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André Jolivet

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38: 1309: 284: 83: 1432: 240: 1420: 358:(1933), the beginning of his "magic period", was a work in six parts for piano, with each part named after one of the six objects Varèse left with him before moving to the United States. Jolivet's intent as a composer throughout his career was to "give back to music its original, ancient meaning, when it was the magical, incantatory expression of the religious beliefs of human groups." 136: 1444: 1408: 349:
were to be his next influences after he heard a concert of their work in 1919; he composed several piano pieces while training to become a teacher before going to study with Le Flem. Schoenberg and Varèse were strongly evident in his first period of maturity as a composer, during which his style drew
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André Jolivet was born on 8 August 1905, at rue Versigny in Montmartre, Paris, the son of Victor-Ernest Jolivet and Madeleine Perault; his father an artist, his mother a pianist. Jolivet developed an interest in the arts early in his life, taking up painting and cello lessons at the age of 14.
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Jolivet married twice, firstly violinist Martine Barbillion in 1929; they had a daughter, Francoise-Martine (1930–2004). In 1933, he married Hilda Ghuighui (also spelt Guigue) (1906–1996), and they had three children, Pierre-Alain (1935–2005), Christine (b. 1940), and Merri (1943-2014).
362:, even as one of his first mature works, is a reflection of this; Jolivet considered the sculptures as fetish objects. His later writing continued to seek the original meanings of music and its capacity for emotional, ritual, and celebratory expression. 420:, scoring 14 works in total. He also continued to compose for the concert hall, often inspired by his frequent travels around the world, adapting texts and music from Egypt, the Middle East, Africa, and Asia into his distinctly French style. 336:
Jolivet's aesthetic ideals underwent many changes throughout his career. His initial desire as an adolescent was to write music for the theater, which inspired his first compositions, including music for a ballet.
381:, Jolivet shifted away from atonality and toward a more tonal and lyrical style of composition. After a few years of working in this more simplistic style, during which time he wrote the comic opera 69:, as well as both ancient and modern musical influences, particularly on instruments used in ancient times. He composed in a wide variety of forms for many different types of ensembles. 459:. These works, while highly regarded, all demand virtuosic technical skill from the performers. Jolivet is also one of the few composers to write for the 156:). One of his own teachers, however, believed Jolivet had a future in music, strongly encouraged him to pursue composition, and introduced him to 1131: 1494: 1484: 463:, an early electronic instrument, completing a concerto for it in 1947, 19 years after the instrument's invention. Jolivet founded the 1221: 1474: 1345: 1312: 1489: 1152: 1064: 1479: 1504: 1514: 172:, Jolivet became interested in atonal music, and then on Le Flem's recommendation became the only European student of 323: 122: 301: 100: 1499: 1271: 769: 377:
in favor of a less mechanical and progressive and instead a more spiritual style of composition. Later, during
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Finally realizing his youthful ambition to write for the theater, Jolivet became the musical director of the
1519: 1105: 479: 1159: 1138: 57:; 8 August 1905 – 20 December 1974) was a French composer. Known for his devotion to French culture and 1398: 1277: 1187: 789: 160:, Jolivet's first teacher in composition. Le Flem gave Jolivet a firm grounding in classical forms of 1207: 1331: 31: 294: 93: 17: 1424: 1370: 397: 203: 369:", though both composers drew heavily upon themes of ancient music in their work; Jolivet and 448: 374: 1245: 601: 389:(1943), he arrived at a compromise between this and his earlier more experimental work. The 1469: 1464: 210:, who were attempting to re-establish a more human and less abstract form of composition. 8: 472: 259: 1148: 1101: 1051:
Rae, C. (2006): "Jolivet on Jolivet. An Interview with the Composer's Daughter", in:
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In 1945 he published a paper declaring that "true French music owes nothing to
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in 1945, a post he held until 1959. While there he composed for plays by
215: 618: 342: 308: in this section. Unsourced material may be challenged and removed. 185: 107: in this section. Unsourced material may be challenged and removed. 401: 409: 66: 62: 283: 82: 424: 222:, formed by Jolivet, Messiaen, and Daniel-Lesur the previous year. 153: 1323: 444: 428: 145: 1199: 511:, for wind quintet, trumpet, trombone, and string quintet (1966) 239: 456: 139:
Plaque at 59 Rue de Varenne, Paris, commemorating André Jolivet
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L'avant garde musicale et ses sociétés à Paris de 1871 a 1939.
1080: 452: 436: 432: 251: 58: 1156: 1135: 440: 867:, for strings, harp, ondes Martenot, and percussion (1943) 135: 529:, homage to Varèse for six percussion instruments (1968) 393:, written in 1945, shows elements of both these styles. 152:
in Paris (taking three years in between to serve in the
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Online (OperaBase), ed. L. Macy, accessed 28 May 2005,
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in 1959, and in 1961 went to teach composition at the
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However, he was encouraged by his parents to become a
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Recordings of Jolivet's music appears on the labels
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Concertino for trumpet, piano, and string orchestra
673:, for flute and four percussion instruments (1965) 617:, for two guitars (1956) (dedicated to the duo of 537:, for flute, violin, viola, cello, and harp (1944) 423:During the 1950s and 1960s, Jolivet wrote several 1456: 1151:, Richard Langham Smith: "Jolivet, André", in: 1102:"Trois temps : pour piano / André Jolivet" 790:Concerto for bassoon, strings, harp, and piano 254:in 1974 aged 69, leaving unfinished his opera 30:"Jolivet" redirects here. For other uses, see 1339: 1215: 631:, for wind quintet with principal oboe (1945) 1134:Online, ed. L. Macy, accessed 28 May 2005, 1346: 1332: 1222: 1208: 148:, going to teachers' college and teaching 1019: 897:, for voice and eleven instruments (1937) 757:Concerto for ondes Martenot and orchestra 502: 324:Learn how and when to remove this message 123:Learn how and when to remove this message 61:thought, Jolivet drew on his interest in 1177:Les Amis d'André Jolivet (official site) 1079:(work details) (in French and English). 909:pour voice, oboe, cello, and harp (1942) 383:Dolorès, ou Le miracle de la femme laide 238: 134: 36: 1006:Dolorès ou Le miracle de la femme laide 783:Concerto for harp and chamber orchestra 427:for a variety of instruments including 192:. In 1936 Jolivet co-founded the group 14: 1457: 1327: 1203: 1130:Barbara Kelly: "Jolivet, André", in: 1032: 605:, for flute, bassoon, and harp (1943) 168:. After hearing his first concert of 52: 903:, concerto for soprano and orchestra 611:, for seven winds and strings (1957) 306:adding citations to reliable sources 277: 105:adding citations to reliable sources 76: 1353: 833: 465:Centre Français d'Humanisme Musical 24: 1495:Composers for the classical guitar 1485:20th-century French male musicians 1124: 1077:"André Jolivet: Six études (1931)" 1058: 1045: 25: 1531: 1229: 1170: 815:Concerto for flute and percussion 497: 176:, who passed on his knowledge of 1475:20th-century classical composers 1442: 1430: 1418: 1406: 1308: 1307: 1065:Décès de l’artiste Merri Jolivet 891:, for voice and orchestra (1940) 579:, for saxophone and piano (1953) 282: 243:Jolivet's grave next to that of 81: 919: 889:Les trois complaintes du soldat 649:, for flute and clarinet (1961) 293:needs additional citations for 266:(section 27, near the grave of 225: 92:needs additional citations for 1490:Burials at Montmartre Cemetery 1094: 1069: 877: 770:Concerto for flute and strings 13: 1: 1480:20th-century French composers 1012: 939:Messe pour le jour de la paix 716:, six pieces for piano (1935) 655:, for oboe and bassoon (1963) 591:, six pieces for piano (1935) 523:, for string orchestra (1934) 1106:Princeton University Library 750: 643:, for flute and piano (1961) 543:, for viola and piano (1935) 7: 1505:French male opera composers 821:Concerto for cello number 2 809:Concerto for cello number 1 689: 667:, for 12 instruments (1943) 27:French composer (1905–1974) 10: 1536: 945: 915:, for 12-part choir (1953) 855:(orchestral version, 1938) 849:(orchestral version, 1941) 683:Tombeau de Robert de Visée 29: 1361: 1303: 1287: 1264: 1237: 987: 273: 1196:, Britten-Pears Ensemble 882: 734:Sonata, for piano (1957) 731:Sonata, for piano (1945) 234: 32:Jolivet (disambiguation) 1515:Pupils of Edgard Varèse 1025:Duchesneau, M. (2007). 803:Concerto for percussion 555:, for viola solo (1967) 354:and modernistic ideas. 72: 1500:French opera composers 1371:Jean-Yves Daniel-Lesur 571:Deux études de concert 503:Chamber and solo music 385:(1942) and the ballet 247: 218:chamber music society 204:Jean-Yves Daniel-Lesur 140: 42: 41:André Jolivet in 1930 1157:(subscription access) 1136:(subscription access) 847:Cinq danses rituelles 696:Cinq danses rituelles 547:Cinq danses rituelles 262:next to the composer 242: 198:along with composers 138: 54:[ɑ̃dʁeʒɔlivɛ] 40: 1510:Composers from Paris 1272:Flute Concerto No. 1 1042:. Flammarion, Paris. 1040:Avec...Andre Jolivet 901:Songe à nouveau rêvé 895:Poèmes pour l'enfant 871:Symphony for strings 797:Concerto for trumpet 517:, for strings (1960) 302:improve this article 101:improve this article 1520:Composers for flute 1162:16 May 2008 at the 1141:16 May 2008 at the 1038:Guigue, H. (1978). 926:La vérité de Jeanne 827:Concerto for violin 685:, for guitar (1972) 577:Fantaisie-Impromptu 573:, for guitar (1965) 473:Paris Conservatoire 260:Montmartre Cemetery 258:. He was buried at 214:developed from the 1246:Pastorales de Noël 976:Les quatre vérités 964:Guignol et Pandore 958:Ballet des étoiles 859:Danse incantatoire 843:(1954, 1959, 1964) 777:Concerto for piano 746:, for piano (1931) 740:, for piano (1931) 728:, for piano (1931) 722:, for organ (1969) 710:, for organ (1961) 704:, for piano (1938) 698:, for piano (1939) 679:, for cello (1965) 637:, for flute (1958) 602:Pastorales de Noël 585:, for organ (1961) 567:, for piano (1938) 561:, for flute (1936) 541:Chant d'oppression 391:First Piano Sonata 387:Guignol et Pandore 248: 141: 43: 1394: 1393: 1321: 1320: 1053:The Musical Times 928:, oratorio (1956) 744:Trois Temps No. 2 738:Trois Temps No. 1 708:Hymne à l'univers 583:Hymne à l'univers 559:Cinq incantations 398:Comédie Française 334: 333: 326: 256:Le Soldat inconnu 178:musical acoustics 170:Arnold Schoenberg 133: 132: 125: 16:(Redirected from 1527: 1447: 1446: 1445: 1435: 1434: 1433: 1423: 1422: 1421: 1411: 1410: 1409: 1402: 1386:Pierre Schaeffer 1381:Olivier Messiaen 1348: 1341: 1334: 1325: 1324: 1311: 1310: 1278:Bassoon Concerto 1224: 1217: 1210: 1201: 1200: 1184: 1118: 1117: 1115: 1113: 1098: 1092: 1091: 1089: 1087: 1073: 1067: 1062: 1056: 1049: 1043: 1036: 1030: 1023: 907:Suite liturgique 834:Orchestral music 677:Suite en concert 671:Suite en concert 623:Alexandre Lagoya 609:Rhapsodie à sept 329: 322: 318: 315: 309: 286: 278: 250:Jolivet died in 200:Olivier Messiaen 128: 121: 117: 114: 108: 85: 77: 56: 51: 21: 1535: 1534: 1530: 1529: 1528: 1526: 1525: 1524: 1455: 1454: 1453: 1443: 1441: 1431: 1429: 1425:Classical music 1419: 1417: 1407: 1405: 1397: 1395: 1390: 1357: 1355:La jeune France 1352: 1322: 1317: 1299: 1295:La jeune France 1283: 1260: 1233: 1228: 1182: 1173: 1164:Wayback Machine 1143:Wayback Machine 1127: 1125:Further reading 1122: 1121: 1111: 1109: 1100: 1099: 1095: 1085: 1083: 1075: 1074: 1070: 1063: 1059: 1050: 1046: 1037: 1033: 1024: 1020: 1015: 990: 948: 922: 885: 880: 865:Suite delphique 836: 753: 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Index

Jolivet
Jolivet (disambiguation)

[ɑ̃dʁeʒɔlivɛ]
musical
acoustics
atonality

verification
improve this article
adding citations to reliable sources
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teacher
primary school
military
Paul Le Flem
harmony
counterpoint
Arnold Schoenberg
Edgard Varèse
musical acoustics
atonal music
sound masses
orchestration
La jeune France
Olivier Messiaen
Jean-Yves Daniel-Lesur
Yves Baudrier
avant-garde

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