692:
3687:
3682:
3674:
3673: 1834–1911
3671:
3666:
3660:
3655:
3651:
3642:
3637:
3632:
3627:
3622:
3617:
3592:
3579:
3573:
3568:
3564:
3555:
3533:
3520:
3504:
3485:
3479:
3474:
3470:
3461:
3443:
3430:
3420:
3407:
3406:Tung Ch'i-ch'ang
3397:
3388:
3375:
3365:
3352:
3346:
3341:
3332:
3318:
3306:
3293:
3279:
3273:
3268:
3264:
3249:
3248:
3222:
3217:
3212:
3211:Yángzhoū Bā Guài
3207:
3203:
3194:
3189:
3185:
3180:
3174:
3169:
3165:
3157:
3156: 1626–1705
3154:
3149:
3144:
3131:(1632–1717) and
3118:
3092:
3086:
3081:
3072:
3071:Tung Ch'i-ch'ang
3062:
3053:
3010:
3009:Qīngténg Shānrén
3005:
3001:
2992:
2986:
2981:
2967:
2966: 1494–1552
2964:
2960:
2948:
2932:
2920:
2909:. The group are
2903:
2898:
2874:
2870:
2861:
2855:
2850:
2846:
2837:
2823:
2806:
2801:
2792:
2778:
2770:
2761:
2745:
2729:
2719:
2708:, 1050 – 1130),
2706:
2696:
2687:
2674:
2660:
2654:
2649:
2645:
2637:
2636: 1140–1210
2634:
2629:
2624:
2606:
2605:
2592:
2591:
2581:
2576:
2556:
2555:
2510:
2507:
2502:
2496:
2491:
2483:
2470:
2460:
2451:
2432:
2427:
2414:
2409:
2385:
2368:
2354:
2340:
2327:
2313:
2300:
2290:
2278:
2265:
2242:
2228:
2216:
2203:
2189:
2172:
2149:
2139:
2128:, 1210?–1269?),
2127:
2123:
2114:
2101:, 1037 – 1101),
2100:
2087:
2077:
2074:
2061:
2041:
2021:
2020: 1020–1090
2018:
2013:
2007:
2002:
1993:
1979:
1978:
1969:
1966:
1961:
1955:
1950:
1941:
1927:
1926:
1916:
1910:
1905:
1896:
1869:
1851:
1838:
1820:
1814:
1809:
1805:
1797:
1773:
1772: 1308–1385
1770:
1766:
1765:
1751:
1750:
1739:
1738:
1729:
1717:
1705:
1688:
1683:
1645:
1641:
1633:
1616:
1611:
1603:
1599:
1585:scholar painting
1579:
1578:
1574:
1536:
1535: 1020–1090
1533:
1528:
1522:
1517:
1505:
1502:
1497:
1491:
1486:
1478:
1477:
1472:
1462:
1456:
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1420:
1417:
1413:
1402:
1396:
1391:
1383:
1382:
1377:
1376:
1367:
1354:
1349:
1342:, often called "
1340:Chinese painting
1336:
1331:
1295:
1288:
1283:
1279:
1273:
1266:
1260:
1255:
1251:
1243:
1237:
1226:
1220:
1215:
1211:
1175:Chinese painting
1152:
1140:
1130:
1114:
1098:
1088:
1078:
1066:
1043:
1023:
1007:
991:
907:New Book of Tang
889:
888:
887:
885:
876:
875:
867:
866:
859:Paper (Chinese:
822:
820:
819:
813:
804:to obtain black
791:
663:
661:Zuo Gong Shan 15
636:scholar-official
629:
623:
622:
597:Georgia O'Keeffe
558:
556:
555:
549:
525:
524:
515:
514:
485:
472:
466:
461:
438:
398:scholar-official
338:
329:
321:
297:
296:
278:
277:
272:
271:
256:
255:
228:
227:
214:
213:
197:
196:
191:
190:
177:
176:
152:
151:
128:
127:
122:
121:
106:
105:
72:
60:
48:
32:
31:
21:
8302:
8301:
8297:
8296:
8295:
8293:
8292:
8291:
8277:Korean painting
8247:
8246:
8222:Shanghai Museum
8203:
8198:
8192:
8132:Rawson, Jessica
8094:Little, Stephen
8072:
8071:
8062:
8061:
8057:
8036:
8004:Rawson, Jessica
7988:Dunn, Michael,
7963:
7958:
7957:
7947:
7945:
7937:The Korea Times
7928:
7924:
7914:
7912:
7899:
7898:
7894:
7877:
7873:
7865:
7861:
7848:
7847:
7843:
7833:
7831:
7826:. ARTne. 2002.
7822:
7819:
7818:
7814:
7804:
7802:
7801:on 14 July 2011
7791:
7787:
7786:
7782:
7772:
7770:
7725:
7721:
7711:
7709:
7696:
7695:
7691:
7681:
7679:
7670:
7669:
7665:
7660:
7656:
7651:
7647:
7641:Wayback Machine
7632:
7628:
7622:Wayback Machine
7613:
7609:
7599:
7597:
7588:
7587:
7580:
7575:Wayback Machine
7562:
7558:
7535:
7531:
7521:
7519:
7510:
7509:
7505:
7495:
7493:
7484:
7483:
7476:
7471:
7467:
7462:
7458:
7453:
7449:
7439:
7437:
7422:
7413:
7408:on 16 May 2005.
