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The
Chinese women of the title are Lisinga and her two friends, Tangia and Sivene. The only other character is Lisinga's brother Silango, who has just returned from Europe. To entertain him, they perform arias in contrasting styles:
282:
Tangia, who is envious of
Silango's affection towards Sivene, sings a comic aria that pokes fun at a young Parisian dandy standing before a mirror, and thus indirectly satirising Sivene.
434:
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Max
Loppert has commented on Gluck's relationship with the Austrian royal family and its bearings on this work. The work has also been characterized as a
555:
580:
155:, even though Metastasio and the composer both retained the original designation. The work was first performed for the Austrian royal family at the
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Sivene and
Silango sing a pastoral duet as shepherdess and shepherd, respectively. The two already share romantic feelings towards each other.
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The characters agree that each style has its drawbacks. The opera concludes with a ballet,
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Loppert, Max, "Gluck's
Chinese Ladies: An Introduction" (June 1984
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on 24 September 1754, on the occasion of the visit of the
Empress
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Les Fêtes théâtrales de Métastase à la cour de Vienne (1731–1767)
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in 1735. For Gluck's rework, the piece is often considered as an
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Deutsche
Harmonia Mundi EL 16 9575 1: Isabelle Poulenard,
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19:For the 1831 setting of the same libretto, see
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148:
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365:Howard, Patricia, "Music in London: Opera –
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542:
47:
520:International Music Score Library Project
361:
359:
174:on then-contemporary opera conventions.
16:1754 opera by Christoph Willibald Gluck
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325:Orpheo Cat: 178891A: Kaaren Erickson,
143:. This libretto had first been set by
537:
356:
970:Operas by Christoph Willibald Gluck
806:(1765, unperformed in his lifetime)
445:. L'Almanacco di Gherardo Casaglia
125:in one act, with music composed by
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198:Premiere cast, 24 September 1754
184:Roles, voice types, premiere cast
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762:
414:by Jacques Joly (January 1980).
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1:
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995:Operas set in imperial China
7:
316:Schola Cantorum Basiliensis
293:, sung as a vocal quartet.
258:
137:, and he described it as a
91:24 September 1754
10:
1016:
630:La Semiramide riconosciuta
433:Casaglia, Gherardo (2005).
18:
915:
892:
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622:Le nozze d'Ercole e d'Ebe
589:
571:
565:Christoph Willibald Gluck
461:, Review of recording of
398:(1696): pp. 321–323, 325.
127:Christoph Willibald Gluck
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78:
68:
58:
46:
41:Christoph Willibald Gluck
35:
30:
670:L'innocenza giustificata
177:
53:Portrait of the composer
975:Italian-language operas
529:Bampton Classical Opera
268:Lisinga sings a tragic
140:componimento drammatico
129:. The Italian-language
1000:Libretti by Metastasio
339:Munich Radio Orchestra
272:, as the character of
149:
139:
779:La rencontre imprévue
614:La caduta de' giganti
327:Alexandrina Miltcheva
851:Iphigénie en Tauride
771:Il trionfo di Clelia
581:List of compositions
379:(1699): pp. 515–517.
369:" (September 1984).
308:Anne Sofie von Otter
163:to the household of
835:Iphigénie en Aulide
702:La Cythère assiégée
646:La clemenza di Tito
417:Music & Letters
314:; Orchestra of the
186:
165:Saxe-Hildburghausen
787:Il Parnaso confuso
718:Le diable Ă quatre
443:24 September 1754"
252:Katharina Starzer
241:Theresia Heinisch
182:
21:Le cinesi (GarcĂa)
935:
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819:Le feste d'Apollo
758:Orfeo ed Euridice
734:L'ivrogne corrigé
694:La fausse esclave
475:(2): pp. 297–298.
424:(1): pp. 113–114.
391:The Musical Times
372:The Musical Times
343:Lamberto Gardelli
304:Gloria Banditelli
290:Judgment of Paris
256:
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135:Pietro Metastasio
119:The Chinese Women
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73:Pietro Metastasio
63:The Chinese Women
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900:Alfred Wotquenne
864:Écho et Narcisse
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726:L'arbre enchanté
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518:: Scores at the
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227:Joseph Friebert
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151:azione teatrale
145:Antonio Caldara
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576:List of operas
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500:External links
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686:Il re pastore
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491:Naxos Records
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161:Maria Theresa
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750:Le cadi dupé
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506:Libretto of
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465:(May 1987).
462:
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447:(in Italian)
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429:
421:
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411:
410:, Review of
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395:
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384:
376:
370:
366:
345:, conductor.
335:Thomas Moser
331:Marga Schiml
287:
285:
269:
262:
169:
118:
113:
112:
111:
62:
25:
990:1754 operas
468:Early Music
322:, conductor
320:René Jacobs
157:Schloss Hof
104:, Marchfeld
102:Schloss Hof
59:Translation
964:Categories
606:Ipermestra
598:Demofoonte
350:References
312:Guy de Mey
297:Recordings
274:Andromache
249:contralto
194:Voice type
95:1754-09-24
69:Librettist
803:La corona
654:Le cinesi
525:"Details"
515:Le cinesi
508:Le cinesi
486:Le cinesi
463:Le cinesi
437:Le cinesi
367:Le cinesi
207:contralto
114:Le cinesi
31:Le cinesi
926:Category
906:Chaconne
883:Don Juan
795:Telemaco
678:Antigono
662:La danza
259:Synopsis
218:Silango
203:Lisinga
131:libretto
121:) is an
87:Premiere
79:Language
893:Related
854:(1779)
811:Alceste
761:(1762)
246:Tangia
237:soprano
233:Sivene
133:was by
93: (
82:Italian
985:Operas
940:Portal
875:Ballet
867:(1779)
846:(1777)
843:Armide
838:(1774)
830:(1770)
822:(1769)
814:(1767)
798:(1765)
790:(1765)
782:(1764)
774:(1763)
753:(1761)
745:(1760)
742:Tetide
737:(1760)
729:(1759)
721:(1759)
713:(1758)
705:(1759)
697:(1758)
689:(1756)
681:(1756)
673:(1755)
665:(1755)
657:(1754)
649:(1752)
641:(1750)
633:(1748)
625:(1747)
617:(1746)
609:(1744)
601:(1743)
590:Operas
441:
172:satire
954:Opera
270:scena
222:tenor
190:Role
178:Roles
123:opera
37:Opera
638:Ezio
288:The
396:125
377:125
39:by
966::
527:,
489:,
473:15
471:,
422:61
420:,
394:,
375:,
358:^
341:;
337:;
333:,
329:,
318:;
310:,
306:,
167:.
942::
557:e
550:t
543:v
449:.
439:,
435:"
276:.
117:(
97:)
23:.
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