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922:: the fundamental value given to verisimilitude - of which propriety is a corollary - is assimilated to a censorship rejected by Abeille, noting that this work is situated outside of all verisimilitude, places its action in an indeterminate time and does not even care to maintain a unity of action. This refusal to be "on the same level" as Abeille is not a reason for the author to be in the same position. According to Abeille, the refusal to register "on the ground of reality" and to mark "against the dictatorship of the verisimilitude and the novelistic canvas" explain why his books "took so much time before collecting a weak echo." Recalling a remark by
1183:. In addition to re-editions of collections, whose contents can vary, and the collective works on which Jacques Abeille collaborated, the latter signed several texts under pseudonym. The most constant and recurrent is that of Léo Barthe (in principle reserved for the publication of works of an erotic nature), but he also published under the pseudonym of Bartleby as well as under that of Christoph Aymerr (or Aymeric). The most complete bibliography to date, although not exhaustive according to its author, is that established by Arnaud Laimé and which appears in the work devoted to Jacques Abeille
66:
897:, earning admission to full teaching status. His teaching career, which he describes as that of a "banal provincial teacher", was the desire of a "man who, against the singularity of his birth, fights all his life to achieve a banal existence: to exercise a profession without ambition, to constitute a solid couple, to have children and to pamper them." A smooth existence requiring efforts that, to be bearable, had to be tempered by "the need to cultivate a secret garden", which took for Abeille, once painting was abandoned, the form of writing.
969:
opposite end of the spectrum. Explaining that, for him, writing is "being seized by a kind of state of alienation", which leads him to write "always at the edge of the pen", Abeille invokes the image of LP records to explain his approach: "I choose a groove and I follow it patiently, setting a tone for myself. That's how the elements emerge and come together. Afterwards, there is very little rewriting" and "I am not in control, but in the capture of a flow".
128:
719:(1982) is a novel with dual inspiration. First, from an encounter with a gardener working the earth in which he grew squash: seeing the plasticity of these vegetables inspired in Abeille the image of statues emerging from the ground. Superimposed on this is an essay in the form of a philosophical tale about artistic creation, perceived not as a technical process (as would have accorded with literary tradition, represented by
25:
964:, his task is to give shape to the raw, uneven, totally shapeless material that constitutes the product of the imagination, before polishing which, by removing roughness, is supposed to give beauty to the finished work. This vision of writing, which for Abeille is embodied by the auctorial figure of Flaubert, consists "at least as much, if not more, in subtracting than in adding." Now, not only was the novel
773:: the action of the two novels is more or less simultaneous, and that of the last one is situated at the other end of the empire imagined by Abeille, in the capital city of Terrèbre. A third novel, the first draft of which dates from 1977, evokes the period following the barbarian invasion, in the expectation of which the inhabitants of Terrèbre as well as those of the statuary gardens live. Initially titled
993:: "as a writer, I don't want to have anything to do with power", noting that this literature "accommodates autocratic regimes very well". However, faithful to the postulates of surrealism, Abeille concedes that because literature feeds readers' imaginations, possesses a contesting value that acts according to a proper temporality that is not political, since "imagination is the first step in dissidence".
616:
791:, a novel of a significantly different tone from the other novels and short stories, although set in Journelaime, a city in the fictional land, was not included in the cycle for a while, although it was when first published in 1991. After having considered making it the first volume of another novel project entitled "Le Cycle des chambres",
701:, directed by RĂ©gine Deforges. The text, written between 1967 and 1968, was in response to a dare between friends to write an erotic work. This experience of writing, whose speed surprised him, opened new perspectives beyond his otherwise disappointing previous attempts to write idealized relationships.
842:
The work of
Abeille has long remained little-known. The author even called himself an obscure writer, a situation all the more ironic since the texts of the Cycle des Contrées thematize this obscurity, since they stage, after their writing and publication, their own disappearance through destruction,
762:, where he is then editor. But a delay in production of the book hinders its release, which also suffers from the departure of Bernard Noël from his position in 1983. Various other events delay publication of the novel, which inaugurates the Cycle des Contrées, acquiring the status of a cursed novel.