7400:"Taiko Josetsu"
7398:
7397:
7388:
7376:
7372:
7362:
7360:
7351:
7350:
7346:
7336:
7334:
7315:
7311:
7301:
7299:
7292:
7276:
7272:
7262:
7260:
7239:
7230:
7220:
7218:
7217:on 28 June 2018
7209:
7208:
7204:
7194:
7192:
7175:
7171:
7159:
7155:
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7143:
7130:
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7099:
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7051:
7049:
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7014:
7013:
7009:
6999:
6997:
6988:
6987:
6983:
6975:
6971:
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6952:
6938:
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6899:
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6884:
6882:
6873:
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6858:
6856:
6847:
6846:
6842:
6837:
6830:
6825:
6821:
6811:
6809:
6800:
6799:
6795:
6788:
6766:
6762:
6757:
6753:
6746:
6726:
6722:
6717:
6713:
6708:
6704:
6694:
6692:
6683:
6682:
6678:
6673:
6669:
6662:
6643:
6639:
6628:
6624:
6609:
6595:
6591:
6581:
6579:
6570:
6569:
6565:
6552:
6551:
6547:
6512:
6508:
6498:
6496:
6489:
6473:
6469:
6459:
6457:
6444:
6443:
6439:
6434:
6430:
6425:
6421:
6416:
6412:
6402:
6400:
6393:
6377:
6373:
6368:
6361:
6352:
6345:
6333:
6332:
6323:
6322:
6315:
6313:
6292:
6288:
6278:
6276:
6263:
6262:
6258:
6248:
6246:
6237:
6236:
6232:
6227:
6223:
6218:
6214:
6204:
6202:
6195:
6172:
6155:
6145:
6143:
6124:
6115:
6105:
6103:
6096:
6080:
6071:
6061:
6059:
6052:
6036:
6032:
6018:
6016:
6012:
6005:
5997:
5986:
5976:
5974:
5961:
5960:
5951:
5943:Okamoto, Naomi
5942:
5938:
5933:
5929:
5925:Jenyns, 120–122
5924:
5920:
5915:
5906:
5896:Wayback Machine
5886:
5882:
5872:Wayback Machine
5862:
5858:
5842:
5841:
5829:
5811:
5800:
5783:Watson, William
5781:
5764:
5753:
5749:
5731:
5724:
5720:Jenyns, 152–158
5719:
5715:
5711:Jenyns, 177-118
5710:
5706:
5696:
5694:
5679:10.2307/3177344
5656:
5643:
5636:
5615:
5604:
5586:
5578:
5571:
5553:
5542:
5532:
5530:
5523:
5507:
5498:
5488:
5486:
5479:
5463:
5442:
5432:
5430:
5423:
5407:
5394:
5384:
5382:
5375:
5359:
5348:
5339:
5328:
5322:
5319:
5308:
5302:has an unclear
5296:
5292:
5285:
5280:
5276:Southern School
5262:Shanghai School
5257:Northern School
5194:Hasegawa school
5189:
5184:
5183:
5182:
5179:
5169:
5160:
5128:
5119:
5108:
5099:
5085:
5076:
5065:Sesson Shūkei (
5063:
5054:
5043:
5034:
5018:
5009:
5002:
4993:
4977:
4968:
4958:
4949:
4933:
4922:
4902:Geumgang jeondo
4724:Southern School
4709:
4681:genre paintings
4660:
4605:
4548:Hasegawa school
4513:Hasegawa Tōhaku
4511:was founded by
4509:Hasegawa school
4487:
4477:
4441:Northern School
4387:Northern School
4377:was a Japanese
4368:
4342:
4290:
4280:Shōrin-zu byōbu
4274:folding screens
4231:
4209:
4201:Northern School
4197:Southern School
4185:
4180:
4179:
4178:
4175:
4164:Galloping Horse
4157:
4148:
4118:
4109:
4083:
4074:
4056:
4047:
4032:
4023:
4005:
3996:
3978:
3882:Chang Ta-ch'ien
3672:
3608:Shanghai School
3604:
3599:
3598:
3597:
3594:
3556:
3547:
3521:
3512:
3505:
3496:
3493:Shanghai Museum
3462:
3453:
3450:Shanghai Museum
3446:Lotus and Birds
3431:
3422:
3376:
3367:
3333:
3324:
3294:
3155:
3108:Northern School
3104:Southern School
2965:
2890:
2885:
2884:
2883:
2880:
2838:
2829:
2793:
2784:
2762:
2753:
2746:
2737:
2730:
2721:
2675:
2635:
2508:
2436:Southeast Asian
2404:Northern School
2401:
2396:
2395:
2394:
2391:
2369:
2360:
2357:Shanghai Museum
2328:
2319:
2301:
2292:
2266:
2257:
2243:
2234:
2204:
2195:
2173:
2164:
2150:
2141:
2115:
2106:
2088:
2079:
2075:
2062:
2053:
2042:
2033:
2019:
1994:
1985:
1968: 960–1030
1967:
1942:
1933:
1897:
1888:
1870:
1861:
1839:
1771:
1539:Chinese painter
1534:
1504: 960–1030
1503:
1418:
1358:Northern School
1326:Southern School
1323:
1311:Northern School
1307:Southern School
1302:
1246:Southern School
1207:Northern School
1171:
1166:
1161:
1160:
1159:
1156:
1153:
1144:
1141:
1132:
1115:
1106:
1099:
1090:
1079:
1070:
1067:
1058:
1044:
1035:
1024:
1015:
1008:
999:
992:
965:
920:Xuan Prefecture
883:
880:
879:
857:
814:
764:
644:
605:
550:
546:Shōrin-zu byōbu
536:Hasegawa Tōhaku
445:
294:
287:Revised Hepburn
269:
250:
85:
28:
23:
22:
15:
12:
11:
5:
8300:
8290:
8289:
8284:
8279:
8274:
8269:
8267:East Asian art
8264:
8259:
8245:
8244:
8239:
8234:
8229:
8224:
8219:
8214:
8209:
8202:
8201:External links
8199:
8197:
8196:
8190:
8174:
8156:
8146:
8129:
8112:
8104:, 2000-01-01.
8091:
8081:
8055:
8040:
8034:
8018:
8000:
7986:
7964:
7962:
7959:
7956:
7955:
7922:
7892:
7871:
7859:
7856:on 4 May 2007.
7841:
7812:
7780:
7719:
7689:
7663:
7654:
7645:
7626:
7607:
7578:
7556:
7551:, p. 8890, at
7529:
7503:
7474:
7465:
7456:
7447:
7411:
7386:
7378:Hawkins (2010)
7370:
7344:
7309:
7291:978-0774815437
7290:
7270:
7228:
7202:
7169:
7153:
7123:
7097:
7085:
7059:
7044:. Boya Renwu.
7042:"Wu Changshuo"
7033:
7007:
6981:
6969:
6950:
6931:
6918:
6892:
6866:
6840:
6828:
6826:Rawson, p. 340
6819:
6804:. Boya Renwu.
6793:
6786:
6760:
6751:
6744:
6720:
6711:
6702:
6687:. Boya Renwu.
6676:
6667:
6660:
6637:
6622:
6607:
6589:
6574:. Boya Renwu.
6563:
6545:
6506:
6487:
6467:
6437:
6428:
6419:
6410:
6391:
6371:
6359:
6343:
6286:
6256:
6241:. Boya Renwu.
6230:
6221:
6212:
6193:
6153:
6132:Asia Orientale
6113:
6094:
6069:
6050:
6030:
5984:
5949:
5936:
5927:
5918:
5904:
5880:
5856:
5827:
5798:
5762:
5747:
5722:
5713:
5704:
5673:(2): 258–280.
