805:, Germany held "Lynn Hershman Leeson: Civic Radar", a retrospective of work. The ZKM Museum described the retrospective as having "realized the first retrospective which not only ensures an overview of all creative phases in Leeson's oeuvre but also the most recent productions of this innovative artist." While encompassing a wide body of Hershman's work throughout the years, as an exhibition, "Civic Radar" highlights Hershman's interest in technology, looking closely at artificial intelligence and genetic modification. In 2017, "Lynn Hershman Leeson: Civic Radar," Hershman's retrospective from ZKM was hosted at the
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557:, allows the viewer to peer inside of a box through a small periscopic device and see a bed, telephone, chair, television, and some clothes on the floor. In the back of the small room, a woman appears on a screen and it is there where she asks the following: “What are you doing here? Please look somewhere else!”. There are about 17 segments and depending on where the viewer is focusing, a different video plays in the back wall. Throughout the experience, the viewer is positioned to be a
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820:. The New Museum described the exhibition as bringing "together a selection of Hershman Leeson’s work in drawing, sculpture, video, and photography, along with interactive and net-based works, focusing on themes of transmutation, identity construction, and the evolution of the cyborg. Filling the New Museum’s Second Floor galleries, this presentation some of the artist’s most important projects, including wax-cast
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technological life and human life, and how the two can marry. Strange
Culture again was about misidentity, where the media created a fictional character that they blame this crime on, rather than the actual person. All of these works are about erasure of identity and how technology adds to it and creates it. And how you can defeat that.
561:, an individual who gains sexual gratification by watching an unsuspecting individual either partly undress, get naked or engage in sexual activities, but any pleasure that is gained, is quickly frustrated in many different ways. At the end, the viewer's reflection is shown in a small television in the back of the room.
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Leeson was also featured in the Women's eNews "21 Leaders for the 21st
Century" special in 2014 for her role in empowering young female artists to strengthen their artistic voices. Her documentary !W.A.R. raises awareness for the fact that the art world is a male-dominated realm and explores the many
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woman who never left her one-room apartment. As Lorna watched the news and advertisements, watched the news and ads, she became fearful, afraid to leave her tiny room. Viewers were invited to liberate Lorna from her fears, using remote control units, and have the option of directing her life into
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named "Roberta
Breitmore." It consisted not only of a physical self-transformation through make-up, clothing, and wigs, but a fully-fledged personality existing over an extended period of time and whose existence could be proven in the world through physical evidence, such as a driver's license,
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This was later taken to further lengths when
Hershman Leeson introduced another three 'Robertas', by hiring other performers to enact her character. These 'clones' of Roberta adopted the same look and attire, engaged in some of Roberta's correspondence and also went on some of Roberta (Hershman
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The films are all about loss and technology. Ada
Lovelace invented computer language, but was never credited and was basically erased from history. Teknolust is about artificial intelligence clones: the bots that escape into reality and interact with human life, in effect a symbiosis between
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is composed of a wax face with a wig and butterflies contained in a wood and plexiglass display, expressing the a dichotomy of life and entrapment within the female body. Shaped by her experiences, Leeson's early works were political in nature and characterized as being closer inspections of
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848:(2014–present), and other works. The exhibition was curated by Margot Norton, Allen and Lola Goldring Curator, and was accompanied by a fully illustrated catalogue with contributions by Karen Archey and Martine Syms, and an interview with Lynn Hershman Leeson conducted by Margot Norton.
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The plot has multiple variations that can be seen backwards, forwards, at increased or decreased speeds, and from several points of view. There is no hierarchy in the ordering of decisions. And the icons were often made of cut-off and dislocated body parts such as a mouth, or an eye.
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Distinguished Artist Award. The
Digital Art Museum in Berlin recognized her work with the d.velop digital award (ddaa) for Lifetime Achievement in the field of New Media in 2010. Her work was recently included in Arthur and Marilouise Kroker's Top Ten for the January 2013 issue of
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composed of the therapy sessions between Cuban-artist and activist Tanya
Bruguera and Dr. Frank M. Ochberg revolving around the subjects of political surveillance, past trauma and the aftermath of imprisonment in Havana after her prior advocating for freedom of expression.
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series (1974–78) to videos from the 1980s and interactive installations that use the
Internet and artificial intelligence software. Her influential early ventures into performance and photography are also featured in the current touring exhibition
582:, a digital and analog presentation which reinterpreted dialogues drawn from the decade-long archive of text files of Agent Ruby's conversations with online users to reflect on technologies, recurrent themes, and patterns of audience engagement.
454:, composed of wax casts of her own face with dyes and assemblages as well as the recordings of her struggled breathing during her illness. The recording includes the voice asking the viewer a series of personal and uncomfortable questions.
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did it. Of course Laura took this practice further and I think that was very smart and I do not think she deserves the kind of condemnation that she got. If I had done the
Roberta thing ten years later, I would have faced the same
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Hershman Leeson has been described as a "new media pioneer" for her integration of emerging technologies into her work and is one of five artists that art historian
Patrick Frank examines in his 2024 book
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506:(Stanford Humanities Lab) to convert parts of the archive into something for a broader public. They worked to recreate and re-enact both Roberta Breitmore and The Dante Hotel in a virtual space.
