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373:"Compositionally, the vertical and horizontal geometry of the bridge and its reflection in the water create a great central cross which imparts a classical symmetry and equilibrium to the canvas. This central geometric framework, which is echoed and enclosed by the bands of sky above and the bank below, is relieved and enlivened by the great undulating sweep of the hill and shore, the round knot of washerwomen amid the circular ripples of the water, and the flexible, slightly curved grasses at the right. Both formally and chromatically, the
561:. His request was generated by an interest to return to foundational drawing practices, such as his use of a perspective frame for the drawings and paintings that he made of Langlois Bridge. A letter dated March 18, 1888, to his friend Émile Bernard contains a sketch of the bridge (JH 1370 below) and the color scheme he is considering adopting, clearly showing his use of sketching and drawing as a preliminary to his painting. He spoke of how the town (Arles) "projects the strange silhouette of its drawbridge against a huge yellow sun."
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inspiring him to use blocks of colors, like patterns of yellow against a blue sky, colors chosen to create a sense of vitality of the
Japanese prints and the vibrant quality of light in southern France. These approaches created a more powerful impact and depicted the simpler, primitive quality of the
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about the
Langlois Bridge, he wrote: "If the Japanese are not making any progress in their own country, still it cannot be doubted that their art is being continued in France." With a Japanese aesthetic, van Gogh's Langlois Bridge paintings reflect a simplified use of color to create a harmonious and
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and bridges were built, too, to manage water and road traffic. Just outside Arles, the first bridge was the officially titled "Pont de Réginel" but better known by the keeper's name as "Pont de
Langlois". In 1930, the original drawbridge was replaced by a reinforced concrete structure which, in 1944,
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is one of van Gogh's most iconic and best loved paintings, acknowledged as the first masterpiece of his Arles period. It depicts common canal-side activities. A little yellow cart crosses the bridge while a group of women in smocks and multicoloured caps wash linen on the shore. Van Gogh skillfully
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Van Gogh claimed the painting as "something funny... I will not create every day." There was something about the setting for this painting that reminded him of his homeland. He asked his brother Theo to frame an earlier version of the painting in blue and gold (blue in the front, gold on the side)
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Van Gogh used varying techniques when he created the painting, depending upon the subject and what he wanted to convey. The grass and the path in the foreground were painted rapidly. The bridge, though, was painted in greater detail, with clearly defined stone piers and wooden beams. The detail in
303:. The device was used for outdoor sightings to compare the proportion of items that were near to those that were in the distance. Some of the works of the Langlois Bridge were made with the aid of the frame. Its use "deepened his exploration of the drawbridge as a mechanism."
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and offer it to an art-dealer in the
Netherlands, named Tersteeg. Tersteeg knew van Gogh and his brother Theo when they lived in The Hague. He nurtured van Gogh's early artistic interests but their relationship suffered after van Gogh lived with a prostitute named
271:, van Gogh began a study of women washing clothes near the Langlois Bridge about mid-March 1888 and was working on another painting of the bridge about 2 April. This was the first of several versions he painted of the Langlois Bridge that crossed the Arles canal.
206:. Arles brought him the solace and bright sun that he sought for himself and conditions to explore painting with more vivid colors, intense color contrasts and varied brushstrokes. He also returned to the roots of his artistic training from the
264:. The Fos Bridge was dismantled in 1959 with a view to relocating it on the site of the Langlois Bridge but as a result of structural difficulties, it was finally reassembled at Montcalde Lock several kilometers away from the original site.
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allusions." Van Gogh approached the making of the paintings and drawings about the bridge in a "serious and sustained manner" with attention to "the structure, function, and component parts of this craft mechanism in the landscape."
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paint and color to reflect light, much as we would see it in with our eye. Two tall cypress trees and a white house flank the drawbridge which has a moveable center section between stone abutments. The painting is currently at the
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726:, where as part of the detour challenge, teams will find this painting, which in reality is an elaborate sliding puzzle, requiring them to slide elements of the painting in a specific sequence in order to unlock the
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demonstrates
Vincent's abstraction of nature to its essential coloristic and formal elements, and his creation from these components of a harmoniously interwoven unity in which humanity and its works are perfectly
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the ropes used to lift the roadway show that they are attached to the wooden lifting gear. Van Gogh also pays close attention to the reflection of the bridge in the water. In the distance is another drawbridge.