5641:
5634:
5602:
5569:
5540:
5521:
5496:
5477:
5440:
5421:
5392:
5373:
5345:
5344:
5341:
5340:
5304:citation style
5299:
5297:
5290:
5284:
5281:
5279:
5278:
5273:
5264:
5259:
5254:
5249:
5244:
5239:
5234:
5225:
5216:
5214:Four Gentlemen
5211:
5206:
5201:
5196:
5190:
5188:
5185:
5181:
5180:
5172:Jang Seung-eop
5170:
5163:
5161:
5129:
5122:
5120:
5110:Ike no Taiga,
5109:
5102:
5100:
5086:
5079:
5077:
5064:
5057:
5055:
5044:
5037:
5035:
5019:
5012:
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5003:
4996:
4994:
4978:
4971:
4969:
4959:
4952:
4950:
4923:
4916:
4913:
4912:
4911:
4896:Inwangjesaekdo
4863:Joseon dynasty
4859:Jang Seung-eop
4779:Court Painting
4775:Joseon dynasty
4764:Korean painter
4707:Mongyu dowondo
4662:In Korea, the
4659:
4656:
4531:Tomioka Tessai
4208:
4205:
4184:
4181:
4177:
4176:
4158:
4151:
4149:
4145:Lingnan School
4131:, 1879–1951),
4119:
4112:
4110:
4096:, 1876–1923),
4084:
4077:
4075:
4057:
4050:
4048:
4033:
4026:
4024:
4006:
3999:
3997:
3979:
3972:
3969:
3968:
3967:
3859:). He studied
3849:Ninghai County
3792:Lingnan School
3759:ancestral home
3757:province. His
3603:
3600:
3596:
3595:
3581:, 1824–1896),
3557:
3550:
3548:
3544:Nanjing Museum
3522:
3515:
3513:
3506:
3499:
3497:
3487:, 1642–1707),
3463:
3456:
3454:
3444:, 1626–1705),
3432:
3425:
3423:
3409:; 1555–1636),
3377:
3370:
3368:
3354:, 1521–1593),
3334:
3327:
3325:
3309:Lofty Mount Lu
3307:, 1427–1509),
3295:
3288:
3285:
3284:
3283:
3221:bā dà shān rén
2921:, 1427–1509),
2889:
2886:
2882:
2881:
2839:
2832:
2830:
2794:
2787:
2785:
2771:, 1140–1210),
2763:
2756:
2754:
2747:
2740:
2738:
2731:
2724:
2722:
2676:
2669:
2666:
2665:
2664:
2400:
2397:
2393:
2392:
2370:
2363:
2361:
2341:; 1301–1374),
2329:
2322:
2320:
2314:, 1280–1354),
2302:
2295:
2293:
2279:, 1271–1368),
2267:
2260:
2258:
2246:Huang Gongwang
2244:
2237:
2235:
2217:, 1269-1354),
2207:Huang Gongwang
2205:
2198:
2196:
2180:Evening Clouds
2174:
2167:
2165:
2151:
2144:
2142:
2130:Six Persimmons
2116:
2109:
2107:
2089:
2082:
2080:
2063:
2056:
2054:
2043:
2036:
2034:
1995:
1988:
1986:
1943:
1936:
1934:
1898:
1891:
1889:
1881:Five Dynasties
1871:
1864:
1862:
1854:Five Dynasties
1840:
1833:
1830:
1829:
1828:
1718:, 1280–1354),
1706:, 1269–1354),
1696:Huang Gongwang
1667:Six Persimmons
1572:Linquan Gaozhi
1563:Henan Province
1435:Five Dynasties
1419: 934–962
1322:
1319:
1301:
1298:
1170:
1167:
1165:
1162:
1158:
1157:
1154:
1147:
1145:
1142:
1135:
1133:
1124:Tiangong Kaiwu
1116:
1109:
1107:
1100:
1093:
1091:
1083:Tiangong Kaiwu
1080:
1073:
1071:
1068:
1061:
1059:
1045:
1038:
1036:
1028:praying mantis
1025:
1018:
1016:
1009:
1002:
1000:
993:
986:
983:
982:
981:
964:
961:
856:
853:
847:or flowers in
835:combined with
763:
760:
680:inscriptions.
643:
640:
604:
601:
444:
441:
409:hanging scroll
307:
306:
303:
302:
299:
298:
289:
283:
282:
281:Transcriptions
274:
273:
264:
258:
257:
245:
239:
238:
234:
233:
230:
229:
222:
216:
215:
208:
202:
201:
200:Transcriptions
193:
192:
185:
179:
178:
169:
163:
162:
158:
157:
154:
153:
146:
140:
139:
133:
132:
131:Transcriptions
124:
123:
114:
108:
107:
98:
92:
91:
87:
86:
61:, 1140–1210),
49:
41:
40:
37:
36:
26:
9:
6:
4:
3:
2:
8299:
8288:
8285:
8283:
8280:
8278:
8275:
8273:
8270:
8268:
8265:
8263:
8260:
8258:
8255:
8254:
8252:
8243:
8240:
8238:
8235:
8233:
8230:
8228:
8225:
8223:
8220:
8218:
8215:
8213:
8210:
8208:
8205:
8204:
8193:
8187:
8183:
8179:
8175:
8173:
8169:
8165:
8161:
8157:
8154:
8150:
8147:
8145:
8144:9780714124469
8141:
8137:
8133:
8130:
8128:
8124:
8120:
8116:
8113:
8111:
8107:
8103:
8099:
8095:
8092:
8089:
8085:
8084:Jenyns, Soame
8082:
8078:
8066:
8058:
8056:9789888028641
8052:
8048:
8047:
8041:
8037:
8035:9780521393423
8031:
8027:
8023:
8022:Hay, Jonathan
8019:
8017:
8016:9780714124469
8013:
8009:
8005:
8001:
7999:
7995:
7991:
7987:
7985:
7984:9787532600618
7981:
7977:
7973:
7971:
7966:
7965:
7943:
7939:
7938:
7933:
7926:
7910:
7906:
7902:
7896:
7889:
7888:89-958266-3-0
7885:
7881:
7875:
7868:
7863:
7855:
7851:
7845:
7829:
7825:
7816:
7800:
7796:
7792:
7784:
7768:
7764:
7760:
7756:
7752:
7748:
7744:
7740:
7737:(in Korean).
7736:
7735:
7730:
7723:
7707:
7703:
7699:
7693:
7677:
7673:
7667:
7661:Dunn, 367–368
7658:
7652:Dunn, 361–363
7649:
7642:
7638:
7635:
7630:
7623:
7619:
7616:
7615:"Suiboku-ga."
7611:
7595:
7591:
7585:
7583:
7576:
7572:
7569:
7567:
7566:Ancien Japon,
7560:
7554:
7550:
7549:
7544:
7543:
7539:
7533:
7517:
7513:
7507:
7491:
7487:
7481:
7479:
7469:
7460:
7451:
7435:
7431:
7427:
7420:
7418:
7416:
7406:
7401:
7395:
7393:
7391:
7383:
7379:
7374:
7358:
7354:
7348:
7332:
7328:
7324:
7320:
7313:
7297:
7293:
7287:
7283:
7282:
7274:
7258:
7254:
7250:
7246:
7245:
7237:
7235:
7233:
7216:
7212:
7206:
7190:
7186:
7185:
7180:
7173:
7166:
7162:
7157:
7141:
7137:
7133:
7127:
7111:
7107:
7101:
7094:
7089:
7073:
7069:
7063:
7047:
7043:
7037:
7021:
7017:
7011:
6995:
6991:
6985:
6978:
6973:
6957:
6953:
6947:
6943:
6942:
6935:
6928:
6925:Glaze, Anna.
