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423:. Saly was made member of the Academy; was named professor, and received a residence at Charlottenborg. Several months later after Eigtved died suddenly on 7 July 1754, Saly was named Eigtved's successor; he served as Director of the Academy from 25 July 1754 to 15 July 1771, and he was given a lifelong yearly pension in 1760. Saly worked hard to improve the Danish Academy after the model of the French Academy. He sought to bring about these changes, all the while working on his model of the equestrian statue for the king, the primary artistic work associated with his many years in Denmark.
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399:. The government concluded the contract with Saly in Spring 1752, but due to conflict with ongoing projects Saly did not arrive in Denmark until 8 October 1753, bringing with him his parents, his two sisters and at least one assistant, Journée, along with his family. Work began on the monument that same year.
276:, at the time the single mainstream route to a successful official career as a sculptor in Paris. He first received his stipend in 1740, and he arrived in Rome on 13 October 1740. He stayed there for eight years between 1740–1748, and lived at the Academy. The goal here was that through the study of
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Saly showed the king the first sketch of the equestrian statue on 4 December 1754. The king approved a sketch for the whole monument in August 1755. Then Saly began a thorough study of horses from the king's stalls. This resulted in a little model, which he showed the king in
November 1758. Casts
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The base for the statue, however, was first deliverable in 1770, and the unveiling of the equestrian statue finally took place in the courtyard at
Amalienborg Palace on 1 August 1771, five years after the King's death in 1766. It commands the site still to this day, and has been restored 1997-1998.
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to François Marie Saly (1684–1776) and his wife Marie-Michelle Jardez (1690–1760). He began his training as a sculptor at nine years of age under local master
Antoine Gilles in Valenciennes from 1726-1727. In spite of his parents' meager income, he was sent to Paris in 1732 to train in the studio
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His artistic achievements are overshadowed by the monumental effort to create the equestrian statue of
Frederik V of Denmark under the king's absolute rule. Saly's leading role at the Danish Academy of Art, during its early years helped establish the Academy as a force in art training not only in
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Saly, although no longer
Director of the Academy, kept the apartment at Charlottenborg, from 1771 to at least 1774. During this time he tried to justify an additional sum from the Danish Asiatic Company for his extraordinary services on the monument to Frederik V, considering how much longer the
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Saly, after having set up an appropriate studio, carried out the work on the large model of the equestrian statue 1761-1763, and the plaster cast was presented to the
Academy members on 3 February 1764. The king also saw this model. Preparations for the bronze casting took four more years, and
552:
He left for Paris along with his father on 2 July 1774; most of the other family members had died by this point. One of his two sisters had married a French sea officer in Danish service. Back in Paris in 1775 he could now bear the title of Knight. He was named Senior
Professor at the French
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Saly held the post of
Academy Director until 15 July 1771, two weeks before the equestrian statue's unveiling. He quit in protest over a new set of rules that gave increased influence to native-born Danes. This all occurred during the reformist reign of
450:), work on which had begun in 1749. A contract to bring Jardin to Denmark was concluded on 12 October 1754, a few months after Eigtved's death, and Jardin took over Eigtved's professorship at the Academy.
323:, and arrived back in Valenciennes in the beginning of March 1749. The works he had sent home had received such positive attention that his hometown commissioned a full standing portrait of King
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from him. The marble statue was erected in 1752, and destroyed in 1792. A plaster bust of Louis XV was also made that same year. He went on to Paris, where he became a member of the
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and the masters of the past, one would develop and refine one's artistic taste. More practically it meant making marble copies of Roman sculpture for the French king.
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In addition to the other
Academy memberships already mentioned, Saly was also member of the academies in Marseilles (1762) and St. Petersburg (1768).
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made a large engraving of the equestrian statue 1768-1769 in commemoration of its completion, and The Danish
Asiatic Company cast two
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419:, on Frederik V's birthday, 31 March 1754. Saly gave the main speech at the event, a snub to the current Academy Director architect
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Saly was also instrumental in bringing his friend from the French Academy and the years in Italy, fellow-countryman and architect
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statue took to complete than originally planned. He was not satisfied with the conclusion of his financial negotiations.
