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Louis-Armand Chardin

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and was finally received the following year. He stood out for the beauty of his voice and the purity of his singing. Nevertheless, he acted coldly and never knew how to enliven the stage. The role which made him most honoured was that of Theseus in
279:, were in a better condition than this artist to work for this show: the vaudeville was his favorite genre, and he was made to enrich his theatre with a multitude of tunes, which the authors have put everywhere, and which are in everyone's mouth. 283:
This job did not prevent Chardin from continuing to be part of the Opera staff, but it did give him the ability to place a relative, perhaps his brother, J. Chardin, in the orchestra of Vaudeville, where he played the
166: 296: 254: 368: 96: 68: 49: 75: 509: 499: 269:, they hired Chardin as a "teacher" of their young artists, and as a composer and arranger of the music for their plays. 504: 82: 115: 489: 494: 310: 258: 64: 53: 484: 208: 420: 364: 266: 171: 89: 315: 275: 42: 434: 479: 474: 197: 8: 301: 239: 158: 231: 389: 165:
Chardin was a composer, and we know of him several small operas that he wrote for the
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It is also necessary to add to the list of his dramatic productions
144: 31: 220: 152: 413: 395: 20: 285: 135:(1755 – 1 October 1793) was an 18th-century French composer. 441: 200:. He is also known for the music of a melodrama entitled: 418: 242:, was performed at the Opera on 11 September 1787. 56:. Unsourced material may be challenged and removed. 295:, Chardin was captain of an armed company of the 466: 230:the same year. Chardin wrote the recitatives of 207:Chardin was one of the first to set music to 346:But what causes everyone a more severe pain, 309:Five days after his death, the vaudevillist 373:, Paris, Firmin-Didot, 1881, (p. 170). 351:The Republic, in him, loses a good citizen. 410:Louis-Claude-Armand Chardin, dit Chardiny 116:Learn how and when to remove this message 291:Having warmly embraced the party of the 313:sent these verses about Chardin to the 467: 253:in one act which was performed at the 370:Biographie universelle des musiciens 273:Few people, wrote the editor of the 54:adding citations to reliable sources 25: 13: 306:when he died at age thirty-seven. 14: 521: 403: 452: 440: 428: 238:, when this work, translated by 147:, Chardin made his debut at the 30: 41:needs additional citations for 383: 1: 377: 336:Vaudeville a good supporter, 138: 7: 510:18th-century French singers 500:French male opera composers 341:The god Comus a good guest; 10: 526: 358: 326:Opera loses a good artist, 255:Théâtre-comique et lyrique 194:l’Anneau perdu et retrouvĂ© 18: 505:French operatic baritones 391:Le Roi ThĂ©odore Ă  Venise 331:Music, a good harmonist, 236:Le Roi ThĂ©odore Ă  Venise 490:Musicians from Normandy 276:Almanach des Spectacles 257:in 1790. When in 1792, 192:, 1788. In 1787 he had 178:le Pouvoir de la nature 495:French opera composers 316:Journal des Spectacles 281: 65:"Louis-Armand Chardin" 365:François-Joseph FĂ©tis 271: 267:Théâtre du Vaudeville 190:Clitandre et CĂ©phise 184:, in one act, 1786; 180:, in one act, 1786; 129:Louis-Armand Chardin 50:improve this article 19:For other uses, see 16:French opera singer 485:People from FĂ©camp 167:Théâtre Beaujolais 247:l'Amant sculpteur 228:Concert spirituel 226:was given at the 202:Annette et Basile 198:ComĂ©die-Italienne 196:performed at the 126: 125: 118: 100: 517: 457: 456: 455: 445: 444: 433: 432: 431: 424: 398: 387: 305: 297:section de Marat 265:established the 175: 121: 114: 110: 107: 101: 99: 58: 34: 26: 525: 524: 520: 519: 518: 516: 515: 514: 465: 464: 463: 453: 451: 439: 435:classical music 429: 427: 419: 406: 401: 388: 384: 380: 361: 299: 224:Retour de Tobie 182:la Ruse d’amour 169: 141: 122: 111: 105: 102: 59: 57: 47: 35: 24: 17: 12: 11: 5: 523: 513: 512: 507: 502: 497: 492: 487: 482: 477: 462: 461: 449: 437: 417: 416: 405: 404:External links 402: 400: 399: 381: 379: 376: 375: 374: 360: 357: 356: 355: 354: 353: 348: 343: 338: 333: 328: 159:Ĺ’dipe Ă  Colone 140: 137: 124: 123: 38: 36: 29: 15: 9: 6: 4: 3: 2: 522: 511: 508: 506: 503: 501: 498: 496: 493: 491: 488: 486: 483: 481: 478: 476: 473: 472: 470: 460: 450: 448: 443: 438: 436: 426: 425: 422: 415: 411: 408: 407: 397: 393: 392: 386: 382: 372: 371: 366: 363: 362: 352: 349: 347: 344: 342: 339: 337: 334: 332: 329: 327: 324: 323: 322: 321: 320: 318: 317: 312: 307: 303: 298: 294: 289: 287: 280: 278: 277: 270: 268: 264: 260: 256: 252: 251:opĂ©ra comique 248: 243: 241: 237: 233: 229: 225: 222: 218: 214: 210: 205: 203: 199: 195: 191: 187: 183: 179: 173: 168: 163: 161: 160: 154: 150: 146: 136: 134: 130: 120: 117: 109: 98: 95: 91: 88: 84: 81: 77: 74: 70: 67: â€“  66: 62: 61:Find sources: 55: 51: 45: 44: 39:This article 37: 33: 28: 27: 22: 390: 385: 369: 350: 345: 340: 335: 330: 325: 314: 308: 290: 282: 274: 272: 246: 244: 235: 223: 216: 212: 211:'s romances 206: 201: 193: 189: 185: 181: 177: 164: 157: 142: 132: 128: 127: 112: 103: 93: 86: 79: 72: 60: 48:Please help 43:verification 40: 480:1793 deaths 475:1755 births 300: [ 186:le Clavecin 176:, such as: 170: [ 151:in 1780 as 149:Paris opera 469:Categories 378:References 293:Revolution 106:March 2018 76:newspapers 232:Paisiello 139:Biography 131:, called 319: : 221:oratorio 188:, 1787; 153:baritone 143:Born in 133:Chardiny 421:Portals 414:Gallica 396:Gallica 359:Sources 288:parts. 217:GalatĂ©e 213:Estelle 209:Florian 90:scholar 21:Chardin 459:France 240:Moline 219:. His 145:FĂ©camp 92:  85:  78:  71:  63:  447:opera 304:] 286:cello 263:BarrĂ© 174:] 97:JSTOR 83:books 311:Piis 261:and 259:Piis 215:and 69:news 412:on 394:on 234:'s 52:by 471:: 367:, 302:fr 249:, 204:. 172:fr 162:. 423:: 119:) 113:( 108:) 104:( 94:· 87:· 80:· 73:· 46:. 23:.

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Chardin

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"Louis-Armand Chardin"
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FĂ©camp
Paris opera
baritone
Ĺ’dipe Ă  Colone
Théâtre Beaujolais
fr
Comédie-Italienne
Florian
oratorio
Concert spirituel
Paisiello
Moline
opéra comique
Théâtre-comique et lyrique
Piis
Barré
Théâtre du Vaudeville
Almanach des Spectacles

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