6922:
6906:
6902:
6896:
6880:
6876:
6870:
6854:
6850:
6844:
6835:
6833:
6823:
6807:
6803:
6797:
6789:
6787:0-8109-1646-0
6783:
6779:
6774:
6773:
6764:
6755:
6747:
6741:
6737:
6733:
6732:
6724:
6715:
6706:
6690:
6686:
6680:
6671:
6663:
6657:
6653:
6650:
6649:
6641:
6633:
6626:
6618:
6614:
6610:
6608:9780226493237
6604:
6600:
6593:
6577:
6573:
6567:
6559:
6555:
6549:
6510:
6494:
6490:
6484:
6480:
6479:
6471:
6455:
6451:
6447:
6441:
6432:
6423:
6414:
6398:
6394:
6388:
6384:
6383:
6375:
6366:
6364:
6356:
6350:
6348:
6339:
6327:
6311:
6307:
6303:
6299:
6298:
6290:
6274:
6270:
6266:
6260:
6244:
6240:
6234:
6225:
6216:
6200:
6196:
6194:9787532600618
6190:
6186:
6182:
6181:
6176:
6170:
6168:
6166:
6164:
6162:
6160:
6158:
6141:
6137:
6133:
6129:
6122:
6120:
6118:
6101:
6097:
6091:
6087:
6086:
6078:
6076:
6074:
6057:
6053:
6047:
6043:
6042:
6034:
6027:
6011:
6004:
6003:
5995:
5993:
5991:
5989:
5972:
5968:
5964:
5958:
5956:
5954:
5946:
5940:
5931:
5922:
5913:
5911:
5909:
5901:
5897:
5893:
5890:
5884:
5877:
5873:
5869:
5866:
5860:
5852:
5846:
5838:
5834:
5830:
5824:
5819:
5818:
5809:
5807:
5805:
5803:
5796:
5792:
5788:
5784:
5779:
5777:
5775:
5773:
5771:
5769:
5767:
5758:
5751:
5743:
5739:
5735:
5734:Cahill, James
5729:
5727:
5717:
5708:
5692:
5688:
5684:
5680:
5676:
5672:
5668:
5664:
5660:
5654:
5652:
5650:
5648:
5646:
5637:
5635:9787534747816
5631:
5627:
5623:
5619:
5613:
5611:
5609:
5607:
5598:
5594:
5590:
5582:
5581:Cahill, James
5576:
5574:
5565:
5561:
5557:
5551:
5549:
5547:
5545:
5528:
5524:
5518:
5514:
5513:
5505:
5503:
5501:
5484:
5480:
5474:
5470:
5469:
5461:
5459:
5457:
5455:
5453:
5451:
5449:
5447:
5445:
5428:
5424:
5418:
5414:
5413:
5405:
5403:
5401:
5399:
5397:
5380:
5376:
5370:
5366:
5365:
5357:
5355:
5353:
5351:
5346:
5337:
5334:
5326:
5316:
5312:
5306:
5305:
5300:This article
5298:
5289:
5288:
5277:
5274:
5271:
5270:
5265:
5263:
5260:
5258:
5255:
5253:
5250:
5248:
5245:
5243:
5240:
5238:
5235:
5232:
5231:
5226:
5223:
5222:
5217:
5215:
5212:
5210:
5207:
5205:
5202:
5200:
5197:
5195:
5192:
5191:
5177:
5173:
5167:
5162:
5152:
5142:
5137:
5132:
5126:
5121:
5117:
5113:
5106:
5101:
5097:
5093:
5089:
5083:
5078:
5074:
5061:
5056:
5052:
5048:
5041:
5036:
5031:
5030:Shūkei-sansui
5026:
5023:(1420–1506),
5022:
5016:
5011:
5007:
5004:Gang Hui-an,
5000:
4995:
4985:
4981:
4975:
4970:
4966:
4962:
4961:Kanō Masanobu
4956:
4951:
4944:
4932:
4931:
4926:
4920:
4915:
4914:
4910:
4908:
4904:
4903:
4898:
4897:
4888:
4884:
4880:
4878:
4874:
4873:
4868:
4864:
4860:
4856:
4851:
4850:Joseon period
4835:
4831:
4827:
4823:
4822:Joseon period
4813:
4808:
4806:
4803:, especially
4802:
4798:
4792:
4784:
4780:
4776:
4773:
4769:
4765:
4761:
4757:
4755:
4751:
4748:, especially
4747:
4743:
4737:
4729:
4725:
4713:
4708:
4704:
4700:
4696:
4695:Joseon period
4692:
4688:
4686:
4682:
4677:
4676:
4670:
4669:Gang Se-hwang
4665:
4655:
4646:
4641:
4640:
4634:
4629:
4625:
4621:
4617:
4604:
4600:
4595:
4593:
4589:
4586:, especially
4585:
4581:
4577:
4573:
4569:
4565:
4564:
4559:
4558:
4553:
4549:
4545:
4542:
4537:
4532:
4527:
4521:
4520:
4514:
4510:
4505:
4503:
4499:
4476:
4475:Sesson Shukei
4472:
4464:
4460:
4457:, especially
4456:
4452:
4442:
4438:
4434:
4430:
4426:
4422:
4414:
4410:
4406:
4402:
4398:
4388:
4384:
4380:
4367:
4366:Tenshō Shūbun
4363:
4359:
4352:
4341:
4340:Kanō Masanobu
4337:
4333:
4331:
4328:monastery in
4327:
4323:
4322:Tenshō Shūbun
4319:
4315:
4312:
4308:
4307:
4300:
4289:
4285:
4282:
4281:
4275:
4271:
4270:
4264:
4259:
4256:
4255:
4249:
4248:Kanō Motonobu
4245:
4244:Kanō Masanobu
4241:
4237:
4226:
4225:Tenshō Shūbun
4222:
4218:
4214:
4204:
4202:
4198:
4190:
4169:
4165:
4161:
4155:
4150:
4146:
4138:
4134:
4126:
4122:
4116:
4111:
4103:
4099:
4091:
4087:
4081:
4076:
4068:
4064:
4063:Time and Tide
4060:
4059:Huang Binhong
4054:
4049:
4041:
4037:
4030:
4025:
4017:
4013:
4009:
4003:
3998:
3990:
3986:
3982:
3976:
3971:
3970:
3966:
3964:
3960:
3956:
3952:
3938:
3924:
3920:
3918:
3914:
3910:
3900:
3896:
3891:
3890:
3884:
3874:
3870:
3866:
3862:
3858:
3854:
3850:
3846:
3832:
3827:
3825:
3815:
3811:
3807:
3797:
3793:
3783:
3778:
3776:
3772:
3768:
3764:
3760:
3756:
3752:
3748:
3747:art historian
3744:
3742:Huáng Bīnhóng
3734:
3733:Huang Binhong
3730:
3716:
3702:
3698:
3688:
3678:
3667:
3661:
3647:
3643:
3633:
3623:
3613:
3609:
3588:
3584:
3580:
3574:
3560:
3554:
3549:
3545:
3541:
3537:
3529:
3525:
3519:
3514:
3510:
3503:
3498:
3494:
3490:
3486:
3480:
3466:
3460:
3455:
3451:
3447:
3439:
3435:
3429:
3424:
3416:
3412:
3408:
3402:
3398:
3392:
3384:
3380:
3374:
3369:
3361:
3357:
3353:
3347:
3337:
3331:
3326:
3322:
3314:
3310:
3302:
3298:
3292:
3287:
3286:
3282:
3280:
3274:
3260:
3256:
3253:
3243:
3239:
3235:
3231:
3227:
3223:
3213:
3199:
3195:
3181:
3175:
3161:
3150:
3140:
3136:
3135:(1642–1715).