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unified image. Outlines were used to suggest movement. He used fewer shades of colors, preferring multiple subtle color variations. The
Langlois Bridge reminded van Gogh of
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areas. It was a prolific time for van Gogh: in less than 15 months he made about 100 drawings, produced more than 200 paintings and wrote more than 200 letters.
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claims that the painting is the last in a series of three, yet
Silverman has identified four oil paintings and a fifth watercolor, as outlined in this article.
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are used in the bridge, sky and river. Use of complementary colors intensifies the impact of each color creating a "vibrant and coloristically unified whole."
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128:, or thickly applied paint, using color to depict the reflection of light. The subject matter, a drawbridge on a canal, reminded him of his homeland in the
492:, following a horse and buggy that just crossed the bridge. The water in the canal subtly reflects the bridge and the few clouds in the sky. Van Gogh uses
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686:) when observing the living room of "an elegant, anonymous hotel suite" after travelling through the Stargate. The painting did not appear in the movie.
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and the "law of simultaneous contrasts" in this work. The grass is depicted with alternating brush strokes of red-orange and green. Yellow and blue
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van Gogh manages to create precise details of the bridge, such as the hardware, iron supports, braces and chain pulleys with watercolor.
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of yellow bridges"), one of his most celebrated songs. Spinetta came to van Gogh's letters to Theo through his reading of the essay
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The original drawbridge, 1902. It was replaced by a reinforced-concrete bridge in 1930. At van Gogh's time, it was called
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canal. The double-beam drawbridge was built in the first half of the 19th century to expand the network of canals to the
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was blown up by the retreating
Germans who destroyed all the other bridges along the canal except for the one at
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comments, "Van Gogh's depictions of the bridge have been considered a quaint exercise in nostalgia mingled with
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Soon after arriving in Arles, van Gogh asked his brother to send him a copy of Armand
Cassagne's
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appears as van Gogh himself, having recently crossed over the bridge to paint a field of wheat.
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to frame and send one of the paintings to an art dealer in the
Netherlands. The reconstructed
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The Pursuit of Spiritual Wisdom: The Thought and Art of Vincent van Gogh and Paul Gauguin
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The Pursuit of Spiritual Wisdom: The Thought and Art of Vincent van Gogh and Paul Gauguin
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and expansive fields of the Arles countryside reminded van Gogh of his life in the
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Van Gogh was 35 when he made the Langlois Bridge paintings and drawings. Living in
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Cowley, Robert L. S. (2014). "Van Gogh's Fascination with the Bridge at Arles,"
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891:' See 'Ropes' and 'Something Funny' sections of the page for more information.
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49.5 cm × 64.5 cm (19.5 in × 25.4 in)
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1013:"Vincent van Gogh. Letter to Theo van Gogh. Written c. 2 April 1888 in Arles"
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812:. Washington, D.C.: National Gallery of Art: 131 (12 of pdf). Archived from
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is the subject of four oil paintings, one watercolor and four drawings by
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describes van Gogh's technical and artistic execution of this painting.
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982:"Letter from Vincent van Gogh to Theo van Gogh, Arles, c. 14 March 1888"
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is one of numerous van Gogh paintings visited by the unnamed dreamer in
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167:, he was at the height of his career, producing some of his best work:
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Art, crime, and madness: Gesualdo, Caravaggio, Genet, Van Gogh, Artaud
106:, represent a melding of formal and creative aspects. Van Gogh used a
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Van Gogh's Women: Vincent's Love Affairs and Journey Into Madness
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to create precise lines and angles when portraying perspective.