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in 1972. One aspect of Hershman's master's thesis involved writing art criticism under three pseudonyms: Prudence Juris, Herbert Goode and Gay Abandon. She received an honorary Ph.D degree from
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is an installation, film and online interactive website. The prize comprises a six-month fellowship at the Media Center and an invitation to participate in next year's No Borders programme.
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Leeson's) dates. Towards the end, the 'original' Roberta withdrew from her character leaving the three 'clones' to continue her work, until they were retired in a performance at the
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Between 1995 and 2000, Roberta transformed into the CybeRoberta, an interactive artificial intelligent sculpture on the web. In 2006 Roberta Breitmore developed into a character in
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Agent Ruby used artificial intelligence to hold conversations with online users. These conversations shaped Agent Ruby's memory, knowledge, and moods. In 2013 the SFMOMA presented
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sculptures (1965–68) and selections from hundreds of early drawings from the 1960s, many of which exhibited before." The exhibition also included works from the
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Lynn Hershman Leeson has been awarded a special mention from the Jury for her participation in the 59th International Art Exhibition of La Biennale di Venezia –
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Libraries acquired Hershman Leeson's working archive. Stanford also acquired a collection of the interviews compiled for Hershman Leeson's 2010 documentary
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Hershman Leeson's earlier works drew interest from themes within science fiction and assemblages of the human body and sexuality. After suffering from
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In 2023, Leeson received honorary awards from Creative Capital The Mill Valley Film Festival, The Contemporary Jewish Museum (San Francisco).
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Her projects explore technology in digital media and science. Hershman Leeson was the first artist to launch an interactive piece using
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in Cleveland. After graduation, she moved to California intending to study painting and join the student activism at the
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The concept of an alter ego is not new at all. Writers have been protecting themselves in that way for centuries.
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In 1963, Hershman graduated with a bachelor's degree in Education, Museum Administration and Fine Arts from
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in New York City hosted the first solo museum exhibition in New York of Hershman Leeson's work, entitled
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1709:"A New Future from the Passed: Lynn Hershman Leeson Comes into Her Own After 50 Years of Prophetic Work"
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Lynn Hershman Leeson has directed 26 films, including six feature-length films. According to Leeson:
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features a series of seductive television ads in which a sexy woman asked for viewers to call her.
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1936:"Lynn Hershman Leeson: Origins of the Species (Part 2) review – always alert to the future"
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2167:"Exhibitions + Events | Calendar | Lynn Hershman Leeson: The Agent Ruby Files"
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1474:"The Flickering Flame takes out the ARTE International Prize for The Pixel Market 2014"
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2751:"Lynn Hershman Leeson: A Manual for Automatons, Bionic Beings and Cyborgs, 1962-1982"
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Lynn Hershman Leeson: A Manual for Automatons, Bionic Beings and Cyborgs, 1962-1982
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film department in 2007. She also served as an A. D. White Professor at Large at
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Hershman Leeson created the "Agent Ruby" website as a companion to her 2002 film
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2407:"Hershmanlandia: The Art and Films of Lynn Hershman Leeson - Henry Art Gallery"
1863:"SFAI Proudly Welcomes Lynn Hershman Leeson as New Head of Its Film Department"
1172:, Ruth C. Horton Gallery, Moss Arts Center, Virginia Tech, Blacksburg, Virginia
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3153:"Artist probes appearances in video, drawings, sculpture ... and, yes, robots"
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3176:"Bringing Creativity to Science: Dawn L. Hershman Is a Giant of Cancer Care"
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As part of her 2014 exhibition "How To Disappear," she premiered her video
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From 1993 to 2004, Hershman Leeson taught in the Art Studio program at the
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491:. What remains are the physical artefacts of any life: documentation and
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2314:"The Trauma of Political Engagement: Lynn Hershman Leeson's Tania Libre"
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Liquid Identities - Lynn Hershman Leeson, Identities of the 21st Century
1078:, San Francisco Museum of Modern Art (SFMoMa), San Francisco, California
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2555:"Lynn Hershman Leeson – How to Disappear, Ausstellung Aanant & Zoo"
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Work by Hershman Leeson is featured in the public collections of the
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1569:"The Art and Films of Lynn Hershman Leeson: Secret Agents, Private I
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Prize for Writing and Directing. In 2009 she was the recipient of a
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and was the 2013–2014 Dorothy H. Hirshon "Director in Residence" at
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The Art and Films of Lynn Hershman Leeson: Secret Agents, Private I
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2444:, Museum of Contemporary Art in Krakow, Retrieved 19 January 2019.
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From 1990 to 1993, Lynn Hershman Leeson produced a project called
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University, © Stanford; Stanford; California 94305 (2016-08-25).
1734:"Commencement 2023 to Be Held on May 17 at Radio City Music Hall"
1508:"At 80, S.F. artist celebrated by industry that once shunned her"
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1212:, Centro de Arte Dos de Mayo Comunidad de Madrid, Madrid, Spain
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2019:"Hacking the Codes of Self-representation LEA Magazine Article"
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and performance tradition, with an emphasis on interactivity.
