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233:. I’d drawn constantly since childhood: large drawings of every creature alive in the ocean; Spanish missions with Indians camping in the foreground, in the background Spanish men throwing cowhides over a cliff to a waiting ship; hundreds of Cinderellas on five-by-eight pads, all alike but with varying hair color and dresses.
641:, the book is divided into sections, and each is marked by one of Bartlett’s photograph. It is both banal and colorful: sometimes representational, sometimes abstract. In it, Bartlett alternates between a first- and third-person voice to address and recount the subjects of family, marriage, career, friends, and death.
162:, one of four children. Her father owned a construction company, and her mother was a fashion illustrator who left the field to raise her children. She grew up in the suburbs of Long Beach, close enough to the ocean that she developed an affinity for water, which would reappear in her mature work. She attended
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as their subject. They are painted in a distinctive cross-hatched style in a limited palette favoring blues, greens, grays, and browns. Some pieces are diptychs in which
Bartlett explores the shifts visible in a landscape between two moments of time or seen from two slightly different angles of view.
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generation. One writer noted that a central paradox of her work was that
Bartlett took the controlled, rationalist grid often favored by conceptual artists and used it to release an evocative torrent of imagery that was much in common with the Neo-Expressionist work of the 1980s. A few critics found
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Early on, Bartlett made a number of three-dimensional works that she subjected to extreme conditions such as freezing and smashing. She also realized that she wanted something to draw on that was erasable but gridded like the graph paper that she and many other conceptual artists were using at the
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is a painting executed on 987 foot-square enamel-coated steel tiles arranged in a grid 7 plates tall by roughly 142 wide, extending across multiple walls. The subject matter consists of variations on what
Bartlett felt were the basic elements of art: four universal motifs (house, tree, ocean,
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Bartlett was best known for her paintings and prints in which familiar subjects — ranging from houses and gardens to oceans and skies — are executed in a style that combines elements of both representational and abstract art; indeed, she commented that she did not accept a distinction between
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Bartlett's work is in the collections of the
Metropolitan Museum of Art (New York), the Museum of Modern Art (New York), the Guggenheim Museum (New York), the Whitney Museum of American Art (New York), the National Gallery of Art (Washington, D.C.), the Tate Gallery (London), Benesse Museum
490:, France, where Bartlett stayed in the winter of 1979–1980. Bartlett used a few major motifs — an old swimming pool, a statue of a urinating boy, a row of cypresses — to explore perspective, scale, and changing light conditions. The drawings range from pencil sketches to
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figurative and abstract art. LeWitt’s “rules” for conceptual art and the exactitude of LeWitt’s method and his definitive use of programmatic strategies and forms is manifest in her life-long devotion to
433:, and pattern painting while also prefiguring 1980s Neo-Expressionism. It is so large that Bartlett commented that she never saw the piece as a whole until its first public exhibition. Bartlett said of
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mountain), geometric forms (line, circle, triangle, square), and color (25 shades). The seven sections are entitled "Introduction", "Mountain", "Line", "House", "Tree", "Shape", and "Ocean".
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first appeared as a book of 24 paintings by
Bartlett with accompanying text by Eisenberg. Each paintings shows a scene in Bartlett's house at a particular hour of the day.
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her work shallow, overly focused on surface, and weakened by its eclecticism. She had several retrospectives and survey exhibitions, the first in 1985 originating at the
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that it "opened the wall up instead of closing it down. It looks bigger than it really is.... It’s my way of making edgeless paintings." It has been acquired by the
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and sculpture. The piece consists of a large painting of houses and boats on a dark ground, in front of which are placed sculptural versions of those same objects.
138:
Losch; March 14, 1941 – July 25, 2022) was an
American artist and novelist. She was best known for paintings and prints that combine the system-based aesthetic of
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Her realistic works favored mundane subjects, such as modest houses. Her installations often consisted of multiple canvases as well as three dimensional objects.
