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Julia A. Moore

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784: 140: 253:, appeared in 1878, but found few buyers. Moore gave a second public performance in late 1878 at the same opera house. By then she had figured out that the praise directed to her was false and the jeering sincere. She began by admitting her poetry was "partly full of mistakes" and that "literary is a work very hard to do". After the poetry and the laughter and jeering in response was over, Moore ended the show by telling the audience: 43: 558: 171: 803: 538:
Moore has been grouped into the Western Michigan School of Bad Versemakers. Her local contemporaries — including Dr. William Fuller, S.H. Ewell, J.B. Smiley, and Fred Yapple — do not appear to have had relationships with each other, but their proximity and similar penchant for exceptionally laughable
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Young Julia grew up on her family's Michigan farm, the eldest of four children. When she was ten, her mother became ill, and Julia assumed many of her mother's responsibilities. Her formal education was thereby limited. In her mid-teens, she started writing poetry and songs, mostly in response to the
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According to some reports, though, her husband was not grateful, but embarrassed. Shamed or not, he moved the family 100 miles north to Manton in 1882. Moore's notoriety was known in Manton, but the locals respected her, and did not cooperate with the occasional reporter trying to revisit the past.
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Afterwards, her husband forbade her to publish any more poetry. Three more poems were eventually published, and she would write poems for friends. In 1880, she also published, in newspaper serialization, a short story, "Lost and Found", a strongly moralistic story about a drunkard, and a novella,
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Her husband died in 1914. The next year, Julia republished "Sunshine and Shadow" in pamphlet form. She spent much of her widowhood "melancholy", sitting on her porch. She died quietly in 1920. The news of her death was widely reported, sometimes with a light touch.
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anthology, and in other collections of bad poetry. Most of her poetry was reprinted in a 1928 edition, which can be found online. Her complete poetry and prose, with biography, notes, and references, can be found in the Riedlinger edited collection
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Moore gave a reading and singing performance, with orchestral accompaniment, in 1877 at a Grand Rapids opera house. She somehow misinterpreted the jeering of the audience as criticism of the orchestra. Moore's second collection,
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Shakespeare, could he read it, would be glad that he was dead …. If Julia A. Moore would kindly deign to shed some of her poetry on our humble grave, we should be but too glad to go out and shoot ourselves tomorrow.
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At age 17, she married Frederick Franklin Moore, a farmer. Julia ran a small store and, over the years, bore ten children, of whom six survived to adulthood. She continued to write poetry and songs.
270:. The ending of "Sunshine and Shadow" was perhaps intended to be self-referential: the farmer facing foreclosure is gratefully rescued by his wife's publishing her secret cache of fiction. 514:
hyperdithyrambic meters, pseudo-poetic inversions, gangling asymmetrical lines, extremely pat or elaborately inexact rimes, parenthetical dissertations, and unexpected puns.
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The collection became a curious best-seller, though it is unclear whether this was due to public amusement with Moore's poetry or genuine appreciation of the admittedly "
506:, as he acknowledged in his first book, and whose daughter reported that her work convinced Nash to become a "great bad poet" instead of a "bad good poet". 779: 774: 836: 535:. Most poetry collections reprint the latest, "best", versions of their contents. Riedlinger has adopted the opposite philosophy. 644: 257:
You have come here and paid twenty-five cents to see a fool; I receive seventy-five dollars, and see a whole houseful of fools.
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was a self-described fan of Moore (though not for the reasons Moore would have liked). Twain alluded to her work in
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And so Moore received national attention. Following Ryder's lead, contemporary reviews were amusedly negative. The
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Mortal Refrains: The Complete Collected Poetry, Prose, and Songs of Julia A. Moore, The Sweet Singer of Michigan