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from the article and its talk page, especially if potentially
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in Ferrara, Italy in 1978, during an exorcism at the grave of
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From 1974 until 1978, Hershman Leeson 'developed' a fictional
2352:"Lynn Hershman Leeson: Civic Radar, February 10–May 21, 2017"
1179:, Yerba Buena Center for the Arts, San Francisco, California
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3053:"Women's eNews Announces 21 Leaders for 21st Century 2014"
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386:, among many others. Commissions include projects for the
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2968:"Visual Arts Faculty featured in Artforum's Top Ten List"
2259:"Immediate Kinship: Laura Albert on Lynn Hershman Leeson"
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2504:, Akademie der Kunste Berlin, Retrieved 19 January 2019.
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in 2005 on the occasion of another retrospective at the
549:. The project is said to be inspired by Thomas Edison's
2686:"Lynn Hershman Leeson: Origins of the Species (Part 2)"
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The Importance of Being Roberta, Katerina Gregos (2011)
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Datebook | San Francisco Arts & Entertainment Guide
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1431:. Hershman Leeson has two grandchildren, Noa and Eli.
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influential works of female artists over the decades.
1255:, Museum of Modern Art (MoMa), New York City, New York
343:, 1984–1989). Her networked robotic art installation (
335:, 1983–84), as well the first artist to incorporate a
1165:, Armory Gallery, Virginia Tech, Blacksburg, Virginia
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Lynn Hershman Leeson: Origins of the Species (Part 2)
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Civic Radar. Lynn Hershman Leeson - The Retrospective
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The Floating Museum (1975–1978): Lynn Hershman Leeson
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Heresies: A Feminist Publication on Art and Politics
2608:"Lynn Hershman Leeson in Berlin Gegen den Datenstro"
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1280:, Scott Nichols Gallery, San Francisco, California.
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655:, the Toronto International Film Festival and The
450:while pregnant in 1965, Leeson, created her piece
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495:such as legal and medical documents and a diary.
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2492:, Seattle Art Museum, Retrieved 19 January 2019.
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479:credit card, and letters from her psychiatrist.
233:; born June 17, 1941) is an American multimedia
2712:Lynn Hershman Leeson, Retrieved 17 October 2022
2688:, Modern Art Oxford, Retrieved 19 January 2019.
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2515:"Lynn Hershman Leeson, Aanat & Zoo, Berlin"
2456:, Kunsthalle Bremen, Retrieved 19 January 2019.
1596:"Lynn Hershman Leeson: The Artist Is Prescient"
358:(Zentrum fur Kunst und Medientechnologie), the
2993:Kroker, Arthur and Marilouise (January 2013).
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801:In 2014 The ZKM Museum of Contemporary Art in
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3210:!Women Art Revolution - Spotlight at Stanford
2753:Anglim Gilbert Gallery, Retrieved 7 May 2020.
2657:"Lynn Hershman Leeson: Ăśber das Verschwinden"
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2432:, de Young Museum, Retrieved 19 January 2019.
2222:!Women Art Revolution - Spotlight at Stanford
1889:Cornell Rose Goldsen Archive of New Media Art
1757:Wardrip-Fruin, Noah, and Nick Montfort, eds.
665:, was a feature-length documentary about the
3395:Elizabeth A. Sackler Center for Feminist Art
2467:"Lynn Hershman Leeson: The Agent Ruby Files"
1629:Art of the 1980s: As If the Digital Mattered
378:, in addition to the private collections of
251:Art of the 1980s: As If the Digital Mattered
3573:Why Have There Been No Great Women Artists?
3373:New York School of Applied Design for Women
3278:Guide to the papers of Lynn Hershman-Leeson
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2895:. John Simon Guggenheim Memorial Foundation
2676:, ZKM Karlsruhe, Retrieved 19 January 2019.
2585:"Tracing the Invisible on the Cutting Edge"
2240:: CS1 maint: numeric names: authors list (
1961:"Breitmore, Roberta (Lynn Hershman Leeson)"
1331:Fellowship. Also in 2009, she received the
673:. Artists interviewed for the film include
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3324:Feminist art movement in the United States
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3287:Women Art Revolution: Voices of a Movement
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1911:"Lynn Hershman Film Screening and Q&A"
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1158:, Cleveland Museum of Art, Cleveland, Ohio
1076:Lynn Hershman Leeson: The Agent Ruby Files
893:about living persons that is unsourced or
667:feminist art movement in the United States
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580:Lynn Hershman Leeson: The Agent Ruby Files
312:Hershman Leeson's work concerns identity,
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3206:"Artist, Curator & Critic Interviews"
3077:"Lynn Hershman Leeson Papers Finding Aid"
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2218:"Artist, Curator & Critic Interviews"
1573:. University of California. pp. xi.