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and traditional narrative; recounting a series of
Bartlett's memories, impressions, and descriptions of family, art world individuals and conversations. Like
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encouraged
Bartlett to join them in reading her precise inventory of personal events and habits aloud, and she found an audience receptive to her literary
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Most critics perceived
Bartlett's work as inventive, energetic, wide-ranging, and ambitious, and she was considered one of the two best painters of the
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time. She came up with what is now one of her signature materials: foot-square steel plates with a plain white baked enamel surface on which was
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Bartlett described the experience of study at Yale as her broadest influence: "I'd walked into my life". In a 2005 interview with the painter
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has been called an "extended portable mural" and a "post-painting painting" that "took the
American art world by storm". According to critic
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is a series of over 200 drawings (and later paintings and prints) that all take as their subject the garden behind a villa in
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In 1980, Bartlett began to work on a complex print project in collaboration with master printers in Japan. The result was
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that recounts the author's challenging life in their household. They divorced in the early 1990s. She lived in both
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Around 2004, she began including fragments of text — phrases, bits of dialogue, dreams — in some of her paintings.
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a quarter-inch grid. She had these fabricated in large quantities, and later worked with other sizes as well.
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1530:'Jennifer Bartlett’s History of the Universe', in “Rumbles,” Avalanche, No. 7, Winter/Spring 1973, p. 3
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506:. She later made her backyard garden in Brooklyn, New York, the focus of a similar series of diptychs.
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464:, a waterscape printed on paper whose 6 panels span 8 feet in width. The image is built up from 96
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Following her 1972 divorce, Bartlett moved to New York City full-time and began teaching at the
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217:, she gave this list of things that she said had been on her mind as a first-year art student:
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314:, consists of an oil paint on canvas diptych and the same house constructed out of wood. The
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Bartlett was a recipient of the 2019 Francis J. Greenburger Award. Bartlett received the
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in an edition of 300 copies (unpaginated and unbound), Bartlett's massive experimental
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150:-coated steel plates that are combined in grid formations to create very large works.
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is a series of oil paintings that take the ocean, skies, and seaside landscapes of
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1387:"Organizing an Organizer's Life: Jennifer Bartlett Gets a Museum Retrospective"
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and, though she was at first reluctant, she grew to enjoy her first attempt at
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Kirkus: 4 New Memoirs To Wrap Up Your Summer Reading by Tom Beer, AUG. 3, 2023
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After marrying medical student Ed Bartlett in 1964, she commuted between the
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at the Russell Federal Building & U.S. Courthouse, Atlanta, Georgia, 2009
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have become more painterly while still retaining their systematizing rigor.
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Archives of American Art, Smithsonian Institution: Oral history interview
1029:"Jennifer Bartlett Builds a Hot Career Out of Ship Shapes and House Work"
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1865:. Detroit, Michigan: Founders Society, Detroit Institute of Arts, 1987.
1647:"Jennifer Bartlett's Recitative: Fractions Between Concept and Decorum"
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Making Their Mark. Women Artists Move into the Mainstream, 1970–1985
1051:"Oral history interview with Jennifer Bartlett, 1987 June–September"
1339:"Jennifer Bartlett, Conceptual Painter on a Vast Scale, Dies at 81"
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354:(New York City) are among the public collections holding her work.
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and discussed the implications of this new medium as she worked.
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1851:. Andover, Massachusetts: Addison Gallery of American Art, 2006.
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Bartlett, Jennifer. "A Peaceable Kingdom." In Cuoco, Lorin, ed.
1553:"From Paris to the West Village, a Memoir of Privilege and Pain"
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invited Bartlett as one of six international artists, including
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Jennifer Bartlett using Quantel's digital art Paintbox in 1987
1297:"Jennifer Bartlett's Epic Rhapsody Back on View at the Modern"
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Jennifer Bartlett works at the Metropolitan Museum, New York
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Jennifer Bartlett: History of the Universe — Works 1970–2011
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Jennifer Bartlett: History of the Universe — Works 1970–2011
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692:, a 200-foot multimedia mural for the Federal Building in
633:(1989) it is a book that mixes, with a surfeit of detail,
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This article is about the artist. For the astronomer, see
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The Dual Muse: The Writer as Artist, the Artist as Writer
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The Dual Muse: The Writer as Artist, the Artist as Writer
1424:. Fine Arts Museums of San Francisco website, March 2012.