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An important part of
Abeille's work consists of erotic and pornographic texts. Abeille explained that the objective of such texts, besides exploring the "dark continent" of femininity, consists in "making language do what it is not made for," bringing it closer to sensation, as language that usually
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was originally envisaged as a fable of about fifty pages), sometimes interrupted without the images appearing "secreting an interstitial tissue that draws them together into a narrative"; these images which "remain, being sufficient to themselves, in their disparate state" are named by
Abeille his
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for instance), but rather as the artist's accompaniment of an inspiration that pre-existed other works. In the course of writing, noting the absence of women in the tale, which seemed incongruous for a text dealing with artistic inspiration, Abeille came to imagine a story taking place in statuary
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conceived against this idea of the omnipotence of work to the detriment of the imagination, since it was a question of defending the primacy of inspiration over style considered as a set of technical procedures in the form of a philosophical tale, but also
Abeille's practice of writing is at the
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Abeille explains having felt the "throbbing desire to be an artist" from childhood, a desire thwarted by "a confused, indecisive and anxious shyness", an incapacity and vague obstacle. He finds the key to unlock it at the end of adolescence, when at the age of twenty-one or twenty-two, while
1021:), is like that of their author. As Arnaud Laimé explains, he "refuses to think of himself as an individualized figure, recognized by all, who would be capable of producing texts over which he would exercise an authority" and instead strives to "efface himself to let the text come to life".
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In his speech written in 2015 on the occasion of the Jean-Arp Prize for French
Language Literature, Abeille specified what, in his opinion, differentiates his aesthetic from what he considered dominant in France since the classical period, exemplarily embodied by
1147:". This name is also one of the characters in the Cycle des Contrées, an author of pornographic works who finds himself in possession of the testimonies collected by Molavoine, the policeman who watches Barthélémy Lécriveur, central character of the novel
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has remarkable writing, considers that "the self is a confinement." In the works of
Abeille, on the contrary, the figure of the authorial self tends to disappear. This disappearance, thematized in his books whose narrators are without name or past
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As a sign of this recognition, in 2010 Abeille received a special mention from the Wepler Prize for the whole of his work, also rewarded in 2015 by the Jean-Arp Prize for French-language literature and in 2021 by the Grand prix de l'Imaginaire.
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of the sign). From this point of view, the "challenge" of pornographic literature, which consists in "bringing language back from the concept to sensation" is not fundamentally different from the function that the author assigns to poetry.
688:. "It was a great crisis and an immense sorrow" explained the author in an interview in 2007, which led him to give up painting and turn to writing: "I am a writer on the basis of a failed painter", he explained to another correspondent.
851:, the publishers contacted him and offered to illustrate the cover. After reading the novel, Schuiten accepted and even proposed that Abeille write a text to accompany a series of unpublished drawings. This collaboration gave birth to
1052:, another writer from Surrealism, with whom Abeille had a close relationship and whose conception of writing as dictation is reminiscent of that of Abeille, is also considered a "tutelary power" in the same way as Nerval.
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and such incapacity prevented him from becoming a painter like he originally intended since childhood. He then decided to become a writer instead, at one point expressing "I am a writer on the basis of a failed painter."
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Abeille published thereafter a set of erotic texts, under his own name or under pseudonym, the most frequent and the most constant being that of LĂ©o Barthe, who also appears as a character in his famous cycle of novels.
822:, published for the first time in 1993 and then in 2020 in an expanded edition. In addition, two shorter texts, "La Grande danse de la réconciliation", whose narrator is the same as that of the short stories in
1079:. Certain figures gravitating in the surrealist orbit are also cited by Abeille as having contributed decisively to his entry into writing: "If I am a storyteller," he explains in a 2000 interview, "it is to
847:. This situation changed in 2010, when publisher Attila undertook to reissue the novels of the cycle and, struck by the proximity they detected between Abeille and the Belgian cartoonist and scenographer
567:- was the grandson of a senator sub-prefect. In order to recognize his son (illegal at the time), Valentin Abeille had a family certificate forged by the Resistance network to which he belonged.
