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https://www.academia.edu/76602788/%D0%9F%D1%83%D1%80%D0%B8%D0%B7%D0%BC_%D0%98%D0%B2%D0%B0%D0%BD%D0%B0_%D0%9A%D0%BB%D1%8E%D0%BD%D0%B0_%D0%9C%D0%B5%D0%B6%D0%B4%D1%83_%D1%83%D1%82%D0%BE%D0%BF%D0%B8%D0%B5%D0%B9_%D0%B1%D0%B5%D1%81%D0%BF%D1%80%D0%B5%D0%B4%D0%BC%D0%B5%D1%82%D0%BD%D0%BE%D0%B3%D0%BE_%D0%B8_%D1%80%D0%B5%D0%B0%D0%BB%D1%8C%D0%BD%D0%BE%D1%81%D1%82%D1%8C%D1%8E_%D0%BC%D0%B8%D0%BC%D0%B5%D1%82%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%BE%D0%B3%D0%BE
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Fota, Olga; Kokkori, Maria. Colour and Light: A Technical
Examination of selected Paintings by Ivan Kliun c. 1910-1925 // Light and Colour in the Russian Avant-Garde; The Costakis Collection / Licht und Farbe in der Russischen Avantgarde: Die Sammlung Costakis. Dumont and Martin Gropius Bau Berlin,
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Timina, Maria. Museum of
Painterly Culture and Ivan Kliun's work in the 1920s // Museum of Painterly Culture. Research and discoveries: proceedings of an international academic conference / scientific ed. by L.R. Pchelkina. Moscow, State Tretyakov Gallery, 2023, pp. 82–97 (In Russian) URL:
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Timina, Maria. Ivan Kliun's Purism. Between the Utopia of the Non-Objective and the
Reality of the Mimetic // Russian Art. III. Mimesis and Utopia: collection of articles / scientific ed. by V.V. Sedov; compiled by A.P. Salienko. St. Petersburg, 2022, pp. 244–265 (In Russian) URL:
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Sarabianov, A. D. Ivan
Vasilyevich Kliun // Encyclopedia of the Russian avant-garde: Fine arts. Architecture / Compiled by V. I. Rakitin, A. D. Sarabianov; scientific editor A. D. Sarabianov. Moscow: RA, Global Expert & Service Team, 2013, T. 1, pp. 418–420 (In Russian). URL:
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https://www.academia.edu/43129091/%D0%98%D0%B2%D0%B0%D0%BD_%D0%9A%D0%BB%D1%8E%D0%BD_%D0%B8_%D0%B4%D0%B8%D1%81%D0%BA%D1%83%D1%81%D1%81%D0%B8%D1%8F_%D0%BE_%D0%BF%D0%BB%D0%B0%D0%BD%D0%BE%D0%B2%D0%BE%D0%B9_%D0%BE%D0%BA%D1%80%D0%B0%D1%81%D0%BA%D0%B5_%D0%9C%D0%BE%D1%81%D0%BA%D0%B2%D1%8B
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Timina, Maria. Ivan Kliun's "Plan for Urban
Coloration and the Socialist City". In: Ivan Kliun. Transcendental landscapes. Flying sculptures. Light spheres. Catalogue of exhibition at MOMus – Museum of Modern Art – Costakis Collection, Thessaloniki, 2021, pp. 62–65. URL:
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Timina, Maria. Ivan Kliun and the
Discussion on Urban Coloration in Moscow // Russian Art. II. Unaccounted details: collection of articles / scientific ed. by V.V. Sedov; compiled by A.P. Salienko. St. Petersburg, 2020, pp. 232–244 (In Russian) URL:
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Schindler, Viktoria. Farbe, Form, Linie, Fläche, Faktur. Im
Spannungsfeld von Kunst und Wissenschaft: Ivan Kljuns und Vasilij Kandinskijs theoretische Ausführungen zu den gestalterischen Elementen der Kunst. Freie Universität Berlin,
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Khardzhiev, N. I. Polemics in verse (K. Malevich against A. Kruchenykh and I. Kliun) // Malevich, K. S. Poetry / Comp., entry. art., publ., text, comments and notes by A. S. Shatskikh. Moscow: Epifania, 2000 (In
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Schindler, Viktoria. Color
Theories from Western Europe and the United States in the Writings of Ivan Kliun // Experiment: A Journal of Russian Culture, ed. John Bowlt, Volume 23, 2017. P. 253–266.
