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Marieluise Fleißer

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327:(1928). The plays, which feature lower-class characters from small town in Bavaria, deal with abusive, sometimes violent relationships between men and women. Among literary scholars, the plays are categorized as "critical Volksstücke," a genre that references and engages critically with the conventions of the popular "Volksstück" (literally people's play, also "milieu plays"). Like the original "Volksstück," Fleißer's dramas feature regional (Bavarian) dialect, lower-class characters, and deal with everyday themes and relationships, but unlike the originals, Fleißer exposes unequal power relationships between men and women. 31: 209:, with whom she would collaborate on her playwriting and theatrical productions throughout the 1920s. Brecht would subsequently help her throughout the decade to secure publishing opportunities and support for her plays; conversely, Brecht often felt the liberty, without her permission, to revise and take from her work, which caused considerable strain on their relationship as well as Fleißer's reputation. Due to financial difficulties and the pressure of her father, who wanted her to become a teacher, Fleißer returned to Ingolstadt in 1924, where she would remain until moving to 201:, the founder of theater studies in Germany and an influential critic and historian of literature; during this period, her first time living on her own, she began writing short stories, such as "Meine Zwillingsschwester Olga," which would be her first publication in 1923. It is during her time as a young student in Munich that Fleißer befriended 251:
was met with tepid reviews and sales. This culminated in an attempted suicide in 1932 and her move back to Ingolstadt, where she married her first fiancé, the shop owner Bepp Haindl, who forbid her from writing and demanded that she work in his tobacco shop; her fall into contemporary obscurity was
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due to her leftist political sympathies and innovative modernist style. The 1930s and 1940s were a difficult period for Fleißer, who suffered from mental illness and unhappiness caused by the stresses and deprivations of war and the work demands placed on her by her husband; after the fall of the
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mores and small-town life. Discussed in many of the major German newspapers of the time, the scandal caused an uproar in her hometown: the mayor published a rebuttal, distancing the city from its now most famous daughter, while Fleißer's father temporarily disowned her.
239:(A Pound of Oranges, 1929), and became engaged to a local swimming star in Ingolstadt, Bepp Haindl, which was later called off in 1929. After moving to Berlin, she worked as a freelance journalist and author, publishing a travelogue about her journey to 268:
It was only from the mid-1950s onwards that Fleißer began her gradual reemergence as a known and celebrated writer. After the death of her husband in 1958, she began writing in earnest again, such as the short story "Avantgarde" (1963) and the play
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Born in Ingolstadt in 1901 to Anna and Heinrich Fleißer, a smith and hardware store owner, Fleißer was sent to a Catholic convent school in Regensburg for her education, an experience which would later be reflected in her first novel