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is an epic achievement that brought together elements of
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A collaboration between Bartlett and the fiction writer
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was published by Nimbus Books on January 1, 1985. Like
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Jennifer Bartlett: History of the Universe (1970-2011)
303:, she started bringing chance elements into her work.
1621:"Jennifer Bartlett Dead: New York Painter Dies at 81"
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http://www.locksgallery.com/artists/jennifer-bartlett
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at her home in Amagansett on July 25, 2022, aged 81.
225:, getting into graduate school, getting to New York,
146:. Many of her pieces were executed on small, square,
696:, Georgia. Thereafter she completed commissions for
366:(New York) and with more recent ones in 2011 at the
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Members of the American Academy of Arts and Letters
1586:"Out of the Sandbox and Into Fashion, All by Age 7"
1078:"Elizabeth Murray, 66, Artist of Vivid Forms, Dies"
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1816:. John Benjamins Publishing, 1999, pp. 49–68.
1729:"National Academicians – Bartlett, Jennifer Losch"
1603:"How Amagansett Inspired Jennifer Bartlett's Work"
943:American Academy and Institute of Arts and Letters
178:, who became a lifelong friend. She then moved to
1693:"Jennifer Bartlett - Exhibitions - Locks Gallery"
1679:"Jennifer Bartlett - Exhibitions - Locks Gallery"
1665:"Jennifer Bartlett - Exhibitions - Locks Gallery"
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295:form. She often worked in serial form or created
221:Being an artist, Ed Bartlett, Bach cello suites,
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1858:. Orlando, Florida: Orlando Museum of Art, 1993.
1771:"Some Living American Women Artists/Last Supper"
960:Her image is included in the iconic 1972 poster
1248:"Art: Jennifer Bartlett, 15 Year Retrospective"
1863:Reconnecting: Recent Work by Jennifer Bartlett
1317:"Jennifer Bartlett's Self-Absorbed Yuppie Art"
1147:. In Randy Rosen; Catherine C. Brower (eds.).
1127:"Jennifer Bartlett with Phong Bui" (Interview)
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1833:Katz, Vincent. "Bartlett Shows Her Colors."
1348:. Vol. 171, no. 59506. p. B11
836:Walker Art Center, 1986. Touring exhibition.
498:executed in a range of styles, and many are
158:Bartlett was born Jennifer Losch in 1941 in
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1463:"Art: Garden Drawings by Jennifer Bartlett"
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1013:A to Z of American Women in the Visual Arts
174:in 1963. During her college years, she met
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1145:"Artist's Biographies – Jennifer Bartlett"
953:in 1990 and became a full member in 1994.
847:Recent Works from the AIR: 24 Hours Series
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1731:. National Academy Museum. Archived from
1504:. John Benjamins Publishing, 1999, p. 10.
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402:, Bartlett reinvented the mural form for
190:was the dominant style. She studied with
1989:Deaths from leukemia in New York (state)
1856:Jennifer Bartlett: A Print Retrospective
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949:Award in 1986. She was elected into the
842:, 1993. Touring retrospective of prints.
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767:. As of 2014, she resided full-time in
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271:, oil on canvas, wood paint and steel,
237:Among Bartlett's early influences were
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1979:21st-century American women painters
1969:20th-century American women painters
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1707:"Francis J. Greenburger Awards 2019"
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1220:Feature: Jennifer Bartlett’s Writing
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743:. In 1983, she married German actor
310:from 1988, in the collection of the
2024:Artists from Long Beach, California
1849:Jennifer Bartlett: Early Plate Work
1840:Ottmann, Klaus, and Terrie Sultan.
1802:. Abrams, 1982. (With John Russell)
1645:Morgan, Robert C. (February 2011).
1619:Greenberger, Alex (July 27, 2022).
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957:(Naoshima) and other institutions.
926:Locks Gallery, Philadelphia, 2015.
910:Locks Gallery, Philadelphia, 2013,
903:Locks Gallery, Philadelphia, 2012,
886:Locks Gallery, Philadelphia, 2011.
859:Locks Gallery, Philadelphia, 2004.
852:Locks Gallery, Philadelphia, 2000.