223:. The book was a harsh criticism of Symbolism and decadence in general. That same year he became a follower of Malevich's Suprematism and, the following year, joined his group known as
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Until the mid-1920s, his works were largely geometric forms. In the late 1920s, he developed an interest in modern
Western European art, especially the French; copying works by
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Ivan Kliun. Transcendental landscapes. Flying sculptures. Light spheres. Catalogue of exhibition at MOMus – Museum of Modern Art – Costakis
Collection, Thessaloniki, 2021.
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Timina, Maria. “Light-Color” Principle in the Works of Ivan Kliun // Vestnik of the Moscow State University. Series 8: History. 2021, No 4, pp. 195–212 (In Russian)
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238:, the state art and technical school. From 1920, he was a member of Inkhuk (the Institute of Artistic Culture) and, after 1921, a Corresponding Member of GAHN (
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I. V. Klyun. My path in art: Memoirs, articles, diaries / Comp., author. intro. art. and comment. A. D. Sarabianov. Moscow: RA, 1999 (In Russian)
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Sarabianov, A. D. Kazimir Malevich. Ivan Kliun. Relationship // Russian Art, 2019, No. 3, pp. 90–97 (In Russian)
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155:, in the 1890s, while working as an accountant. In 1898, he relocated to Moscow, where he frequented the studios of
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I. V. Kliun in the Tretyakov Gallery: To the 125th anniversary of his birth. Moscow: RA, 1999 (In Russian)
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Irina Atykovna Azizyan "K.Malevich and I. Klyun: from futurism to suprematism and objectless art", in
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and was introduced to the Russian Avant-Garde. This influenced him profoundly, although he joined the
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His father was a carpenter. In 1881, seeking to improve their economic condition, the family moved to
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https://www.academia.edu/62032071/Ivan_Kliuns_Plan_for_Urban_Coloration_and_the_Socialist_City
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https://www.tretyakovgallery.ru/upload/medialibrary/2b0/hk75ejgbjh0r9i9s1axyhssen78d2nxs.pdf
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style but, in 1913, due to the influence of Malevich, he began exhibiting with a group from
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style. From the mid-1930s on he, and most Soviet artists, were compelled to paint works of
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when it was created in 1910 and remained a member until 1916. He originally worked in the
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Angelina Vire "Ivan Klioune et la matière-couleur", 2020, available online :
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108:(Russian: Иван Васильевич Клюн; 1 September 1873, in Bolshiye Gorky,
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Kliunkova-Soloveichik, Svetlana (1994). Ohotin, Nicholas A. (ed.).
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https://rusavangard.ru/online/biographies/klyun-ivan-vasilevich/
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His most important contact, however, came in 1907 when he met
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and later exhibited with several other Avant-Garde groups.
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painter, sculptor and art theorist, associated with the
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Non-objective based on the light-color principle (1921)
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204:, began producing sculpture (under the influence of
200:" (Union of Youth). At this time, he became fond of
140:. He received his initial artistic education at the
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46:but its sources remain unclear because it lacks
219:(The Secret Vices of Academicians) by the poet
260:. He was especially attracted to the works of
142:Society for the Encouragement of the Fine Arts
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264:. In the early 1930s, he created numerous
1516:Estorick Collection of Modern Italian Art
234:From 1918 to 1921, he was a professor at
77:Learn how and when to remove this message
341:Still-life with Flowers and a Jug (1929)
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457:Art and Revolution in Ivan Kliun's work
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1209:Futurist Painting: Technical Manifesto
1153:Drama in the Futurists' Cabaret No. 13
353:Ivan Kliun Female Portrait (1909-1910)
1202:Dynamism of a Speeding Horse + Houses
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293:Portrait of the Artist's Wife (1910)
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1307:Unique Forms of Continuity in Space
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305:Landscape Rushing By (before 1915)
215:and a short chapter for the book,
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231:; working with peasant artisans.
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136:. In 1890, they moved again, to
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1251:Manifesto of Futurist Musicians
1188:Dynamism of a Human Body: Boxer
1258:Mercury Passing Before the Sun
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240:State Academy of Art Sciences
1565:Verbovka Village Folk Centre
1181:Dynamism of a Dog on a Leash
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229:Verbovka Village Folk Centre
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1616:Academic staff of Vkhutemas
1279:The Street Enters the House
1195:Dynamism of a Soccer Player
93:Self-portrait (before 1903)
16:Russian painter (1873–1943)
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1621:Suprematism (art movement)
1057:Italian futurism in cinema
618:Francesco Balilla Pratella
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1230:The Hand of the Violinist
1223:Girl Running on a Balcony
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393:. New York, NY: IVK Art.