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Despite her acknowledgment that "Literary is a work very difficult to do," she did not approve of the life of
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Rockford Michigan Centennial Celebration Program (1939): Julia A. Moore, the Sweet Singer of Michigan
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to meet such steady and unremitting demands on the lachrymal ducts one must be provided, as
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They were a successful business couple, he with an orchard and sawmill, she with a store.
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to the joys of sobriety. Most importantly, like McGonagall, she was drawn to themes of
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death of children she knew, but any newspaper account of disaster could inspire her.
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is worth making. Unlike McGonagall, Moore commanded a fairly wide variety of
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that had been broadly popular in the U.S. throughout the mid-19th century.
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has held the Julia A. Moore Poetry Festival to celebrate bad poetry.
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suspected Job Trotter was, 'with a main, as is allus let on.'…
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In Memoriam Humor: Julia Moore and the Western Michigan Poets
487:     To dwell in that mansion above, 387:     "You're a reform drunkard, too; 383:     They care not for the slang -- 355:     It will remain a darken spot. 174:"Literary is a work very difficult to do" ~ Julia A. Moore 491:     In God's everlasting love. 359:     To see that City in flames; 311: 670:"The Good, the Bad, and the Good Bad by Abigail Deutsch" 452:     Whilst I his fate do tell. 391:     Among the drunkard crew." 379:     That never drank a drachm, 162:, she is best known for writing notoriously bad poetry. 476:
is not far removed from Moore's poems on subjects like
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verse have led to their posthumous grouping together.
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Grangerford's funereal ode to Stephen Dowling Botts:
553: 461:     Alas it was too late; 419:     By his own misdeeds. 351:     Will never be forgot; 332:, in her pages you can count the dead and wounded. 154:; December 1, 1847 – June 5, 1920) was an American 67:. Unsourced material may be challenged and removed. 407:     Was of a low degree, 368:Her less morbid side is on display when she hymns 645:"CONTEST WILL RECALL THE POET WHO'S WORST OF ALL" 813: 711:Wyndham-Lewis, D. B., and Lee, Charles (eds.): 199:The Sweet Singer of Michigan Salutes the Public 715:N.Y. Review of Books (2003), reprint edition. 502:Moore was also the inspiration for comic poet 411:     And bad company. 197:publisher, who republished it under the title 19:"Julia Moore" redirects here. For the wife of 775:Julia A. Moore, the Sweet Singer of Michigan 302:meter. Like McGonagall, she held a maidenly 508:The Oxford Companion to American Literature 485:One more little spirit to Heaven has flown, 454: His soul did from this cold world fly 189:, was published in 1876 by C. M. Loomis of 127:Learn how and when to remove this message 626: 624: 489:Where dear little angels, together roam, 322:, and sudden death; as has been said of 169: 138: 757:Michigan State University Press (1998) 814: 713:The Stuffed Owl: An Anthology of Verse 463:His spirit was gone for to sport aloft 621: 389:You've joined the red ribbon brigade, 298:the majority of her verse is in the 65:adding citations to reliable sources 36: 381:Those noble men were kind and brave 13: 385:The slang they meet on every side: 262:"Sunshine and Shadow", a peculiar 14: 858: 837:People from Kent County, Michigan 768: 459:They got him out and emptied him; 450:O no. Then list with tearful eye, 801: 785:Works by or about Julia A. Moore 556: 518:Selections of Moore appeared in 510:describes Nash as using Moore's 413:He sprung from an ancient house, 349:The great Chicago Fire, friends, 340:". Here, she is inspired by the 251:A Few Choice Words to the Public 41: 676:. Poetry Foundation. 2018-07-31 417:His career on earth, was marred 409:Caused by his reckless conduct, 361:But no human aid could save it, 52:needs additional citations for 662: 637: 612: 603: 594: 439:Adventures of Huckleberry Finn 357:It was a dreadful horrid sight 1: 705: 405:The character of "Lord Byron" 185:Moore's first book of verse, 753:Riedlinger, Thomas J. (ed.) 424: 165: 7: 800:(public domain audiobooks) 549: 10: 863: 600:Parsons 1988, pp. 247–248. 377:Many a man joined the club 29: 18: 353:In the history of Chicago 336:called her "worse than a 310:, and frequently indited 281: 187:The Sentimental Song Book 729:London: Collins (1988). 587: 30:Not to be confused with 794:Works by Julia A. Moore 609:Riedlinger 1998, p. 13. 