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282:. His son Charles de Charolais stands to his right, dressed in a salmon gown, foreshadowing the crown he is due to inherit. Jean Wauquelin kneels before Philip, presenting a large book bound in brown leather; his translation of the Chroniques de Hainaut which he had completed in 1446. Van der Weyden some took artistic licence here, probably to vary the tonality of the dark colours; the surviving Chroniques bound in black satin.
115:, and the manuscript that both contains the miniature and shows it being presented was at that point the only one existing. From the court accounts the progress of the translation (though not the decoration of the manuscript) can be traced, and the miniature is presumed to date from around the time of the actual presentation to Philip in March 1448. The entire set of three volumes are now in the
305:
Philip's preference for black is imitated by a number of the other men to the right, particularly the older nobleman at the head of the group, who is generally identified as
Antoine I de Croÿ, first chamberlain of the ducal household. Most of the chaperons are black, although the man in blue has one
327:
The richly decorated borders of the miniature detail Philip's territorial control over large areas of
Northern Europe. The top of the page show his arms, mottoes, and devices, while along the sides are the arms of the different territories under his rule. They are laid out with duchies on the left
356:
The miniature is well preserved but with some losses. There is some small amount of decay to the paint to the head of the unidentified old man behind
Antoine de Croÿ, as well as to the head of the white-haired knight. Over time some of the colours have darkened, especially on some of the brighter
409:
The miniature is about the same size of van der Weyden smallest panel works. The workmanship is of the very highest quality and precision. An example of the attention to detail are the several concentric contour lines added to the tail of the dozing dog, making it appear to wag. It was copied in
201:
The frontispiece praises the contemporary fashion at
Burgundian court, which it claims is ahead even of that of the French. Broadly the miniature can be divided into three horizontal sections, with four clerics positioned to the left, two members of royalty and Wauquelin at the center, and eight
437:(3rd from left), Philip the Good (centre, 4th from left), and Charles the Bold (5th from left) appear in portraits by van der Weyden or his workshop, although in the case of Charles the Bold he appears as just an 11-year-old boy in the miniature. The group on the right probably include
96:") are portraits of historical figures. The decorative border of the presentation miniature includes the arms of the various territories ruled by Philip, which he had considerably expanded, interspersed with his personal emblem of sparks being struck from a
385:
There are no extant examples of manuscript miniatures by Van der Weyden, excepting a single tapestry, all of the attributed works are panel painting. Yet in the early to mid 14th century, artists often worked in a variety of mediums. In both
253:
further than usual down his back, with the patte hanging from it. The man in grey seems to be carrying a different type of hat made of black fur, but all the other ones visible are also chaperons, mostly with the cornettes to the front.
421:
and is now generally accepted by art historians. His attribution was based not only on the quality of execution, but also on the portrait evidence of some of the figures. Most of these can be identified, and among them Bishop
237:, a garment then at the peak of its popularity. Philip the Good wears a black looped chaperon, Rolin a less exuberant version; only he has sufficient status to wear his chaperon indoors in the Duke's presence. Apart from the
1212:
245:. But as far as can be seen, all have hats. The young Charles the Bold, then around 12 or 13 years old wears his patte, or strap, wrapped round the back of his neck, and the man on the extreme right, identified as
269:
wrapped around this neck. He holds a small hammer as a symbol of his authority in his left hand, and a baton of power in his right, while a dog sleeps at his feet. His tight chaussembles (leggings) end in long
319:, in which Philip accepts many of the same figures present in the Hainaut miniature. A book for Charles the Bold of 1468–70 includes a rather crude and simplified version of van der Weyden's scene.
468:
241:, standing next to Rolin, all the other men are bare-headed, even Philip's young heir, despite the fact that several of them are high-ranking intimates who, like the Duke, wear the collar of the
218:, which is open from the neck to waist, and worn over a white shirt. The tops of their sleeves rise unnaturally over their shoulders, most likely due to the support of small cushions (
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c 1390–96. The translation was commissioned by Simon
Nockart, a councilor to Philip the Good, as a means to legitimise Philip's territorial claims. It is now in the
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265:. He is, as usually in depictions of him, dressed almost entirely in black. He wears a black burlet (rolled) chaperon with the
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The men's head-dress is intended to denote their social position, with the highest ranked wearing variants of the
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in salmon-pink; black was having one of its earliest periods of being the most fashionable colour at the time.