247:. She sunk further into intellectual and social isolation and financial troubles due to her liaison with the notorious conservative, and her subsequent works published in the early 1930s, such as the novel 227:(Pioneers in Ingolstadt) (1929), which scandalized the public through Brecht's unauthorized changes, transforming the piece into an explicitly anti-militaristic and sexually daring satire of 213:
in 1926. What was a personally fraught time for the young author was artistically rich, as Fleißer wrote her first major play that would ensure her breakthrough in Weimar Germany,
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Irmgard Roebling, “‘Haarschnitt ist noch nicht Freiheit‘: Das Ringen um Bilder der Neuen Frau in Texten von Autorinnen und Autoren der Weimarer Republik.” In:
293:(whom she nicknamed her "sons"), who brought her major works of fiction and theater back into the public eye throughout the 1960s and 1970s. For example, 235:
During this tumultuous period, which would prove to be the apex of her fame during her lifetime, Fleißer also published a collection of short stories,
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Susan L. Cocalis, “Weib ohne Wirklichkeit, Welt ohne Weiblichkeit: Zum Selbst-, Frauen-, und Gesellschaftsbild im Frühwerk Marieluise Fleißers.” In:
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Claudia Albert. “‘Tatort Sprache’: Erlebte Rede und Subjektposition in der Erzählprosa von Marieluise Fleißer, Franz Kafka und Robert Walser.” In:
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Gérard Thiériot, "Marieluise Fleisser (1901–1974) et le théâtre populaire critique en Allemagne", Berne et al., Editions Peter Lang,
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Vom Ernst der Zerstreuung: Schreibende Frauen am Ende der Weimarer Republik: Marieluise Fleisser, Irmgard Keun und Gabriele Tergit
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Hiltrud Häntzschel, "'Diese Frau ist ein Besitz': Marieluise Fleißer aus Ingolstadt. Zum 100. Geburtstag.” Special edition of
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in 1953 and invited to join in 1954, Fleißer was "rediscovered" by a trio of famous young male playwrights and critics,
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The Theater of Confinement: Language and Survival in the Milieu Plays of Marieluise Fleisser and Franz Xaver Kroetz
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Kerstin Barndt. “’Engel oder Megäre’: Figuration einer ‚Neuen Frau‘ bei Marieluise Fleißer und Irmgard Keun.” In:
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Barbara Naumann, ’Hergefegt vor einem unwirtlichen Wind’: Marieluise Fleißers Scheitern an Berlin.” In:
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Lucia-Maria Lichter, “Alles ist notwendig": Zur Ökonomie des Alltags bei Marieluise Fleißer.” In:
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Inge Stephan, “Zwischen Provinz und Metropole: Zur Avantgarde-Kritik von Marieluise Fleißer.” In:
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Susan L. Cocalis, "The Politics of Brutality: Toward a Definition of the Critical Volksstück,"
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Walter Delabar. “’Die tapfere Fleißerin’: Bemerkungen zum Frühwerk Marieluise Fleißers.” In:
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Fleißer was rediscovered in the 1970s by a later generation, among them the theatre director
