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821:, object 800 x 400 x 300 cm, 1988). In later years, the artist used materials that contrast in colour or texture to create collages. In addition to various kinds of handmade papers, whose aesthetic effect lies in the changing surface texture and irregular composition of the matrix, he uses the contrast of the absolute blackness of angular punched papers, scraps of photographs, colored posters, tailor's cuts, used tea bags, wasps' nests, etc. Instead of sewing, he sometimes attaches scraps of paper with paper clips, which then act as linear drawings (
797:(1982-1987), with its concentrated meditative symbolism of subtly rhythmic patterns, speaks to the sensitivity and vulnerability of the human soul and nature. The simple drawing patterns combined with tufts of loose black threads, which are a continuation of the drawing in space, give a pure and fragile impression of Japanese calligraphy on the white canvas, divided by horizontal stitched black lines. The large-scale works to be hung between two round pieces of wood, kept in a roll, are in principle actually Japanese
938:(1990-1991), the vertical axis of the collage contrasts with the edges in its structure or colour, and the deliberate asymmetry of the drawing brings a dynamic element to the quiet composition. The individual collages form an interconnected whole, but Hampl's artistic inventiveness makes each of them unique and unrepeatable. The colours of the collages are muted thanks to the raw materials used, and apart from white and black, red is usually used as a colour accent. During his scholarship in the
476:. While in Czechoslovakia he exhibited only in small unofficial galleries, throughout the 1970s and 1980s he was invited to graphic art shows around the world and became well known in Belgium, Germany, Austria, Spain, Italy, Hungary, France, Poland, Japan and the United States. Since the late 1960s, he has also worked inconsistently as a sculptor and has carried out 30 events and installations in outdoor and indoor settings. Since the 1970s he has participated in
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black lines. Offset black and white prints on canvas and monochrome geometric relief patterns from 1976 to 1977 already partly anticipate some of the sewn collages of the 1980s in their arrangement. Hampl's geometric compositions, with their meditative quality, break out of the classical tendencies of concrete art of the time.
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At the beginning of the 1970s, Hampl's work developed under the sign of a "new sensibility", shaped by signal colours and working with purely geometric elements. His drawings from 1974, on the other hand, are minimalist geometric patterns, where the artist makes do only with red lines bordered by
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By 2017 he had 84 solo exhibitions in the Czech
Republic and participated in 600 group exhibitions, 380 of which were abroad. After 2000 he worked in his studio in the countryside for most of the year and then settled there in 2009. He was a member of the art department of the
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452:, who was also his first critic and collector. He could not consider studying properly at art school in the 1950s because he came from a family of tradesmen. After leaving the army he was also prevented from studying by concern for his family.
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Hampl's collages, prints and drawings have always displayed a delicate tenderness and at the same time a rationality of constructivist tendencies close to a "new sensibility". He is one of the witnesses of the messianic role of art, which
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In 1964–1965, circular motifs as symbols of the planets predominate in his graphic sheets, created using a variety of techniques. The paintings have dark colours and usually combine structural graphics with relief painting or assemblage
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542:, monofrottage, 1969). The need for a fixed order gradually prevailed in his works, and in a series of so-called counter-types from the late 1960s, he combined abstract monotypes with regular grids created using stencils.
530:, 1965). His work from the first half of the 1960s is characterized by a creative search and exploration of other artistic means in an attempt to counter and overcome the strong impulse of Boudník's graphic work.
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The combination of the constructivist arrangement of the pictorial surface with the regular horizontal grid created by sewing became a completely new and original contribution of Josef Hampl to the technique of
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was characterised by various private happenings and conceptual art events in nature (R. Němec, E. Brikcius, I. Kafka, J. Beránek). In 1976, Josef Hampl, in collaboration with his third wife, the photographer
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came up with. He understood art as creative work, as an exploration of an entrusted field, a claim, a symbolic space, which he explored systematically to the last detail and in all its conceivable nuances.
