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Kisho Kurokawa

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in a house was carefully crafted from the inside out. Japan is a country that moved from a non-industrial country to a fully industrial nation in less than 50 years, during the Meiji revolution. This sharp jump from producing goods by craftsmen to industrially realized production was so rapid that the deep-rooted tradition of fine craftsmanship as a statement of the creator did not disappear. As a result, the Japanese maker continues to be instilled with a fastidious preoccupation for fine details, which can be seen in contemporary architecture, art and industry. The attention to detail, an integral part of Japan's tradition, forms a uniquely indigenous aesthetic.
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buildings. His peers followed and continued the style. Then at one point in the 1960s, Kurokawa and a small group of architects began a new wave of contemporary Japanese architecture, believing that previous solutions and imitations were not satisfactory for the new era: life was not present in Modernism. They labeled their approach “metabolism." Kurokawa's work became receptive “to his own philosophy, the Principle of Life." (He saw architecture and cities as a dynamic process where parts needed to be ready for change. He mostly used steel in open frames and units that were prefabricated and interchangeable.)
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way for a small country like Japan to avoid being attacked by these empires was to make continuous attempts to absorb foreign cultures for study and, while establishing friendly relations with the larger nations, preserve its own identity. This receptivity is the aspect that allowed Japan to grow from a farming island into an imperial nation, first using Chinese political systems and Chinese advancement, then Western techniques and knowledge. Japan eventually surpassed China and stumbled upon itself during World War II. After the war, Japan, using this same perspective absorbed American culture and technology.
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and that the traditional forms of Japanese architecture can be recognized in his contemporary concrete or steel towers. Yet, Kurokawa's architecture evolved from the Japanese tradition, and there is a Japanese aesthetic in the context of his work. His architecture focused on keeping traditional Japanese concepts invisible, especially materiality, impermanence, receptivity and detail. Kurokawa specifically referred to these four factors in his discussions of new wave Japanese Architecture.
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backyard were preferred for the necessary timbers. All artificial colors were avoided, and the natural colors and texture of materials were shown to their best advantage. This honesty in materials stemmed from the idea that nature is already beautiful in itself. The Japanese feel that food tastes better, wood looks better, materials are better when natural. There is a belief that maximum enjoyment comes from the natural state.
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colors." The capsule, escalator unit, elevator unit and pipe and ductwork were all exterior and exposed. Kurokawa opened structures and made no attempt to hide the connective elements, believing that beauty was inherent in each of the individual parts. This bold approach created a texture of elements that became the real materiality of the whole.
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In 1958, Kisho Kurokawa predicted a “Transition from the Age of the Machine to the Age of Life,” and has continually utilized such key words of life principles as metabolism (metabolize and recycle), ecology, sustainability, symbiosis, intermediate areas (ambiguity) and Hanasuki (Splendor of Wabi) in
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The notion of receptivity is a crucial Japanese idea—possibly a “tradition." Kurokawa stated that Japan is a small country. For more than a thousand years, the Japanese had an awareness of neighboring China and Korea and, in the modern age, Portugal, Great Britain and America, to name a few. The only
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Similarly, Kurokawa's architecture features carefully detailed connections and finishes. He confessed: “This attention to detail is also an important key to understand my own architecture. The belief in the importance of details also suggests the new hierarchy.” Kurokawa believed that, while Western
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Kurokawa explained that the attention paid to detail in Japanese work derived essentially from the typical attempt to express individuality and expertise. In Japan the execution of details was a process of working not from the whole to the parts but from the parts to the whole. Every wood connection
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Looking at his architecture—particularly at metabolism—tradition may not appear to be present, but, underneath the hard skin of the surface, his work is indeed Japanese. However, it is difficult to claim that the modern technologies and material he called on was inherited from the Japanese tradition
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Kurokawa explains that the Japanese tried to exploit the natural textures and colors of materials used in a building. The traditional tea room was intentionally built of only natural materials such as earth and sand, paper, the stems and leaves of plants, and small trees. Trees from a person's own
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In addition, the four seasons are very clearly marked in Japan, and the changes through the year are dramatic. Time, then, in Japanese culture is a precious entity that forces every candle, every being, every entity to fade at one point in time. The idea that buildings and cities should seem as
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Kisho Kurokawa Green Institute was conceived of by Kisho Kurokawa and established in Kisho Kurokawa's honor in 2008. The institute offers online Certificate, Diploma, Master of Business Administration (MBA) and Doctor of Business Administration (DBA) degree programs in Sustainable Management.