3134:
3130:
3127:(1598–1677),
3126:
3123:(1592–1680),
3122:
3117:
3116:
3109:
3105:
3101:
3097:
3093:
3087:
3077:
3073:
3067:
3063:
3057:
3049:
3045:
3041:
3039:
3036:, one of the
3035:
3034:Wen Zhengming
3031:
3028:, he learned
3027:
3023:
3019:
3015:
3011:
2997:
2993:
2987:
2977:
2973:
2971:
2956:
2952:
2944:
2940:
2936:
2928:
2924:
2923:Wen Zhengming
2916:
2912:
2908:
2904:
2894:
2878:
2869:
2868:
2862:
2856:
2842:
2836:
2831:
2827:
2819:
2815:
2811:
2807:
2797:
2791:
2786:
2782:
2774:
2766:
2760:
2755:
2751:
2744:
2739:
2735:
2728:
2723:
2715:
2711:
2707:
2701:
2697:
2691:
2683:
2679:
2673:
2668:
2667:
2663:
2661:
2655:
2641:
2630:
2620:
2616:
2614:
2610:
2600:
2596:
2586:
2582:
2572:
2568:
2564:
2560:
2550:
2546:
2542:
2538:
2534:
2530:
2526:
2522:
2518:
2514:
2503:
2497:
2487:
2479:
2475:
2474:courtesy name
2471:
2465:
2461:
2455:
2447:
2443:
2439:
2437:
2433:
2423:
2419:
2415:
2405:
2389:
2381:
2377:
2373:
2367:
2362:
2358:
2350:
2346:
2345:
2344:Six Gentlemen
2336:
2332:
2326:
2321:
2317:
2309:
2305:
2299:
2294:
2286:
2282:
2274:
2270:
2264:
2259:
2255:
2254:Palace Museum
2251:
2247:
2241:
2236:
2232:
2224:
2220:
2212:
2208:
2202:
2197:
2193:
2192:Palace Museum
2185:
2181:
2178:(1248–1310),
2177:
2171:
2166:
2162:
2158:
2154:
2148:
2143:
2135:
2131:
2119:
2113:
2108:
2104:
2096:
2092:
2086:
2081:
2071:
2067:
2060:
2055:
2051:
2050:Palace Museum
2047:
2040:
2035:
2031:
2027:
2026:
2014:
2008:
1998:
1992:
1987:
1983:
1973:
1962:
1956:
1946:
1940:
1935:
1931:
1921:
1917:
1911:
1901:
1895:
1890:
1886:
1882:
1878:
1874:
1868:
1863:
1859:
1855:
1847:
1843:
1837:
1832:
1831:
1827:
1825:
1821:
1815:
1801:
1796:
1795:
1789:
1785:
1781:
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1761:
1758:: Xiāngguāng
1757:
1756:
1745:
1744:
1740:, Wáng Méng;
1733:
1725:
1721:
1713:
1709:
1701:
1697:
1693:
1689:
1679:
1675:
1673:
1669:
1668:
1663:
1660:
1656:
1652:
1649:
1648:Chan Buddhist
1637:
1629:
1625:
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1617:
1607:
1598:
1595:
1590:
1586:
1581:
1573:
1568:
1567:Northern Song
1564:
1561:painter from
1560:
1556:
1552:
1548:
1544:
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1529:
1523:
1513:
1509:
1508:courtesy name
1498:
1492:
1482:
1471:
1467:
1466:Courtesy name
1463:
1457:
1447:
1442:
1440:
1436:
1432:
1428:
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1412:
1407:
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1316:
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1196:
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1126:
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1108:
1104:
1097:
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996:Wanli Emperor
990:
985:
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890:
886:
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852:
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846:
842:
838:
834:
830:
826:
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807:
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785:
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773:
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769:
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755:
753:
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741:
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729:
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721:
717:
713:
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704:
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694:
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681:
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671:
667:
662:
657:
653:
649:
639:
637:
634:" by Chinese
633:
628:
621:文房四寶: 筆、墨、紙、硯
617:
612:
609:
600:
598:
594:
590:
585:
583:
579:
575:
571:
570:Impressionism
562:
548:
547:
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538:(1539–1610),
537:
532:
519:
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505:
501:
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489:
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477:
473:
467:
457:
453:
449:
440:
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430:
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423:
419:
414:
410:
407:The vertical
405:
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395:
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387:
384:monks in the
383:
379:
375:
371:
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363:
359:
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288:
284:
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275:
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237:Japanese name
235:
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180:
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80:
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38:
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8227:James Cahill
8181:
8178:Turner, Jane
8164:World of Art
8160:Japanese Art
8159:
8152:
8135:
8118:
8097:
8087:
8045:
8025:
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7968:
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7942:the original
7935:
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7909:the original
7904:
7895:
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7854:the original
7844:
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7815:
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7799:the original
7783:
7771:. Retrieved
7738:
7732:
7722:
7710:. Retrieved
7692:
7680:. Retrieved
7674:. Towooart.
7666:
7657:
7648:
7629:
7610:
7598:. Retrieved
7565:
7559:
7553:Google Books
7547:
7541:
7537:
7532:
7520:. Retrieved
7506:
7494:. Retrieved
7468:
7459:
7450:
7438:. Retrieved
7405:the original
7373:
7361:. Retrieved
7347:
7335:. Retrieved
7326:
7322:
7312:
7300:. Retrieved
7280:
7273:
7261:. Retrieved
7243:
7219:. Retrieved
7215:the original
7205:
7193:. Retrieved
7182:
7172:
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7156:
7144:. Retrieved
7135:
7126:
7114:. Retrieved
7100:
7092:
7088:
7076:. Retrieved
7062:
7050:. Retrieved
7036:
7024:. Retrieved
7010:
6998:. Retrieved
6994:the original
6984:
6972:
6960:. Retrieved
6940:
6934:
6926:
6921:
6909:. Retrieved
6895:
6883:. Retrieved
6869:
6857:. Retrieved
6843:
6822:
6810:. Retrieved
6796:
6771:
6763:
6754:
6730:
6723:
6714:
6705:
6693:. Retrieved
6685:"Gao Kegong"
6679:
6670:
6647:
6640:
6631:
6625:
6598:
6592:
6580:. Retrieved
6566:
6558:the original
6548:
6509:
6497:. Retrieved
6477:
6470:
6458:. Retrieved
6440:
6431:
6422:
6413:
6401:. Retrieved
6381:
6374:
6354:
6314:. Retrieved
6296:
6289:
6277:. Retrieved
6268:
6259:
6247:. Retrieved
6233:
6224:
6219:Sickman, 334
6215:
6203:. Retrieved
6183:. Shanghai:
6179:
6144:. Retrieved
6135:
6131:
6104:. Retrieved
6084:
6060:. Retrieved
6040:
6033:
6025:
6017:, retrieved
6001:
5975:. Retrieved
5966:
5944:
5939:
5930:
5921:
5899:
5883:
5875:
5859:
5816:
5786:
5756:
5750:
5737:
5716:
5707:
5695:. Retrieved
5670:
5666:
5659:Fong, Wen C.