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Josef Hampl has been exhibiting independently since 1964. During the temporary relaxation of the regime in the second half of the 1960s, he was offered a job as an assistant in the graphic workshop of the
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In some collages, the principle of free layering of diverse structures prevails, in others a strict geometric order and interpenetration of surfaces and spatial plans. In an extensive series
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abolished virtually all trades during the 1950s. Josef Hampl was given the choice between working in mines, steelworks or in the engineering industry. Eventually he found a job as a
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Hampl was born in Prague on 17 April 1932, into a family of a tailor and an amateur painter. After finishing school, he began apprenticing in his father's workshop, but the
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522:, 1959). In his abstract structural paintings he used, for example, found scratches of industrial synthetic paints or sand with synthetic binder as relief elements (
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joined in the mid-1960s, is a unique phenomenon in the history of modern Czech art. The inspiring thought environment of the strong personalities of
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under Prof. Jaroslav Masák and with sculptor Ivan Lošák from the Prague
Ukrainian Academy. He also attended evening lectures on art history at the
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In the 1950s, Josef Hampl learned realistic painting and tried various printmaking techniques (drypoint, linocut, woodcut). His acquaintance with
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influenced his further work. In 1959–1962, he worked with structural and active graphics and made blind prints from relief matrices (
448:(prof. J. Wage) and participated in plein-air painting in South Bohemia with other students. Books on modern art were lent to him by
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Josef Hampl: Drawings - Sewing 1982–1986, Pánková Marcela, cat. 24 p., Central
Cultural House of Railway Workers, Prague, 1986
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Hynek Glos, Petr Vizina, Stará garda (The Old Guard), published by. Argo, Prague 2016, pp. 66–71, ISBN 978-80-257-1881-0
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Jiří Machalický, Vladislav
Merhaut, Vladimír Boudník's Vysočany Circle, National Gallery in Prague 1992, ISBN 80-7035-043-1
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1065:(Listed in: Josef Hampl, Šité kresby a koláže / Sewn drawings and collages, Gallery, Prague 2007, p. 9)
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Josef Hampl: Graphics from 1959 to 1961, Tamchyna Petr, cat. 20 p., Závod
Klementa Gottwalda, Vysočany, 1961
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Josef Hampl: Sewn
Collages, Hirsch Thomas et al., cat. 28 p., Gema Art Group, spol. s.r.o., Prague, 1996
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Ni cygne ni lune: Œuvres tchèques (1950-2014) don de la collection Claude et Henri de Saint Pierre, 2020
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Josef Hampl: Selected Works 1959–2016, text by
Martina Vítková, cat. 110 p., Museum Kampa, Prague, 2017
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Josef Hampl: Works with paper and drawing 1983–85, Pánková Marcela, cat. 2 p., Galerie Opatov 1986
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Ostfonds für kulturelle
Angelegenheiten des Bundesministeriums für Unterricht und Kunst, Wienna
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Josef Hampl, Machalický Jiří, cat. 16 p., Gallery, spol. s r.o. (Jaroslav Kořán), Prague, 2007
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23rd Vladimír Boudník Award for significant creative contribution to Czech graphic art (2017)
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Confrontation V.: Josef Hampl, Fiedor Jiří, cat. 12 p., Polish
Institute in Prague, 2006
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Vladimír Boudník Award for significant creative contribution to Czech graphic art (2017)
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Josef Hampl, text by
Hartmann Antonín, cat. 44 p., Galerie Bode Glaub, Cologne, 1970
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Josef Hampl, text by Machalický Jiří, cat. 82 p., Gallery of Fine Arts in Most 1991
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In the graphic sheets and pencil drawings combined with frottage and perforation (
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Artistic Confessions: Josef Hampl, directed by Petr Skala, Czech Television 2015
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in 1992, Josef Hampl collected printed and handwritten calligraphic posters in
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Josef Hampl: Balance 1982–1992, Machalický Jiří, cat. 48 p., ČFVU Praha, 1993
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Richard Drury, introduction to the exhibition by J. Hampl, Museum Kampa 2017
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Josef Hampl, Capillary attraction, sewn collage on canvas, 200x90 cm, 2002
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Vladimír Boudník Award - Josef Hampl, Grapheion, no. 22, 2018, pp. 38–43
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introduced Hampl to his graphic techniques and got him acquainted with
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Karel Oujezdský - interview with Josef Hampl, Czech radio Vltava, 2011
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Series RB 20–70, oil on plywood, laminated chipboard, 137x137 cm, 1970
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in 1959, he found employment there in the promotional department.
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also worked in the same factory and after being expelled from the
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Landscape Probe III, photograph, cardboard, stapled collage, 1997
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At an exhibition at the factory trade union club in 1959, he met
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Confrontation IV, collage on cardboard sewn with staples, 2006
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Jindřich Štreit (ed.), Sovinec 1986/88, OKS Bruntál 1989
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Jiří Valoch, in: Jindřich Štreit (ed.), Sovinec 1986/88
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Graphiksammlung des XX. Jh., Deutscher Bundestag, Bonn
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Unpredictable Games XIX, sewn drawing on canvas, 1987
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Report, sewn collage and pen drawing on canvas, 1991
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Landscape probe II, collage sewn with staples, 1998
152:. Unsourced material may be challenged and removed.