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1329:John Simon Guggenheim Memorial Foundation
1303:Leeson has been honored with grants from
964:Learn how and when to remove this message
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2143:"Lynn Hershman : Room of One's Own"
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1631:by Patrick Frank, Walter de Gruyter GmbH
1343:In 2014, IFP Pixel Market Prize went to
1219:, Thoma Foundation, Santa Fe, New Mexico
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3837:Artists from the San Francisco Bay Area
3817:University of California, Davis faculty
2914:"SIGGRAPH Distinguished Artist Award".
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2536:"Spiel mit dem Feuer von Dr. Inge Pett"
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2430:"Lynn Hershman Leeson: No Body Special"
2085:"Brooklyn Museum: Lynn Hershman Leeson"
1991:"Pardon Me But the Art is Mouthing Off"
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832:(1994) and selections from the series
784:Los Angeles Museum of Contemporary Art
614:Hershman Leeson's six feature films -
245:through algorithms and data tracking.
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3520:WACK! Art and the Feminist Revolution
3367:National Association of Women Artists
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2442:"Lynn Hershman Leeson. Me as Robert."
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1273:, P! gallery, New York City, New York
1151:, Lehmbruck Museum, Duisburg, Germany
780:WACK! Art and the Feminist Revolution
197:Sloan Prize for Writing and Directing
3461:The Women's Building (San Francisco)
3420:National Museum of Women in the Arts
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2943:"An art prize called [ddaa]"
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354:, the William Lehmbruck Museum, the
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3216:from the original on March 26, 2018
2674:"Lynn Hershman Leeson: Civic Radar"
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1118:, Aanant & Zoo, Berlin, Germany
988:University of California, Riverside
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200:Siggraph Distinguished Artist Award
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3451:Women's Art Resources of Minnesota
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3151:Hamlin, Jesse (December 3, 2005).
2831:. Artforum International Magazine.
2775:"Lynn Hershman Leeson: Anti-Aging"
2764:New Museum, Retrieved 5 March 2021
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1594:Steinhauer, Jillian (2021-07-08).
1476:. October 14, 2014. Archived from
1423:, is an oncologist who researches
1192:Fine Arts Museums of San Francisco
1163:Lynn Hershman Leeson: Body Collage
657:Berlin International Film Festival
392:San Francisco Museum of Modern Art
294:University of California, Berkeley
261:Lynn Hershman was born in 1941 in
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3783:Feminist movements and ideologies
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2284:"Interview: Lynn Hershman Leeson"
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1389:awarded Hershman Leeson with the
1177:Lynn Hershman Leeson: Civic Radar
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3128:"WCA Lifetime Achievement Award"
1887:"lynn hershman leeson archive".
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1319:International Media Arts Award,
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592:Lynn Hershman Leeson filmography
360:Los Angeles County Museum of Art
87:Artist, filmmaker, new media art
3425:New York Feminist Art Institute
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3102:"!W.A.R.: Voices of a Movement"
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2636:Hinrichsen, Jens (2014-08-09).
2606:Hinrichsen, Jens (2014-07-31).
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2383:"Lynn Hershman Leeson: Twisted"
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2017:Aceti, Lanfranco (2011-08-06).
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1309:National Endowment for the Arts
1264:Yerba Buena Center for the Arts
1253:New Acquisitions in Photography
807:Yerba Buena Center for the Arts
719:website documenting the project
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415:University of California, Davis
374:and the University Art Museum,
290:Case Western Reserve University
73:Case Western Reserve University
3852:American women digital artists
3772:Women in the art history field
3456:Woman's Building (Los Angeles)
2843:"Women: Seeing and Being Seen"
2825:"New York: "Post-Speculation""
2655:Berner, Irmgard (2014-08-12).
2553:Ansaldo, Carmen (2014-07-29).
2066:. Lynnhershman.com. 2011-02-23
2064:"Lynn Hershman Leeson – Lorna"
1891:. Cornell University Library.
1620:
1587:
851:
809:in San Francisco, California.
792:University of California Press
441:
298:San Francisco State University
78:San Francisco State University
1:
3440:Washington Women's Art Center
3273:Stanford University Libraries
3051:Jensen, Rita (January 2014).
2312:Thill, Vanessa (2017-05-22).
1506:Bravo, Tony (April 6, 2022).
1434:
1224:Lynn Hershman Leeson: Twisted
564:
465:
462:femininity and gender roles.
421:. She was named chair of the
16:American artist and filmmaker
3480:Exhibitions or installations
3282:Online Archive of California
3036:. 2014-10-10. Archived from
2290:. 2016-08-03. Archived from
2265:. 2014-07-29. Archived from
1644:Kholeif, Omar (2021-01-26).
1419:Hershman Leeson's daughter,
1408:Hershman Leeson is based in
1278:Women: Seeing and Being Seen
1065:W.A.R. Documentary screening
1054:W.A.R. Documentary screening
871:biography of a living person
828:series (1973–78), her video
765:A 2007 retrospective at the
339:interface into her artwork (
7:
3605:Women Artists in Revolution
3445:Women Artists in Revolution
3269:Lynn Hershman-Leeson papers
2614:(in German). Archived from
1989:Finkel, Jori (2005-11-27).