274:(the type of shoe with very long, pointed toes). His clothes are lined with brown fur, which is turned out to
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advisers and courtiers to the right. The main figures are dressed in finely tailored gowns, with pipe
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580:. Bibliothèque nationale de France & Bibliothèque royale de Belgique, 2011, p. 464, pp. 178-181
365:
148:
to the end of the 14th century. The text of Philip's book is a French translation made c 1446-50 by
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55:(or if not actually from his hand then certainly by his workshop to his designs). It decorates the
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Philip stands in front of his throne positioned under a golden or salmon coloured canopy or
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Illuminating
Fashion: Dress in the Art of Medieval France and the Netherlands, 1325-1515
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Illuminating the
Renaissance – The Triumph of Flemish Manuscript Painting in Europe
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Illuminating the
Renaissance: The Triumph of Flemish Manuscript Painting in Europe
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The
Frontispiece to the Chroniques de Hainaut: An Introduction to Valois Burgundy
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297:(in blue), unidentified old man (behind), unidentified man (in grey with chain),
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Philip the Good in black, with
Charles de Charolais, the future Charles the Bold
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Western European Illuminated Manuscripts in the St Petersburg Public Library
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A Closer Look at Rogier van der Weyden's Presentation Miniature (1447–1448)
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The miniature bears a close resemblance to the presentation miniature by
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Jean Wauquelin presenting his 'Chroniques de Hainaut' to Philip the Good
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44:
Jean Wauquelin presenting his 'Chroniques de Hainaut' to Philip the Good
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742:, "Rogier van der Weyden and Manuscript Illumination", Chapter 7 in
84:
The majority, if not all, of the figures (described in the text as "
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Campbell, Lorne. "More on Philippe De Cro and Jean De Froimont".
746:, Eds Elizabeth Morrison, Thomas Kren, 2007, Getty Publications,
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The association with van der Weyden was first established by
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214:. In most cases the skirts end before the knees. Most wear a
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607:". State University of New York. Retrieved 28 April 2018
744:
Flemish Manuscript Painting in Context: Recent Research
69:'s French translation of a three-volume history of the
406:, both of whom are known to have produced miniatures.
857:
Rogier van der Weyden: 1400–1464. Master of Passions
771:, Volume 147, No. 1223. Art in Northern Europe, 2005
51:
believed to have been painted by the Flemish artist
1255:
Diptych of Philip de Croÿ with The Virgin and Child
457:One of several copies of van der Weyden's now lost
206:extending from the shoulders, that become tightly
1486:
73:originally written in Latin by the 14th-century
1165:Portrait of Antoine, 'Grand Bâtard' of Burgundy
823:. New York: Morgan Library & Museum, 2011.
712:
710:
563:
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495:Portrait of Antoine, 'Grand Bâtard' of Burgundy
154:Annales historiae illustrium principum Hannoniæ
210:at the waist, before they spread out into the
1438:Fragments of a Cope with the Seven Sacraments
887:
833:Voronova Tamara Pavlovna; Sterligov, Andreĭ.
576:Bousmanne, Bernard; Delcourt, Thierry (ed.).
144:in three volumes, tracing the history of the
16:Miniature attributed to Rogier van der Weyden
809:. Getty Museum/Royal Academy of Arts, 2003.
795:. Getty Museum/Royal Academy of Arts, 2003.
707:
556:
410:other presentation miniatures, some showing
1111:
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480:, attributed to van der Weyden's workshop
122:It is well preserved, and the only known
111:The translation had been commissioned by
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336:), and counties on the right (including
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189:, Secretary of the province of Hainaut,
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156:, a three-volume Latin work produced by
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1535:Cultural depictions of Charles the Bold
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781:. Boulder, CO: Westview Press, 1971.