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is also mentioned, Abeille having been described by Pascal
Maillard (coordinator of the Jean Arp Prize for French Literature) as "Tolkien who would have been able to write in the language of
1102:, both of whom described the dull oppressive climate that the expectation of an increasingly probable and imminent barbarian invasion brings to bear on an imaginary country.
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In
October 1969, three years after the death of André Breton, Jean Schuster declared the end of "historical" Surrealism in "Le Quatrième chant", published in the newspaper
1118:, and the ethno-anthropological concern that animates the narrators of the Cycle des Contrées to the anthropologist's approach to the secondary worlds of its creation by
976:, which places the writer at the service of inspiration rather than seeing him as a demiurge creator, leads to the writing of texts sometimes much longer than expected (
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gardens, from which women, cloistered, are physically excluded, kept as they are in reserved quarters and inaccessible to men or relegated to hotels that are in reality
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While some of these texts are published under the name of
Jacques Abeille, others are published under the pseudonym LĂ©o Barthe, which Abeille prefers to describe as a "
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After his father's death in 1944, Valentin
Abeille's twin brother took in Jacques, raising him "in many ways like the ghost of my father" in the words of the writer.
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on this subject, Abeille explains in a 2013 interview that works of pure imagination are only well received in France if written by foreign authors, such as
442:, he was raised by his paternal uncle after his father's death in 1944. During the 1960s he was part of certain circles in Bordeaux that were related to the
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edited by Adam Biro and René Passeron (1985), as well as from the database of the Mélusine site of the Centre de recherches sur le surréalisme of the
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in 1959. The shock of the contrast between this city and the seaside environment where he had lived before, associated with literary reminiscences of
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was produced and put online on Youtube by the Mollat bookshop in Bordeaux, under the (erroneous) title de "Jacques Abeille - Les Jardins statuaires"
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As far as the Cycle des contrées is concerned, the most frequently mentioned comparisons are, for obvious thematic reasons, with Gracq and
1155:. This collection of short stories, which was to play a role in the fiction as one of the elements in the trial of the nameless master of
754:, historical editor of surrealist publications. But the typescript seems to have been lost and never reaches Corti's hands. It is finally
1549:
460:, which he published under the pseudonym "Bartleby." He published various erotic stories throughout his life using different pseudonyms.
635:, living in Bordeaux at the time. Abeille also participated in the work of the surrealist journal La Brèche, founded by Breton in 1961.
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was finally reintegrated into the "Cycle des contrées" when it was reissued by the Tripode publishing house in 2020, the year in which
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was to be published by RĂ©gine Desforges, with whom the publishing contract had been signed. But the bankruptcy of the publishing house
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Most of Abeille's works have been published in a very scattered way, by several publishers or in sometimes confidential magazines and
1110:, Breton or Gracq. "Anne Besson, for her part, has compared some of the procedures used by Abeille (practice of hyperonyms, fictional
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to the Cycle des Contrées. It is the simultaneous publication of the two works, the one elaborated with Schuiten and the reedition of
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In a non-exhaustive list of influences confessed by the author during various interviews, Daniel Launay also mentions the names of
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Another element of this aesthetic is constituted by the way in which the writer's work is envisaged in Boileau: comparable to a
957:, banished by these same writers, signal another point of divergence from what Abeille calls "the dominant ideology in France."
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However, his activity in the surrealist movement left few traces: while he is mentioned in the index of GĂ©rard Durozoi's 1997
627:, in particular the Parapluycha movement, led by Pierre Chaveau, the Mimiague brothers and Alain Tartas. He corresponded with
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652:. Jacques Abeille wrote a total of four articles for the ten issues of the journal published between 1970 and 1976.
