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Kol Nidrei (Bruch)

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Even though I am a Protestant, as an artist I deeply felt the outstanding beauty of these melodies and therefore I gladly spread them through my arrangement (taken from a letter written by Bruch)... In his presentation, the melody entirely lost its original character. Bruch displayed a fine art,
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masterly technique and fantasy, but not Jewish sentiments. It is not a Jewish Kol-Nidre which Bruch composed. (Idelsohn, from Jewish Music in its Historic Development, 1929)
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as a result of this piece, despite the composer actively working to correct that mistake in his own lifetime.
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introduced him to the Lichtenstein family, the head of which served as the cantor-in-chief of Berlin. Cantor
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was known to have cordial relations with many Christian musicians and supported Bruch's interest in
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origin. The first theme, which also lends the piece its title, comes from the
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and first became acquainted with the Kol Nidrei melody when his teacher
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as an inspiration has been seen as a reflection of the extent of
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by some academics. Many also mistakenly believed that Bruch was
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It was dedicated to and premiered by 856: 236: 922:Concerto for Clarinet, Viola, and Orchestra 863: 849: 787:"The majesty and the mystery of Kol Nidre" 784: 388:Melodies for Cello and Orchestra with Harp 249:Performed by the chamber orchestra of the 836:International Music Score Library Project 568: 566: 564: 402:declaration, which is recited during the 109:Learn how and when to remove this message 426:'s Stream", a lyric which was penned by 785:Rubinstein, Anat (September 17, 2018). 678: 651:10.1093/gmo/9781561592630.article.04122 636: 572: 1076: 561: 436:(which also includes the famous poem " 927:Concerto for Two Pianos and Orchestra 844: 808: 806: 462:. While some commentators, including 367:After his Violin Concerto No. 1, the 16:1880 musical composition by Max Bruch 1084:Compositions for cello and orchestra 730: 728: 632: 630: 605: 603: 538: 536: 47:adding citations to reliable sources 18: 679:Fifield, Christopher (1987-01-01). 13: 803: 14: 1105: 825: 725: 627: 600: 533: 1060: 1059: 611:"Kol Nidrei, Op.47 (Bruch, Max)" 343:Violin Concerto No. 1 in G minor 23: 321:, in 1880, and published it in 289:, the meaning of the phrase in 34:needs additional citations for 1089:Concertante works by Max Bruch 791:The Jerusalem Post | JPost.com 778: 752: 697:10.1080/0449010X.1987.10703773 672: 414:who chants the liturgy in the 374: 1: 870: 637:Fifield, Christopher (2001), 576:Max Bruch: His Life and Works 573:Fifield, Christopher (2005). 526: 479:The work is scored for solo 390:and consists of a series of 313:Bruch completed the work in 7: 645:, Oxford University Press, 10: 1110: 453:Abraham Jacob Lichtenstein 308: 1057: 1041: 997: 974: 914: 887: 878: 329:, who later co-premiered 272: 251:United States Marine Band 234: 229: 225: 211: 203: 184: 174: 164: 156: 146: 138: 130: 125: 293:), is a composition for 283:, Op. 47 (also known as 736:"Max Bruch: Kol Nidrei" 699:(inactive 2024-09-12). 