813:itself. Some of the works are monumental in size (
764:Sector II, linocut and perforation, 90x60 cm, 1984
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440:In 1955–1960 Josef Hampl studied at the private
825:, 2000) or create autonomous dynamic patterns (
752:Rotation of a hatch 2, frottage, 62x48 cm, 1980
660:. In the 1980s he continued these activities (
614:Space of Silence, combined technique, 1965–66
566:Musical Composition, combined technique, 1960
349:projects. He is one of the founders of Czech
1390:Old Masters: Josef Hampl, idnes.cz, 1.8.2016
1100:de Warande Culture Centre, Turnhout, Belgium
776:From cycle IX, drawing and perforation, 1986
329:(17 April 1932 – 25 March 2019) was a Czech
1380:Josef Hampl in the abART information system
929:Chinatown New York, collage on canvas, 1997
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304:private School of Decorative Arts in Prague
53:Learn how and when to remove these messages
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1086:Ministry of Culture of the Czech Republic
1043:K III, stapled collage on cardboard, 2008
845:Untitled, sewn drawing on canvas, 1982–84
728:H system (3), mixed media, 60x60 cm, 1977
230:Learn how and when to remove this message
212:Learn how and when to remove this message
110:Learn how and when to remove this message
905:Figure III, sewn collage on canvas, 1994
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73:This article includes a list of general
1292:"Exchange|Search: artist:"Josef Hampl""
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1055:Guide to Wasp Nest XXVII, collage, 2014
740:A (7), offset on canvas, 60x60 cm, 1977
389:, who was employed at the neighbouring
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1031:Untitled, sewn collage on canvas, 2008
869:Untitled, sewn collage on canvas, 1989
472:he survived here the entire period of
470:Warsaw Pact invasion of Czechoslovakia
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1203:Hynek Glos, Petr Vizina, 2016, p. 66
1184:Jiří Benák, Old masters: Josef Hampl
1122:University of Michigan Museum of Art
716:Action Arrow, organtine 50x1 m, 1976
150:adding citations to reliable sources
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1216:(in Czech). Lidovky.cz. 2019-03-27.
1145:Kassák múzeum és archívum, Budapest
1097:Museum für aktuelle Kunst, Utrecht
819:Wedge Landscape, Wedge of Landscape
578:Slow Catastrophe, mixed media, 1963
442:School of Decorative Arts in Prague
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1166:Collection of the Prague Gas Works
79:it lacks sufficient corresponding
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917:Untitled, collage on canvas, 1994
34:This article has multiple issues.
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1194:Vladislav Merhaut, 1992, p. 5
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455:Hampl died on 25 March 2019.
893:Untitled, sewn collage, 1992
602:Untitled, monofrottage, 1965
554:Untitled, active print, 1959
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1148:State Jewish Museum, Prague
817:, 300 x 640 cm, 1985,
704:Untitled, photogram 4, 1975
626:Head IX, counter-type, 1968
590:Eruption I., monotype, 1964
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1103:Stedelijk Museum, Toroke
638:Kafka, monofrottage, 1969
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1270:Machalický J, 2007, p. 3
1106:Staatsgalerie, Stuttgart
1090:Moravian Gallery in Brno
801:i.e. a hanging thing or
459:As an independent artist
446:Václav Hollar Art School
362:Early life and education
1296:exchange.umma.umich.edu
795:The Unpredictible Games
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488:, the free association
94:more precise citations.
1318:Catalogues (selection)
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1261:Vítková M, 2017, p. 5
1116:Pratt Graphics Centre
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1139:Museum and Gallery,
944:New York's Chinatown
805:- a hanging scroll.
670:Chmelnice Mutějovice
480:projects worldwide.
146:improve this article
1420:Artists from Prague
1155:Kunstmuseum Bochum
948:Chinatown New York
791:Layering with Blue
678:Stairway to Heaven
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258:Josef Hampl (2016)
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662:Games with a Cube
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139:verification
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16:Czech artist
1415:2019 deaths
1410:1932 births
1158: [
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1124:, Ann Arbor
787:Hatching 22
528:Blue Unrest
372:metalworker
327:Josef Hampl
246:Josef Hampl
92:introducing
1404:Categories
1301:2021-11-02
1171:References
1118:, New York
450:Jiří Kolář
415:Jiří Kolář
343:printmaker
270:1932-04-17
172:newspapers
75:references
39:improve it
950:, 1997).
833:, 2004).
815:Synthesis
680:, 1985).
674:Labyrinth
357:Biography
301:Education
45:talk page
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803:Kakejiku
799:Kakemona
785:, 1980,
676:, 1984,
672:, 1983,
668:, 1983,
666:Crossing
664:, 1982,
526:, 1963,
492:and the
490:Papirial
478:Mail art
421:, which
380:Vysočany
347:land art
339:sculptor
1313:Sources
1141:Hranice
1112:, Lodz
1077:, Paris
831:Finding
811:collage
427:Boudník
407:Boudník
403:Academy
374:at the
335:painter
186:scholar
88:improve
500:Awards
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417:. The
309:Awards
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540:Kafka
435:Kolář
193:JSTOR
179:books
510:Work
433:and
413:and
289:Died
264:Born
165:news
378:in
148:by
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