845:Locks Gallery, Philadelphia, 1994.
398:With her earliest well-known work,
184:Yale School of Art and Architecture
111:Yale School of Art and Architecture
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1994:Deaths from acute myeloid leukemia
1830:. New York: Abbeville Press, 1985.
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1076:Smith, Roberta (August 13, 2007).
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963:Some Living American Women Artists
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344:San Francisco Museum of Modern Art
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1964:20th-century American printmakers
1918:Surface Substitution on 36 Plates
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1336:Smith, Roberta (August 4, 2022).
1015:. Facts on File, 2002, pp. 17–19.
2019:People from Amagansett, New York
1821:Air: 24 Hours: Jennifer Bartlett
1807:History of the Universe: A Novel
1057:. Archives of American Art. 2011
1011:Kort, Carol, and Liz Sonneborn.
947:American Institute of Architects
662:History of the universe: A novel
623:History of the universe: A novel
605:History of the universe: A novel
324:Los Angeles County Museum of Art
1775:Smithsonian American Art Museum
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1373:. Museum of Modern Art website.
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867:Addison Gallery of American Art
651:St. Mark's Church in-the-Bowery
142:with the painterly approach of
1974:21st-century American painters
1959:20th-century American painters
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799:Whitney Museum of American Art
747:with whom she had a daughter,
728:district of New York City and
710:Information Sciences Institute
683:
664:was included in the 2014 book
352:Whitney Museum of American Art
21:Jennifer Bartlett (astronomer)
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2029:School of Visual Arts faculty
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521:, Bartlett brought together
332:Museum of Fine Arts, Houston
123:Painting, Sculpture, Writing
16:American painter (1941–2022)
7:
1844:. Parrish Art Museum, 2013.
1277:Locks Gallery, Philadelphia
1151:. Abbeville Press. p.
932:Paula Cooper Gallery, 2016.
370:(New York) and 2014 at the
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1984:American women printmakers
1891:at Marianne Boesky Gallery
1876:Locks Gallery Publications
1515:"Jennifer Bartlett and Me"
951:National Academy of Design
757:Everything/Nothing/Someone
732:, where she taught at the
688:In 1981, Bartlett created
340:Philadelphia Museum of Art
328:Metropolitan Museum of Art
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2034:Yale School of Art alumni
2009:Neo-expressionist artists
1920:(1972) at the Tate Museum
1912:(1980) at the Tate Museum
1823:. New York: Abrams, 1994.
734:University of Connecticut
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2014:Painters from California
1837:, January 2007, 106–111.
833:. Touring retrospective.
823:, Minneapolis, MN, 1984.
553:. The series was called
249:; particularly LeWitt's
154:Early life and education
1055:Oral history interviews
720:Personal life and death
635:stream-of-consciousness
631:The Andy Warhol Diaries
610:After her first novel,
529:Digital painting (1987)
378:Early experimental work
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945:Award in 1983 and the
937:Honors and collections
777:acute myeloid leukemia
668:that was published by
320:Honolulu Museum of Art
312:Honolulu Museum of Art
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273:Honolulu Museum of Art
160:Long Beach, California
72:Long Beach, California
1809:. Nimbus Books, 1985.
1422:by Jennifer Bartlett"
888:The Studio Inside Out
840:Orlando Museum of Art
831:15 Year Retrospective
775:. Bartlett died from
741:School of Visual Arts
706:Saatchi & Saatchi
614:(1971), published by
338:(New York City), the
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2004:Mills College alumni
1861:Van der Marck, Jan.
1847:Richardson, Brenda.
1819:Eisenberg, Deborah.
1805:Bartlett, Jennifer.
1798:Bartlett, Jennifer.
1513:Quinlan, Cathy Nan.
1442:"Jennifer Bartlett:
1367:"Jennifer Bartlett:
1323:, February 23, 1986.
1254:, November 29, 1965.
1206:, no. 93, Fall 2005.
894:Museum of Modern Art
789:Paula Cooper Gallery
783:Selected exhibitions
751:, the author of the
672:containing texts by
439:Museum of Modern Art
368:Museum of Modern Art
336:Museum of Modern Art
316:Dallas Museum of Art
308:House with Open Door
269:House with Open Door
170:, graduating with a
91:Amagansett, New York
1592:, October 20, 1996.
