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Lucas Vorsterman the Elder

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dispute are not known, but it has generally been assumed that its source was in the issue of ownership of the authorial rights to the prints engraved by Vorsterman on the basis of Rubens' designs. In 1621, Vorsterman began to add his own dedications to his engravings after Rubens' paintings. Before the dispute arose, their relationship had ostensibly been good since Rubens had agreed to be godfather to Vorsterman's eldest son Lucas Vorsterman II. The dispute ended the working relationship between the two men.
94:. Around 1618, Vorsterman joined Rubens' workshop. Between 1619 and 1621, Vorsterman was Rubens's sole engraver. At that time, Rubens had embarked upon a printmaking enterprise in which he enlisted Vorsterman to engrave a number of his notable paintings, to which Rubens appended personal and professional dedications to noteworthy individuals. 97:
In 1621, a violent dispute arose between Vorsterman and Rubens. It is not clear whether there was a physical altercation between the two men, but the situation was sufficiently serious for Rubens' lawyers to petition the authorities for a protection order, which was granted. The exact causes of the
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In 1624, Vorsterman went to England and survived on the patronage of royalty and nobility. He returned to Antwerp in 1630 and was one of the printmakers selected by Van Dyck to engrave plates for his
105:. Vorsterman executed twenty-two of the original eighty plates. Vorsterman lost his sight in his old age and he lived in poverty. He lived on the support of the Antwerp 38: 335: 75: 208: 244: 345: 340: 289: 125: 48: 168:
Hottle, Andrew D. (2004). "Commerce and Connections: Peter Paul Rubens and the Dedicated Print".
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Master of Shadows: The Secret Diplomatic Career of the Painter Peter Paul Rubens
113: 181: 319: 117: 255: 121: 91: 63: 60: 41:; engraving by Lucas Vorsterman the Elder after a portrait by 259: 132:(born in 1624) was trained by his father as an engraver. 231:. New York: Random House Incorporated. pp. 108–110. 245:
Lucas Vorsterman (1595-1675) at the Fitzwilliam Museum
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Flemish paintings in the Metropolitan Museum of Art
275: 273: 196: 317: 240: 238: 284:. New York: The Metropolitan Museum of Art. 39:Wolfgang William, Count Palatine of Neuburg 23:Portrait of Lucas Vorsterman, engraving by 235: 222: 220: 203:. Princeton: Princeton University Press. 163: 161: 159: 47: 33: 18: 226: 318: 217: 167: 147: 156: 194: 170:Nederlands Kunsthistorisch Jaarboek 76:Thomas Howard, 21st Earl of Arundel 13: 267: 14: 357: 304: 74:, as well as for patrons such as 150:The Letters of Peter Paul Rubens 249: 188: 148:Magurn, Ruth Saunders (1955). 141: 1: 135: 66:. He worked with the artists 336:Dutch Golden Age printmakers 85: 7: 274:Liedtke, Walter A. (1984). 10: 362: 126:Marinus Robyn van der Goes 182:10.1163/22145966-90000105 109:until his death in 1675. 195:Held, Julius S. (1982). 59:(1595–1675) was a 90:Vorsterman was born in 346:People from Zaltbommel 227:Lamster, Mark (2010). 53: 45: 31: 341:Painters from Antwerp 199:Rubens and His Circle 51: 37: 22: 128:. Vosterman's son 80:Charles I of England 130:Lucas Vorsterman II 112:His pupils include 298:Vorstermans, Lucas 256:Lucas Vorsterman I 54: 52:Triumph of Poverty 46: 32: 296:(see index, v.1: 68:Peter Paul Rubens 353: 295: 283: 262: 253: 247: 242: 233: 232: 224: 215: 214: 202: 192: 186: 185: 165: 154: 153: 145: 107:Guild of St Luke 72:Anthony van Dyck 57:Lucas Vorsterman 43:Anthony van Dyck 25:Anthony van Dyck 16:Baroque engraver 361: 360: 356: 355: 354: 352: 351: 350: 316: 315: 307: 292: 270: 268:Further reading 265: 254: 250: 243: 236: 225: 218: 211: 193: 189: 166: 157: 146: 142: 138: 88: 17: 12: 11: 5: 359: 349: 348: 343: 338: 333: 328: 314: 313: 306: 305:External links 303: 302: 301: 290: 269: 266: 264: 263: 248: 234: 216: 209: 187: 155: 139: 137: 134: 114:Paulus Pontius 87: 84: 15: 9: 6: 4: 3: 2: 358: 347: 344: 342: 339: 337: 334: 332: 329: 327: 324: 323: 321: 312: 309: 308: 299: 293: 287: 282: 281: 278: 272: 271: 261: 257: 252: 246: 241: 239: 230: 223: 221: 212: 210:9780691039688 206: 201: 200: 191: 183: 179: 175: 171: 164: 162: 160: 151: 144: 140: 133: 131: 127: 123: 119: 118:Hans Witdoeck 115: 110: 108: 104: 99: 95: 93: 83: 81: 77: 73: 69: 65: 62: 58: 50: 44: 40: 36: 30: 26: 21: 311:Works at WGA 297: 280: 277: 251: 228: 198: 190: 173: 169: 149: 143: 111: 102: 100: 96: 89: 56: 55: 28: 331:1675 deaths 326:1595 births 122:Jacob Neefs 103:Iconography 29:Iconography 320:Categories 291:0870993569 136:References 92:Zaltbommel 176:: 54–85. 86:Biography 64:engraver 27:for his 258:in the 61:Baroque 288:  207:  286:ISBN 205:ISBN 124:and 78:and 70:and 260:RKD 178:doi 322:: 300:). 237:^ 219:^ 174:55 172:. 158:^ 120:, 116:, 82:. 294:. 213:. 184:. 180::

Index


Anthony van Dyck

Wolfgang William, Count Palatine of Neuburg
Anthony van Dyck

Baroque
engraver
Peter Paul Rubens
Anthony van Dyck
Thomas Howard, 21st Earl of Arundel
Charles I of England
Zaltbommel
Guild of St Luke
Paulus Pontius
Hans Witdoeck
Jacob Neefs
Marinus Robyn van der Goes
Lucas Vorsterman II



doi
10.1163/22145966-90000105
Rubens and His Circle
ISBN
9780691039688


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