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The Arts Entwined: Music and Painting in the Nineteenth Century
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The Langlois Bridge was one of the crossings over the Arles to
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referenced the painting in "Cantata de puentes amarillos" (
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Empire of Light: A History of Discovery in Science and Art
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The Langlois Bridge at Arles with Road alongside the Canal
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The Langlois Bridge at Arles with Road alongside the Canal
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depicts a woman holding an umbrella as she crosses the
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Reflecting on van Gogh's works of the Langlois Bridge
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National Gallery of Art Picturing France (1830-1900)
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The painting is also featured on the 30th season of
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Farmhouses in Loosduinen near The Hague at Twilight
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A Girl in the Street, Two Coaches in the Background
2334:Agostina Segatori Sitting in the Café du Tambourin
2306:View of Paris from Vincent's Room in the Rue Lepic
2119:Congregation Leaving the Reformed Church in Nuenen
709:. The track is the centerpiece of his 1973 record
1496:Pont Van Gogh, Arles Office de Tourisme (English)
1319:Adventure Guide to Provence & the Cote D'azur
98:. The works, made in 1888 when van Gogh lived in
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2637:A Meadow in the Mountains: Le Mas de Saint-Paul
2485:Memory of the Garden at Etten (Ladies of Arles)
1464:Van Gogh and Gauguin: The Search for Sacred Art
734:The Langlois Bridge at Arles with Women Washing
475:
439:, watercolor, 1888, Private collection (F1480)
399:The Langlois Bridge at Arles with Women Washing
351:The Langlois Bridge at Arles with Women Washing
280:Van Gogh and Gauguin: The Search for Sacred Art
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1418:Naifeh, Steven; Smith, Gregory White (2011).
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1620:Nazi looting of artworks by Vincent van Gogh
1451:. Brighton, England: Sussex Academic Press.
1143:. Van Gogh Museum. 2005–2011. Archived from
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622:, pen and ink, 35.5 × 47 cm. May 1888,
2844:Peasant Woman Against a Background of Wheat
2707:View of the Asylum and Chapel of Saint-Rémy
2196:Head of an Old Farmer's Wife in a White Hat
1392:. Cranbury: Associated University Presses.
1347:. New York: Carroll & Graf Publishers.
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927:(in French). pp. 43–44. Archived from
3253:"Vincent and the Doctor" (2010 TV episode)
2242:Skull of a Skeleton with Burning Cigarette
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29:
3385:Collection of the Wallraf–Richartz Museum
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603:, pen and ink, 23.5 × 31 cm., 1888,
384:The Langlois Bridge at Arles (watercolor)
346:Three paintings with similar compositions
311:The Langlois Bridge reminded van Gogh of
2094:Three Figures near a Canal with Windmill
1436:. Washington, D.C.: Joseph Henry Press.
1293:(in Spanish). MDZ Online. Archived from
1072:
916:Rimeur, L (December 1981 – March 1982).
227:
3395:Series of paintings by Vincent van Gogh
2937:Meadows near Rijswijk and the Schenkweg
2644:A Road at Saint-Remy with Female Figure
1985:Beach at Scheveningen in Stormy Weather
1466:. New York: Farrar, Straus and Giroux.
1291:"Artaud, Spinetta y 40 años de belleza"
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16:Series of paintings by Vincent van Gogh
3390:Paintings of Arles by Vincent van Gogh
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2327:Imperial Fritillaries in a Copper Vase
444:
295:In Arles van Gogh began using again a
175:, farmhouses and people of the Arles,
2886:Prisoners' Round (after Gustave Doré)
2788:Landscape with a Carriage and a Train
2552:Valley with Ploughman Seen from Above
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2457:A Lane in the Public Garden at Arles
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643:Rhode Island School of Design Museum
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267:According to letters to his brother
2443:The Painter on the Road to Tarascon
2045:Landscape with a Church at Twilight
1377:. London: Frances Lincoln Limited.
1282:
13:
3106:Monastery of Saint-Paul de Mausole
2267:Vase with White and Red Carnations
918:"Note sur le canal d'Arles à Bouc"
857:
424:, 1888, Private collection (F571)
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2559:View of Arles, Flowering Orchards
2513:Arles: View from the Wheat Fields
2499:Interior of a Restaurant in Arles
2235:Peasant Woman Digging Up Potatoes
1702:Still life paintings, Netherlands
1478:
1321:. Edison, NJ: Hunter Publishing.