779:Early Netherlandish Painting: Volume 1
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539:List of works by Rogier van der Weyden
261:, lined with what appears to be green
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197:, Chancellor of the Duke of Burgundy.
1396:The Justice of Trajan and Herkinbald
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677:Kren; McKendrick (2003), pp. 235–236
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168:. It contains ten other miniatures.
668:Voronova; Sterligov (2003) , p. 120
639:
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1495:Paintings by Rogier van der Weyden
1213:Portrait of John I, Duke of Cleves
805:Kren, T.; McKendrick, Scot (eds).
725:Campbell and van der Stock, p. 300
590:
140:The "Chronicles of Hainaut" is an
14:
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1153:Portrait of Isabella of Portugal
791:Gay, Richard; Kren, Thomas. In:
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369:Philip the Good, with Rolin and
38:. Full page: 43.2 × 28.8 cm
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357:elements of Philip's garments.
162:Bibliothèque royale de Belgique
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1:
1510:Illuminated manuscript images
1001:Saint Luke Drawing the Virgin
859:. Leuven: Davidsfonds, 2009.
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222:) place inside the garments.
126:miniature by van der Weyden.
1472:Portrait of Charles the Bold
1177:Portrait of Francesco d'Este
989:Virgin and Child with Saints
520:Portrait of Philippe de Croÿ
439:Anthony, bastard of Burgundy
433:(2nd from left), Chancellor
375:Grandes Chroniques de France
351:
316:Grandes Chroniques de France
295:Anthony, bastard of Burgundy
7:
1464:Portrait of Philip the Good
1314:Seven Sacraments Altarpiece
1231:Diptych of Jeanne of France
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460:Portrait of Philip the Good
10:
1551:
1456:A Man Reading (Saint Ivo?)
977:The Descent from the Cross
929:Virgin and Child Enthroned
704:Watteeuw (2009), pp. 180–3
328:side (including Burgundy,
322:
243:Order of the Golden Fleece
176:
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1141:Portrait of a Young Woman
1120:
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1049:Saint Jerome and the Lion
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837:. London: Sirocco, 2003.
313:for Philip's copy of the
301:(in green gown and chain)
193:, Bishop of Tournai, and
1350:Saint Columba Altarpiece
627:Van Buren (2011), p. 174
549:
117:Royal Library of Belgium
36:Royal Library of Belgium
1013:Saint Hubert Altarpiece
769:The Burlington Magazine
716:Panofsky (2011), p. 294
419:Gustav Friedrich Waagen
414:older or in adulthood.
695:Campbell (2007), p. 87
659:Kren; McKendrick, 2003
650:Campbell (2007), p. 89
636:Campbell (2007), p. 90
382:
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289:Left to right: Either
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142:illuminated manuscript
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49:presentation miniature
39:
1520:Paintings in Brussels
1515:Illuminated histories
1302:Miraflores Altarpiece
1278:Annunciation Triptych
1201:Portrait of Jean Gros
1085:Lamentation of Christ
1061:Saint John Altarpiece
903:Rogier van der Weyden
368:
288:
228:
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136:Chronicles of Hainaut
130:Chronicles of Hainaut
106:
62:Chroniques de Hainaut
53:Rogier van der Weyden
31:Chroniques de Hainaut
24:
1290:Crucifixion Triptych
953:The Magdalen Reading
941:The Madonna Standing
578:Miniatures flamandes
1338:The Braque Triptych
1326:Bladelin Altarpiece
1243:Crucifixion Diptych
1129:Portrait of a Woman
686:Campbell (2007), 92
398:. He studied under
379:Guillaume Fillastre
1189:Portrait of a Lady
383:
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40:
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1373:Beaune Altarpiece
865:978-90-8526-105-6
847:Watteeuw, Lieve.
843:978-1-8599-5240-5
829:978-1-9048-3290-4
819:Van Buren, Anne.