1679:"Lynn Hershman (biography)"
1266:, San Francisco, California
1205:, San Francisco, California
1194:, San Francisco, California
1027:, San Francisco, California
1016:, San Francisco, California
898:must be removed immediately
423:San Francisco Art Institute
417:, where she is currently a
320:. Her work grew out of an
10:
3893:
3822:American new media artists
3807:Filmmakers from California
3197:
2928:10.1162/leon.2009.42.4.296
2147:www.fondation-langlois.org
1683:www.fondation-langlois.org
1650:. MIT Press. p. 332.
1565:Tromble, Meredith (2005).
1391:Lifetime Achievement Award
1313:Nathan Cummings Foundation
1156:Cyborgs and Self-Promotion
1094:Taking a Stand Against War
589:
364:National Gallery of Canada
3857:American feminist artists
3812:Filmmakers from Cleveland
3780:
3759:
3623:
3582:
3548:
3530:
3479:
3382:
3353:
3330:
2847:Wall Street International
2823:Fateman, Johanna (2014).
1647:Art in the Age of Anxiety
1325:Alfred P Sloan Foundation
1291:, New York City, New York
1241:, New York City, New York
1230:, New York City, New York
1144:, England, United Kingdom
752:In 2017, Leeson released
519:interactive laser artdisk
307:
210:
194:D.velop Digital Art Award
187:
112:
91:
83:
68:
37:
28:
21:
3847:American digital artists
3767:List of feminist artists
3565:The Feminist Art Journal
2542:(in German). 2014-09-02.
2169:. SFMOMA. Archived from
1003:University of Washington
345:The Difference Engine #3
257:Early life and education
3471:Women's Studio Workshop
3466:Women's Interart Center
3383:Venues or organizations
2922:(4): 296. August 2009.
2723:"Lynn Hershman Leeson:
2638:"Kreuzung mit Computer"
990:, Riverside, California
986:, Sweeney Art Gallery,
790:, was published by The
586:Films and documentaries
517:Described as the first
436:
3827:American video artists
3610:Women's Caucus for Art
3531:Films or documentaries
3405:Feminist Art Coalition
2731:Legion of Honor museum
2595:on September 23, 2015.
2089:www.brooklynmuseum.org
2041:Cite journal requires
1838:"Lynn Hershman Leeson"
1814:"Lynn Hershman Leeson"
1535:"Lynn Hershman Leeson"
1387:Women's Caucus for Art
1357:Sundance Film Festival
1203:Anglim Gilbert Gallery
1188:Legion of Honor museum
913:"Lynn Hershman Leeson"
885:Please help by adding
750:
726:The Ballad of JT LeRoy
653:Sundance Film Festival
651:have been part of the
645:The Electronic Diaries
603:
525:tells the story of an
331:, a precursor to DVD (
285:during her childhood.
203:IFP Pixel Market Prize
3539:!Women Art Revolution
3340:Feminist art movement
3264:Kadist Art Foundation
3108:. Stanford University
1380:!Women Art Revolution
1089:, Seattle, Washington
1005:, Seattle, Washington
830:Seduction of a Cyborg
767:Whitworth Art Gallery
741:
662:!Women Art Revolution
635:!Women Art Revolution
598:
178:!Women Art Revolution
3245:Lynn Hershman Leeson
3034:"Power to the Pixel"
2583:Parker, Guy (2014).
2502:"Vertigo of Reality"
2269:on January 22, 2017.
2196:Lynn Hershman Leeson
2113:Lynn Hershman Leeson
1965:fictive.arts.uci.edu
1818:Lynn Hershman Leeson
1759:The New Media Reader
1453:Lynn Hershman Leeson
1321:Prix Ars Electronica
1170:Lynn Hershman Leeson
1129:, Karlsruhe, Germany
984:Media & Identity
891:Contentious material
605:A 1990 documentary,
485:Palazzo dei Diamanti
459:Breathing Machine II
352:Museum of Modern Art
231:Lynn Lester Hershman
227:Lynn Hershman Leeson
42:Lynn Lester Hershman
23:Lynn Hershman Leeson
3862:Feminist filmmakers
3832:Interactive artists
3671:Helen Frankenthaler
3415:Lesbian Art Project
2800:"Dissident Futures"
2109:"Room of One's Own"
1707:Greenberger, Alex.
1480:on October 18, 2014
1429:Columbia University
1376:Stanford University
1365:The Infinity Engine
1345:The Infinity Engine
1210:First Person Plural
1109:Akademie der KĂĽnste
1100:, Duisburg, Germany
1071:, Stockholm, Sweden
782:, organized by the
404:Stanford University
3736:Carolee Schneemann
3496:Three Weeks in May
3106:Stanford Libraries
3081:Stanford Libraries
1600:The New York Times
1398:The Milk of Dreams
1393:, in Los Angeles.
1105:Vertigo of Reality
1087:Seattle Art Museum
869:This section of a
711:Carolee Schneemann
427:Cornell University
3789:
3788:
3661:Mary Beth Edelson
3656:Elaine de Kooning
3504:The Sister Chapel
3174:Benyon, Brielle.