999:Valentine de Saint-Point
984:José de Almada Negreiros
217:Тайные пороки академиков
32:This article includes a
1019:Frances Simpson Stevens
1014:Amadeo de Souza Cardoso
112:– 13 December 1943, in
61:more precise citations.
1359:Luisa, Marchesa Casati
1104:Abstract Speed + Sound
1038:Techniques, sub-genres
391:Ivan Vasilievich Kliun
98:Ivan Vasilievich Kliun
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1560:Ukrainian avant-garde
1538:Robert René Meyer-Sée
1244:Manifesto of Futurism
1174:Dynamism of a Cyclist
1062:Futurist architecture
754:Kseniya Boguslavskaya
211:In 1915, he provided
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1321:Victory over the Sun
724:Alexander Archipenko
110:Petushinsky District
1543:Russian avant-garde
1364:Gabriele D'Annunzio
1328:Vladimir Mayakovsky
1265:The Poem of the End
1072:Futurist literature
879:Vadim Shershenevich
849:Vladimir Mayakovsky
809:Aleksei Kruchyonykh
749:Alexander Bogomazov
583:Nikolay Diulgheroff
492:Biography and works
486:More works by Kliun
221:Aleksei Kruchyonykh
1004:Jules Schmalzigaug
884:Nadezhda Udaltsova
824:Aristarkh Lentulov
799:Velimir Khlebnikov
784:Natalia Goncharova
691:Konstantin Olimpov
472:2020-06-09 at the
317:Composition (1917)
280:Selected paintings
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34:list of references
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1555:Sackville Gallery
1398:Groups influenced
1352:Associated people
1167:Dynamism of a Car
1118:The Art of Noises
1047:Anti-neutral suit
989:C. R. W. Nevinson
958:Enrico Prampolini
844:Mikhail Matyushin
834:Benedikt Livshits
779:Nina Genke-Meller
774:Aleksandra Ekster
711:Russian Futurists
633:Antonio Sant'Elia
536:Italian Futurists
455:Vire, A. (2021).
372:2004. P. 480–482.
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1435:Jack of Diamonds
1430:Grosvenor School
1374:Benito Mussolini
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1286:The Street Light
1216:The Knifegrinder
1067:Futurist cooking
1009:Mykhaylo Semenko
994:Emilio Pettoruti
933:Fortunato Depero
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819:Mikhail Larionov
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1596:1943 deaths
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1533:Primitivism
1528:Pointillism
1511:Divisionism
1470:Suprematism
1450:Panfuturism
1082:Noise music
1024:Mary Swanzy
953:Marisa Mori
900:Aeropittura
696:Rurik Ivnev
598:Marisa Mori
573:Carlo Carrà
266:still-lifes
243: [
213:lithographs
182: [
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145: [
122:Suprematist
118:Avant-Garde
59:introducing
1585:Categories
1410:Agit-train
804:Ivan Kliun
789:Elena Guro
739:Lilya Brik
613:Ugo Piatti
190:Symboloist
124:movement.
1522:Le Chahut
1480:Vorticism
1125:BÏF§ZF+18
913:"Barbara"
869:Ivan Puni
744:Osip Brik
553:"Barbara"
236:Vkhutemas
128:Biography
1489:See also
1475:Supremus
1460:Rayonism
1405:Agitprop
979:Mina Loy
891:(Iliazd)
529:Futurism
488:@ ArtNet
470:Archived
376:Russian)
225:Supremus
106:Klyunkov
67:May 2019
1420:Dadaism
1335:Zangezi
1237:Lacerba
1139:Cyclist
268:in the
254:Picasso
104:, born
55:improve
1506:Cubism
1501:5x5=25
1445:Oberiu
1272:Poesia
943:Fillìa
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270:Purist
258:Braque
153:Warsaw
114:Moscow
1293:Thaïs
421:2018.
247:]
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102:Klyun
100:, or
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1087:Zaum
395:ISBN
366:0.10
256:and
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134:Kyiv
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151:in
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147:pl
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