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Kuzma Petrov-Vodkin

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In the spring of 1932 the Central Committee of the Communist Party decreed that all existing literary and artistic groups and organizations should be disbanded and replaced with unified associations of creative professions. Accordingly, the Leningrad Union of Artists was established on 2 August 1932,
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The largest collection of Petrov-Vodkin's works is in the Russian Museum in St Petersburg, where, as of 2012, a whole room in the permanent exhibition is devoted to the painter. A memorial museum was also set up to Petrov-Vodkin in the house he built for his parents in his home town of Khvalynsk. It
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Petrov-Vodkin writings were republished in the 1970s to a great acclaim, after a long period of neglect. His most famous literary works are the 3 self-illustrated autobiographical novellas: "Khlynovsk", "Euclidean Space" and "Samarkandia". The second of these is of particular importance, as it
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painter. His early iconographic work used special creative effects based on the curve of the globe, but its images were considered blasphemous by the Russian Orthodox Church. However he went on to become the first president of the
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painters and a signmaker. Still, Petrov-Vodkin didn't quite see himself in art at that time; after graduating from middle school, he took a summer job at a small shipyard with plans to get into railroad college in
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While in Paris in 1906 he met and married Maria Jovanovic (1885–1960), a daughter of Serbian immigrant hotel-keepers. She remained his lifelong companion. They had two daughters, one of whom died in childhood.
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In April 1895, Burov died and for some time Petrov-Vodkin took different painting jobs in the vicinity of Saratov. By chance, his mother's employer invited a well-known architect, Robert Meltzer (
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During this stage in his artistic development, Petrov-Vodkin extensively used an aesthetic of Orthodox icon together with brighter colours and unusual compositions. His works were often deemed
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which brought the history of post-revolutionary art to a close. The epoch of Soviet art began. Petrov-Vodkin was elected the first president of the Leningrad Union of Artists in 1932.
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Until the mid-1960s, Petrov-Vodkin was nearly forgotten in the Soviet Union after his curtailment of painting and turn towards writing.
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With help from the Soviet government, he made several trips across the Soviet Union, producing many works with didactic purposes.
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and had to curtail painting for several years. He turned to literature and wrote three major semi-autobiographical volumes,
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From 1924 to 1926 Petrov-Vodkin lived in France with his family. In 1922 he painted a portrait of the Russian poet
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transmits Petrov-Vodkin worldview as an artist in great detail. Petrov-Vodkin also gave professional support to
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VIRTUAL TOUR Kuzma Petrov-Vodkin. On the 140th Anniversary of the Artist’s Birth (Russian Museum, 2018)
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Petrov-Vodkin used darker tones with time, but his paintings became more detailed. He started painting
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Art and Memorial Museum of Kuzma S Petrov-Vodkin, listing at the Artist's Studio Museum Network
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http://artiststudiomuseum.org/studio-museums/art-and-memorial-museum-kuzma-s-petrov-vodkin/
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Even during his college years, Petrov-Vodkin managed to enter into conflict with the
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displays a selection of his works, as well as works by other Khvalynsk painters.
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Petrov-Vodkin stayed in Saint Petersburg from 1895 to 1897 studying at the
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Kuzma Petrov-Vodkin. Online gallery of Russian Museum works (130 items)
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Art and Memorial Museum of Kuzma Petrov-Vodkin, Saratov Region, Russia
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Petrov-Vodkin's other important pieces during this period include
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and portraits, stepping further away from his previous themes.
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Moscow School of Painting, Sculpture and Architecture alumni
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The iconic work of Petrov-Vodkin - "Bathing of a Red Horse".
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In February 1939, Petrov-Vodkin died of tuberculosis in
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Painters of the Leningrad Union of Artists of 1932–1991
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During his earlier years, Petrov-Vodkin developed his "
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Moscow School of Painting, Sculpture and Architecture
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