5621:
5588:
5559:
5531:. Retrieved
5511:
5487:. Retrieved
5467:
5431:. Retrieved
5411:
5383:. Retrieved
5363:
5329:
5320:
5301:
5176:Double Eagle
5175:
5111:
5091:
5088:Ike no Taiga
5072:
5046:
5024:
5005:
4983:
4964:
4928:
4907:Ingokjeongsa
4906:
4905:(1734), and
4900:
4894:
4881:
4877:Im Kwon-taek
4875:directed by
4872:Chi-hwa-seon
4870:
4809:
4794:
4758:
4741:nán zōng huà
4739:
4689:
4661:
4637:
4612:, 1723–1776)
4603:Ike no Taiga
4596:
4584:Song dynasty
4567:
4561:
4555:
4506:
4484:, 1504–1589)
4473:
4450:běi zōng huà
4448:
4428:
4424:
4420:
4396:běi zōng huà
4394:
4379:Zen Buddhist
4334:
4304:
4298:
4286:
4260:
4217:Zen Buddhist
4210:
4186:
4163:
4132:
4097:
4086:Chen Shizeng
4062:
4035:
4011:
3984:
3981:Wu Changshuo
3948:
3934:
3921:
3906:
3880:
3873:Zhang Daqian
3865:Wu Changshuo
3844:Pān Tiānshòu
3842:
3831:Pan Tianshou
3828:
3821:
3805:Hsü Pei-hung
3803:
3784:(1879–1951;
3779:
3773:and finally
3740:
3726:
3712:
3696:Wang I-t'ing
3694:
3684:
3663:
3657:
3639:
3629:
3621:Wú Chāngshuò
3619:
3612:Wu Changshuo
3605:
3602:Modern times
3582:
3576:
3570:
3539:
3508:
3488:
3482:
3476:
3445:
3410:
3404:
3396:Dǒng Qíchāng
3394:
3379:Dong Qichang
3355:
3349:
3343:
3308:
3276:
3270:
3257:
3242:Ming dynasty
3230:Ming dynasty
3219:
3209:
3191:
3177:
3171:
3146:
3139:Bada Shanren
3137:
3100:Ming dynasty
3096:calligrapher
3089:
3083:
3069:
3061:Dǒng Qíchāng
3059:
3044:Dong Qichang
3042:
3014:Ming dynasty
3007:
2989:
2983:
2974:
2907:Ming dynasty
2900:
2891:
2858:
2852:
2813:
2812:1195–1225),
2803:
2772:
2749:
2733:
2709:
2703:
2693:
2657:
2651:
2626:
2617:
2578:
2525:Song dynasty
2499:
2493:
2467:
2457:
2440:
2431:nán zōng huà
2429:
2422:Tang dynasty
2413:běi zōng huà
2411:
2402:
2375:
2342:
2316:Crooked Pine
2315:
2280:
2249:
2218:
2179:
2156:
2129:
2102:
2070:Song dynasty
2065:
2046:Ping Yuan Tu
2045:
2025:Early Spring
2023:
2010:
2004:
1971:
1958:
1952:
1919:
1918:; 919–967),
1913:
1907:
1876:
1845:
1819:Kao K'o-kung
1817:
1811:
1780:Ming dynasty
1776:Yuan dynasty
1754:
1742:
1685:
1676:
1665:
1613:
1582:
1525:
1519:
1494:
1488:
1464:; 919–967),
1459:
1453:
1443:
1439:Dong Qichang
1427:Tang dynasty
1423:Tang dynasty
1411:dung3 ngion4
1399:
1393:
1368:; 699–759),
1351:
1335:nán zōng huà
1333:
1324:
1315:Dong Qichang
1303:
1290:, Japanese:
1285:
1268:, Japanese:
1263:
1257:
1223:
1217:
1203:Dong Qichang
1199:Ming dynasty
1187:Tang dynasty
1172:
1122:
1082:
966:
956:
953:
930:
928:
912:Tang dynasty
905:
901:
878:
869:
860:
858:
795:
765:
756:
705:
698:
682:
645:
631:
624:," (Pinyin:
613:
610:
606:
588:
586:
582:Confucianism
566:
539:
503:
475:
474:; 919–967),
469:
463:
426:
406:
402:
390:
386:14th century
382:Zen Buddhist
378:Song dynasty
358:Tang dynasty
335:
311:
310:
293:1. suibokuga
144:Hanyu Pinyin
90:Chinese name
62:
29:
8257:Chinese art
8073:|work=
7948:22 December
7915:22 December
7867:Turner 2003
7834:12 December
7820:(in Korean)
7805:14 November
7773:14 November
7741:: 113–133.
7337:10 December
7302:10 December
7195:20 November
7184:China Daily
6849:"CHEN CHUN"
6572:"Mi Youren"
6403:12 December
6334:|work=
6239:"Zhang Zao"
6187:(上海辭書出版社).
5977:17 December
5934:Jenyns, 123
5757:Composition
5618:Zhiying, Hu
5153::
5143::
5131:Kim Hong-do
5021:Sesshū Tōyō
4984:Late Winter
4834:Kim Hong-do
4812:Gang Hui-an
4796:Yuàn Tǐ Huà
4710: [
4622:during the
4576:Chishaku-in
4409:Sesshū Tōyō
4362:Kanō school
4336:Kanō school
4242:founded by
4240:Kanō school
4236:Sesshū Tōyō
4232: 1450
4044:松柏高立圖·篆書四言聯
3961:and writer
3950:Féng Yàhéng
3631:Wú Chāngshí
3226:Han Chinese
3133:Wang Yuanqi
3121:Wang Shimin
3030:calligraphy
2902:Míng Sì Jiā
2523:during the
2438:paintings.
2076: 1070
1856:(Chinese).
1824:Fang Congyi
1687:Yuán Sì Jiā
1433:during the
1353:wén rén huà
1346:painting" (
1103:Western Han
1055:animal glue
916:Jing County
861:traditional
837:animal glue
685:Han dynasty
589:Composition
520::
510::
394:calligraphy
161:Korean name
8251:Categories
8172:0500203261
8127:0714820083
8115:Loehr, Max
7998:3829017456
7961:References
7672:"An Gyeon"
7380:, p.
7355:. Artnet.
7161:Gao Minglu
7146:27 January
7108:. Artnet.
7070:. Artnet.
7052:8 December
6962:22 January
6812:8 December
6695:8 December
6582:8 December
6306:1122878721
6249:8 December
6146:3 December
6106:22 January
5828:0486264815
5795:0140218637
5562:. Taipei:
5556:Loehr, Max
5533:22 January
5489:22 January
5433:22 January
5385:22 January
5315:footnoting
4883:Jeong Seon
4805:Huang Quan
4628:Yosa Buson
4624:Edo period
4563:Pine Trees
4326:Shōkoku-ji
4301:1405–1496)
4160:Xu Beihong
4121:Gao Jianfu
4034:QiBaishi,
4012:Ink Shrimp
3796:Xu Beihong
3782:Gao Jianfu
3763:She County
3714:qí bái shí
3641:Wú Jùnqīng
3524:Huang Shen
3401:Wade–Giles
3076:Four Wangs
3066:Wade–Giles
2700:Wade–Giles
2559:Zhe School
2464:Wade–Giles
2256:, Beijing.