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This tradition on materiality was alive in Kurokawa's work which treated iron as iron, aluminum as aluminum, and made the most of the inherent finish of concrete. The tradition of honesty of materiality is present in Kurokawa's capsule building. In it, he showed technology with “no artificial
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Kurokawa's architecture follows the string of receptivity but, at one point, tries to diverge and find its own identity. At first, Kurokawa's work followed the Modern Movement that was introduced in Japan by Tange, Isozaki and their peers. Tange showed the world that Japan could build modern
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Kurokawa wrote extensively on philosophy and architecture and lectured widely. He wrote that there are two traditions inherent in any culture: the visible and the invisible. His work, he claimed, carried the invisible tradition of Japan. In 1972, he received a grant from the
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Although he had practiced the concept of sustainable and eco-minded architecture for four decades, Kisho Kurokawa became more adamant about environmental protection in his latter years. In 2007, he ran for
825: 542:. This continuous destruction of buildings and cities has given the Japanese population, in Kurokawa's words, “an uncertainty about existence, a lack of faith in the visible, a suspicion of the eternal.” 203: 546:
natural as possible and that they should be in harmony with the rest of nature, since it is only temporarily there, helped create the tradition of making buildings and cities of “temporary” structure.
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architecture and cities have been organized with a hierarchy from the infrastructure to the parts and details, his new approach to contemporary Japanese architecture focused on the autonomy of parts.
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order to call for new styles to be implemented by society. For four decades, Kisho Kurokawa created eco-friendly and sustainable architectural projects. In 2003 he was awarded the
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movement pursuing the merging and recycling of architecture styles within an Asian context. The movement was very successful, peaking when its members received praise for the Takara
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Kurokawa had a daughter, potter Kako Matsuura, and a son, renowned photographer Mikio, from his first marriage to his college classmate. His second marriage was to actress
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Kurokawa was the founder and president of Kisho Kurokawa Architect & Associates, established 8 April 1962. The enterprise's head office is in
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Certification for a sustainable airport, Green Globe 21, United Nations, for Kuala Lumpur International Airport (2003)
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Nakagin Capsule Tower, The National Art Center (Tokyo), Nagoya City Art Museum, Kuala Lumpur International Airport
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Dedalo-Minosse International Prize (Grand Prix) for Kuala Lumpur International Airport, Malaysia (2003–2004)
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Pacific Rim Award, American Institute of Architects, Los Angeles chapter (first awarded, 1997)
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Renaming The Art Institute of Chicago to the Kisho Kurokawa Gallery of Architecture (1994)
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Honorary Doctorate of Architecture by Universiti Putra Malaysia (UPM), Malaysia (2002)
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48th Art Academy Award, highest award for artists and architects in Japan (1992)
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in 1960, whose members were known as Metabolists. It was a radical Japanese
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to deliver a lecture at the Museum of Science and Industry in Chicago.
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Honorary Fellow, Royal Institute of British Architects, United Kingdom
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This idea of impermanence was reflected in Kurokawa's work during the
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International Architecture Award, The Chicago Athenaeum Museum (2006)
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Takara Beautilion, Theme Pavilion, and Toshiba IHI Pavilion, for
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Doctorate Honoris Causa in Humanities, Anaheim University (1998)
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Kisho Kurokawa on Building the National Art Center (Video)
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Zhengzhou International Convention and Exhibition Centre
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and then for a seat in the House of Councillors in the
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Kisho Kurokawa on the Nakagin Capsule Building (Video)