1265:"Langlos Bridge, Letters of Note"
1199:. Van Gogh Museum. Archived from
754:List of works by Vincent van Gogh
676:notices the painting (along with
601:Drawbridge with Lady with Parasol
339:Sudden Shower on the Great Bridge
318:Sudden Shower on the Great Bridge
210:, most notably with the use of a
2851:Still Life: Vase with Pink Roses
2767:Doctor Gachet's Garden in Auvers
1407:. New York: Garland Publishing.
1340:), 108 (October 2014), pp 18-22.
925:Bulletin des Amis du Vieil Arles
803:"Effects of the Sun in Provence"
730:and retrieve their clue inside.
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612:
593:
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559:Guide to the Alphabet of Drawing
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429:
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110:frame that he built and used in
3009:Old Vineyard with Peasant Woman
2929:Boy Cutting Grass with a Sickle
2900:Landscape at Auvers in the Rain
2630:Self-Portrait with Bandaged Ear
2429:Portrait of the Artist's Mother
2387:Still Life: Vase with Oleanders
1842:Décoration for the Yellow House
1599:The Letters of Vincent van Gogh
1311:
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1231:"Langlois Bridge at Arles, The"
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3060:Torso of Venus and a Landscape
3052:Portrait of a Man in a Top Hat
2945:The 'Laakmolen' near The Hague
2872:Wheatfield Under Thunderclouds
2679:Green Wheat Field with Cypress
2133:Landscape with Pollard Willows
2126:The Parsonage Garden at Nuenen
1956:Lost works by Vincent van Gogh
1403:Morton, M; Schmunk, P (2000).
909:
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839:
830:
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3359:Van Gogh immersive experience
3305:Theo van Gogh (film director)
2993:Drawbridge in Nieuw-Amsterdam
1930:Saint-Paul Asylum, Saint-Rémy
1137:"Detail, The Langlois Bridge"
759:
662:made reference to van Gogh's
149:
3131:Portrait of Vincent van Gogh
2837:Blossoming Chestnut Branches
2753:Thatched Cottages and Houses
2693:The Ravine of the Peyroulets
1673:Van Gogh's family in his art
1289:Gazzo, Walter (2013-08-17).
884:. Van Gogh Museum. 2005–2011
541:The Langlois Bridge at Arles
477:The Langlois Bridge at Arles
422:The Langlois Bridge at Arles
24:The Langlois Bridge at Arles
7:
2953:Church Pew with Worshippers
2651:Enclosed Field with Peasant
2623:Self-portrait without beard
2422:Starry Night Over the Rhône
2320:A Woman Walking in a Garden
2189:Avenue of Poplars at Sunset
2182:Avenue of Poplars in Autumn
1742:Still life paintings, Paris
747:
552:
117:Van Gogh was influenced by
10:
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3339:(1978, revised 1989; "JH")
2985:Landscape with Wheelbarrow
2858:Portrait of Adeline Ravoux
2739:Road with Cypress and Star
2672:Wheat Field with Cypresses
2359:Madame Roulin and Her Baby
2147:Cart with Red and White Ox
1992:Girl in White in the Woods
1811:Copies by Vincent van Gogh
1710:Old Church Tower at Nuenen
901:: CS1 maint: postscript (
703:Van Gogh, The Man Suicided
655:Appearances in other media
574:Langlois Bridge near Arles
221:
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3179:Vincent and Theo van Gogh
3139:The Painter of Sunflowers
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2214:Still Life with Straw Hat
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2059:Footbridge across a Ditch
2015:
1976:
1969:
1666:Peasant Character Studies
1643:
1570:
1182:Naifeh, Smith (2011), 578
1048:Silverman, 62, 63, 74, 75
1011:Harrison, R, ed. (2011).
980:Harrison, R, ed. (2011).