2941:Sterling, Bruce.
2868:"Manual Override"
2733:. 30 October 2017
2387:www.newmuseum.org
1897:1813.001/7761936f
1657:978-1-907071-80-5
1580:978-0-520-23970-8
1296:Grants and awards
1260:Dissident Futures
1246:Group exhibitions
1138:Modern Art Oxford
1111:, Berlin, Germany
1049:, Bremen, Germany
1047:Kunsthalle Bremen
1045:, Retrospective,
999:Henry Art Gallery
974:
973:
966:
948:
874:needs additional
826:Roberta Breitmore
822:Breathing Machine
775:Roberta Breitmore
771:Autonomous Agents
728:, which examined
695:Howardena Pindell
669:, distributed by
555:Room of One’s Own
547:Room of One's Own
539:Room of One's Own
452:Breathing Machine
419:professor emerita
372:Walker Art Center
224:
223:
3884:
3731:Rachel Rosenthal
3706:Georgia O'Keeffe
3641:Louise Bourgeois
3512:The Dinner Party
3317:
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2561:. Archived from
2550:
2544:
2543:
2532:
2526:
2525:
2524:. November 2014.
2519:
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2493:
2490:"Pop Departures"
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2021:. Leoalmanac.org
2014:
2005:
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1421:Dawn L. Hershman
1305:Creative Capital
1271:Post Speculation
1116:How to Disappear
1098:Lehmbruck Museum
1038:, Krakow, Poland
1025:New Langton Arts
977:Solo exhibitions
969:
962:
958:
955:
949:
947:
906:
887:reliable sources
864:
863:
856:
836:(1976–present),
734:literary persona
493:personal effects
322:installation art
220:
217:
122:America's Finest
115:
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33:
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3716:Louise Nevelson
3619:
3595:Guerrilla Girls
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3435:tArt Collective
3399:Brooklyn Museum
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2974:on 7 April 2014
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2779:Bridget Donahue
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2589:ArtSlant Berlin
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1738:Pratt Institute
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1437:
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1298:
1285:Manual Override
1248:
1239:Bridget Donahue
1060:, Madrid, Spain
1014:De Young Museum
1010:No Body Special
979:
970:
959:
953:
950:
907:
905:
884:
865:
861:
854:
846:Infinity Engine
769:in Manchester,
763:
617:Strange Culture
594:
588:
569:
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489:Lucrezia Borgia
468:
457:Her 1968 piece
444:
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400:Daniel Langlois
396:de Young Museum
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3631:Alison Bechdel
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3040:on 2014-10-18.
3025:
3020:"Screen Daily"
3011:
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2804:www.e-flux.com
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2006:
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1792:. 16 June 2010
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995:Hershmanlandia
991:
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895:poorly sourced
868:
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859:
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762:
761:Retrospectives
759:
732:'s use of the
715:Cecilia Vicuña
703:Faith Ringgold
679:Guerilla Girls
671:Zeitgest Films
629:Conceiving Ada
590:Main article:
587:
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467:
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448:cardiomyopathy
443:
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431:The New School
408:Charles Schwab
384:Arturo Schwarz
380:Donald M. Hess
318:virtual worlds
309:
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279:physical abuse
258:
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243:identity theft
222:
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3802:Living people
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3741:Cindy Sherman
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3639:
3637:
3636:Lynda Benglis
3634:
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3629:
3628:
3626:
3624:Notable women
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3352:
3346:
3345:Women artists
3343:
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3325:
3318:
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3311:
3306:
3304:
3299:
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3283:
3280:published at
3279:
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3211:
3207:
3204:Anon (2018).
3202:
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3177:
3170:
3154:
3147:
3133:
3129:
3123:
3107:
3103:
3097:
3082:
3078:
3072:
3058:
3054:
3047:
3039:
3035:
3029:
3022:. 2014-10-10.