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The Anaheim University Kisho Kurokawa Green Institute
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Design and Master Plan of Kazakhstan's New Capital (
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Kurokawa then went on to study for a 316: 1373:Capsule Inn Osaka, designed by Kisho Kurokawa 526:, most Japanese cities were destroyed during 496: 1339:Exhibition"Kisho Kurokawa" Official Website 826:Okinawa Prefectural Government Headquarters 518:Kurokawa noted that, with the exception of 472:2007 Japanese House of Councillors election 201: 1334:Kisho Kurokawa architect & associates 1308:. Digitalarti. p. 16. Archived from 767:Hiroshima City Museum of Contemporary Art 179:Learn how and when to remove this message 109:Learn how and when to remove this message 16:Japanese Metabolist architect (1934–2007) 1034: 1018: 862:Pacific Tower (Paris, France, 1988–1992) 715:Saitama Prefectural Museum of Modern Art 709:Saitama Prefectural Museum of Modern Art 704: 660:Capsule House K, Karuizawa, Japan (1974) 560: 505: 410: 344: 299: 1203: 1388: 1196:Shungdu Friendship Award, China (2005) 634:(organized by the year of completion) 415:Entrance to the Nagoya City Art Museum 1054:Osaka International Convention Center 385:of Architecture by the Chancellor of 761:Osaka Prefectural Government Offices 657:, Tokyo, 1970–1972, demolished 2022) 120: 47:adding citations to reliable sources 18: 1262:"Find your nearest Maggie's centre" 997:(Amsterdam, Netherlands, 1990–1998) 357:, Kurokawa studied architecture at 13: 1284:. Images Publishing. p. 130. 988:Kuala Lumpur International Airport 611:Dedalo-Minosse International Prize 565:The Museum of Modern Art, Wakayama 392:With colleagues, he cofounded the 389:(UPM), Malaysia in Sept. 7, 2002. 14: 1452: 1327: 1125:, delayed due to budget problems) 1048:Fukui Prefectural Dinosaur Museum 972:(Fujinomiya, Shizuoka, 1994–1997) 890:The Museum of Modern Art Wakayama 841:(Melbourne, Australia, 1986–1991) 603: 1281:Architects of the new millennium 1278:Images Publishing Group (2000). 793: 782: 749:Japanese-German Center of Berlin 493:on October 12, 2007; he was 73. 125: 23: 1062:(Ōita, 1996–2001, used for the 851:Nara City Museum of Photography 501: 333:and one of the founders of the 34:needs additional citations for 1431:Tokyo gubernatorial candidates 1254: 1236: 1210: 1092:The National Art Center, Tokyo 845:Miki House New Office Building 577: 556: 1: 1426:Japanese political candidates 1118:(Zhengzhou, China, 2002–2005) 1094:, Roppongi, Tokyo, 2000–2005) 990:(Sepang, Malaysia, 1992–1998) 820:Chinese-Japanese Youth Center 1406:People from Aichi Prefecture 1086:Astana International Airport 1025:Astana International Airport 982:Shiga Kogen Roman Art Museum 884:Ishibashi Junior High School 340: 7: 1131:(St. Petersburg, 2006–2017) 1098:Campus of Kyushu University 894:Wakayama Prefectural Museum 629: 369:, under the supervision of 323: 10: 1457: 1416:University of Tokyo alumni 1381:. C.B.Liddell. 2007-05-02. 1344:Sketches by Kisho Kurokawa 1023:T2 - Domestic Terminal of 683:Society (Tokyo, 1975–1977) 497:Key architectural concepts 365:in 1957. He then attended 1147: 1072:(Kuala Lumpur, 1994-2001) 731:Wacoal Kojimachi Building 590: 387:Universiti Putra Malaysia 317: 294: 286: 282: 274: 253: 234: 209: 200: 193: 1441:Kisho Kurokawa buildings 1299:Digitalarti Mag (2009). 1014: 940:Fukui City Museum of Art 773: 725:National Bunraku Theater 700: 637: 134:This article includes a 1436:Members of Nippon Kaigi 1411:Kyoto University alumni 1064:Football World Cup 2002 984:(Yamanouchi, 1994–1997) 976:Kashima-machi City Hall 878:Ehime Museum of Science 857:Louvain-La-Neuve Museum 438:with branch offices in 379:doctorate of philosophy 163:more precise citations. 1106:(Singapore, 2005–2008) 1050:(Katsuyama, 1996–2000) 1043: 1039:Krestovsky Stadium in 1032: 936:(Singapore, 1986–1995) 868:(Singapore, 1990–1993) 769:(Hiroshima, 1988–1989) 743:Nagoya City Art Museum 710: 696:, Bulgaria, 1974–1979) 566: 515: 416: 373:. Kurokawa received a 350: 308: 1379:"Kurokawa Art Center" 1137:(Yekaterinburg, 2007) 1038: 1022: 978:(Kumamoto, 1995–1997) 930:(Wakayama, 1993–1995) 896:(Wakayama, 1990–1994) 831:The Sporting Club at 757:, Brisbane, Australia 708: 670:Tateshina Planetarium 651:Nakagin Capsule Tower 564: 509: 414: 406:Osaka World Expo 1970 402:Cotillion Beautillion 348: 306:Nakagin Capsule Tower 303: 1204:Notes and references 1157:Richard Neutra Award 1110:Fusionopolis Phase 1 1100:(Fukuoka, 2003–2005) 970:Fujinomiya Golf Club 886:(Tochigi, 1992–1994) 859:(Belgium, 1990–1992) 835:(Chicago, 1987–1990) 828:(Okinawa, 1988–1990) 822:(Beijing, 1987–1990) 679:Headquarters of the 361:, graduating with a 43:improve this article 1421:Japanese architects 866:Lane Crawford Place 751:(Berlin, 1985–1988) 745:(Nagoya, 1983–1987) 551:Metabolism Movement 512:National Art Center 394:Metabolist Movement 367:University of Tokyo 335:Metabolist Movement 266:University of Tokyo 1302:Digitalarti Mag #0 1129:Krestovsky Stadium 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Kanie, Aichi
Empire of Japan
Tokyo
Kyoto University
University of Tokyo

Nakagin Capsule Tower
Japanese architect
Metabolist Movement

Kanie, Aichi

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