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644:. Jacques Abeille was one of those who refused to dissolve the group, and he joined the editorial committee of the
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but he mentioned his economic conditions and the state of the field at the time as the reasons for which he chose
487:, being released in 2020). He has named a number of influences in his overall writing and storytelling including
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de Terrèbre (1995), a collection of erotic short stories signed by Léo Barthe and featuring the characters of
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was also published, the last novel of the Cycle des contrées in which Brice Cléton, the protagonist of
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Once the war was over, Jacques Abeille accompanied his uncle, a high civil servant, to his postings.
1508:"En France on condamne l'imagination", interview with David Caviglioli, BiblioObs, November 19, 2011
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who, several years later, discovers another typed copy of the novel and undertakes to publish it at
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887:, a subject that he taught for ten years as a teaching assistant, and later passed the competitive
596:, was key to the creation of Terrèbre, the capital of the empire of the Contrées, as it appears in
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Abeille started his literary career in 1971 with the publication of his first erotic fiction,
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for his work, as well as the 2015 Jean-Arp Prize for French language literature and the 2021
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1331:(Interview) (in French). Interviewed by JĂ©rĂ´me Goude. Le Matricule des anges. Archived from
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1151:. He then publishes them, accompanied by a text of his own composition, under the title of
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526:. He was a teaching assistant of philosophy for ten years and later passed the competitive
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667:, where he is mentioned as a surrealist author, he is, on the other hand, absent from the
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Jacques Abeille frequented the literary and artistic circles of Bordeaux connected with
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in 1986 and seven other books in the series in the following years (the last one,
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Abeille nevertheless publishes in 1986, still with Flammarion, a second novel:
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402:, in which he participated in the 1960s and 1970s, he is best known for the
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Gil Pressnitzer, "Jacques Abeille. La quĂŞte sans fin des marges du monde",
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designates not things themselves, but the ideas of things (as explained by
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810:(published for the first time in 2008 and in an expanded edition in 2016),
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398:(March 17, 1942 – January 23, 2022) was a French writer. Influenced by the
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is also rejected by Abeille who, while recognizing that an author such as
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is dedicated and to whom he is described as "the most intimate friend".
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Abeille describes various influences, the most prominent being that of
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and published in 1971 under the pseudonym Bartleby by the publisher
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prevented it. Abeille then entrusts the typescript of the novel to
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1546:"Le monde prend congé de moi au moment où je prends congé de lui "
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In 2010 Abeille received a lifetime achievement award from the
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Reception speech for the Jean Arp Prize for French Literature
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A video presentation of this collaboration by Jacques Abeille
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648:, which was formed around Micheline and Vincent Bounoure and
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The cycle also includes three collections of short stories:
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On the edge of the French aesthetic and authorial tradition
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and the intradigetic universe in the Cycle des Contrées.
826:(2016) and which was then included in the new edition of
1329:"Le Veilleur de jour : Le Cycle des contrées vol.2"
438:
Jacques Abeille was born on March 17, 1942, in Lyon. An
446:. In his early 20s he discovered that he suffered from
1024:
1452: : Le Surréalisme mémoriel de Jacques Abeille,
435:, published in part under the pseudonym LĂ©o Barthe.
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The refusal of committed literature and autofiction
555:Jacques Abeille was born on March 17, 1942, in the
423:(1982). He has also written several collections of
152:. Unsourced material may be challenged and removed.
691:Abeille's first book was an erotic story entitled
1644:"Jacques Abeille : 'J'Ă©cris comme je rĂŞve' "
1454:Revue critique de fixxion française contemporaine
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1434:Daniel Launay, "Lectures de Jacques Abeille", in
1366:Daniel Launay, "Lectures de Jacques Abeille", in
1353:Daniel Launay, "Lectures de Jacques Abeille", in
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735:Fountain of the Amédée-Larrieu plaza in Bordeaux
684:practicing psychology, Abeille discovers he is
665:L'Histoire de la poésie française du xxe siècle
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669:Dictionnaire du surréalisme et de ses environs
1662:Le Dépossédé. Territoires de Jacques Abeille
1561:Arnaud Laimé, "La perte et la présence", in
1519:Anne Besson, " Chronique(s) d'un cycle", in
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1126:The erotic work and the "hyponym" LĂ©o Barthe
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1664:(in French). Le Tripode. pp. 201–218.