58:"Kol Nidrei" Bruch 1049:Rose and Ottilie Sutro 818:, accessed 9 June 2019 477: 394:on two main themes of 245: 942:Violin Concerto No. 3 937:Violin Concerto No. 2 932:Violin Concerto No. 1 813:Max Bruch, Kol Nidrei 549:www.timesofisrael.com 543:Amanda Borschel-Dan. 472: 464:Abraham Zevi Idelsohn 244: 881:List of compositions 43:improve this article 966:Serenade in A minor 643:Oxford Music Online 438:She Walks in Beauty 379:It is styled as an 354:Jewish assimilation 954:Romance in A minor 761:Bruch's Kol nidrei 430:in his collection 246: 1094:1881 compositions 1071: 1070: 771:978-0-486-29039-3 660:978-1-56159-263-0 579:. Boydell Press. 350:Jewish folk music 276: 275: 242: 119: 118: 111: 93: 1101: 1063: 1062: 1042:Related articles 960:Scottish Fantasy 865: 858: 851: 842: 841: 834:: Scores at the 819: 810: 801: 800: 798: 797: 782: 776: 775: 756: 750: 749: 747: 746: 732: 723: 722: 716: 708: 685:Jewish Quarterly 676: 670: 669: 668: 667: 634: 625: 624: 622: 621: 607: 598: 597: 595: 593: 570: 559: 558: 556: 555: 540: 449:Ferdinand Hiller 243: 123: 122: 114: 107: 103: 100: 94: 92: 51: 27: 19: 1109: 1108: 1104: 1103: 1102: 1100: 1099: 1098: 1074: 1073: 1072: 1067: 1053: 1037: 1025:The Fiery Cross 993: 970: 910: 883: 874: 869: 828: 823: 822: 811: 804: 795: 793: 783: 779: 772: 764:. Dover. 1996. 758: 757: 753: 744: 742: 734: 733: 726: 710: 709: 677: 673: 665: 663: 661: 635: 628: 619: 617: 609: 608: 601: 591: 589: 587: 571: 562: 553: 551: 541: 534: 529: 433:Hebrew Melodies 404:evening service 377: 335:Double Concerto 331:Johannes Brahms 327:Robert Hausmann 311: 268: 254: 247: 237: 196:Hebrew Melodies 169:Classical music 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 1107: 1097: 1096: 1091: 1086: 1069: 1068: 1058: 1055: 1054: 1052: 1051: 1045: 1043: 1039: 1038: 1036: 1035: 1028: 1021: 1014: 1007: 1001: 999: 995: 994: 992: 991: 986: 983:Swedish Dances 978: 976: 972: 971: 969: 968: 963: 956: 951: 944: 939: 934: 929: 924: 918: 916: 912: 911: 909: 908: 900: 891: 889: 885: 884: 879: 876: 875: 868: 867: 860: 853: 845: 839: 838: 827: 826:External links 824: 821: 820: 802: 777: 770: 751: 724: 671: 659: 626: 599: 585: 560: 531: 530: 528: 525: 376: 373: 339:Joseph Joachim 310: 307: 274: 273: 270: 269: 267: 266: 261: 255: 248: 235: 232: 231: 227: 226: 223: 222: 213: 209: 208: 205: 201: 200: 199: 198: 193: 186: 182: 181: 179:Romantic music 176: 172: 171: 166: 162: 161: 158: 154: 153: 150: 144: 143: 140: 136: 135: 128: 127: 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 1106: 1095: 1092: 1090: 1087: 1085: 1082: 1081: 1079: 1066: 1056: 1050: 1047: 1046: 1044: 1040: 1034: 1033: 1029: 1027: 1026: 1022: 1020: 1019: 1015: 1013: 1012: 1008: 1006: 1003: 1002: 1000: 996: 990: 987: 985: 984: 980: 979: 977: 975:Chamber music 973: 967: 964: 962: 961: 957: 955: 952: 950: 949: 945: 943: 940: 938: 935: 933: 930: 928: 925: 923: 920: 919: 917: 913: 906: 905: 901: 898: 897: 893: 892: 890: 886: 882: 877: 873: 866: 861: 859: 854: 852: 847: 846: 843: 837: 833: 830: 829: 817: 816:chazzanut.com 814: 809: 807: 792: 788: 781: 773: 767: 763: 762: 755: 741: 737: 731: 729: 720: 714: 706: 702: 698: 694: 690: 686: 682: 675: 662: 656: 652: 648: 644: 640: 633: 631: 616: 612: 606: 604: 588: 586:9781843831365 582: 578: 577: 569: 567: 565: 550: 546: 539: 537: 532: 524: 522: 518: 514: 510: 506: 502: 498: 494: 490: 486: 482: 476: 471: 469: 465: 461: 458: 454: 450: 446: 441: 439: 435: 434: 429: 425: 421: 417: 413: 409: 405: 401: 397: 393: 389: 387: 383: 372: 370: 365: 363: 359: 355: 351: 346: 344: 340: 336: 332: 328: 324: 320: 316: 306: 304: 300: 296: 292: 288: 287: 282: 281: 271: 265: 262: 260: 257: 256: 252: 233: 228: 224: 221: 217: 214: 210: 206: 202: 197: 194: 192: 189: 188: 187: 183: 180: 177: 173: 170: 167: 163: 159: 155: 151: 149: 145: 141: 137: 134: 129: 124: 121: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 1030: 1023: 1016: 1009: 1005:Choral works 989:String Octet 981: 958: 947: 946: 902: 894: 815: 794:. Retrieved 790: 780: 760: 754: 743:. Retrieved 739: 713:cite journal 691:(3): 39–41. 688: 684: 674: 664:, retrieved 642: 639:"Bruch, Max" 618:. Retrieved 614: 590:. Retrieved 575: 552:. 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