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Triumph und Scheitern in der Metropole: Zur Rolle der Weiblichkeit in der Geschichte Berlins
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was adapted as a TV film by Fassbinder in 1971. Upon the publication of her complete works,
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Carmel Finnan, Versions of the Literary Self in Texts by Marieluise Fleißer.” In:
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Ulrike Vedder, “’Keine Sportperson’? Marieluise Fleißer und der Sportgeist.” In:
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Maria Müller and Ulrike Vedder, eds. Reflexive Naivität: Zur Einleitung.” In:
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Mehlreisende Frieda Geier: Roman vom Rauchen, Sporteln, Lieben und Verkaufen,
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to stage the first play, which Seeler retitled; Fleißer's original title was
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Ein Zierde für den Verein: Roman vom Rauchen, Sporteln, Lieben und Verkaufen
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Frauen in der Literaturwissenschaft, Rundbrief 47: Sport und Kult
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sealed in 1935, when was she partially forbidden to write by the
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with her then fiancé, the arch-conservative journalist and poet
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Practicing Modernity: Female Creativity in the Weimar Republic
161:– 2 February 1974, in Ingolstadt) was a German writer and 609:
Entwürfe von Frauen in der Literatur des 20. Jahrhunderts
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in 1945, she managed to write little, such as the play
415:(Purgatory in Ingolstadt) (1926), originally entitled 221:) (1926). Her first success was followed by a second, 375:, London, in 1990, directed by Annie Castledine and 371:The plays were given their London premieres at the 775:"Marieluise-Fleißer-Gesellschaft Ingolstadt e.V." 2149: 277:in West Berlin. Awarded a literary prize by the 666:Reflexive Naivität: Zum Werk Marieluise Fleißer 659:Reflexive Naivität: Zum Werk Marieluise Fleißer 595:Reflexive Naivität: Zum Werk Marieluise Fleißer 2178:20th-century German dramatists and playwrights 833: 769: 767: 765: 763: 819: 452:Die möblierte Dame mit dem mitleidigen Herzen 446:Ein Pfund Orangen und neun andere Geschichten 738: 736: 734: 732: 730: 728: 726: 724: 680:Jahrbuch zur Literatur der Weimarer Republik 588:Jahrbuch zur Literatur der Weimarer Republik 965:Category:Translators of William Shakespeare 760: 668:. Berlin: Erich Schmidt Verlag, 2000. 9-15. 309:in 1973, before dying on February 2, 1974. 826: 812: 317:Fleißer's best-known works are two plays, 29: 1079:Hans Jakob Christoffel von Grimmelshausen 721: 682:. Ed. Sabine Becker 5 (1999/2000): 13-76. 639:. Frankfurt am Main: Insel Verlag, 2007. 2173:German women dramatists and playwrights 556:Frühe Begegnung: Erinnerungen an Brecht 2150: 1089:Christian Hoffmann von Hoffmannswaldau 568:Findelkind und Rebell: Über Jean Genet 341:. Brecht then encouraged her to write 79:Ludwig Maximilian University of Munich 807: 152: 654:, Camden House: Columbia (SC), 1983. 