1532:Anne Besson, "Chronique(s) d'un cycle", in
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1614:"Note biographique", in Jacques Abeille,
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1416:Pierre Vilar, "Un surréaliste, même", in
1392:Pierre Vilar, "Un surréaliste, même", in
1379:Pierre Vilar, "Un surréaliste, même", in
1308:magazine, 2018, published by the website
900:Abeille's teaching career ended in 2002.
230:Learn how and when to remove this message
212:Learn how and when to remove this message
110:Learn how and when to remove this message
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73:This article includes a list of general
1692:20th-century French short story writers
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417:that started with the publication of
1616:Petites proses plus ou moins brisées
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1270:La Grande Danse de la réconciliation
949:Stylistically, Abeille's absence of
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1238:Chroniques scandaleuses de Terrèbre
1153:Chroniques scandaleuses de Terrèbre
1025:Literary influences and comparisons
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514:Abeille originally wanted to study
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834:(2010) are included in the cycle.
828:Les Carnets de l'explorateur perdu
820:Les Carnets de l'explorateur perdu
372:(2010; lifetime achievement award)
79:it lacks sufficient corresponding
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1033:GĂ©rard de Nerval photographed by
1013:), or wear an illusory identity (
657:Histoire du mouvement surréaliste
34:This article has multiple issues.
1592:www.prixeuropeendelitterature.eu
989:Abeille explains his refusal of
576:After having spent some time in
255:Jacques Marie Christophe Abeille
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1548:, interview with Yann Etienne,
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1302:Interview with Jacques Abeille
981:"more or less broken proses."
875:After having begun studies in
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1697:20th-century French novelists
1618:, Arfuyen, 2015, p. 118.
1489:, Arfuyen, 2015, p. 117.
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1278:La Vie de l'explorateur perdu
855:, considered by Abeille as a
797:La Vie de l'explorateur perdu
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484:La Vie de l'explorateur perdu
1707:20th-century French painters
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1660:Laimé, Arnaud, ed. (2016).
1552:magazine, October 10, 2020.
812:Les Chroniques scandaleuses
679:From painting to literature
10:
1738:
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1075:, Alain-Pierre Pillet and
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712:and the Cycle des Contrées
580:, the Abeilles settled in
557:6th arrondissement of Lyon
545:Grand prix de l'Imaginaire
376:Grand prix de l'Imaginaire
1702:20th-century French poets
1327:Abeille, Jacques (2007).
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775:Un homme plein de misère
1406:melusine-surrealisme.fr
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785:, published by Attila.
750:, who then gives it to
673:University of Paris III
611:Adherence to Surrealism
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1199:Le Cycle des contrées
1193:Le Cycle des contrées
1133:Ferdinand de Saussure
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472:Le Cycle des contrées
409:Le Cycle des contrées
378:(2021; special prize)
1306:La Femelle du requin
991:committed literature
146:improve this article
1312:, January 30, 2022.
1310:En attendant Nadeau
1230:Les Voyages du Fils
1214:Le Veilleur du jour
1149:Le Veilleur du jour
1046:Le Veilleur du jour
1019:Les Voyages du fils
1015:Le Veilleur du jour
929:Alice in Wonderland
871:Professional career
816:Le Veilleur du jour
808:Les Voyages du fils
767:Le Veilleur du jour
599:Le Veilleur du jour
563:and opposed to the
478:Le Veilleur du jour
444:surrealist movement
400:surrealist movement
1630:Jacques Abeille, "
1536:, p. 115-116.
1335:on 8 February 2018
1222:La Clef des ombres
1085:Leonora Carrington
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939:Gulliver's Travels
801:La Clef des ombres
793:La Clef des ombres
789:La Clef des ombres
771:Jardins statuaires
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650:Jean-Louis BĂ©douin
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588:'s and especially
497:Leonora Carrington
440:illegitimate child
420:Jardins statuaires
415:imaginary universe
1712:Writers from Lyon
1448:Ivanne Rialland,
1135:'s theory of the
1120:Ursula K. Le Guin
1057:George du Maurier
849:François Schuiten
561:French Resistance
433:erotic literature
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1116:Antoine Volodine
1104:J. R. R. Tolkien
1095:that I owe it".