3021:
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2643:
2639:
2632:
2618:on 2014-08-03
2617:
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2586:
2579:
2565:on 2014-10-19
2564:
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2541:
2540:Art in Berlin
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2353:
2347:
2339:
2338:"Civic Radar"
2333:
2319:
2315:
2308:
2294:on 2019-02-14
2293:
2289:
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2279:
2277:
2268:
2264:
2260:
2254:
2252:
2243:
2237:
2223:
2219:
2212:
2197:
2193:
2187:
2173:on 2014-04-07
2172:
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2162:
2148:
2144:
2138:
2136:
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2132:
2130:
2114:
2110:
2104:
2090:
2086:
2080:
2065:
2059:
2057:
2048:
2035:
2020:
2013:
2011:
1996:
1992:
1985:
1971:on 2013-11-10
1970:
1966:
1962:
1956:
1941:
1937:
1931:
1916:
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1906:
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1883:
1868:
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1843:
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1833:
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1815:
1809:
1807:
1791:
1790:dirosaart.org
1787:
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1479:
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1454:
1450:
1444:
1440:
1432:
1430:
1426:
1425:breast cancer
1422:
1417:
1415:
1411:
1410:San Francisco
1404:Personal life
1401:
1399:
1394:
1392:
1388:
1385:In 2018, The
1383:
1381:
1377:
1372:
1368:
1366:
1362:
1359:winning film
1358:
1354:
1353:Academy Award
1350:
1349:Tilda Swinton
1346:
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1099:
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1080:
1077:
1073:
1070:
1066:
1062:
1059:
1055:
1051:
1048:
1044:
1043:Seducing Time
1040:
1037:
1033:
1032:Me as Roberta
1029:
1026:
1022:
1018:
1015:
1011:
1007:
1004:
1000:
996:
992:
989:
985:
981:
980:
968:
965:
957:
954:February 2021
946:
943:
939:
936:
932:
929:
925:
922:
918:
915: –
914:
910:
909:Find sources:
903:
899:
896:
892:
888:
882:
881:
877:
872:
867:
858:
857:
849:
847:
844:(1996–2006),
843:
839:
835:
831:
827:
823:
819:
815:
812:In 2021, the
810:
808:
804:
799:
797:
796:Henry Gallery
793:
789:
785:
781:
776:
772:
768:
758:
755:
749:
746:
740:
738:
735:
731:
727:
722:
720:
716:
712:
708:
707:Martha Rosler
704:
700:
699:Yvonne Rainer
696:
692:
691:Joyce Kozloff
688:
684:
680:
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99:New media art
97:
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84:Occupation(s)
82:
79:
74:
71:
67:
61:
54:(age 83)
52:June 17, 1941
40:
36:
32:
27:
20:
3696:Jane Kaufman
3681:Nancy Graves
3676:Mary Garrard
3651:Judy Chicago
3646:Norma Broude
3563:
3555:
3549:Publications
3537:
3518:
3510:
3502:
3494:
3486:
3410:Hera Gallery
3335:Feminist art
3218:. Retrieved
3209:
3183:. Retrieved
3179:
3169:
3157:. Retrieved
3146:
3135:. Retrieved
3131:
3122:
3110:. Retrieved
3105:
3096:
3084:. Retrieved
3080:
3071:
3060:. Retrieved
3056:
3046:
3038:the original
3028:
3014:
3002:. Retrieved
2998:
2988:
2976:. Retrieved
2972:the original
2962:
2950:. Retrieved
2946:
2936:
2919:
2915:
2909:
2897:. Retrieved
2887:
2875:. Retrieved
2871:
2862:
2851:. Retrieved
2849:. 2014-09-04
2846:
2837:
2828:
2818:
2807:. Retrieved
2803:
2794:
2782:. Retrieved
2778:
2769:
2758:
2746:
2735:. Retrieved
2730:
2724:
2717:
2681:
2669:
2663:(in German).
2660:
2650:
2644:(in German).
2641:
2631:
2620:. Retrieved
2616:the original
2611:
2601:
2593:the original
2588:
2578:
2567:. Retrieved
2563:the original
2558:
2548:
2539:
2530:
2521:
2509:
2497:
2485:
2474:. Retrieved
2470:
2461:
2449:
2437:
2425:
2414:. Retrieved
2411:henryart.org
2410:
2401:
2390:. Retrieved
2386:
2359:. Retrieved
2356:www.ybca.org
2355:
2346:
2332:
2321:. Retrieved
2317:
2307:
2296:. Retrieved
2292:the original
2287:
2267:the original
2262:
2225:. Retrieved
2221:
2211:
2200:. Retrieved
2198:. 2016-06-16
2195:
2186:
2175:. Retrieved
2171:the original
2161:
2150:. Retrieved
2146:
2117:. Retrieved
2115:. 2021-03-20
2112:
2103:
2092:. Retrieved
2088:
2079:
2068:. Retrieved
2034:cite journal
2023:. Retrieved
1998:. Retrieved
1994:
1984:
1973:. Retrieved
1969:the original
1964:
1955:
1944:. Retrieved
1942:. 2015-05-31
1940:The Guardian
1939:
1930:
1918:. Retrieved
1914:
1905:
1888:
1882:
1870:. Retrieved
1866:
1857:
1845:. Retrieved
1841:
1832:
1821:. Retrieved
1817:
1794:. Retrieved
1789:
1780:
1758:
1753:
1741:. Retrieved
1737:
1728:
1716:. Retrieved
1712:
1686:. Retrieved
1682:
1646:
1628:
1622:
1611:. Retrieved
1599:
1589:
1568:
1542:. Retrieved
1538:
1515:. Retrieved
1511:
1482:. Retrieved
1478:the original
1468:
1456:. Retrieved
1452:
1443:
1418:
1407:
1397:
1395:
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1373:
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994:
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941:
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927:
920:
908:
897:
880:verification
873:
845:
841:
838:Phantom Limb
837:
833:
829:
825:
821:
817:
811:
800:
798:in Seattle.