502:Die Frau mit der Lampe: Eine Legende 462:Essays über den modernen Menschentyp 637:Marieluise Fleißer: Eine Biographie 562:Abenteuer aus dem Englischen Garten 13: 14: 2194: 2183:20th-century German women writers 1114:Anthony Ulrich, Duke of Brunswick 792: 382: 349:, who had not yet come to power. 884:Early New High German literature 799:Marieluise Fleißer at Fembio.org 616:Autorinnen der Weimarer Republik 580: 574:Ich ahnte den Sprengstoff nicht 442:(Pioneers in Ingolstadt) (1929) 273:(1966), which premiered at the 532:Eine ganz gewöhnliche Vorhölle 191:Ludwig-Maximilians-Universität 154:[maˌʁiːluˈiːzəˈflaɪsɐ] 1: 879:Middle High German literature 714: 689:. Bielefeld: Aisthesis, 2005. 279:Bavarian Academy of Fine Arts 189:In 1919, she enrolled at the 1165:Friedrich Gottlieb Klopstock 364:was adapted as a TV film by 175: 16:German author and playwright 7: 2107:Adelbert von Chamisso Prize 1242:Annette von Droste-Hülshoff 1170:Jakob Michael Reinhold Lenz 694:Weiblichkeit und Avantgarde 10: 2199: 1292:Christian Friedrich Hebbel 1247:Marie von Ebner-Eschenbach 1182:(Friedrich von Hardenberg) 1150:Johann Christoph Gottsched 1145:Johann Wolfgang von Goethe 1094:Johann Michael Moscherosch 1016:Walther von der Vogelweide 970:Reformation era literature 874:Old High German literature 835:German-language literature 490:Eine Zierde für den Verein 480:Ein Porträt Buster Keatons 2082: 1999: 1801: 1390: 1209: 1196:Johann Gottfried Schnabel 1135:Barthold Heinrich Brockes 1127: 1056: 978: 937: 841: 520:Das Pferd und die Jungfer 249:Ein Zierde für den Verein 135: 127: 117: 105: 95: 84: 74: 57: 37: 28: 21: 1788:Fritz Zorn (Fritz Angst) 1201:Christoph Martin Wieland 1175:Gotthold Ephraim Lessing 1155:Johann Christian Günther 1036:Gottfried von Strassburg 869:History of Liechtenstein 458:Sportgeist und Zeitkunst 389:Meine Zwillingsschwester 366:Rainer Werner Fassbinder 301:(1972), by the renowned 283:Rainer Werner Fassbinder 122:Marieluise-Fleißer-Preis 2132:Leipzig Book Fair Prize 2092:Ingeborg Bachmann Prize 2014:Rudolf Christoph Eucken 1026:Albrecht von Johansdorf 960:Swiss writers in German 590:5 (1999/2000): 253-282. 496:Andorranische Abenteuer 474:Andorranische Abenteuer 428:Das enttäuschte Mädchen 413:Fegefeuer in Ingolstadt 333:persuaded the director 319:Purgatory in Ingolstadt 312: 307:Bavarian Order of Merit 219:Purgatory in Ingolstadt 215:Fegefeuer in Ingolstadt 157:; 23 November 1901, in 2168:People from Ingolstadt 1347:Conrad Ferdinand Meyer 1252:Joseph von Eichendorff 1021:Wolfram von Eschenbach 864:History of Switzerland 650:Donna L. Hoffmeister, 604:24 (3), 1981: 292–313. 440:Pioniere in Ingolstadt 362:Pioneers in Ingolstadt 324:Pioneers in Ingolstadt 305:, she was awarded the 295:Pioneers in Ingolstadt 224:Pioniere in Ingolstadt 111:Pioneers in Ingolstadt 1663:Christian Morgenstern 1548:Hugo von Hofmannsthal 1453:Rolf Dieter Brinkmann 1237:Adelbert von Chamisso 1031:Heinrich von Morungen 955:Liechtenstein writers 703:, Theatrica 19, 1999. 245:Hellmut Draws-Tychsen 139:Hellmut Draws-Tychsen 2122:Heinrich Heine Prize 1688:Erich Maria Remarque 1658:Friederike Mayröcker 1493:Friedrich Dürrenmatt 744:"Marieluise Fleißer" 635:Hiltrud Häntzschel, 508:Die Schwedische Aura 488:revised and renamed 172:or New Objectivity. 2102:Sigmund Freud Prize 2097:Georg Büchner Prize 1911:Emine Sevgi Özdamar 1623:Else Lasker-Schüler 1488:Heimito von Doderer 1332:Heinrich von Kleist 1322:Friedrich Hölderlin 1160:Friedrich Hölderlin 1006:Reinmar von Hagenau 919:Austrian literature 701:Collection Contacts 395:Die Stunde der Magd 356:and the playwright 339:The Washing of Feet 2112:Hans Fallada Prize 1693:Rainer Maria Rilke 1613:Siegfried Kracauer 1503:Marieluise Fleißer 1418:Johannes R. 