801:978-1-903973-28-8
787:978-0-06-430002-5
760:978-0-8923-6852-5
586:978-2-7177-2499-8
517:van der Weyden's
381:on 1 January 1457
239:Bishop of Tournai
146:county of Hainaut
71:County of Hainaut
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196:
195:Nicolas Rolin
192:
188:
187:Simon Nockart
183:
169:
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159:
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143:
137:
127:
125:
120:
118:
114:
107:The miniature
105:
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68:
64:
63:
58:
54:
50:
46:
45:
37:
33:
32:
27:
23:
19:
1525:Books in art
1470:
1467:(after 1450)
1462:
1454:
1436:
1418:
1417:
1394:
1371:
1348:
1336:
1324:
1312:
1300:
1288:
1276:
1253:
1241:
1229:
1211:
1199:
1187:
1175:
1163:
1151:
1139:
1127:
1095:
1083:
1071:
1059:
1047:
1035:
1023:
1011:
999:
987:
975:
963:
951:
939:
927:
856:
848:
834:
820:
806:
792:
778:
768:
763:Google books
743:
733:Bibliography
721:
700:
691:
682:
673:
664:
655:
632:
577:
572:
518:
493:
475:Portrait of
474:
458:
424:Jean Chevrot
416:
408:
384:
374:
355:
326:
314:
308:
304:
299:Jean de Croÿ
256:
247:Jean de Croÿ
232:
219:
200:
191:Jean Chevrot
153:
139:
121:
110:
83:
60:
57:frontispiece
43:
42:
41:
29:
26:Frontispiece
18:
1530:Dogs in art
1422:(1447–1448)
1020:late 1430s)
503: 1460
427: [
361:Attribution
330:Lotharingia
172:Description
152:, from the
94:chambellans
90:conseillers
1489:Categories
1430:Embroidery
1411:Miniatures
1380:1445–1450)
1365:Polyptychs
1309:1442–1445)
1250:1464–1465)
1238:1452–1470)
1208:1460–1464)
1160:1445–1450)
1148:1440–1445)
1104:1460–1464)
1092:1460–1463)
1056:1450–1465)
1037:Visitation
1008:1435–1440)
996:1435–1438)
984:1435–1438)
972:1435–1438)
960:1435–1438)
948:1430–1432)
936:1430–1432)
545:References
505:, Brussels
249:, has his
124:manuscript
86:Chevaliers
77:historian
75:Franciscan
1459:(c. 1450)
1270:Triptychs
1121:Portraits
352:Condition
272:pouleines
259:baldachin
251:bourrelet
220:mahewters
1448:Workshop
1223:Diptychs
533:See also
523:, 1460,
392:Brussels
338:Flanders
334:Limbourg
267:cornette
235:chaperon
166:Brussels
34:held in
525:Antwerp
388:Tournai
323:Borders
208:girdled
177:Figures
59:to the
28:to the
1475:(1460)
1401:
1378:
1355:
1343:
1331:
1319:
1307:
1295:
1283:
1260:
1248:
1236:
1206:
1194:
1182:
1170:
1158:
1146:
1134:
1102:
1090:
1078:
1066:
1054:
1042:
1030:
1018:
1006:
994:
982:
970:
958:
946:
934:
863:
841:
827:
813:
799:
785:
758:
750:
584:
342:Artois
216:bodice
1403:1450)
1388:Civic
1357:1455)
1345:1452)
1333:1450)
1321:1448)
1297:1440)
1285:1434)
1262:1460)
1196:1460)
1184:1460)
1172:1460)
1136:1435)
1080:1460)
1068:1455)
1044:1445)
1032:1441)
1025:Pietà
921:works
550:Notes
431:]
396:guild
377:from
263:satin
212:skirt
204:folds
98:flint
92:, et
47:is a
861:ISBN
839:ISBN
825:ISBN
811:ISBN
797:ISBN
783:ISBN
756:ISBN
748:ISBN
582:ISBN
441:and
390:and
344:and
332:and
293:or
276:trim
1399:(c.
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851:in
348:).
280:hem
164:in
1491::
855:.
777:.
754:,
709:^
641:^
612:^
592:^
558:^
500:c.
498:,
445:.
429:fr
340:,
119:.
100:.
88:,
81:.
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888:t
881:v
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527:.
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