2194:, Beijing.
2176:Gao Kegong
2052:, Beijing.
1844:(934–962)
1813:Gaō Kègōng
1800:Gao Kegong
1746:: Shūmíng
1659:Daitoku-ji
1259:Nanzonghua
1219:Beizonghua
1087:天工開物-松烟制墨法
949:rice paper
897:Xuan paper
877:; Pinyin:
870:simplified
855:Xuan paper
849:bas-relief
845:landscapes
784:Xuan paper
768:rice paper
534:Japanese:
443:Philosophy
413:handscroll
366:monochrome
75:Xuan paper
73:), ink on
8075:ignored (
7763:201782649
7755:1944-6497
7329:: 18–23.
6802:"Yan Hui"
6617:270606633
6336:ignored (
6326:cite book
6180:Cihai(辭海)
5876:趣談「文房四寶」.
5845:cite book
5626:Zhengzhou
5323:June 2023
5269:Shan shui
5136:Gunseondo
5047:Landscape
4980:Ahn Gyeon
4943:Hyōnen-zu
4588:Liang Kai
4008:Qi Baishi
3908:Fù Bàoshí
3899:Fu Baoshi
3823:Liú Hǎisù
3814:Liu Haisu
3701:Qi Baishi
3686:Wang Chen
3677:Wang Zhen
3484:Shih-t'ao
3297:Shen Zhou
3224:), was a
3179:Shih-t'ao
3125:Wang Jian
3115:shan shui
3012:), was a
2996:Chen Chun
2970:Zhou Chen
2935:Wu School
2911:Shen Zhou
2765:Liang Kai
2748:Li Tang,
2732:Li Tang,
2628:Liáng Kǎi
2619:Liang Kai
2269:Wang Meng
2233:, Taipei.
2032:, Taipei.
1960:Fan K'uan
1915:Li Ch'eng
1883:, China.
1873:Dong Yuan
1860:, Taipei.
1842:Dong Yuan
1794:wenrenhua
1784:exponents
1732:Wang Meng
1694:painters
1628:Mi Youren
1559:landscape
1496:Fan K'uan
1461:Li Ch'eng
1401:Tung Yüan
1395:Dǒng Yuán
1386:Dong Yuan
1370:Zhang Zao
1287:Wenrenhua
1235:Hokushūga
1195:Zhang Zao
1179:four arts
1131:), China.
1129:天工開物-覆簾壓紙
951:as well.
689:monograph
674:Meng Tian
654:(475–221
471:Li Ch'eng
435:shan shui
374:imitation
362:realistic
350:black ink
342:ink brush
337:shuǐmòhuà
150:shuǐmòhuà
51:Liang Kai
8180:(2003).
8024:(2001).
7828:Archived
7767:Archived
7706:Archived
7676:Archived
7637:Archived
7618:Archived
7594:Archived
7571:Archived
7548:, p. 889
7516:Archived
7496:5 August
7490:Archived
7434:Archived
7357:Archived
7331:Archived
7296:Archived
7257:Archived
7253:23317610
7189:Archived
7140:Archived
7138:. 2014.
7110:Archived
7072:Archived
7046:Archived
7020:Archived
6977:Hay 2001
6956:Archived
6911:5 August
6905:Archived
6879:Archived
6853:Archived
6806:Archived
6689:Archived
6576:Archived
6493:Archived
6454:Archived
6397:Archived
6369:Liu, 50.
6310:Archived
6273:Archived
6243:Archived
6199:Archived
6140:Archived
6100:Archived
6056:Archived
6010:archived
5971:Archived
5969:. 2019.
5892:Archived
5868:Archived
5837:21875564
5691:Archived
5661:(2003).
5620:(2007).
5593:Hangzhou
5589:New Arts
5585:中國繪畫史方法論
5558:(1970).
5527:Archived
5483:Archived
5427:Archived
5379:Archived
5311:citation
5187:See also
5053:, Japan.
5045:Sesshū,
4899:(1751),
4750:Li Cheng
4691:An Gyeon
4664:Dohwaseo
4633:bunjinga
4616:Japanese
4541:Japanese
4526:bunjinga
4429:Bikeisai
4413:Japanese
4314:Japanese
4254:yamato-e
3775:Hangzhou
3771:Shanghai
3755:Zhejiang
3749:born in
3728:qí huáng
3507:Shitao,
3238:Nanchang
3234:Zhu Quan
3129:Wang Hui
3091:Ssŭ Wang
2951:Qiu Ying
2939:Tang Yin
2805:Hsia Kui
2800:夏圭 or 夏珪
2705:Li T'ang
2609:Japanese
2580:Hsia Kui
2575:夏圭 or 夏珪
2537:Li Cheng
2533:Fan Kuan
2521:Hangzhou
2469:Li T'ang
2064:Guo Xi,
2044:Guo Xi,
1984:, Taipei
1954:Fàn Kuān
1945:Fan Kuan
1909:Lǐ Chéng
1900:Li Cheng
1662:triptych
1610:米芾 or 米黻
1543:Jing Hao
1490:Fàn Kuān
1481:Fan Kuan
1455:Lǐ Chéng
1446:Li Cheng
1362:Wang Wei
1344:literati
1293:Bunjinga
1271:Nanshūga
1230:Japanese
1191:Wang Wei
1057:, China.
1047:Inkstick
1012:Qianlong
969:inkstone
963:Inkstone
945:mulberry
893:Jingxian
802:inkstone
800:over an
798:inkstick
762:Inkstick
693:Cai Yong
672:general
666:Changsha
500:An Gyeon
498:Korean:
465:Lǐ Chéng
456:Li Cheng
422:Qianlong
370:virtuoso
295:2. sumie
268:1. すいぼくが
262:Hiragana
226:sumukhwa
212:sumukhwa
7712:21 July
7600:21 July
7522:21 July
7440:21 July
7221:18 June
7026:21 July
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6885:21 July
6778:223–224
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6062:26 July
6019:26 July
5900:走近文房四寶.