370:Temperance Reform Clubs 294:and forms, albeit like 693:: CS1 maint: others ( 516: 500: 474: 422: 394: 366: 259: 235: 219: 175: 144: 842:Writers from Michigan 618:Parsons 1988, p. 245. 577:Amanda McKittrick Ros 512: 482: 447: 434:Following the Equator 402: 374: 346: 306:'s allegiance to the 255: 227: 214: 173: 142: 832:American women poets 727:The Joy of Bad Verse 544:Flint Public Library 223:Hartford Daily Times 61:improve this article 847:Poets from Michigan 725:Parsons, Nicholas. 520:D. B. Wyndham-Lewis 308:Temperance movement 286:Some comparison to 268:American Revolution 25:Julia Compton Moore 342:Great Chicago Fire 288:William McGonagall 206:Rochester Democrat 176: 160:William McGonagall 158:. Like Scotland's 145: 674:Poetry Foundation 137: 136: 129: 111: 854: 805: 804: 789:Internet Archive 743:Vintage (1997). 699: 698: 692: 684: 682: 681: 666: 660: 659: 657: 656: 641: 635: 630:Bradley Hayden, 628: 619: 616: 610: 607: 601: 598: 566: 561: 560: 542:Since 1994, the 498: 472: 334:Edgar Wilson Nye 329:A Shropshire Lad 132: 125: 121: 118: 112: 110: 76:"Julia A. Moore" 69: 45: 37: 862: 861: 857: 856: 855: 853: 852: 851: 812: 811: 809: 802: 771: 741:Very Bad Poetry 708: 703: 702: 686: 685: 679: 677: 668: 667: 663: 654: 652: 649:DeseretNews.com 643: 642: 638: 629: 622: 617: 613: 608: 604: 599: 595: 590: 582:Obituary poetry 562: 555: 552: 533:Mortal Refrains 499: 496: 493: 490: 488: 486: 473: 470: 467: 464: 462: 460: 458: 457: 455: 453: 451: 427: 421: 418: 416: 414: 412: 410: 408: 406: 393: 390: 388: 386: 384: 382: 380: 378: 365: 362: 360: 358: 356: 354: 352: 350: 296:Emily Dickinson 284: 243:obituary poetry 168: 152:Julia Ann Davis 148:Julia Ann Moore 133: 122: 116: 113: 70: 68: 58: 46: 35: 28: 17: 12: 11: 5: 860: 850: 849: 844: 839: 834: 829: 824: 807: 806: 791: 782: 777: 770: 769:External links 767: 766: 765: 751: 739:Petras, Ross: 737: 723: 707: 704: 701: 700: 661: 636: 620: 611: 602: 592: 591: 589: 586: 585: 584: 579: 574: 572:James McIntyre 568: 567: 551: 548: 494: 483: 468: 448: 426: 423: 403: 375: 347: 283: 280: 167: 164: 143:Moore, c. 1877 135: 134: 49: 47: 40: 32:Julianne Moore 15: 9: 6: 4: 3: 2: 859: 848: 845: 843: 840: 838: 835: 833: 830: 828: 825: 823: 820: 819: 817: 810: 799: 795: 792: 790: 786: 783: 781: 778: 776: 773: 772: 764: 763:0-87013-449-3 760: 756: 752: 750: 749:0-679-77622-2 746: 742: 738: 736: 735:0-00-217863-X 732: 728: 724: 722: 721:1-59017-038-5 718: 714: 710: 709: 696: 690: 675: 671: 665: 650: 646: 640: 633: 627: 625: 615: 606: 597: 593: 583: 580: 578: 575: 573: 570: 569: 565: 564:Poetry portal 559: 554: 547: 545: 540: 536: 534: 529: 525: 521: 515: 511: 509: 505: 492: 481: 479: 478:Little Libbie 466: 446: 443: 441: 440: 435: 431: 420: 401: 399: 392: 373: 371: 364: 345: 343: 339: 335: 331: 330: 325: 324:A. E. Housman 321: 317: 313: 309: 305: 301: 297: 293: 289: 279: 275: 271: 269: 265: 258: 254: 252: 246: 244: 240: 234: 232: 226: 224: 218: 213: 211: 207: 202: 200: 196: 192: 188: 183: 180: 172: 163: 161: 157: 153: 149: 141: 131: 128: 120: 117:February 2015 109: 106: 102: 99: 95: 92: 88: 85: 81: 78: –  77: 73: 72:Find sources: 66: 62: 56: 55: 50:This article 48: 44: 39: 38: 33: 26: 22: 16:American poet 808: 754: 740: 726: 712: 678:. Retrieved 673: 664: 653:. Retrieved 651:. 1993-04-04 648: 639: 614: 605: 596: 541: 537: 532: 527: 517: 513: 507: 501: 484: 477: 475: 449: 444: 437: 433: 428: 404: 395: 376: 369: 367: 348: 327: 304:bluestocking 285: 276: 272: 260: 256: 250: 247: 236: 228: 222: 220: 215: 210:Sweet Singer 209: 205: 203: 198: 191:Grand Rapids 186: 184: 181: 177: 151: 147: 146: 123: 114: 104: 97: 90: 83: 71: 59:Please help 54:verification 51: 827:1920 deaths 822:1847 births 528:Stuffed Owl 524:Charles Lee 338:Gatling gun 266:set in the 239:sentimental 816:Categories 706:References 680:2018-07-31 655:2018-07-31 504:Ogden Nash 430:Mark Twain 231:Sam Weller 225:said that 87:newspapers 425:Influence 208:wrote of 195:Cleveland 166:Biography 156:poetaster 21:Hal Moore 798:LibriVox 689:cite web 550:See also 495:—  469:—  320:disaster 316:accident 787:at the 497:(Moore) 471:(Twain) 264:romance 101:scholar 761:  747:  733:  719:  300:ballad 292:meters 282:Poetry 103:  96:  89:  82:  74:  23:, see 588:Notes 398:Byron 212:that 150:(née 108:JSTOR 94:books 759:ISBN 745:ISBN 731:ISBN 717:ISBN 695:link 522:and 312:odes 221:The 80:news 796:at 526:'s 326:'s 63:by 818:: 691:}} 687:{{ 672:. 647:. 623:^ 480:: 442:. 400:: 372:: 344:: 318:, 697:) 683:. 658:. 130:) 124:( 119:) 115:( 105:· 98:· 91:· 84:· 57:. 34:. 27:.

Index

Hal Moore
Julia Compton Moore
Julianne Moore

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poetaster
William McGonagall

Grand Rapids
Cleveland
Sam Weller
sentimental
obituary poetry
romance
American Revolution
William McGonagall
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Emily Dickinson
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bluestocking

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