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Academy in Paris 29 July 1775. Already seriously ill when he left Denmark, he died on 4 May 1776. He was buried at
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Frenchman Pierre Gors did the casting on 2 March 1768. 1768 is officially considered the statue's completion date.
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rejected the offer, but suggested Saly, who wanted a significant sum for the model and free housing in
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of this model are found in both the collection of the Academy and the State Collection, now the
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Scandinavia, but in Europe, and led the way to an emerging and strong Danish artist tradition.
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J.M. Preisler's engraving of Saly's equestrian sculpture of Frederik V on horseback. 1768-69.
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wrote to the Danish Legation secretary to the French Court in Paris JustitsrĂĄd
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778:"Saly, Jacques-François-Joseph - Estatua ecuestre de Federico V de Dinamarca"
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335:. He was assistant professor at the Académie 1751-1753. He exhibited at the
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Jacques Saly, de l'Acad. de peinture de Paris: sculpteur du voi de Danemark
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in Paris, but was not allowed to bear the title while living in Denmark.
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in American public collections, on the French Sculpture Census website
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191:(20 June 1717 – 4 May 1776), French-born sculptor who worked in
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607:(Los Angeles, California), as well as in private collections.
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211:(1754–71). His most noteworthy work is the equestrian statue
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on horseback to be placed in the center of the courtyard of
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In 1752 Saly was commissioned to create a sculpture of King
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Academic staff of the Accademia di Belle Arti di Bologna
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Academic staff of the Royal Danish Academy of Fine Arts
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757:. Kunstindeks Danmark & Weilbach Kunstnerleksikon
711:. Kunstindeks Danmark & Weilbach Kunstnerleksikon
508:, one by Wulff and the other by Daniel Jensen Adzer.
515:
1032:Directors of the Royal Danish Academy of Fine Arts
339:, 1750-1751 and 1753.He created a plaster bust of
243:. At the same time he attended the school of the
974:Director of the Royal Danish Academy of Fine Arts
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272:competition, gave him the right to study at the
283:In 1742 he made a monumental portrait bust of
203:. He is commonly associated with his time in
896:KID Kunst Index Danmark ("Art Index Denmark")
587:His sculptures are in the collections of the
488:Real Academia de Bellas Artes de San Fernando
415:) was officially established with offices at
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391:to find a suitable French sculptor. Sculptor
358:at Amalienborg Castle in Copenhagen, Denmark.
664:"Jacques-François-Joseph Saly (1717 - 1776)"
375:. The equestrian statue was commissioned by
266:Winning that last medal, first place in the
329:Académie royale de peinture et de sculpture
246:Académie royale de peinture et de sculpture
925:L'éléphant de Jacques François Joseph Saly
91:
706:
486:. Another cast has been exhibited at the
249:, winning medals in 1734, 1737 and 1738.
69:Learn how and when to remove this message
802:
776:Fernando, Real Academia de BBAA de San.
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32:This article includes a list of general
230:Training as a sculptor and early career
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920:(Bureaux de la Gazette des Beaux-Arts)
734:. Dansk Biografisk Leksikon, Gyldendal
666:. The Royal Academy Collection Gallery
477:In Copenhagen: The King and his statue
354:Jacque Saly's monumental sculpture of
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730:Emma Salling, V. Thorlacius-Ussing.