5742:Nanning
5687:3177344
5112:Orchids
4925:Josetsu
4783:Chinese
4768:Miryang
4766:of the
4728:Chinese
4582:of the
4544:painter
4463:Xia Gui
4459:Ma Yuan
4405:Josetsu
4324:at the
4306:suiboku
4288:Josetsu
4221:Josetsu
4189:Chinese
4168:Chinese
4137:Chinese
4125:Chinese
4102:Chinese
4090:Chinese
4067:Chinese
4040:Chinese
4016:Chinese
3989:Chinese
3913:Chinese
3895:forgers
3665:P'u Hua
3587:Chinese
3528:Chinese
3478:Shí Tāo
3438:Chinese
3415:Chinese
3383:Chinese
3360:Chinese
3351:Hsü Wei
3313:Chinese
3301:Chinese
3232:prince
3193:Yuán Jì
3173:Shí Tāo
3085:Sì Wáng
3048:Chinese
2991:Hsü Wei
2955:Chinese
2943:Chinese
2927:Chinese
2915:Chinese
2860:Yen Hui
2854:Yán Huī
2841:Yan Hui
2818:Chinese
2796:Xia Gui
2714:Chinese
2695:Lǐ Táng
2682:Chinese
2678:Li Tang
2659:Yen Hui
2653:Yán Huī
2640:Yan Hui
2611:master
2599:Ma Yuan
2595:Li Tang
2571:Xia Gui
2549:Xia Gui
2545:Ma Yuan
2541:Xia Gui
2517:Kaifeng
2501:Ma Yüan
2495:Mǎ Yuǎn
2486:Ma Yuan
2478:Chinese
2459:Lǐ Táng
2446:Chinese
2442:Li Tang
2380:Chinese
2349:Chinese
2335:Chinese
2308:Chinese
2304:Wu Zhen
2285:Chinese
2273:Chinese
2223:Chinese
2211:Chinese
2184:Chinese
2134:Chinese
2095:Chinese
2012:Kuo Hsi
1724:Chinese
1712:Chinese
1708:Wu Zhen
1700:Chinese
1692:Chinese
1624:Taiyuan
1527:Kuo Hsi
1431:painter
1119:Cai Lun
776:unsized
708:brushes
480:Chinese
452:Chinese
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7568:p. 80.
7538:Shūbun
7363:7 July
7288:
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6948:
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6279:25 May
6205:7 July
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5697:8 July
5685:
5632:
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5221:Haboku
5204:Daoism
5149:;
5141:Korean
4887:Korean
4830:Sejong
4826:gwageo
4793::
4791:pinyin
4785::
4772:Korean
4762:was a
4754:Guo Xi
4738::
4736:pinyin
4730::
4699:Seosan
4675:seonbi
4645:bunjin
4614:was a
4491:長谷川 等伯
4425:Unkoku
4191::
4170::
4141:東戰場的烈焰
4139::
4127::
4104::
4092::
4069::
4042::
4018::
3991::
3963:Lu Xun
3959:Shitao
3936:Shí Lǔ
3923:Shi Lu
3889:guohua
3751:Jinhua
3659:Pú Huá
3646:Pu Hua
3589::
3578:Hsü Ku
3530::
3465:Shitao
3440::
3434:Zhu Da
3417::
3403::
3393::
3391:pinyin
3385::
3362::
3356:Grapes
3345:Xú Wèi
3336:Xu Wei
3315::
3303::
3278:Hsü Ku
3160:Shitao
3148:zhū dā
3068::
3058::
3056:pinyin
3050::
3026:Suzhou
2985:Xú Wèi
2976:Xu Wei
2957::
2945::
2929::
2917::
2867:Shi De
2820::
2716::
2702::
2692::
2690:pinyin
2684::
2613:Sesshū
2567:Sesshū
2563:Shūbun
2529:Guo Xi
2480::
2476:Xigu (
2466::
2456::
2454:pinyin
2448::
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2372:Ni Zan
2351::
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2331:Ni Zan
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2275::
2225::
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2186::
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2097::
2091:Su Shi
2006:Guō Xī
1997:Guo Xi
1726::
1720:Ni Zan
1714::
1702::
1589:Su Shi
1551:Korean
1521:Guō Xī
1512:Guo Xi
1470:Xiánxī
1384:) and
1265:Nanhua
1241:Hokuga
1225:Beihua
973:mortar
941:bamboo
811:bokuju
740:badger
736:marten
732:rabbit
720:cattle
712:bamboo
701:Huzhou
578:Daoism
554:松林図 屏風
516:;
508:Korean
482::
346:washes
334::
332:pinyin
326::
318::
270:2. すみえ
249:1. 水墨画
167:Hangul
83:Taipei
69::
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8287:Zenga
7970:Cihai
7759:S2CID
7540:" in
6175:Cihai
6013:(PDF)
6006:(PDF)
5683:JSTOR
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5151:Hanja
5068:雪村 周継
4867:Korea
4799:) of
4744:) of
4719:몽유도원도
4714:]
4658:Korea
4639:nanga
4620:Kyoto
4599:Mi Fu
4557:byōbu
4536:nanga
4519:nanga
4481:雪村 周継
4468:秋冬山水図
4453:) of
4427:, or
4417:雪舟 等楊
4399:) of
4372:天章 周文
4351:Kyoto
4346:狩野 元信
4330:Kyoto
4269:byōbu
4207:Japan
4071:歲月勞奔圖
3863:with
3767:Anhui
3591:溪山高遠圖
3572:Xū Gǔ
3559:Xu Gu
3419:婉孌草堂圖
3272:Xū Gǔ
3259:Xu Gu
3247:(朱若極)
3032:from
2822:風雨行舟圖
2777:出山釋迦圖
2718:萬壑松風圖
2384:秋林野興圖
2289:青卞隱居圖
2227:富春山居圖
2188:秋山暮靄圖
1977:谿山行旅圖
1850:洞天山堂圖
1760:Jūshì
1672:Japan
1615:Mǐ Fú
1606:Mi Fu
1547:Juran
1338:) of
1277:Nanga
827:from
789:washi
772:washi
728:sheep
724:horse
714:with
664:near
642:Brush
523:夢遊桃源圖
518:Hanja
513:몽유도원도
484:茂林遠岫圖
418:seals
243:Kanji
183:Hanja
8186:ISBN
8168:ISBN
8140:ISBN
8123:ISBN
8106:ISBN
8077:help
8051:ISBN
8030:ISBN
8012:ISBN
7994:ISBN
7980:ISBN
7950:2014
7917:2014
7884:ISBN
7836:2020
7807:2009
7795:Nate
7775:2009
7751:ISSN
7714:2021
7684:2021
7602:2021
7524:2021
7498:2021
7442:2021
7365:2021
7339:2020
7304:2020
7286:ISBN
7265:2021
7249:OCLC
7223:2008
7197:2019
7177:毕楠.
7148:2015
7118:2021
7080:2021
7054:2020
7028:2021
7002:2008
6964:2019
6946:ISBN
6913:2021
6887:2021
6861:2021
6814:2020
6782:ISBN
6740:ISBN
6697:2020
6656:ISBN
6613:OCLC
6603:ISBN
6584:2020
6540:海岳外史
6534:襄陽漫士
6528:鹿門居士
6501:2021
6483:ISBN
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6405:2020
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6338:help
6318:2017
6302:OCLC
6281:2017
6251:2020
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5833:OCLC
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5699:2021
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5535:2019
5517:ISBN
5491:2019
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5417:ISBN
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5369:ISBN
5313:and
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4636:(or
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4502:Muqi
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3216:八大山人
3206:揚州八怪
3202:扬州八怪
3106:and
3004:青藤山人
2565:and
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2118:Muqi
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1620:poet
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1309:and
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4609:池大雅
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4391:北宗画
4311:Zen
4299:fl.
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4106:芝石圖
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320:水墨画
251:2.
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1085:(
1034:.
874:纸
865:紙
821:)
815:(
563:.
557:)
551:(
506:(
490:.
478:(
458:(
314:(
65:(
53:(
20:)
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