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Ilya Lopert

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reporting that for the first time in six years not one foreign language film grossed over one million dollars. This trend and other factors affecting Hollywood at the end of the 1960s led United Artists to close Lopert films in 1970. He had a daughter,
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only 12 foreign films a year played in the United States and it was impossible to make a living distributing foreign language films in America.
417: 447: 422: 33:(May 1, 1905 – February 27, 1971) was an American film producer and distributor. He was renowned for distributing foreign films for both 160:
bought Lopert Films, renaming them Lopert Pictures to release foreign films that may attract controversy by being in violation of the
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where he dubbed American films into Spanish. He accompanied his wife to the United States in 1936, and found work in
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and also owned two cinemas in Washington D.C. the DuPont and Playhouse and one cinema in New York City, the Plaza.
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Lopert formed Pax Films and Juno Films to distribute foreign films in the USA, most famously
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United Artists: The Company that Changed the Film Industry Univ of Wisconsin Press, 1987
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on behalf of the film's producers who made no move to attend, and were thus ostracized.
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and mainstream release in the United States. He was often credited as I. E. Lopert.
176:(1960). In 1961, Lopert became United Artists' coordinator of European Production. 119: 185: 172: 161: 197: 193: 157: 391: 166: 215: 180: 108: 74: 267: 247: 54: 50: 378: 355: 153: 142: 209:
The arthouse film industry collapsed in the United States in 1970.
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of the time. Lopert Pictures first release for United Artists was
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was created in 1947 to release foreign films in the USA such as
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In addition to foreign films, Lopert films also released
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failures that forced him to sell his theatres. In 1958,
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preparing American films for the South American market.
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Though critically acclaimed, his films were American
69:from 1930 to 1933. He held a variety of jobs in 428:Emigrants from the Russian Empire to Switzerland 389: 268:"With Juno (Sorted by Popularity Ascending)" 323:, Volumes 222–223 Quigley Pub. Co., 1961 196:presentation, Ilya Lopert, representing 14: 390: 418:American people of Lithuanian descent 448:Swiss emigrants to the United States 423:20th-century American businesspeople 92: 334:Billy Wilder, American Film Realist 288:Foreign Films in America: A History 24: 25: 459: 372: 170:(1959) followed by the smash hit 348: 339: 326: 314: 305: 293: 280: 260: 240: 228: 13: 1: 221: 433:Swiss expatriates in Belgium 40: 7: 438:Swiss expatriates in France 10: 464: 403:Film distributors (people) 332:p. 108 Armstrong, Richard 443:Swiss expatriates in Mali 218:, who became an actress. 135:(1957). Lopert produced 398:American film producers 237:obituary (3 March 1971) 67:University of Grenoble 47:electrical engineering 27:American film producer 321:Motion Picture Herald 286:p.109 Segrave, Kerry 299:p.226 Balio, Tino 63:University of Ghent 79:Paramount Pictures 147:Katharine Hepburn 132:Nights of Cabiria 93:Film distribution 16:(Redirected from 455: 366: 365: 352: 346: 343: 337: 330: 324: 318: 312: 309: 303: 297: 291: 284: 278: 277: 264: 258: 257: 244: 238: 232: 21: 463: 462: 458: 457: 456: 454: 453: 452: 388: 387: 375: 370: 369: 354: 353: 349: 344: 340: 336:McFarland, 2005 331: 327: 319: 315: 310: 306: 298: 294: 290:McFarland, 2004 285: 281: 266: 265: 261: 246: 245: 241: 233: 229: 224: 186:Kiss Me, Stupid 173:Never on Sunday 162:Production Code 95: 45:Lopert studied 43: 28: 23: 22: 18:Lopert Pictures 15: 12: 11: 5: 461: 451: 450: 445: 440: 435: 430: 425: 420: 415: 410: 405: 400: 386: 385: 374: 373:External links 371: 368: 367: 356:"Tanya Lopert" 347: 338: 325: 313: 304: 292: 279: 259: 239: 226: 225: 223: 220: 198:United Artists 194:Academy Awards 158:United Artists 94: 91: 51:First World Wa 42: 39: 26: 9: 6: 4: 3: 2: 460: 449: 446: 444: 441: 439: 436: 434: 431: 429: 426: 424: 421: 419: 416: 414: 411: 409: 406: 404: 401: 399: 396: 395: 393: 384: 380: 377: 376: 363: 362: 357: 351: 342: 335: 329: 322: 317: 308: 302: 296: 289: 283: 275: 274: 269: 263: 255: 254: 249: 243: 236: 231: 227: 219: 217: 212: 207: 205: 204: 199: 195: 190: 188: 187: 182: 177: 175: 174: 169: 168: 167:Black Orpheus 163: 159: 155: 150: 148: 144: 140: 139: 134: 133: 128: 127: 122: 121: 116: 112: 110: 106: 102: 101: 90: 88: 84: 80: 76: 72: 68: 64: 60: 56: 52: 48: 38: 36: 32: 19: 359: 350: 341: 333: 328: 320: 316: 307: 300: 295: 287: 282: 271: 262: 251: 242: 234: 230: 216:Tanya Lopert 210: 208: 201: 192:At the 1964 191: 184: 181:Billy Wilder 178: 171: 165: 151: 136: 130: 129:(1955), and 124: 118: 115:Lopert Films 114: 113: 109:World War II 98: 96: 75:French Sudan 44: 30: 29: 413:1971 deaths 408:1905 births 379:Ilya Lopert 345:p.232 Balio 311:p.227 Balio 141:(1955) for 126:Richard III 81:studios in 55:Switzerland 31:Ilya Lopert 392:Categories 222:References 154:box office 143:David Lean 138:Summertime 65:, and the 49:after the 203:Tom Jones 120:Shoeshine 100:Mayerling 87:Hollywood 41:Biography 189:(1964). 123:(1946), 73:and the 35:arthouse 235:Variety 211:Variety 61:at the 59:Belgium 71:France 83:Paris 57:, in 53:r in 383:IMDb 361:IMDb 273:IMDb 253:IMDb 145:and 381:at 183:'s 105:MGM 394:: 358:. 270:. 250:. 364:. 276:. 256:. 20:)

Index

Lopert Pictures
arthouse
electrical engineering
First World Wa
Switzerland
Belgium
University of Ghent
University of Grenoble
France
French Sudan
Paramount Pictures
Paris
Hollywood
Mayerling
MGM
World War II
Shoeshine
Richard III
Nights of Cabiria
Summertime
David Lean
Katharine Hepburn
box office
United Artists
Production Code
Black Orpheus
Never on Sunday
Billy Wilder
Kiss Me, Stupid
Academy Awards

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