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169:Académie de peinture et de sculpture
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901:Danish Biographical Encyclopedia ("
446:), now known as The Marble Church (
407:During the same period of time the
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434:as the suitable choice to replace
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239:of the leading sculptor at Paris,
38:it lacks sufficient corresponding
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516:The end of his days in Copenhagen
413:Det Kongelige Danske Kunstakademi
311:He traveled back to his home via
1052:18th-century French male artists
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301:accademia di belli arti, Bologna
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438:for the design and building of
871:"Jacques-François-Joseph Saly"
849:"Jacques François Joseph Saly"
827:"Jacques François Joseph Saly"
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732:"Jacques François Joseph Saly"
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709:"Jacques François Joseph Saly"
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686:"Jacques-François-Joseph Saly"
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642:"Jacques François Joseph Saly"
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385:Johan Hartvig Ernst Bernstorff
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1047:French expatriates in Denmark
1027:18th-century Danish sculptors
1017:18th-century French sculptors
829:. National Gallery of Denmark
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536:Saly was named Knight of the
297:Academy of Design at Florence
207:he served as Director of the
688:. Gran enciclopèdia catalana
572:. Marble bust, (1770-1790),
524:Equestrian monument (detail)
185:Jacques François Joseph Saly
85:Jacques-François-Joseph Saly
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589:National Gallery of Denmark
430:, to the attention of King
409:Royal Danish Academy of Art
209:Royal Danish Academy of Art
16:French sculptor (1717–1776)
10:
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903:Dansk biografisk Leksikion
807:. Dansk biografisk Lexikon
574:Victoria and Albert Museum
531:Johann Friedrich Struensee
403:In Copenhagen: The Academy
1012:Artists from Valenciennes
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873:. The J. Paul Getty Trust
851:. National Gallery of Art
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555:Saint-Germain l'Auxerrois
343:in 1752, and a statue of
295:in Rome 1744, and of the
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927:(Gazette des beaux-arts)
102:Portrait of Jacques Saly
603:(Valenciennes, France)
593:National Gallery of Art
484:Danish National Gallery
356:Frederik V on Horseback
347:for her the next year.
285:Manuel Pinto de Fonseca
224:
214:Frederik V on Horseback
53:more precise citations.
755:"Nicolas-Henri Jardin"
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381:Danish Asiatic Company
369:Frederick V of Denmark
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331:in 1751 with his work
299:, in 1748, and of the
293:Accademia degli Arcadi
287:, Grand Master of the
274:French Academy at Rome
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1022:French male sculptors
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502:Johan Martin Preisler
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389:Joachim Wasserschlebe
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104:, oil on canvas, 1772
946:at Wikimedia Commons
923:Bent Sorensen(1995)
782:Academia Colecciones
644:. Nordisk familjebok
605:J. Paul Getty Museum
601:Musée des Beaux-Arts
428:Nicolas-Henri Jardin
333:Le Faune au chevreau
257:Le Faune au chevreau
916:Henry Jouin (1896)
595:(Washington D.C.),
377:Adam Gottlob Moltke
341:Madame de Pompadour
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538:Order of St Michel
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373:Amalienborg Palace
363:Summons to Denmark
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959:Cultural offices
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440:Frederik's Church
261:Musée Cognacq-Jay
241:Guillaume Coustou
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150:Kingdom of France
128:Kingdom of France
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978:1754–1771
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875:. Retrieved
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784:(in Spanish)
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189:Jacques Saly
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146:Valenciennes
140:(1776-05-04)
124:Valenciennes
120:20 June 1717
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59:January 2013
56:
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1007:1776 deaths
1002:1717 births
753:Ulla Kjær.
278:antiquities
219:Amalienborg
157:Nationality
51:introducing
996:Categories
628:References
570:Young Girl
506:medallions
432:Frederik V
397:Copenhagen
138:4 May 1776
116:1717-06-20
34:references
788:5 January
599:(Paris),
178:Sculpture
165:Education
98:Jens Juel
877:April 1,
855:April 1,
833:April 1,
811:April 1,
761:April 1,
738:April 1,
715:April 1,
692:April 1,
670:April 1,
648:April 1,
611:See also
576:, London
325:Louis XV
317:Florence
472:in 2016
321:Bologna
205:Denmark
47:improve
561:Legacy
492:Madrid
313:Naples
193:France
160:French
36:, but
201:Malta
197:Italy
879:2019
857:2019
835:2019
813:2019
790:2021
763:2019
740:2019
717:2019
694:2019
672:2019
650:2019
345:Amor
319:and
225:Life
199:and
135:Died
110:Born
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