1081:Gisèle Prassinos
1042:GĂ©rard de Nerval
974:creative process
853:Les Mers perdues
838:Late recognition
832:Les Mers perdues
721:Gustave Flaubert
696:
694:La Crépusculaire
659:, as well as in
601:
489:GĂ©rard de Nerval
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457:La Crépusculaire
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303:Christoph Aymerr
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163: –
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1595:. Retrieved
1591:
1582:
1570:
1563:Le Dépossédé
1562:
1557:
1541:
1534:Le Dépossédé
1533:
1528:
1521:Le Dépossédé
1520:
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1486:
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1438:, p. 38
1436:Le Dépossédé
1435:
1418:Le Dépossédé
1417:
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1394:Le Dépossédé
1393:
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1381:Le Dépossédé
1380:
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1370:, p. 37
1368:Le Dépossédé
1367:
1362:
1357:, p. 36
1355:Le Dépossédé
1354:
1349:
1337:. Retrieved
1333:the original
1305:
1254:Les Barbares
1186:Le Dépossédé
1178:
1170:
1167:Private life
1161:extradigetic
1156:
1152:
1148:
1142:
1129:
1100:Dino Buzzati
1097:
1093:Nora Mitrani
1061:Julien Gracq
1054:
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1018:
1014:
1011:Les Barbares
1010:
1006:
1002:Annie Ernaux
996:Any form of
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977:
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948:
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927:
924:Gaëtan Picon
919:
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899:
895:plastic arts
888:
883:and then in
874:
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860:
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843:oblivion or
841:
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748:Julien Gracq
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565:Vichy regime
554:
541:Wepler Prize
538:
534:plastic arts
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509:Julien Gracq
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279:(2022-01-23)
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144:Please help
139:verification
136:
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37:
36:Please help
33:
1722:2022 deaths
1717:1942 births
1471:, June 2011
1339:3 September
1262:La Barbarie
1157:La Barbarie
1035:FĂ©lix Nadar
998:autofiction
783:La Barbarie
686:color blind
404:novel cycle
370:Prix Wepler
334:Citizenship
92:introducing
1686:Categories
1648:Article 11
1286:References
1044:, to whom
955:redundancy
942:(1726) by
932:(1865) by
890:agrégation
885:philosophy
881:psychology
845:censorship
760:Flammarion
752:José Corti
625:surrealism
578:Guadeloupe
551:Early life
529:agrégation
524:philosophy
520:psychology
413:set in an
311:Occupation
297:LĂ©o Barthe
260:1942-03-17
172:newspapers
75:references
39:improve it
1550:Diakritik
877:ethnology
516:ethnology
349:Fantastic
45:talk page
1181:fanzines
1065:Jean Ray
962:sculptor
893:exam in
726:brothels
641:Le Monde
602:(1986).
582:Bordeaux
532:exam in
501:Jean Ray
386:Children
326:Academic
317:Novelist
300:Bartleby
291:Pen name
286:, France
284:Libourne
269:, France
1456:, 2012.
1145:hyponym
951:litotes
904:Writing
354:Erotica
320:Painter
186:scholar
88:improve
1668:
1597:29 May
1281:(2020)
1273:(2016)
1265:(2011)
1257:(2011)
1249:(2010)
1241:(2008)
1233:(2008)
1225:(1991)
1217:(1986)
1209:(1982)
1108:Proust
606:Career
594:Prague
507:, and
425:poetry
337:French
188:
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167:
159:
77:, but
972:This
586:Kafka
342:Genre
193:JSTOR
179:books
1666:ISBN
1599:2016
1341:2022
1175:Work
1017:and
1009:and
857:coda
781:and
427:and
323:Poet
274:Died
267:Lyon
252:Born
165:news
1091:or
936:or
918:'s
663:'s
592:'s
148:by
1688::
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1623:^
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51:(
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