605:Los Angeles County Museum
483:Wallraf-Richartz Museum's
73:
65:
55:
47:
37:
28:
23:
3331:Jacob Baart de la Faille
3091:Van Gogh House (Drenthe)
2080:Farm with Stacks of Peat
1818:Langlois Bridge at Arles
1237:. Van Gogh Gallery. 2011
486:Langlois Bridge at Arles
437:Langlois Bridge at Arles
154:
92:Langlois Bridge at Arles
3295:Johanna van Gogh-Bonger
3036:Marsh with Water Lilies
2830:The Town Hall at Auvers
2341:Red Cabbages and Garlic
2313:Portrait of Père Tanguy
2299:Wheat Field with a Lark
1961:Display at Les XX, 1890
1937:Auvers size 30 canvases
1734:Le Moulin de la Galette
1362:, Outlet, p. 308,
1193:"Van Gogh and Tersteeg"
672:. In it, the character
624:Staatsgalerie Stuttgart
576:(Sketch from letter to
545:Wallraf-Richartz-Museum
499:Wallraf-Richartz Museum
365:Naomi Mauer, author of
132:. He asked his brother
78:Wallraf-Richartz Museum
2760:Portrait of Dr. Gachet
2566:Portrait of Doctor Rey
2534:Orchard with Cypresses
2161:Water Mill at Opwetten
2031:Farmhouses Among Trees
1519:43.656947°N 4.621028°E
1336:(Journal of the DBA -
953:"Canal d'Arles à Bouc"
620:Langlois Bridge, Arles
380:
354:uses his knowledge of
299:frame he had built in
240:
3186:"Vincent" (1971 song)
3101:Kröller-Müller Museum
2961:Woman on Her Deathbed
2879:Wheatfield with Crows
2714:The Large Plane Trees
2527:Farmhouse in Provence
2464:Falling Autumn Leaves
2415:Café Terrace at Night
2260:Vase with Red Poppies
2228:Peasant Woman Digging
1882:Paintings of Children
1804:Trees and Undergrowth
1635:Lost Arles sketchbook
1462:Silverman, D (2000).
1432:Perkowitz, S (1996).
1360:The complete Van Gogh
1358:Hulsker, Jan (1986),
1338:The Barge Association
878:"The Langlois Bridge"
691:Luis Alberto Spinetta
669:2001: A Space Odyssey
403:Kröller-Müller Museum
371:
278:, author of the book
231:
3333:(1928 and 1970; "F")
2969:Landscape with Trees
2802:The Church at Auvers
2781:White House at Night
2520:Sunset at Montmajour
2168:Water Mill at Kollen
2052:Landscape with Dunes
1694:Water Mill at Gennep
1197:Permanent Collection
1141:Permanent Collection
882:Permanent Collection
740:’s film ‘’Dreams’’.
582:J. P. Morgan Library
409:, Netherlands (F397)
360:complementary colors
2366:Landscape with Snow
1630:Cultural depictions
1524:43.656947; 4.621028
1515: /
1486:The Langlois Bridge
1388:Maurer, N (1999) .
1373:Mancoff, D (2008).
1087:Hulsker (1986), 308
689:Argentine musician
639:Drawbridge in Arles
445:Two other paintings
342:country lifestyle.
3267:At Eternity's Gate
3240:Vincent in Brixton
3200:Vincent & Theo
2977:Peatery in Drenthe
2746:At Eternity's Gate
2140:Cart with Black Ox
2073:A Wind-Beaten Tree
2024:Cows in the Meadow
1866:Flowering Orchards
1764:Outskirts of Paris
1491:Google Art Project
1447:Shoham, S (2002).
1420:Van Gogh: The Life
1375:Van Gogh's Flowers
1235:Van Gogh Paintings
528:, Amsterdam (F400)
375:Bridge of Langlois
321:. Inspired by the
307:Japanese influence
241:
214:for his drawings.