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1634: 1631: 1629: 1626: 1624: 1621: 1619: 1616: 1614: 1611: 1609: 1606: 1604: 1601: 1599: 1596: 1594: 1591: 1589: 1588:Erich Kästner 1586: 1584: 1581: 1579: 1576: 1574: 1571: 1569: 1566: 1564: 1561: 1559: 1556: 1554: 1551: 1549: 1546: 1544: 1541: 1539: 1538:Hermann Hesse 1536: 1534: 1531: 1529: 1526: 1524: 1521: 1519: 1518:Stefan George 1516: 1514: 1511: 1509: 1506: 1504: 1501: 1499: 1496: 1494: 1491: 1489: 1486: 1484: 1483:Alfred Döblin 1481: 1479: 1476: 1474: 1473:Elias Canetti 1471: 1469: 1466: 1464: 1461: 1459: 1458:Hermann Broch 1456: 1454: 1451: 1449: 1446: 1444: 1441: 1439: 1438:Thomas Brasch 1436: 1434: 1433:Heinrich Böll 1431: 1429: 1426: 1424: 1421: 1419: 1416: 1414: 1411: 1409: 1406: 1404: 1401: 1399: 1396: 1395: 1393: 1389: 1383: 1382:Ludwig Uhland 1380: 1378: 1375: 1373: 1372:Theodor Storm 1370: 1368: 1365: 1363: 1362:Wilhelm Raabe 1360: 1358: 1355: 1353: 1352:Eduard Mörike 1350: 1348: 1345: 1343: 1340: 1338: 1335: 1333: 1330: 1328: 1325: 1323: 1320: 1318: 1315: 1313: 1310: 1308: 1307:Georg Herwegh 1305: 1303: 1300: 1298: 1295: 1293: 1290: 1288: 1285: 1283: 1282:Wilhelm Grimm 1280: 1278: 1275: 1273: 1270: 1268: 1265: 1263: 1260: 1258: 1255: 1253: 1250: 1248: 1245: 1243: 1240: 1238: 1235: 1233: 1232:Georg Büchner 1230: 1228: 1225: 1223: 1220: 1218: 1215: 1214: 1212: 1208: 1202: 1199: 1197: 1194: 1192: 1189: 1187: 1184: 1181: 1178: 1176: 1173: 1171: 1168: 1166: 1163: 1161: 1158: 1156: 1153: 1151: 1148: 1146: 1143: 1141: 1138: 1136: 1133: 1132: 1130: 1126: 1120: 1119:Georg Wickram 1117: 1115: 1112: 1110: 1107: 1105: 1102: 1100: 1097: 1095: 1092: 1090: 1087: 1085: 1082: 1080: 1077: 1075: 1072: 1070: 1067: 1065: 1062: 1061: 1059: 1055: 1049: 1048: 1044: 1042: 1039: 1037: 1034: 1032: 1029: 1027: 1024: 1022: 1019: 1017: 1014: 1012: 1009: 1007: 1004: 1002: 999: 997: 994: 992: 989: 987: 984: 983: 981: 977: 971: 968: 966: 963: 961: 958: 956: 953: 951: 948: 946: 943: 942: 940: 936: 930: 927: 925: 922: 920: 917: 915: 914:Exilliteratur 912: 910: 907: 905: 902: 900: 897: 895: 892: 890: 887: 885: 882: 880: 877: 875: 872: 870: 867: 865: 862: 860: 857: 855: 852: 850: 847: 846: 844: 840: 836: 829: 824: 822: 817: 815: 810: 809: 806: 800: 797: 796: 776: 770: 768: 766: 764: 749: 745: 739: 737: 735: 733: 731: 729: 727: 725: 720: 709: 705: 702: 698: 695: 691: 688: 684: 681: 677: 674: 670: 667: 663: 660: 656: 653: 649: 646: 642: 638: 634: 631: 627: 624: 620: 617: 613: 610: 606: 603: 599: 596: 592: 589: 585: 584: 575: 572: 569: 566: 563: 560: 557: 554: 551: 548: 545: 544:Der Venusberg 542: 539: 536: 533: 530: 527: 524: 521: 518: 515: 512: 509: 506: 503: 500: 497: 494: 491: 487: 484: 481: 478: 475: 472: 469: 466: 463: 459: 456: 453: 450: 447: 444: 441: 438: 435: 432: 429: 426: 423: 420: 418: 414: 411: 408: 405: 402: 399: 396: 393: 390: 387: 386: 380: 378: 374: 369: 367: 363: 359: 355: 350: 348: 344: 340: 336: 332: 328: 326: 325: 320: 310: 308: 304: 300: 296: 292: 288: 284: 280: 276: 272: 266: 264: 260: 255: 250: 246: 242: 238: 233: 230: 226: 225: 220: 216: 212: 208: 204: 200: 196: 192: 188: 184: 173: 171: 169: 164: 160: 155: 147: 138: 134: 130: 126: 123: 120: 116: 113: 112: 108: 106:Notable works 104: 101: 98: 94: 91: 87: 83: 80: 77: 73: 70: 60: 56: 53: 52:German Empire 