1469:, January 23, 1981.
1385:Sheets, Hilarie M.
1200:"Jennifer Bartlett"
1198:Murray, Elizabeth.
1143:Handy, Amy (1989).
629:'s later published
555:Painting With Light
168:Oakland, California
1826:Goldwater, Marge,
1754:"Jennifer Barlett"
1557:The New York Times
1500:Cuoco, Lorin, ed.
1418:"Frame|Work:
1345:The New York Times
1246:Brenson, Michael.
1082:The New York Times
917:Parrish Art Museum
896:, New York, 2011.
879:, New York, 2011.
854:Islands and Oceans
829:, New York, 1985.
809:Clocktower Gallery
803:New Image Painting
801:, New York, 1978.
791:, New York, 1976.
753:Spiegel & Grau
670:Parrish Art Museum
616:The Poetry Project
372:Parrish Art Museum
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1930:Jennifer Bartlett
1897:Jennifer Bartlett
1889:Jennifer Bartlett
1828:Jennifer Bartlett
1651:The Brooklyn Rail
1452:, September 2014.
1440:Bickford, Kerry.
1321:Los Angeles Times
1315:Wilson, William.
1303:, April 29, 2011.
1133:, July 11, 2011.
1035:, August 5, 1985.
968:Mary Beth Edelson
923:. Touring survey.
821:Walker Art Center
811:, New York, 1979.
574:Deborah Eisenberg
282:Element from the
144:Neo-Expressionism
130:Jennifer Bartlett
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48:by Bartlett, 2005
32:Jennifer Bartlett
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1899:at Locks Gallery
1868:Smith, Roberta.
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900:and other works.
871:Early Plate Work
815:Whitney Biennial
745:Mathieu Carrière
690:Swimmers Atlanta
660:An excerpt from
643:Peter Schjeldahl
587:series (2007–08)
559:digital painting
551:Quantel Paintbox
479:series (1979–83)
284:Swimmers Atlanta
215:Elizabeth Murray
206:, receiving her
182:to study at the
176:Elizabeth Murray
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1872:. Abrams, 1985.
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1793:Further reading
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1521:, May 10, 2016.
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912:Chaos Theory
911:
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1954:2022 deaths
1949:1941 births
1780:January 22,
1570:November 4,
773:Long Island
684:Commissions
655:minimal art
647:Ron Padgett
627:Andy Warhol
597:Long Island
431:abstraction
348:Tate Modern
231:James Joyce
1943:Categories
1264:Artnet.com
974:References
883:(2009–10).
881:Recitative
769:Amagansett
593:Amagansett
585:Amagansett
545:, to work
447:Amagansett
350:, and the
297:polyptychs
247:Sol LeWitt
188:minimalism
64:1941-03-14
44:'Houses',
1739:April 21,
1713:March 28,
1709:. Art Omi
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1352:August 4,
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905:Addresses
730:New Haven
568:(1991-92)
547:digitally
504:triptychs
394:(1975–76)
301:John Cage
293:geometric
210:in 1965.
180:New Haven
99:Education
46:serigraph
1870:Rhapsody
1630:July 27,
1607:Hamptons
1487:July 28,
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1369:Rhapsody
1061:June 29,
919:, 2014.
898:Rhapsody
869:, 2006.
793:Rhapsody
702:AT&T
519:Sea Wall
511:Sea Wall
500:diptychs
496:gouaches
470:woodcuts
435:Rhapsody
423:Rhapsody
415:Rhapsody
408:Rhapsody
400:Rhapsody
392:Rhapsody
200:Jim Dine
1934:Discogs
1625:Artnews
1407:at MoMA
1301:ArtBeat
817:, 1981.
755:memoir
694:Atlanta
492:pastels
223:CĂ©zanne
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346:, the
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765:Paris
698:Volvo
620:novel
549:on a
517:With
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1741:2014
1715:2019
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1561:ISSN
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1354:2022
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1157:ISBN
1097:2019
1086:ISSN
1063:2011
763:and
726:Soho
676:and
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