3367:
3366:
3354:The Vincent Award
3315:Johannes Stricker
2916:
2915:
2865:Plain near Auvers
2816:Farms near Auvers
2809:Daubigny's Garden
2506:A Lane near Arles
2221:The Potato Eaters
2175:Village at Sunset
1858:Hospital in Arles
1850:The Roulin Family
1428:978-1-84668-010-6
1422:. Profile Books:
1383:978-0-7112-2908-2
1343:Fell, D (2005) .
1317:Arfin, F (2005).
1254:Silverman, 61-64.
1039:Silverman, 69-74.
836:Silverman, 60—61.
683:Christina's World
326:wood block prints
291:Perspective frame
262:Mediterranean Sea
249:Mediterranean Sea
200:thatched cottages
88:
87:
3412:
3247:The Yellow House
3123:Vincent van Gogh
3028:87 Hackford Road
2774:Houses at Auvers
2601:The Starry Night
2573:Crab on its Back
2478:The Red Vineyard
2436:Bedroom in Arles
2408:Van Gogh's Chair
2401:The Yellow House
2066:Marshy Landscape
1974:
1973:
1588:List of drawings
1564:Vincent van Gogh
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1267:. Archived from
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1126:Silverman, 71-75
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1017:Van Gogh Letters
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986:Van Gogh Letters
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772:
771:Morton, 177-178.
769:
724:The Amazing Race
660:Arthur C. Clarke
641:, crayon, 1888,
635:
616:
597:
570:
547:, Cologne (F570)
537:
518:
433:
418:
395:
276:Debora Silverman
260:, a port on the
234:Pont de Langlois
96:Vincent van Gogh
82:Cologne, Germany
42:Vincent van Gogh
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3141:(1888 painting)
3125:(1886 painting)
3110:
3096:Maison Van Gogh
3086:Van Gogh Museum
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2011:
1965:
1890:The Wheat Field
1874:Almond Blossoms
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1625:Posthumous fame
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580:), March 1888,
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490:Langlois Bridge
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470:Van Gogh Museum
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224:Langlois Bridge
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218:Langlois Bridge
165:southern France
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138:Langlois Bridge
104:southern France
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3405:Bridges in art
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3259:Loving Vincent
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3163:Lust for Life
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3147:Lust for Life
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1584:
1583:List of works
1581:
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1473:
1472:0-374-28243-9
1469:
1465:
1461:
1458:
1457:1-903900-05-0
1454:
1450:
1446:
1443:
1442:0-309-06556-9
1439:
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1429:
1425:
1421:
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1414:
1413:0-8153-3156-8
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1399:
1398:0-8386-3749-3
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1368:0-8109-1701-7
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1353:0-7867-1655-X
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1346:
1342:
1339:
1335:
1331:
1328:
1327:1-58843-505-9
1324:
1320:
1316:
1315:
1297:on 2016-03-04
1296:
1292:
1285:
1271:on 2011-07-22
1270:
1266:
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1232:
1226:
1217:
1203:on 2012-09-15
1202:
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1164:Hulsker, 308.
1161:
1147:on 2012-09-15
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1123:
1114:
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1103:
1093:
1084:
1075:
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1036:
1034:
1019:. WebExhibits
1018:
1014:
1007:
1005:
1003:
988:. WebExhibits
987:
983:
976:
974:
958:
954:
948:
934:on 2011-09-29
930:
926:
919:
912:
904:
898:
883:
879:
873:
871:
869:
867:
865:
863:
861:
851:
842:
833:
819:on 2011-05-12
815:
811:
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789:
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768:
764:
755:
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718:
714:
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708:
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687:
685:
684:
679:
675:
671:
670:
666:in his novel
665:
661:
648:
644:
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634:
629:
625:
621:
615:
610:
606:
602:
596:
591:
587:
586:New York City
583:
579:
578:Émile Bernard
575:
569:
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563:
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546:
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531:
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330:Émile Bernard
327:
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288:
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246:
239:
238:Pont Van-Gogh
235:
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144:
143:Pont Van-Gogh
140:is now named
139:
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127:
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109:
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68:
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60:Oil on canvas
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36:
32:
27:
22:
19:
3290:Wil van Gogh
3266:
3258:
3246:
3239:
3231:
3226:(1990 opera)
3223:
3215:
3207:
3199:
3191:
3178:
3173:(1956 opera)
3170:
3162:
3154:
3149:(1934 novel)
3146:
3138:
3130:
3122:
3066:
3058:
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3007:
3001:Breton Women
2999:
2991:
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2927:
2921:Watercolours
2905:
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2628:
2621:
2614:
2608:The Gardener
2606:
2599:
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2564:
2557:
2550:
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2471:L'Arlésienne
2469:
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2455:
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2427:
2420:
2413:
2406:
2399:
2392:
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2332:
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2311:
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2265:
2258:
2240:
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2219:
2212:
2194:
2187:
2180:
2173:
2166:
2159:
2152:
2145:
2138:
2131:
2124:
2117:
2110:
2092:
2085:
2078:
2071:
2064:
2057:
2050:
2043:
2036:
2029:
2022:
2004:
1997:
1990:
1983:
1948:
1944:
1928:
1920:
1914:Wheat Fields
1912:
1904:
1896:
1888:
1880:
1872:
1864:
1856:
1848:
1840:
1832:
1824:
1817:
1816:
1802:
1794:
1788:Japonaiserie
1786:
1778:
1770:
1762:
1748:
1740:
1732:
1726:Wheat Fields
1724:
1716:
1708:
1700:
1692:
1684:
1664:
1597:
1500:
1485:
1463:
1448:
1433:
1419:
1404:
1389:
1374:
1359:
1344:
1333:
1318:
1312:Bibliography
1299:. Retrieved
1295:the original
1284:
1273:. Retrieved
1269:the original
1259:
1250:
1239:. Retrieved
1234:
1225:
1216:
1205:. Retrieved
1201:the original
1196:
1187:
1178:
1169:
1160:
1149:. Retrieved
1145:the original
1140:
1131:
1122:
1113:
1092:
1083:
1074:
1065:
1060:Mancoff, 61.
1044:
1021:. Retrieved
1016:
990:. Retrieved
985:
961:. Retrieved
957:Projet Babel
956:
947:
936:. Retrieved
929:the original
924:
911:
886:. Retrieved
881:
850:
841:
832:
821:. Retrieved
814:the original
809:
797:
792:Shoham, 142.
788:
767:
733:
732:
723:
721:
710:
702:
688:
681:
678:Andrew Wyeth
674:David Bowman
667:
663:
658:
638:
619:
600:
573:
558:
556:
540:
521:
485:
481:
476:
467:
459:
455:
450:
436:
421:
398:
383:
381:
378:integrated."
374:
372:
366:
364:
356:color theory
350:
349:
338:
316:
310:
294:
279:
273:
266:
242:
237:
233:
185:
158:
141:
116:
91:
89:
18:
3337:Jan Hulsker
3324:Cataloguers
3310:Anton Mauve
3269:(2018 film)
3261:(2017 film)
3249:(2007 film)
3242:(2003 play)
3234:(1991 film)
3218:(1990 film)
3210:(1990 film)
3202:(1990 film)
3194:(1987 film)
3165:(1956 film)
3157:(1948 film)
2907:Poppy Field
2686:The Diggers
2038:Bulb Fields
1922:Butterflies
1906:Olive Trees
1885:(1888–1890)
1877:(1888–1890)
1813:(1887–1890)
1807:(1887–1890)
1799:(1887–1889)
1759:(1886–1889)
1729:(1885–1890)
1689:(1883–1885)
1675:(1881–1888)
1669:(1881–1885)
1661:(1881–1890)
1653:Early works
1522: /
1108:Maurer, 64.
1078:Maurer, 63.
959:(in French)
297:perspective
258:Fos-sur-Mer
208:Netherlands
204:Netherlands
192:drawbridges
130:Netherlands
108:perspective
3374:Categories
3115:Portrayals
2893:Tree Roots
2732:The Siesta
2594:Lilac Bush
2492:Les Arènes
2380:The Zouave
1796:Sunflowers
1750:Montmartre
1593:Chronology
1507:43°39′25″N
1301:2018-01-06
1275:2011-05-13
1241:2011-04-28
1207:2011-04-28
1151:2011-04-28
1023:2011-04-28
992:2011-04-28
963:2011-05-14
938:2011-05-14
888:2011-04-28
823:2011-04-28
783:Arfin, 37.