40: 36: 32: 27: 20: 2127:Kleist Prize 2117:Goethe Prize 2074:Peter Handke 2069:Herta Müller 2059:Günter Grass 1931:Ingo Schulze 1926:Rafik Schami 1901:Herta Müller 1896:Terézia Mora 1886:Monika Maron 1836:Peter Handke 1802:Contemporary 1793:Stefan Zweig 1783:Christa Wolf 1778:Franz Werfel 1748:Ernst Toller 1738:Anna Seghers 1733:W. G. Sebald 1683:Robert Musil 1678:Adolf Muschg 1668:Erich Mühsam 1628:Kurd Laßwitz 1603:Sarah Kirsch 1598:Irmgard Keun 1578:Ernst Jünger 1563:Peter Huchel 1558:Ricarda Huch 1528:Peter Handke 1523:Günter Grass 1502: 1443:Volker Braun 1408:Hermann Bahr 1391:20th century 1377:Ludwig Tieck 1210:19th century 1128:18th century 1099:Martin Opitz 1069:Paul Fleming 1057:Early modern 1045: 779:. Retrieved 751:. Retrieved 747: 707: 700: 693: 686: 679: 672: 665: 658: 651: 636: 629: 622: 615: 608: 602:Modern Drama 601: 594: 587: 581:Bibliography 573: 567: 561: 555: 549: 543: 537: 531: 525: 519: 513: 507: 501: 495: 489: 485: 479: 473: 467: 461: 457: 451: 445: 439: 433: 427: 421: 416: 412: 406: 400: 394: 388: 373:Gate Theatre 370: 361: 351: 342: 338: 335:Moriz Seeler 329: 322: 318: 316: 298: 294: 287:Martin Sperr 270: 267: 262: 248: 236: 234: 228: 222: 218: 214: 186: 182: 179: 166: 145: 144: 109: 69:West Germany 67:Ingolstadt, 63:(1974-02-02) 50:Ingolstadt, 2163:1974 deaths 2158:1901 births 2044:Nelly Sachs 2034:Thomas Mann 1951:Yoko Tawada 1936:Lutz Seiler 1811:Zsuzsa Bánk 1773:Peter Weiss 1753:Georg Trakl 1703:Nelly Sachs 1698:Joseph Roth 1653:Thomas Mann 1583:Franz Kafka 1573:Uwe Johnson 1568:Ernst Jandl 1508:Erich Fried 1277:Jacob Grimm 899:Romanticism 777:(in German) 514:Karl Stuart 354:Peter Stein 321:(1924) and 263:Karl Stuart 259:Third Reich 131:Bepp Haindl 90:Volksstücke 2152:Categories 2019:Paul Heyse 1966:Jan Wagner 1648:Klaus Mann 1633:Gert Ledig 1618:Karl Kraus 1543:Georg Heym 1513:Max Frisch 1478:Paul Celan 1413:Vicki Baum 1312:Paul Heyse 1104:Hans Sachs 1064:Simon Dach 781:2020-03-27 753:2020-03-27 715:References 632:96 (2001). 526:Avantgarde 275:Schaubühne 163:playwright 159:Ingolstadt 44:1901-11-23 1186:Jean Paul 1074:Hans Folz 986:Minnesang 534:(1963/72) 401:Der Apfel 368:in 1971. 176:Biography 88:Critical 1991:Juli Zeh 1956:Uwe Timm 1398:May Ayim 1342:Karl May 979:Medieval 343:Pioneers 265:(1944). 1804:writers 1180:Novalis 241:Andorra 150:German: 136:Partner 643:  576:(1973) 570:(1971) 564:(1969) 558:(1966) 552:(1966) 546:(1966) 540:(1965) 528:(1963) 522:(1952) 516:(1944) 510:(1933) 504:(1933) 498:(1932) 492:(1972) 482:(1930) 476:(1930) 470:(1930) 464:(1929) 454:(1929) 448:(1929) 436:(1928) 430:(1927) 424:(1927) 409:(1926) 403:(1925) 397:(1925) 391:(1923) 289:, and 211:Berlin 195:Munich 185:(1931) 128:Spouse 347:Nazis 254:Nazis 85:Genre 641:ISBN 313:Work 58:Died 38:Born 193:in 2154:: 762:^ 746:. 723:^ 460:. 379:. 360:. 285:, 827:e 820:t 813:v 784:. 756:. 647:. 217:( 187:. 170:, 148:( 46:) 42:(

Index


German Empire
West Germany
Ludwig Maximilian University of Munich
Volksstücke
New Objectivity
Pioneers in Ingolstadt
Marieluise-Fleißer-Preis
[maˌʁiːluˈiːzəˈflaɪsɐ]
Ingolstadt
playwright
Neue Sachlichkeit
Ludwig-Maximilians-Universität
Munich
Arthur Kutscher
Lion Feuchtwanger
Bertolt Brecht
Berlin
Pioniere in Ingolstadt
Andorra
Hellmut Draws-Tychsen
Nazis
Third Reich
Schaubühne
Bavarian Academy of Fine Arts
Rainer Werner Fassbinder
Martin Sperr
Franz Xaver Kroetz
Suhrkamp Verlag
Bavarian Order of Merit

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