787:
779:
774:
770:
764:
754:Tania Libre,
753:
751:
745:Mary Shelley
742:
730:Laura Albert
725:
723:
683:Miranda July
675:Judy Chicago
660:
639:
633:
627:
621:
615:
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604:
599:
595:
579:
572:
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532:
522:
516:
510:
504:Henry Lowood
497:
481:
469:
458:
456:
451:
445:
412:
349:
344:
341:Deep Contact
340:
337:touch screen
332:
326:
311:
287:
283:sexual abuse
260:
250:
247:
230:
226:
225:
216:lynnhershman
176:
169:
162:
155:
148:
141:
136:
131:
126:
121:
114:Notable work
62:, Ohio, U.S.
3842:1941 births
3746:Alma Thomas
3701:Lee Krasner
3691:Lila Katzen
3666:Suzi Ferrer
3615:Where We At
3568:(1972–1977)
3560:(1977–1992)
3507:(1974–1978)
3112:19 November
3086:19 November
3004:19 November
2978:19 November
2952:19 November
2899:19 November
2318:ARTnews.com
1920:19 November
1283:2019–2020,
1258:2013–2014,
1251:2013–2014,
1182:2017–2018,
1121:2014–2015,
1058:Reina Sofia
852:Exhibitions
840:(1985–88),
834:Water Women
687:Mike Kelley
641:Tania Libre
608:Desire Inc.
551:kinetograph
541:(1990–1993)
527:agoraphobic
500:Second Life
442:Early works
388:Tate Modern
314:consumerism
132:CybeRoberta
3796:Categories
3751:June Wayne
3488:Womanhouse
3354:Precursors
3271:housed at
3254:Agent Ruby
3220:August 23,
3159:January 2,
3137:2018-03-24
3062:2014-02-05
2853:2022-04-14
2809:2022-04-14
2737:2019-09-15
2725:VertiGhost
2622:2014-10-14
2569:2014-10-14
2476:2022-04-14
2416:2024-09-22
2392:2022-11-04
2361:2018-03-23
2323:2021-03-26
2298:2014-10-14
2227:2022-10-18
2202:2022-10-18
2177:2014-04-04
2152:2021-04-16
2119:2021-04-16
2094:2021-04-16
2070:2014-04-04
2025:2014-04-04
2000:2022-04-13
1975:2018-03-08
1946:2021-03-26
1823:2022-11-03
1796:2016-11-03
1688:2022-11-04
1613:2022-11-04
1544:2019-09-08
1517:2022-04-14
1449:"Timeline"
1435:References
1414:California
1235:Anti-Aging
1228:New Museum
1184:VertiGhost
924:newspapers
814:New Museum
566:Agent Ruby
466:Alter egos
143:Agent Ruby
48:1941-06-17
3686:Eva Hesse
3256:at SFMoMA
2995:"Top Ten"
2559:KubaParis
2288:KubaParis
1608:0362-4331
1539:art21.org
1484:April 30,
1374:In 2004,
1347:starring
876:citations
803:Karlsruhe
748:problems.
623:Teknolust
574:Teknolust
476:alter ego
329:Videodisc
304:in 2023.
263:Cleveland
239:filmmaker
164:Teknolust
69:Education
60:Cleveland
3721:Yoko Ono
3575:" (1971)
3214:Archived
3155:. SFGate
2999:Artforum
2916:Leonardo
2872:The Shed
2829:Artforum
2236:cite web
1842:UC Davis
1361:Precious
1338:Artforum
1333:SIGGRAPH
1289:The Shed
902:libelous
737:JT LeRoy
376:Berkeley
275:Montreal
3590:subRosa
3198:Sources
3180:OncLive
2612:Monopol
2340:. 2014.
1713:ARTnews
1317:Siemens
938:scholar
818:Twisted
472:persona
368:di Rosa
211:Website
127:Synthia
3583:Groups
3523:(2007)
3515:(1979)
3499:(1977)
3491:(1972)
3375:(1892)
3369:(1889)
3363:(1881)
3260:Leeson
3185:9 June
2877:9 June
2784:7 June
2192:"Film"
1872:9 June
1867:e-flux
1847:9 June
1743:7 June
1718:9 June
1654:
1606:
1577:
1458:9 June
1323:, and
1307:, The
1276:2014,
1269:2014,
1233:2024,
1222:2021,
1215:2019,
1208:2019,
1197:2018,
1175:2017,
1168:2016,
1161:2016,
1154:2016,
1147:2016,
1142:Oxford
1132:2015,
1114:2014,
1103:2014,
1092:2014,
1081:2014,
1074:2013,
1063:2012,
1052:2012,
1041:2012,
1030:2012,
1019:2008,
1008:2008,
993:2005,
982:2001,
940:
933:
926:
919:
911:
842:Cyborg
643:, and
559:voyeur
513:(1983)
406:, and
370:, the
362:, the
308:Career
235:artist
188:Awards
137:Tillie
3760:Lists
3447:(WAR)
2947:Wired
2518:(PDF)
1217:Lorna
945:JSTOR
931:books
523:Lorna
511:Lorna
333:Lorna
273:from
229:(née
3249:IMDb
3222:2018
3187:2024
3161:2021
3114:2013
3088:2013
3006:2013
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