760:References
647:Providence
169:sunflowers
150:Background
66:Dimensions
2665:Cypresses
2580:Two Crabs
2373:La Mousmé
1999:Lying Cow
1933:(1889–90)
1925:(1889–90)
1869:(1888–89)
1861:(1888–89)
1853:(1888–89)
1753:(1886–87)
1745:(1886–87)
1718:Amsterdam
1713:(1884–85)
1705:(1884–85)
1681:(1882–83)
1659:Portraits
1655:(1881–82)
1644:Groups of
1578:Biography
1510:4°37′16″E
1334:Blue Flag
1096:Fell, 64.
719:history.
588:(JH 1370)
335:Hiroshige
315:'s print
313:Hiroshige
301:The Hague
196:windmills
112:The Hague
3232:Van Gogh
3171:Van Gogh
3155:Van Gogh
3020:Drawings
2823:The Cows
2112:Two Rats
1772:Asnières
1686:Cottages
897:cite web
748:See also
553:Drawings
543:, 1888,
524:, 1888,
401:, 1888,
323:Japanese
284:Japonist
212:reed pen
119:Japanese
74:Location
3347:Related
3224:Vincent
3192:Vincent
3079:Museums
1949:Squares
1943:Auvers
1571:General
699:Cantata
695:Spanish
649:(F1416)
626:(F1470)
607:(F1471)
507:Germany
503:Cologne
494:impasto
407:Otterlo
181:Avignon
126:impasto
3278:Family
3216:Dreams
3133:(1887)
3071:(1888)
3063:(1887)
3055:(1882)
3047:(1882)
3044:Sorrow
3039:(1881)
3012:(1890)
3004:(1888)
2996:(1883)
2988:(1883)
2980:(1883)
2972:(1883)
2964:(1883)
2956:(1882)
2948:(1882)
2940:(1882)
2932:(1881)
2617:(1889)
2587:Irises
1952:(1890)
1939:(1890)
1917:(1889)
1909:(1889)
1901:(1889)
1898:Reaper
1893:(1889)
1845:(1888)
1837:(1888)
1829:(1888)
1821:(1888)
1791:(1887)
1783:(1887)
1775:(1887)
1767:(1887)
1737:(1886)
1721:(1885)
1697:(1884)
1605:Health
1470:
1455:
1440:
1426:
1411:
1396:
1381:
1366:
1351:
1325:
712:Artaud
188:canals
173:fields
84:(F570)
56:Medium
38:Artist
1780:Seine
1646:works
1615:Death
932:(PDF)
921:(PDF)
817:(PDF)
806:(PDF)
728:easel
697:for "
253:Locks
177:Nîmes
163:, in
161:Arles
155:Arles
102:, in
100:Arles
2724:1890
2658:Rain
2544:1889
2351:1888
2284:1887
2252:1886
2206:1885
2104:1884
2016:1883
1977:1882
1947:and
1679:Sien
1468:ISBN
1453:ISBN
1438:ISBN
1424:ISBN
1409:ISBN
1394:ISBN
1379:ISBN
1364:ISBN
1349:ISBN
1323:ISBN
903:link
468:The
463:Sien
382:For
269:Theo
245:Bouc
186:The
179:and
134:Theo
90:The
51:1888
48:Year
2700:Ivy
1489:on
705:by
680:'s
501:in
337:'s
3376::
1233:.
1195:.
1139:.
1101:^
1053:^
1032:^
1015:.
1001:^
984:.
972:^
955:.
923:.
899:}}
895:{{
880:.
859:^
808:.
776:^
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171:,
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1444:.
1415:.
1400:.
1385:.
1370:.
1355:.
1329:.
1304:.
1278:.
1244:.
1210:.
1154:.
1026:.
995:.
966:.
941:.
905:)
826:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
